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It’s Friday – the day of the week that we remember Jesus’ Passion and Death – not just during Lent, of course, but year round.

Doing some research, I discovered the Ultimate Stabat Mater website. I really don’t know how I had not run across it before:

Hans van der Velden started collecting Stabat Maters in 1992. After five years, when he owned about 40 Stabat Mater CDs, his partner Hannie van Osnabrugge created the Ultimate Stabat Mater Website with FrontPage.

The site contained all his notes on the composer, the composition, the original Latin text, and the translations. Hans continued his search for Stabat Maters, and regularly updated the site with new composers and translations.

Via the website Hans came into contact with music lovers, musicians, and composers from all over the world who provided him with new information about compositions and translations. The Stabat Mater collection became one of his passions. In his own words:

When I realised, one day, that I owned several CDs with a musical setting of the Stabat Mater I decided to start a real collection. The Spectrum Muziek Lexicon by Theo Willemze named some 15 composers, so this should be not too difficult. It appeared, however, that the number was substantially larger. I now know about some 600 composers, who, (fortunately), have not all been recorded on CD yet. Still, a substantial fraction has been released on CD and my collection grew rapidly. Beside this list of my collection of CDs I have made another list of composers, who as far as I know have not yet been recorded on CD (more than 400).

A collection invites comparing, and that is what I do. I analyse the text and note the differences, as it appears that several variations of the Stabat Mater poem exist. I listen to the music and I try to present the results in an easily surveyable way. This comparison is handicapped by the fact, that, in the field of musical theories, I am illiterate and not even able to read music. Therefore, many of the opinions in this area come from the accompanying CD-inserts. Besides that, I try to give an impression of what I heard. This is, in effect, a question of sense and sensibility. I give a description in words, coloured of course by my own taste, and I give a graphical representation of the piece ..

When Hans died on December 28th, 2005, he possessed  211 different  Stabat Mater compositions on CD. The final composition he added was by the Polish composer Henryk Mikolaj Górecki. After his death, his spouse continued collecting Stabat Mater compositions and managing the site.

The YouTube Channel

The Instagram Page

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Almost done….

As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Reborn…together. Or what Nicole Kidman’s AMC ad can teach the Church (12/1)

And now, in slow, gradual recovery, here we are again. The understanding of how deeply we are made for community bursts forth in the elation about being able to gather again, to be free to celebrate, to see each other face-to-face.

The AMC spot is cynically understanding of all of this, given that the ad exists solely to get us back spending money again.

But look at that text. It addresses the desire to begin again, to start over – even completely. To be reborn! Together! It admits the reality of pain and tells us that in the theater, enveloped by the experience of film, that pain can be transformed and even “feel good.” We are a part of “perfect and powerful” stories.

New life – reborn in community – O happy fault – He spoke to them in parables

Yes, this is what marketing does. But that doesn’t mean that the need the marketing discerns and exploits isn’t real.

Sand and rock (12/2)

The difference between solid and fragile can be difficult to discern, not just in geology, but in the spiritual life. Of course. That’s why discernment is an essential and challenging aspect of spiritual growth. Because it’s not obvious.

I’m seeing a lot of that these days, it seems, as expressed in life online.

Three posts on the (then) proposed renovation plan for Notre-Dame-de-Paris:

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Deux

Trois

Things that might not make sense (12/18)

  • The Church must be a listening Church

but…

  • No, no, no. Not to you.

Beyond Historical Concerns (12/26)

I thought clericalism was bad (12/28)



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Unsettled yet ready (9/5)

To separate oneself from the great literature from the past is to cut oneself off from community with the human beings who, in every time and place have grappled with the same mysteries you are wondering about tonight: I am choosing this…but am I really free? And if God is God , what place do my actions have?

It’s a deep disservice to young people to make the essence of education the exploration of their own feelings and identities, with no reference to the greater world, present or past.

No wonder they feel so alone.

The Total Woman Thinking Positively about the Man Nobody Knows (9/7)

Trends, fashions and fads. Popular religion reflects them. Religious practice reflects the culture in which it exists in great and small ways. We are not disembodied angels. We are embodied, Jesus was Incarnate, and the Church is His Body, He dwells in His tent among us and so this is who we embodied humans know Him – or anything. We can’t be or do anything else.

But perhaps this quick glance at some powerful spiritual fads of the past decades might remind us that a testing, discerning spirit is essential to the healthy, holistic Christian life. We know what Paul tells us – now we see through a glass but darkly – but do we know it? Do we admit that we are no different? 

Ad Gentes and all that (9/7)

Contended with Stories (9/20)

This self-protective narrative construction can happen anywhere – in personal conversations, on social media, in institutions.

It’s fairly simple to identify, more challenging to combat. How to identify?

If the response to your question or inquiry is to call you a name, characterize you according to some identifier or alliance, or, more seriously, seek to expel you from whatever form of civilization is at stake – there you go.

And of course, social media, especially Twitter, lends itself to this tendency quite effortlessly and perhaps purposefully.

Even on Catholic Twitter (should I even say “even?” No reason to…) – the narrative-shaping, manufacturing of consent, caricatures and excommunications are constant – and as McLuhan says, there’s that media shaping the message again, because when you have 280 characters, who has time to present a case?

Slapping on labels – that is, creating the story – then pointing and laughing at whoever we’ve declared is to blame is much, much easier.

Restoration Comedy (9/24)

The story of Haggai, and more broadly, the return of God’s people to Jerusalem, is certainly an effective and suggestive way to reflect on the present situation of the collapse of Catholicism in Europe – and the West in general, as a well as a way forward. Read Haggai, and you’ll see it all, much of which Pope Francis brings out in his homily: the prophetic condemnation of fearful clinging to comfort, the call to courage, and evocations of the emptiness of life when we rely on ourselves and push God out of His rightful place.

So much more complex than a war between past, present and future, with the past always held up as the enemy.

For besides all the other problems with this framing, we might well ask:  where does “the past” begin anyway?

What’s the cutoff?

100 AD? 1100? 1900? 1962? 2013?

How do we discern which part of “the past” is permissible to keep or draw from?

Because, you know, the Second Vatican Council started three generations ago. Long time!

When does a genial rootedness in “living tradition” transform into ideological “tastes?”

How can you tell?

What is this “restorationism” that “kills us all,” exactly?

Restoration of what from what part of the past?

The Wish to Find out (9/27)

But it’s still amazing to encounter this blatant, casual, brutal bigotry, not just as a part of, but as the climax, the clincher in a ringing ode to free thought and reasoned discourse as opposed to the ignoble, blighted, darkness of “belief” that had held humanity back from real progress for millennia.

Of course, what’s essential to remember is that during this era, racism, bigotry and eugenics were considered “scientific” and “rational.”

One might say, in fact, that for these big brains dedicated to reason…. the science was settled.



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Mother’s Day at Mass (5/4)

Catholic life and tradition has a lot to say and do when it comes to parenthood – in ways, if you think about it, that aren’t sentimental and take into account the limitations of human parenthood and root us, no matter how messed-up our families are or how distant we feel from contemporary ideals of motherhood – in the parenthood of God. Live in that hope, share it, and be formed by that, not by commercially-driven American pop culture.

A Catholic Laywoman’s Viewpoint (5/11)

When looking for a printable version of [Hemingway’s “The Killers] , I came upon a “reprinting” of the original Scribner’s publication, so I happily printed it out – all the better because it had illustrations.

What I hadn’t noticed until yesterday, when we talked about the story, was the piece that directly followed it. It’s an essay by one Grace Hausmann Sherwood called “A Catholic Laywoman’s View-Point.”

Sherwood, from my brief research, wrote a couple of books – one a volume of poetry, and the other, a history of a religious order.

I’m going to type out the introduction and then just toss up images of the rest of the piece here. It’s a bit scattered – it seems in part to be a general apologetic for the seemingly counter-cultural aspects of Catholicism as well as an explanation for the role of women in Catholicism. I think anyone who’s interested in Catholicism, religious history, social history and women in religion will find it useful.

It’s also a helpful antidote to the caricature of pre-Vatican II Catholicism as a closed, inner-looking system, Sherwood frequently points to analogies and subversive justification for Catholic practices and beliefs in other faiths and in the secular world, and has no problem in saying, for example, that a Catholic woman is bound by beliefs that seem strange and unnecessary to other women, “as good and often much better Christians than herself..”

And of course, most interesting – and depressing for the current moment – of all is that there was actually a time in which it was perfectly normal for a major, national, popular magazine’s pages to lead directly from stories by Ernest Hemingway to an essay by a religiously observant woman explaining her faith.

The Altar of the Algorithm (5/20)

…the most counter-cultural, pastoral thing we can do for our kids is to fight this, and to tell them again and again that this is not real life or connection and their worth is absolutely unrelated to their social media impact, even within their own circle of friends.

And that it’s largely a waste of time – sorry, it is – and a net loss for actual human flourishing and connection. I’m convinced of this, no apologies.

And to fight it, not just through our words, but through our actions as well, as purported evangelizers and ministers and such – every chunk of time you encourage your followers to spend listening to you online is a chunk of time that’s those followers are not engaging with the real people around them.

Much Obliged (5/21)

Pasting Labels and Folding Mantles (5/25)

The other day, my organist son substituted at the local Maronite Catholic parish. It was Pentecost, and the young priest preached an excellent homily. 

Here’s what was refreshing about the homily, especially in the context of contemporary pop spiritual discourse…..

Time, Weighing (5/26)

The content that’s produced by …producers on media platforms that seeks your attention and time, that draws you in, that creates a narrative designed to hook you in, drama to get invested in – whether it’s my weight loss journey or watching my kids grow or following my pregnancy or joining us on our RV trip or home reno project. Not to speak of getting you involved in endless, fruitless arguments that change no one’s mind, ever.

All of that can be encouraging and even educational. But it can also be a massive time-suck from which you emerge, dazed, and perhaps saying to yourself – did I really need to spend all that time watching random people I don’t know and will never meet talk to me about their morning routine or show me what they wore last Sunday or gripe/brag about their kids?



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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Today’s his feast, of course. One of my favorite saints for many reasons, including the fact of his determined resistance to God’s call, the expression of that call through the voice of the people of Milan, and then his full-spirited embrace of his duty when he discerned that yes, this was the way God wanted him to go.

A few St. Ambrose-related posts coming your way.

(Our 2011 trip to Milan. Ambrose on Repentance.)

First, the basics:

St. Ambrose, today.

Artwork: St. Ambrose rebukes Theodosius by Daniel Mitsui. More here.

In depicting this event, I wanted to give emphasis to the ideas of repentance and forgiveness; in a quatrefoil above the door of the church, I drew King David confronted by the Prophet Nathan (whose parable appears in a smaller quatrefoil). The postures, clothing, and positions of these figures relate them to those of St. Ambrose and Theodosius below. The beginning of the psalm expressing King David’s repentance I wrote on the lintel. On the door is a sactuary knocker (in the form of a green man, similar to that knocker on Durham Cathedral) which suggests again the idea of a church as a place for the repentant. Both St. Ambrose and the Emperor wear purple vestments; the color is a symbol both of repentance and of imperiality.

The crosier carried by St. Ambrose is my own fanciful design; it has a carved-ivory head in the shape of a seahorse with snails for crockets, and terminates in a narwhal tusk.

A narwhal tusk!

We might begin with his hymn, Veni Redemptor gentium:

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Source

A Clerk of Oxford has a wonderful, thorough post on the hymn. Go here for that!

He’s in the Loyola Kids Book of Saints, under “Saints are People Who Change Their Lives for God.” 

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You can peek at the chapter here, at Google Books.

B16 at a General Audience, speaking about St. Ambrose:

Dear brothers and sisters, I would like further to propose to you a sort of “patristic icon”, which, interpreted in the light of what we have said, effectively represents “the heart” of Ambrosian doctrine. In the sixth book of the Confessions, Augustine tells of his meeting with Ambrose, an encounter that was indisputably of great importance in the history of the Church. He writes in his text that whenever he went to see the Bishop of Milan, he would regularly find him taken up with catervae of people full of problems for whose needs he did his utmost. There was always a long queue waiting to talk to Ambrose, seeking in him consolation and hope. When Ambrose was not with them, with the people (and this happened for the space of the briefest of moments), he was either restoring his body with the necessary food or nourishing his spirit with reading. Here Augustine marvels because Ambrose read the Scriptures with his mouth shut, only with his eyes (cf. Confessions, 6, 3). Indeed, in the early Christian centuries reading was conceived of strictly for proclamation, and reading aloud also facilitated the reader’s understanding. That Ambrose could scan the pages with his eyes alone suggested to the admiring Augustine a rare ability for reading and familiarity with the Scriptures. Well, in that “reading under one’s breath”, where the heart is committed to achieving knowledge of the Word of God – this is the “icon” to which we are referring -, one can glimpse the method of Ambrosian catechesis; it is Scripture itself, intimately assimilated, which suggests the content to proclaim that will lead to the conversion of hearts.

Thus, with regard to the magisterium of Ambrose and of Augustine, catechesis is inseparable from witness of life. What I wrote on the theologian in the Introduction to Christianity might also be useful to the catechist. An educator in the faith cannot risk appearing like a sort of clown who recites a part “by profession”. Rather – to use an image dear to Origen, a writer who was particularly appreciated by Ambrose -, he must be like the beloved disciple who rested his head against his Master’s heart and there learned the way to think, speak and act. The true disciple is ultimately the one whose proclamation of the Gospel is the most credible and effective.

Like the Apostle John, Bishop Ambrose – who never tired of saying: “Omnia Christus est nobis! To us Christ is all!” – continues to be a genuine witness of the Lord. Let us thus conclude our Catechesis with his same words, full of love for Jesus: “Omnia Christus est nobis! If you have a wound to heal, he is the doctor; if you are parched by fever, he is the spring; if you are oppressed by injustice, he is justice; if you are in need of help, he is strength; if you fear death, he is life; if you desire Heaven, he is the way; if you are in the darkness, he is light…. Taste and see how good is the Lord:  blessed is the man who hopes in him!” (De Virginitate, 16, 99). Let us also hope in Christ. We shall thus be blessed and shall live in peace.

OSV, along with many other publishers at the time, collected these talks on the early Church Fathers into a volume. I wrote a study guide to go along with it, which is now available for a free download. So there you go – an easy personal or group study, at no cost to anyone for materials, since the talks are online at the Vatican website. Below are the pages for the Ambrose-Augustine chapter.

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As we all know, Advent begins next Sunday, November 28/ Below are some of the Advent resources I’ve written over the years.

First, remember that my Loyola Kids Book of Bible Stories is organized according to the liturgical year. The stories retold for Advent include “Prophets Say That a Messiah is Coming,” “Prophets Describe the Messiah,” “Zechariah Meets the Angel Gabriel” and so on.

The first reading on the First Sunday of Advent refers to the “just shoot” God will raise from the House of David.  In The Loyola Kids Book of Signs and Symbols, I cover the Jesse Tree – the traditional artistic rendering of this concept.

Note how it’s organized – and this the organization of the entire book. On the left side for every entry is a short, simple explanation for younger children. On the right is a more in-depth entry for older students.

Moving on…

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(BTW – I don’t make any $$ from the sales of these booklets. The way it works is that these kinds of materials are, for the most part, written as works-for-hire. You write it, you get paid a flat fee, and that’s it. No subsequent royalties. I just …think what I’ve written is not terrible and hope my words might be helpful to someone out there…so I continue to spread the word!)

First, is the family devotional I wrote for Creative Communications for the Parish.

The entries are not dated – they are “First Sunday of Advent” – “Monday, first week of Advent” – and so on, so it is still useable.

There’s a digital version available here.  So if you’d like it for your own use in that format – go for it! 

Wonders Of His Love
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More samples – pdf 

Several years ago, I wrote another Advent family devotional. It’s no longer available in a print version, but the digital version can still be had here.  Only .99!

In 2016, Liguori published daily devotions I wrote for both Lent and Easter. They publish new booklets by different authors every year, but mine are still available, both through Liguori and Amazon.

Liguori – English

(pdf sample)

Liguori  – Spanish

(pdf sample)

A daily Advent meditation book I pulled together from reflections my late husband had posted on his blog:

Unfortunately, the booklet I wrote on St. Nicholas for Creative Communications is now officially out of print. You can still access the pdf of the sample – about half of the text – here. If you’re interested. 

Nicholas-Of-Myra

For more about St. Nicholas, visit the invaluable St. Nicholas Center.

Years ago, I wrote a few pamphlets for OSV, among them these two:

How to Celebrate Advent. Also available in Spanish. 

PDF review copy of English version here.

PDF review copy of Spanish version here. 

How to Celebrate Christmas as a Catholic. 

PDF available for review here. 

PDF of the Spanish version available for review here.

And then….Bambinelli Sunday!

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Okay, so we did.

Fall Creek Falls State Park, Tennessee. Spectacular waterfall, very light crowds – it being a late Sunday afternoon when school is in session for most folks now.

A late start because someone is employed as a church organist. Then up to Tennessee, then dinner in the only kind of place that’s open in mid-sized Tennessee towns on a Sunday night: Mexican. And the night in the cutest, cleanest non-chain, family-owned motel in the state, I’m thinking. Although the kid persists in muttering things about a guy wearing a dress carrying a knife.

More on that when we move on.

Look for posts tomorrow on St. Rose of Lima and a decent digest – including what I thought of PIG, starring Nicholas Cage….

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As I mentioned yesterday, this week, in anticipation of the July 22 feast,  I’ll be posting excerpts from my book Mary Magdalene: Truth, Legends and Lies, published by OSV a few years ago under another title, but now available, published by moi, via Amazon Kindle for .99.

Chapter 1

Chapter 3

Chapter 2:

‘WHY ARE YOU WEEPING?’

Luke is the only evangelist to mention Mary Magdalene before the Passion narratives, but once those events are set in motion, Mary is a constant presence in all of the Gospels, without exception. For the first few centuries of Christian life, it is her role in these narratives that inspired the most interest and produced the earliest ways of describing Mary Magdalene: “Myrrh-bearer” and “Equal-to-the-Apostles.”

At the Cross

In both Matthew (27:55) and Mark (15:40-41), Mary Magdalene is named first in the list of women watching Jesus’ execution.

Luke doesn’t name the women at the cross, but he does identify them as those who had “followed him from Galilee.” John also mentions her presence (19:25), but his account highlights the presence of Mary, the mother of Jesus, and Jesus’ words commending her to John’s care.

After Jesus’ body is taken down from the cross, Mary and the other women are still there. Matthew (27:61) and Mark (15:47) both specifically mention her as seeing where Jesus’ body was laid, and Luke again refers to the “women . . . from Galilee” (23:55), whose identity we are expected to understand from Luke’s early mention of their names in chapter 8.

Finally, as the Sabbath passes and the first day of the week dawns, the women still remain, and the Twelve are still nowhere in sight. Matthew describes Mary Magdalene and “the other Mary” (not the mother of Jesus, but probably the Mary, mother of James and Joseph, whom he had mentioned in 27:56) coming to “see” the tomb. Mark and Luke get more specific, saying that the women have come to anoint Jesus’ body. John, interestingly enough, in chapter 20, ignores any other women, and focuses on Mary Magdalene. She comes to see the tomb, finds the stone moved and the tomb empty, and runs to tell Peter.

At least one early critic of Christianity seized on Mary Magdalene’s witness as discrediting. As quoted by the Christian writer Origen,the second-century philosopher Celsus called her a “half-frantic woman” (Contra Celsus, Book II: 59), thereby calling into doubt the truth of her testimony of the empty tomb.

What is striking about John’s account is that even though Peter and others do indeed run to the tomb at Mary’s news and see it empty, that is all they see. They return, and after they have gone away, Mary remains, alone at the tomb, weeping. It is at this point that, finally, the risen Jesus appears.

Of course, Jesus appears to Mary and other women in the Synoptic Gospels as well. In Matthew (chapter 28), an angel first gives them the news that Jesus has risen from the dead. The women then depart to tell the Twelve, and on the way they meet Jesus, they worship him, and he instructs them to tell the disciples to meet him in Galilee.

In Mark (chapter 16), they meet the angel first as well, and receive the same message as Matthew describes, and are, unlike the joy described by Matthew, “afraid.” (Fear and lack of understanding on the part of disciples is a strong theme in Mark’s Gospel, by the way.)

Mark presents us with a bit of a problem, because the oldest full manuscripts of Mark, dating from the fourth century, end at 16:8, with the women afraid, and with no appearance of the risen

Mark presents us with a bit of a problem, because the oldest full manuscripts of Mark, dating from the fourth century, end at 16:8, with the women afraid, and with no appearance of the risen Jesus described. Manuscripts of a century later do contain the rest of the Gospel as we know it, continuing the story, emphasizing Jesus’ appearance to Mary Magdalene, and identifying her as the one from whom he had exorcised seven demons. She sees him, she reports to the others, and they don’t believe it. Jesus then appears to “two of them” (perhaps an allusion to the encounter on the road to Emmaus we read about in Luke 24) who then, again, report the news to the Twelve who, again, do not believe it. Finally, Jesus appears to the disciples when they are at table, and as is normal in the Gospel of Mark, their faithlessness is remarked upon.

Some modern scholars suggest that Mark 16:8 is the “real” ending of this Gospel, which would mean that it contains no Resurrection account. Others, including the Anglican Bishop N. T. Wright, a preeminent scholar of the New Testament, argue that when one looks at Mark as a whole, it is obviously building up to the Resurrection,including prophecies from Jesus himself. Wright theorizes that the original ending was perhaps lost (the ends of scrolls were particularly susceptible to damage), and that what we have now is an attempt by a later editor to patch up that lost ending, but not in a way inconsistent with Mark’s intentions.

The theme of disbelief also runs through Luke. Interestingly enough, this Gospel doesn’t recount an encounter between the women (who are finally again specifically identified) and Jesus, but only the appearance of “two men” in “dazzling apparel,” who remind them of Jesus’ prophecies of his death and resurrection. The women, no longer afraid, go to the apostles, who, of course, dismiss their tale as idle chatter.

What’s clear in these Synoptic Gospels is, first, the strong sense of historical truth about the accounts. Rationalist skeptics would like to dismiss the Resurrection as a fabrication, but if it is, then the storytellers did a terrible job, didn’t they?

After all, if you were creating a myth that would be the origins of your new religion, would you write something in which the central characters — the first leaders of this same religion — were so filled with fear and doubt that they appeared weak?

If you were making up the story of the Resurrection from scratch, you would, as a person living in the first century, in the Roman Empire, and presumably as a Jew, only be able to think about this resurrection business in the terms and concepts available to you. And, as N. T. Wright has so ably demonstrated in The Resurrection of the Son of God (Augsburg Fortress Publishers, 2003), even the first-century Jewish world, which did believe in a resurrection of the body, saw it in completely different terms — that it would eventually happen to everyone, at once, at the end of time (Wright, pp. 200-206).

And in general, when you read over the Resurrection accounts in the Gospels, you are immersed in an account in which people are afraid, confused, in awe, and eventually profoundly overjoyed. There is a veil drawn over the core event — the Resurrection itself is never described because, of course, none of the witnesses saw it.

They saw the empty tomb, and they saw the risen Jesus. A clever fabricator and mythmaker would not have woven his account with such nuance, and would probably have offered a direct account of the event itself, perhaps even with a clear explanation of what it all meant. But that’s not what we read, and somehow, ironically, all of the confusion and human frailty is powerful evidence for the truth of the account.

Most importantly for us, a first-century mythmaker would not have featured women as the initial witnesses of these formative events. It is inaccurate to say that first-century Jews did not accept women as reliable witnesses at all. There was, of course, no unified system of law within Judaism, and what was practiced was dependent upon which rabbi’s interpretation of the Law was used. Some rabbis did, indeed, hold the opinion that women were not reliable witnesses, but others disagreed and counted a woman’s witness equal to a man’s.

However, the fact that a woman’s reliability as a witness was disputed, unclear, and not consistently accepted, would, it seems, discourage a fabricator from using women as his source of information that the tomb was indeed empty. It certainly wouldn’t be the first choice to come to mind if your aim was to present a story that was easily credible, would it?

“[And] so that the apostles [the women] did not doubt the angels,Christ himself appeared to them,so that the women are Christ’s apostles and compensate through their obedience for the sin of the first Eve. . . . Eve has become apostle. . . . So that the women did not appear liars but bringers of truth, Christ appeared to the [male] apostles and said to them: It is truly I who appeared to these women and who desired to send them to you as apostles.” (Hippolytus, third century, quoted in Mary Magdalene: Myth and Metaphor, by Susan Haskins [Berkley, 1997], pp. 62-63)

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Noli Me Tangere

John’s account of Jesus’ post-Resurrection appearance to Mary in chapter 20 adds more detail than the Synoptics. She comes to the tomb while it is still dark — recall how John’s Gospel begins, with the wonderful hymn describing the Word bringing light into the darkness — and she sees that it is empty, and then runs to get the disciples. Peter and another disciple come to the tomb, see it for themselves, but leave, since, as John says, they didn’t yet understand “the scripture” — perhaps the Hebrew Scriptures as they would be later understood by Christians.

Mary stays, though, weeping ( John 20:11). She peers into the tomb (the level of detail in this account is fascinating) and sees two “angels in white” who ask her why she is crying. She says, sadly, “They have taken away my Lord, and I do not know where they have laid him” ( John 20:13). She then turns and sees another figure; we are told it’s Jesus, but she doesn’t know until he speaks her name ( John 20:16)

One of the more well-known moments in this account comes in John 20:17, when Jesus says to Mary, in the famous Latin rendering of the words, “Noli me tangere,” which has commonly been translated, “Do not touch me.”This, however, is not the most accurate translation — either in Latin or English — of the Greek, which really means something like, “Do not cling to me” or “Do not retain me.”

So, no, Jesus is not engaging in misogynistic behavior here. Nor is he (as some modern commentators suggest) alluding to a supposed former intimate relationship between him and Mary. This is not about touching; it is about understanding who Jesus is and what his mission is. After all, Thomas is invited to touch the wounds of Jesus in John 20:27. No, Jesus tells Mary to let go of him, to look beyond the moment, to the future. After all, his very next words direct her to go to the apostles and tell them, “I am ascending to my Father and your Father, to my God and your God” ( John 20:17). Knowing Jesus for who he is, we cannot stand still. We have to move, get out, and share the marvelous news that in Jesus the barriers between humanity and God are dissolved.

Which, of course, Mary Magdalene does. All of the evangelists agree that she was the first to announce this Good News to the apostles, who, more often than not, responded with skepticism.

But such is the way it has always been. God always chooses the least in the world’s eyes, the unexpected and the despised, to do his most important work. To see this event only through the prism of politics, and to be inspired by it to think only about gender roles and such, is to be willfully blinded to the greater reality: Jesus lives, Jesus saves, and as we are touched by this truth, we are, at the same time, called to go out and share it.

Mary of the Bible

Mary Magdalene’s future in Christian spirituality and iconography is rich, evocative, and even confusing, as we’ll see in subsequent chapters. But it all begins here, with powerful simplicity and themes that will resonate through the centuries.

Mary Magdalene, healed of possession, responds to Jesus with a life of faithful discipleship. As spiritual writers and theologians will point out, she’s like the Bride in the Song of Songs. She’s like the Church itself, called by Christ out of bondage to the evils that pervade our world, giving ourselves over to him in gratitude, waiting with hope by the tomb, even when all seems lost, and rewarded, in a small, grace-filled moment, when, in the midst of darkness, we hear him call our name.

Questions for Reflection

  1. What does Mary’s desire to hold on to Jesus symbolize to you? How do you experience this in your own life?
  2. Why is Mary referred to as “Apostle to the Apostles?”
  3. What can Mary’s fidelity teach you about your own relationship to Jesus?

Below: The pages on Mary Magdalene from the Loyola Kids Book of Catholic Signs and Symbols. As a new school year approaches, please consider purchasing copies of this and other Loyola Kids titles for your local Catholic parish and school!

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A bit of blogging this week. Perhaps of the most interest will be this post on the movie The Sound of Metal.

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Pentecost is coming, of course.

Pages above are (left) from the Loyola Kids Book of Catholic Signs and Symbols  and (right) from the Loyola Kids Book of Bible Stories.  Click on images for larger versions. Remember that for the Signs and Symbols entry, there’s another page –  a full page of more detailed text.

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Pentecost is one of the events in The Loyola Kids Book of Heroes. 

(The book is structured around the virtues. Each section begins with an event from Scripture that illustrates one of those virtues, followed by stories of people and events from church history that do so as well)

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This hasn’t been published in a book – yet – but it’s a painting byAnn Engelhart, illustrator of several books, including four with my writing attached – all listed here. It’s a painting of the tradition of dropping rose petals through the oculus in the Pantheon in Rome.

pentecost

(Our Cathedral here in Birmingham has also done this regularly over the past few years – it’s happening this coming Saturday for the Vigil of Pentecost, which will be livestreamed here.

For more on the Cathedral’s livestreaming, go here.

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By the way, please follow Ann on Instagram. She features her beautiful art and regularly posts live painting sessions on Instagram Stories. 

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Hopefully this weekend,  you’ll be hearing/singing/praying Veni Creator Spiritus.  I have a chapter on it in The Words We Pray. A sample:

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Speaking of art, from Daniel Mitsui:

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Daniel has designs available as wallpaper and fabric here. Gorgeous.

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And finally, here’s an excerpt from a lecture he delivered earlier this year. Food for thought for artists of all kinds – and any of us, really.

So how does an artist who wants to make religious art, who wants to make it both beautiful and traditional, to glorify God and edify men through it, answer the challenge of doing that in a changing world?

He should choose his influences – both visual and intellectual – out of love. He should love them for what they are, rather than for what they are not.

No matter how devoted he is to a certain kind of art or school of thought, he should remember that it is incomplete and imperfect. He can and should try to make it better. This is an altogether traditional thing to do.

He should be open to whatever medium, whatever materials, whatever methods work best to express his artistry. A willingness to be bold, technically, is another altogether traditional thing to do.

He should not consider religious art to be a political tool, or encourage its use as such.

He should look to every kind of art – whether it comes from within the Church or without it – asking the questions: what works? and what can this teach me to make my art better? God is the author of all beauty; as Augustine says, the mines of his providence are everywhere scattered abroad.

He should ask the same question even of art that he considers generally bad: What works? What can this teach me? The answer may be: very little. But if it is anything at all, he should accept the lesson.

More.

For more Quick Takes, visit This Ain’t the Lyceum!

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Via another blog, I happened upon this trailer for a new movie streaming or showing somewhere. It stars Justin Timberlake and it’s about this ex-con who returns to his southern (of course) hometown and somehow ends up taking care of a young boy who’s having troubles because (you know it) he wants to wear dresses.

Justin Timberlake Stars as in 'Palmer' Trailer - Rolling Stone

It’s the next step from the Magical Negro and the Magical Gay – the Magical Non-Gender-Conforming-Minor (not creepy at all) , who showers wisdom, self-understanding and tolerance upon all in his now very Magic Circle.

And yes, the trailer enraged me. But not, perhaps for the reasons you expect. It enraged me, not for the boys, who can and will do whatever they want and then profit while the rest of the world praises them for it, whether starting wars or wearing dresses, for that’s the way of the world – no, not so much for the boys.

But for the girls.

I’ve only watched the trailer, and that’s all I’ll ever watch, and perhaps I’m off base, and perhaps the movie tells a different, more subtle story, but this is what I got from the trailer.

This boy-child is outcast and bullied because he:

  • Spends times with the girls, affecting dance moves like a drag queen
  • Plays with a Barbie
  • Joyfully imitates the moves of girl cheerleaders
  • Viewing some Disney-type princess cartoon declares that not only can he be one of them, he can be the first like him to be one of them.

It’s unclear from the trailer whether the issue is that the boy wants to become a girl or if he wants to remain a boy but be free! to do “girl things” and present in “girl ways.”

I don’t care. Any or all of those choices are repulsive, and again, it’s not because the story presents the (stupid) story of a boy who wants to do them.

It’s repulsive because of what it all says about girls.

I’m going to keep repeating this until I drop. The transgender moment is a war against females. It is built on rigid gender stereotypes and ultimately communicates that women are better off as men and men make the best women.

This, the trailer implies, is Girl World: A world of young human beings defined by fey, coy, sexualized dance moves, of cheering on males in athletic combat, of dressing up dolls with unrealizable physiques and, of course, ruled by wide-eyed, curvaceous (but not too curvaceous) princesses.

And oh! Let us pity and cheer on the brave, misunderstood person with a penis who simply seeks to enter this enchanting and fun Land of Cute!

Screw this. I am so tired of this. Exhausted. Confounded. As I’ve written before. Absolutely confounded.

Come on, little boy, do you want to learn about Girl World? Here. Listen up. Look. Watch.

Girl World is a place where there’s blood, and pain and, more often than you would expect, fear.

It’s a place where most of us, for most of our lives, bleed and cramp and are emotionally tossed up and plunged downward regularly, once a month, for days. I once had to leave a final exam in college – right in the middle – the pain was unendurable. And that, my young friend, was a normal month, a regular, bloody, body-bending part of life.

And when the time of bleeding stops, in Girl World, it’s a time of heat and racing hearts and depression and dryness and more, different kinds of pain.

What else happens in Girl World? We grow people inside of us, and through history, have died in great numbers as we strove to push those people through our bodies. When we survive, we spend years giving suck to those people we’ve grown and birthed, but not at leisure, but hours every day while keeping at the hard work of our life in the world, whether that be in fields or at the hearth or the office. All day, every day. And night.

Oh, Girl World. That place where human beings called girls and women can’t walk down a street, can’t sit in a café or bar alone without being catcalled, bothered or worse.

Girl World, A History: Are you a girl? Can’t vote, can’t own property, can’t live outside of male supervision. But you can wear makeup if you want! You go!

So no, little boy, you can never be a part of that even if you wear a dress and learn to swivel those hips, and I suspect, knowing the truth, you probably don’t want to. You just want to play, to perform, to act, to act out – something. Some loss, some desire, some yearning that’s real, even if the solution the world presents you is not.

And damn the culture and society that lets you believe that this imaginary Girl World of Cute and Princesses and Cheering on the Boys, wiggling asses, jiggling breasts and shiny clothes is the place for you – or for anyone – to live and pretend.

So yes, the Girl World of this kind of garbage infuriates me because it’s not about the real lives of girls and women, but about fantasies that serve other, more nefarious ends – economically, culturally, and personally.

But it infuriates me for the real girls of the very real Girl World, not only because it devalues their unique experience, but also because it reinforces that insidious, horrendous definition of femaleness that I thought we had killed off, but has resurrected, so bizarrely, over the past two decades, it seems.

I like swiveling my hips, playing with dolls, cheerleading and princesses – it’s my ticket to Girl World!

I’ll give you your ticket to Girl World. Here you go. And now, what do you see? The young female human beings who actually do have tickets to the real Girl World – don’t be fooled. Don’t get off at the Potemkin village they’re selling you. Wait a little longer. You’ll see who lives here.

Where do we start?

Athletes, astronauts, governors, senators, vice-presidents, prime ministers, colonels, captains and generals,

EPSON MFP image

scientists, CEOS and plant managers, engineers, attorneys, nurses, doctors, surgeons, homemakers, ministers, teachers, farmers, cashiers, archaeologists, pilots, chefs, coaches, nuns and artists….and that’s only the beginning.

These females – these real, biological females who live in this Girl World – the real one – are just like you. They’re short, tall, thin, heavy, have high voices or speak in low tones, giggle or guffaw, laugh a lot or just when something is really darkly funny, think princesses are wonderful or think they’re silly or never think about them all, love cheering, love playing on the field or even both, want to have kids, can’t stand kids, wear makeup and go without, spend time on their hair or get it cut twice a year, wear dresses sometimes, all the time or never, maybe want to be cute or maybe don’t give a damn.

So sorry, young dude. Affecting a cute demeanor doesn’t get you into Girl World. And a culture that encourages you is telling you a lie. But of course, those hurt the worst by the bizarre, insistent lie of the performative, superficialities of this supercute, glittery, hip-swiveling, chest-thrusting, pouty-lipped land of cheering, dancing pink-encased princesses are, of course, as always.…girls.

But not if we don’t want to be….

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