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All April 2022 posts here.

Lots of history this month. The reason is that I’d been asked to do a presentation for our Cathedral adult education program on the Church in the Deep South, so why not share the wealth?

Here’s a link to the slide element of the presentation – I think it should be accessible, but I’m sure someone will let me know if it’s not.


So to live in the present, respectful of the past but not burdened by it? How?

That seems to me a key to spiritual wholeness, and how we treat the objects we inherit can be expressive of our inner disposition. The healthy place is neither casual dismissal or mournful clinging. The healthy place prioritizes the present, informed by, but not controlled by the past.

And when you shake loose, you might be surprised to find how faulty your understanding was all along.

I have a very hard time seeing how a persona-centered “outreach” can be squared with the Gospel call to humility.

The saints are a varied lot. They are extroverts. Introverts. rich, poor, young, old. artists, queens. beggars. scholars, and doorkeepers. But all of them, Catherine included, embody authentic humility. Their sense of a life well-lived challenges mine. Success? Achievement? Opportunity? Talents? I some-times wonder how to navigate all of those values, especially as a disciple of Jesus. I’m here on earth right now. I’m willing and able. What am I supposed to do and how am I supposed to figure it out? In Catherine. I get a glimpse of another landscape, one not that far away after all, one peopled by those who know the truth of who they are, how precious and yet how small; who know their own weaknesses; and who know that God’s infinite strength is as close as their own fiat.

Drawn from the Cathedral presentation:


January 2022 Highlights

February 2022 Highlights

March 2022 Highlights

April 2022 Highlights

May 2022 Highlights

June 2022 Highlights

July/August 2022 Highlights

September 2022 Highlights

October 2022 Highlights

November and December 2022 Highlights

Books of 2022

Movies and Television of 2022

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Coming to you from Whole Foods….

Well, for the first time on this trip, I’m staying at a place with less-than optimal internet, which is ironic since this is the most expensive place in which I’ve stayed (which is not saying a whole lot, but still. It’s in a somewhat chi-chi part of town and the owner has the rental casita on a booster from the main house. Even if I plant myself right next to the contraption, photos still don’t load. Let’s see if Whole Foods comes through.)

Update: It did.

(And you wonder – why not just wait until tomorrow? Because I don’t know where I’ll be tomorrow – I may not have internet all day, at all – and I don’t want a huge backload of this type of writing. I have other things I need/want to do when I get home.)

Saturday morning was my last morning in the lovely, perfect Tiny House outside of Abiquiu, New Mexico. Here’s the listing – it’s not on the normal rental sites, but on a site geared more towards campers. Hipcamp features campsites, yes, but also lists lodgings that are perhaps on campsites (yurts, cabins, treehouses) and spots like this. It’s also on VRBO. I do believe that the gentleman who owns the property built the house and probably designed it as well. It’s cunning, smart, and cozy – and as you can see, the location can’t be beat.

Good-bye Tiny House!

I cleaned up, packed up and headed out to Mass.

Where?

Here.

As I mentioned somewhere – perhaps it was on Instagram – I’d discovered a couple of days before that since this parish, now St. Thomas the Apostle, was originally founded as St. Rose of Lima in the colonial period, her feastday (which was Monday) is celebrated with a fiesta, that begins with Mass in the ruins of the original mission.

Not something I’m going to miss, amiright?

There were probably 75 people there, mostly Hispanic. The Mass was in English, with all music in Spanish and the Agnus Dei in Latin. The priest was Vietnamese. It was a lovely Mass, in a beautiful, moving setting.

I was standing in the back, and there were probably twenty people behind and around me.

Followed by a procession – not Eucharistic, but with images of St. Rose and the Blessed Virgin – into town. It was escorted by folks on horseback and the fire department. It’s about a two mile journey, and I wasn’t going to walk it, so while I waited, I headed down to the Chamo River for a bit of a break.

The procession arrived – my position was from the parking lot of the famed Bode’s General Store – which is the main shopping stop in Abiquiu.

Up to the fiesta. The church, St. Thomas was open, so of course I took a look. As you can see, it’s peppered with images of both St. Thomas and St. Rose.

I understand the mayordomo is a common role in churches down here. Don’t you think it’s a good idea to have an official parish mayordomo instead of the unofficial jockeying for the spot that’s inevitable anyway?

To cap off an already very interesting morning, I discovered that the O’Keefe house and studio was doing special tours from 1-3. Abiquiu residents were free, and non-residents were asked to give a suggested $20 donation, which would then go to benefit the church. I’m in!

It was not the full tour, of course – more of a walk through with a docent, who gave the basics, but didn’t go in depth. I didn’t get any photo of her studio because there were a few people in there already. But I did get photos of her perfect mid-century mod sitting room – the rocks on her window sill are just part of O’Keefe’s rock collection, which she enjoyed rearranging and studying. The black door is a subject she painted quite a bit.

The setting is….unbelievable. And yes, inspiring.

And remember, it’s just around the corner from the Penitente Morada.

Time to hit the road south to Santa Fe. I stopped in Romero’s fruit stand to pick up some chile powder and some chili-sprinkled dried fruit, then kept going. My rental wouldn’t be ready until 4, so I continued to the Plaza, walked around a bit, got my bearings, saw the Cathedral exterior, where folks were arriving for Mass. Then back up to the rental, through clothes in the washing machine, and then….to the opera!

This was the last night of the season for the Santa Fe Opera, which is performed, of course, in this quite stunning setting, open to the west, so the setting sun provides a backdrop for at least part of the evening, and then twinkling lights for the rest. It’s a gorgeous place.

As I considered attending this performance, I noted that tickets were somewhat scarce, and of course, not cheap. I was willing to pay a couple hundred bucks for the tickets, but then read somewhere about standing room tickets – for $15. How to get them? It’s not on the website. Are they available just on the day? Is it a lottery? What’s up? So, I did the radical thing – called the box office.

“Oh, you can buy them now, over the phone,” she said.

Well, that’s a done deal, then.

There are maybe two dozen standing room spaces, and understand this is not a Globe Groundlings situation where you’re just standing in a crowd. There’s a designated area all along the back of the Orchestra seats – the mixing board is in the middle – with stands on which you can lean, and which also have the little translation screens. Really – I would definitely do it again.

I’m especially glad that I only paid $15 because…wow, this production was not good. This review expresses my reaction in a much more knowledgeable way than I could manage. It just did not work, although the second act was better than the first.

But you know what? It was 12 minutes from my rental, and hearing the singing and the music in that setting for that price is not something I’m going to complain about.

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It’s Friday – the day of the week that we remember Jesus’ Passion and Death – not just during Lent, of course, but year round.

Doing some research, I discovered the Ultimate Stabat Mater website. I really don’t know how I had not run across it before:

Hans van der Velden started collecting Stabat Maters in 1992. After five years, when he owned about 40 Stabat Mater CDs, his partner Hannie van Osnabrugge created the Ultimate Stabat Mater Website with FrontPage.

The site contained all his notes on the composer, the composition, the original Latin text, and the translations. Hans continued his search for Stabat Maters, and regularly updated the site with new composers and translations.

Via the website Hans came into contact with music lovers, musicians, and composers from all over the world who provided him with new information about compositions and translations. The Stabat Mater collection became one of his passions. In his own words:

When I realised, one day, that I owned several CDs with a musical setting of the Stabat Mater I decided to start a real collection. The Spectrum Muziek Lexicon by Theo Willemze named some 15 composers, so this should be not too difficult. It appeared, however, that the number was substantially larger. I now know about some 600 composers, who, (fortunately), have not all been recorded on CD yet. Still, a substantial fraction has been released on CD and my collection grew rapidly. Beside this list of my collection of CDs I have made another list of composers, who as far as I know have not yet been recorded on CD (more than 400).

A collection invites comparing, and that is what I do. I analyse the text and note the differences, as it appears that several variations of the Stabat Mater poem exist. I listen to the music and I try to present the results in an easily surveyable way. This comparison is handicapped by the fact, that, in the field of musical theories, I am illiterate and not even able to read music. Therefore, many of the opinions in this area come from the accompanying CD-inserts. Besides that, I try to give an impression of what I heard. This is, in effect, a question of sense and sensibility. I give a description in words, coloured of course by my own taste, and I give a graphical representation of the piece ..

When Hans died on December 28th, 2005, he possessed  211 different  Stabat Mater compositions on CD. The final composition he added was by the Polish composer Henryk Mikolaj Górecki. After his death, his spouse continued collecting Stabat Mater compositions and managing the site.

The YouTube Channel

The Instagram Page

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Almost done….

As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Reborn…together. Or what Nicole Kidman’s AMC ad can teach the Church (12/1)

And now, in slow, gradual recovery, here we are again. The understanding of how deeply we are made for community bursts forth in the elation about being able to gather again, to be free to celebrate, to see each other face-to-face.

The AMC spot is cynically understanding of all of this, given that the ad exists solely to get us back spending money again.

But look at that text. It addresses the desire to begin again, to start over – even completely. To be reborn! Together! It admits the reality of pain and tells us that in the theater, enveloped by the experience of film, that pain can be transformed and even “feel good.” We are a part of “perfect and powerful” stories.

New life – reborn in community – O happy fault – He spoke to them in parables

Yes, this is what marketing does. But that doesn’t mean that the need the marketing discerns and exploits isn’t real.

Sand and rock (12/2)

The difference between solid and fragile can be difficult to discern, not just in geology, but in the spiritual life. Of course. That’s why discernment is an essential and challenging aspect of spiritual growth. Because it’s not obvious.

I’m seeing a lot of that these days, it seems, as expressed in life online.

Three posts on the (then) proposed renovation plan for Notre-Dame-de-Paris:

Un

Deux

Trois

Things that might not make sense (12/18)

  • The Church must be a listening Church

but…

  • No, no, no. Not to you.

Beyond Historical Concerns (12/26)

I thought clericalism was bad (12/28)



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Unsettled yet ready (9/5)

To separate oneself from the great literature from the past is to cut oneself off from community with the human beings who, in every time and place have grappled with the same mysteries you are wondering about tonight: I am choosing this…but am I really free? And if God is God , what place do my actions have?

It’s a deep disservice to young people to make the essence of education the exploration of their own feelings and identities, with no reference to the greater world, present or past.

No wonder they feel so alone.

The Total Woman Thinking Positively about the Man Nobody Knows (9/7)

Trends, fashions and fads. Popular religion reflects them. Religious practice reflects the culture in which it exists in great and small ways. We are not disembodied angels. We are embodied, Jesus was Incarnate, and the Church is His Body, He dwells in His tent among us and so this is who we embodied humans know Him – or anything. We can’t be or do anything else.

But perhaps this quick glance at some powerful spiritual fads of the past decades might remind us that a testing, discerning spirit is essential to the healthy, holistic Christian life. We know what Paul tells us – now we see through a glass but darkly – but do we know it? Do we admit that we are no different? 

Ad Gentes and all that (9/7)

Contended with Stories (9/20)

This self-protective narrative construction can happen anywhere – in personal conversations, on social media, in institutions.

It’s fairly simple to identify, more challenging to combat. How to identify?

If the response to your question or inquiry is to call you a name, characterize you according to some identifier or alliance, or, more seriously, seek to expel you from whatever form of civilization is at stake – there you go.

And of course, social media, especially Twitter, lends itself to this tendency quite effortlessly and perhaps purposefully.

Even on Catholic Twitter (should I even say “even?” No reason to…) – the narrative-shaping, manufacturing of consent, caricatures and excommunications are constant – and as McLuhan says, there’s that media shaping the message again, because when you have 280 characters, who has time to present a case?

Slapping on labels – that is, creating the story – then pointing and laughing at whoever we’ve declared is to blame is much, much easier.

Restoration Comedy (9/24)

The story of Haggai, and more broadly, the return of God’s people to Jerusalem, is certainly an effective and suggestive way to reflect on the present situation of the collapse of Catholicism in Europe – and the West in general, as a well as a way forward. Read Haggai, and you’ll see it all, much of which Pope Francis brings out in his homily: the prophetic condemnation of fearful clinging to comfort, the call to courage, and evocations of the emptiness of life when we rely on ourselves and push God out of His rightful place.

So much more complex than a war between past, present and future, with the past always held up as the enemy.

For besides all the other problems with this framing, we might well ask:  where does “the past” begin anyway?

What’s the cutoff?

100 AD? 1100? 1900? 1962? 2013?

How do we discern which part of “the past” is permissible to keep or draw from?

Because, you know, the Second Vatican Council started three generations ago. Long time!

When does a genial rootedness in “living tradition” transform into ideological “tastes?”

How can you tell?

What is this “restorationism” that “kills us all,” exactly?

Restoration of what from what part of the past?

The Wish to Find out (9/27)

But it’s still amazing to encounter this blatant, casual, brutal bigotry, not just as a part of, but as the climax, the clincher in a ringing ode to free thought and reasoned discourse as opposed to the ignoble, blighted, darkness of “belief” that had held humanity back from real progress for millennia.

Of course, what’s essential to remember is that during this era, racism, bigotry and eugenics were considered “scientific” and “rational.”

One might say, in fact, that for these big brains dedicated to reason…. the science was settled.



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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As I said before, saints’ days, most holy days and special topics (movies, books, gender, TC, synod) are and will be collected elsewhere. These posts are taking it month-by-month. More links at the end of the post.

Mother’s Day at Mass (5/4)

Catholic life and tradition has a lot to say and do when it comes to parenthood – in ways, if you think about it, that aren’t sentimental and take into account the limitations of human parenthood and root us, no matter how messed-up our families are or how distant we feel from contemporary ideals of motherhood – in the parenthood of God. Live in that hope, share it, and be formed by that, not by commercially-driven American pop culture.

A Catholic Laywoman’s Viewpoint (5/11)

When looking for a printable version of [Hemingway’s “The Killers] , I came upon a “reprinting” of the original Scribner’s publication, so I happily printed it out – all the better because it had illustrations.

What I hadn’t noticed until yesterday, when we talked about the story, was the piece that directly followed it. It’s an essay by one Grace Hausmann Sherwood called “A Catholic Laywoman’s View-Point.”

Sherwood, from my brief research, wrote a couple of books – one a volume of poetry, and the other, a history of a religious order.

I’m going to type out the introduction and then just toss up images of the rest of the piece here. It’s a bit scattered – it seems in part to be a general apologetic for the seemingly counter-cultural aspects of Catholicism as well as an explanation for the role of women in Catholicism. I think anyone who’s interested in Catholicism, religious history, social history and women in religion will find it useful.

It’s also a helpful antidote to the caricature of pre-Vatican II Catholicism as a closed, inner-looking system, Sherwood frequently points to analogies and subversive justification for Catholic practices and beliefs in other faiths and in the secular world, and has no problem in saying, for example, that a Catholic woman is bound by beliefs that seem strange and unnecessary to other women, “as good and often much better Christians than herself..”

And of course, most interesting – and depressing for the current moment – of all is that there was actually a time in which it was perfectly normal for a major, national, popular magazine’s pages to lead directly from stories by Ernest Hemingway to an essay by a religiously observant woman explaining her faith.

The Altar of the Algorithm (5/20)

…the most counter-cultural, pastoral thing we can do for our kids is to fight this, and to tell them again and again that this is not real life or connection and their worth is absolutely unrelated to their social media impact, even within their own circle of friends.

And that it’s largely a waste of time – sorry, it is – and a net loss for actual human flourishing and connection. I’m convinced of this, no apologies.

And to fight it, not just through our words, but through our actions as well, as purported evangelizers and ministers and such – every chunk of time you encourage your followers to spend listening to you online is a chunk of time that’s those followers are not engaging with the real people around them.

Much Obliged (5/21)

Pasting Labels and Folding Mantles (5/25)

The other day, my organist son substituted at the local Maronite Catholic parish. It was Pentecost, and the young priest preached an excellent homily. 

Here’s what was refreshing about the homily, especially in the context of contemporary pop spiritual discourse…..

Time, Weighing (5/26)

The content that’s produced by …producers on media platforms that seeks your attention and time, that draws you in, that creates a narrative designed to hook you in, drama to get invested in – whether it’s my weight loss journey or watching my kids grow or following my pregnancy or joining us on our RV trip or home reno project. Not to speak of getting you involved in endless, fruitless arguments that change no one’s mind, ever.

All of that can be encouraging and even educational. But it can also be a massive time-suck from which you emerge, dazed, and perhaps saying to yourself – did I really need to spend all that time watching random people I don’t know and will never meet talk to me about their morning routine or show me what they wore last Sunday or gripe/brag about their kids?



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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Okay, so we did.

Fall Creek Falls State Park, Tennessee. Spectacular waterfall, very light crowds – it being a late Sunday afternoon when school is in session for most folks now.

A late start because someone is employed as a church organist. Then up to Tennessee, then dinner in the only kind of place that’s open in mid-sized Tennessee towns on a Sunday night: Mexican. And the night in the cutest, cleanest non-chain, family-owned motel in the state, I’m thinking. Although the kid persists in muttering things about a guy wearing a dress carrying a knife.

More on that when we move on.

Look for posts tomorrow on St. Rose of Lima and a decent digest – including what I thought of PIG, starring Nicholas Cage….

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—1 —

A bit of blogging this week. Perhaps of the most interest will be this post on the movie The Sound of Metal.

— 2 —

Pentecost is coming, of course.

Pages above are (left) from the Loyola Kids Book of Catholic Signs and Symbols  and (right) from the Loyola Kids Book of Bible Stories.  Click on images for larger versions. Remember that for the Signs and Symbols entry, there’s another page –  a full page of more detailed text.

— 3 —

Pentecost is one of the events in The Loyola Kids Book of Heroes. 

(The book is structured around the virtues. Each section begins with an event from Scripture that illustrates one of those virtues, followed by stories of people and events from church history that do so as well)

amy-welborn-books

This hasn’t been published in a book – yet – but it’s a painting byAnn Engelhart, illustrator of several books, including four with my writing attached – all listed here. It’s a painting of the tradition of dropping rose petals through the oculus in the Pantheon in Rome.

pentecost

(Our Cathedral here in Birmingham has also done this regularly over the past few years – it’s happening this coming Saturday for the Vigil of Pentecost, which will be livestreamed here.

For more on the Cathedral’s livestreaming, go here.

— 4 —

By the way, please follow Ann on Instagram. She features her beautiful art and regularly posts live painting sessions on Instagram Stories. 

— 5 –

Hopefully this weekend,  you’ll be hearing/singing/praying Veni Creator Spiritus.  I have a chapter on it in The Words We Pray. A sample:

amywelbornbooks
amy-welborn2

— 6 —

Speaking of art, from Daniel Mitsui:

— 7 —

Daniel has designs available as wallpaper and fabric here. Gorgeous.

No photo description available.

And finally, here’s an excerpt from a lecture he delivered earlier this year. Food for thought for artists of all kinds – and any of us, really.

So how does an artist who wants to make religious art, who wants to make it both beautiful and traditional, to glorify God and edify men through it, answer the challenge of doing that in a changing world?

He should choose his influences – both visual and intellectual – out of love. He should love them for what they are, rather than for what they are not.

No matter how devoted he is to a certain kind of art or school of thought, he should remember that it is incomplete and imperfect. He can and should try to make it better. This is an altogether traditional thing to do.

He should be open to whatever medium, whatever materials, whatever methods work best to express his artistry. A willingness to be bold, technically, is another altogether traditional thing to do.

He should not consider religious art to be a political tool, or encourage its use as such.

He should look to every kind of art – whether it comes from within the Church or without it – asking the questions: what works? and what can this teach me to make my art better? God is the author of all beauty; as Augustine says, the mines of his providence are everywhere scattered abroad.

He should ask the same question even of art that he considers generally bad: What works? What can this teach me? The answer may be: very little. But if it is anything at all, he should accept the lesson.

More.

For more Quick Takes, visit This Ain’t the Lyceum!

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Via another blog, I happened upon this trailer for a new movie streaming or showing somewhere. It stars Justin Timberlake and it’s about this ex-con who returns to his southern (of course) hometown and somehow ends up taking care of a young boy who’s having troubles because (you know it) he wants to wear dresses.

Justin Timberlake Stars as in 'Palmer' Trailer - Rolling Stone

It’s the next step from the Magical Negro and the Magical Gay – the Magical Non-Gender-Conforming-Minor (not creepy at all) , who showers wisdom, self-understanding and tolerance upon all in his now very Magic Circle.

And yes, the trailer enraged me. But not, perhaps for the reasons you expect. It enraged me, not for the boys, who can and will do whatever they want and then profit while the rest of the world praises them for it, whether starting wars or wearing dresses, for that’s the way of the world – no, not so much for the boys.

But for the girls.

I’ve only watched the trailer, and that’s all I’ll ever watch, and perhaps I’m off base, and perhaps the movie tells a different, more subtle story, but this is what I got from the trailer.

This boy-child is outcast and bullied because he:

  • Spends times with the girls, affecting dance moves like a drag queen
  • Plays with a Barbie
  • Joyfully imitates the moves of girl cheerleaders
  • Viewing some Disney-type princess cartoon declares that not only can he be one of them, he can be the first like him to be one of them.

It’s unclear from the trailer whether the issue is that the boy wants to become a girl or if he wants to remain a boy but be free! to do “girl things” and present in “girl ways.”

I don’t care. Any or all of those choices are repulsive, and again, it’s not because the story presents the (stupid) story of a boy who wants to do them.

It’s repulsive because of what it all says about girls.

I’m going to keep repeating this until I drop. The transgender moment is a war against females. It is built on rigid gender stereotypes and ultimately communicates that women are better off as men and men make the best women.

This, the trailer implies, is Girl World: A world of young human beings defined by fey, coy, sexualized dance moves, of cheering on males in athletic combat, of dressing up dolls with unrealizable physiques and, of course, ruled by wide-eyed, curvaceous (but not too curvaceous) princesses.

And oh! Let us pity and cheer on the brave, misunderstood person with a penis who simply seeks to enter this enchanting and fun Land of Cute!

Screw this. I am so tired of this. Exhausted. Confounded. As I’ve written before. Absolutely confounded.

Come on, little boy, do you want to learn about Girl World? Here. Listen up. Look. Watch.

Girl World is a place where there’s blood, and pain and, more often than you would expect, fear.

It’s a place where most of us, for most of our lives, bleed and cramp and are emotionally tossed up and plunged downward regularly, once a month, for days. I once had to leave a final exam in college – right in the middle – the pain was unendurable. And that, my young friend, was a normal month, a regular, bloody, body-bending part of life.

And when the time of bleeding stops, in Girl World, it’s a time of heat and racing hearts and depression and dryness and more, different kinds of pain.

What else happens in Girl World? We grow people inside of us, and through history, have died in great numbers as we strove to push those people through our bodies. When we survive, we spend years giving suck to those people we’ve grown and birthed, but not at leisure, but hours every day while keeping at the hard work of our life in the world, whether that be in fields or at the hearth or the office. All day, every day. And night.

Oh, Girl World. That place where human beings called girls and women can’t walk down a street, can’t sit in a café or bar alone without being catcalled, bothered or worse.

Girl World, A History: Are you a girl? Can’t vote, can’t own property, can’t live outside of male supervision. But you can wear makeup if you want! You go!

So no, little boy, you can never be a part of that even if you wear a dress and learn to swivel those hips, and I suspect, knowing the truth, you probably don’t want to. You just want to play, to perform, to act, to act out – something. Some loss, some desire, some yearning that’s real, even if the solution the world presents you is not.

And damn the culture and society that lets you believe that this imaginary Girl World of Cute and Princesses and Cheering on the Boys, wiggling asses, jiggling breasts and shiny clothes is the place for you – or for anyone – to live and pretend.

So yes, the Girl World of this kind of garbage infuriates me because it’s not about the real lives of girls and women, but about fantasies that serve other, more nefarious ends – economically, culturally, and personally.

But it infuriates me for the real girls of the very real Girl World, not only because it devalues their unique experience, but also because it reinforces that insidious, horrendous definition of femaleness that I thought we had killed off, but has resurrected, so bizarrely, over the past two decades, it seems.

I like swiveling my hips, playing with dolls, cheerleading and princesses – it’s my ticket to Girl World!

I’ll give you your ticket to Girl World. Here you go. And now, what do you see? The young female human beings who actually do have tickets to the real Girl World – don’t be fooled. Don’t get off at the Potemkin village they’re selling you. Wait a little longer. You’ll see who lives here.

Where do we start?

Athletes, astronauts, governors, senators, vice-presidents, prime ministers, colonels, captains and generals,

EPSON MFP image

scientists, CEOS and plant managers, engineers, attorneys, nurses, doctors, surgeons, homemakers, ministers, teachers, farmers, cashiers, archaeologists, pilots, chefs, coaches, nuns and artists….and that’s only the beginning.

These females – these real, biological females who live in this Girl World – the real one – are just like you. They’re short, tall, thin, heavy, have high voices or speak in low tones, giggle or guffaw, laugh a lot or just when something is really darkly funny, think princesses are wonderful or think they’re silly or never think about them all, love cheering, love playing on the field or even both, want to have kids, can’t stand kids, wear makeup and go without, spend time on their hair or get it cut twice a year, wear dresses sometimes, all the time or never, maybe want to be cute or maybe don’t give a damn.

So sorry, young dude. Affecting a cute demeanor doesn’t get you into Girl World. And a culture that encourages you is telling you a lie. But of course, those hurt the worst by the bizarre, insistent lie of the performative, superficialities of this supercute, glittery, hip-swiveling, chest-thrusting, pouty-lipped land of cheering, dancing pink-encased princesses are, of course, as always.…girls.

But not if we don’t want to be….

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—1 —

I was in Living Faith yesterday. And here’s a post with photos to illustrate the point of that entry. 

— 2 —

Here’s a forthcoming book that looks great!

The Light Ages: The Surprising Story of Medieval Science

In this book, we walk the path of medieval science with a real-life guide, a fourteenth-century monk named John of Westwyk – inventor, astrologer, crusader – who was educated in England’s grandest monastery and exiled to a clifftop priory. Following the traces of his life, we learn to see the natural world through Brother John’s eyes: navigating by the stars, multiplying Roman numerals, curing disease and telling the time with an astrolabe.

We travel the length and breadth of England, from Saint Albans to Tynemouth, and venture far beyond the shores of Britain. On our way, we encounter a remarkable cast of characters: the clock-building English abbot with leprosy, the French craftsman-turned-spy and the Persian polymath who founded the world’s most advanced observatory.

An enthralling story of the struggles and successes of an ordinary man and an extraordinary time, The Light Ages conjures up a vivid picture of the medieval world as we have never seen it before

Well, a bit overwrought, but if it enlightens folks, have at it!

The Light Ages by Seb Falk | Penguin Random House Canada
Available in the US in November.

— 3 —

Speaking of books, as I mentioned before, I’ve been tracking my book sales since the Covid-soused pre-Easter plunge. (Tracking in the only way I can, through the metric Amazon provides authors, which tracks…something. I really have no idea what. I think it’s more than Amazon sales, but I’m not sure).

The cratering reached its worst point the last week of April, when sales this year were about a tenth of what they were last year. Maybe an eighth. No First Communions, no Confirmations, not much Easter visiting and associated gifting from grannies. This year’s sales lagged behind last’s until the second week of May when the tables began to turn.

All summer, slowly but surely, this year’s sales started to surpass last year’s. By mid-summer this year’s cumulative sales of all my titles (as recorded by this metric) were regularly double or triple what they were last year each week.

It’s interesting to me because it’s my way of tracking parish life – obviously what was happening was that parishes were slowly opening back up and beginning to celebrate these sacramental milestones again. And then, as summer waned, folks started looking for religious education materials and supplements. This week’s big sellers were Prove It God, Prove it Prayer (both with sales about ten times the usual – it seems to me that they were required by some classes or schools) and the book of Heroes (sales 7 x what they were the same week last year) and Sign and Symbols (3 x this week last year).

It’s fascinating because at this rate, my sales during this six month royalty period are probably, after a disastrous start, going to even out and end up being commensurate with last year’s.

As I said, it’s mostly interesting to me as a sort-of concrete way to “measure” Catholic parish and catechetical life in these very weird times.

And guess what – you don’t even have to pay a dime for this title!

Mary Magdalene: Truth, Legends and Lies – normally priced at an exorbitant .99 – is absolutely, positively free through Saturday midnight.

Pretty exciting stuff, all around.

— 4 —

Speaking of Catholic parishes and the pandemic, if you know of a parish that’s truly worked hard to serve the needs of its people and the community during this time – nominate them to be recognized for this! Here’s an article about the effort, and here’s the site.

— 5 –

Yes, there’s good news out here in Catholic land – I’ve tried to highlight some local parishes that I believe have really stepped up – but I also will co-sign Phil Lawler’s stance here:

As much as I applaud him for bringing our Eucharistic Lord out onto the streets of the city…

As much as I thank him for taking the lead (when so many other prelates remain silent) in insisting that religious worship is “essential activity”…

As fully as I agree with him that the response from city officials—or rather, their failure to make any response—is an insult to Catholics…

Still I wonder: If the archbishop thinks that the city’s restrictions are unreasonable—if he thinks that it would be safe to celebrate Mass for a larger congregation in the city’s cathedral—why doesn’t he take the obvious action? Why doesn’t he go into his own cathedral, invite the public, and celebrate Mass?

Before I go any further let me emphasize that I do not mean to single out Archbishop Cordileone for criticism here. On the contrary, I mean to praise him. The question that I ask of him could apply, far more pointedly, to all the other bishops and priests who have meekly accepted unreasonable restrictions on the administration of the sacraments—to the bishops and priests who have not raised public objections, have not mobilized the faithful, have not organized Eucharistic processions.

Give Archbishop Cordileone full credit for speaking truth to power: for telling the faithful who joined him last Sunday outside the cathedral that city officials “are mocking you, and even worse, they are mocking God.” Credit him, too, for the public campaign that has urged faithful Catholics to call San Francisco’s Mayor London Breed, and has already raised 17,000 signatures on a petition “asking the City of San Francisco to free the Mass.

But again: Why ask city officials to “free” the Mass? There is only one man who has the rightful authority to restrict and regulate the liturgy of the Catholic Church in San Francisco, and his name is Cordileone. If he wants to celebrate Mass for the public in his cathedral, he can do it.

But wait, you say. He can’t celebrate Mass for the public in his cathedral. It would be against the law.

To which I respond: what law?

— 6 —

Looking for a movie to watch or argue about? Check out Movie/Writer Son’s “Definitive Ranking of David Lean Films” here.

David Lean was a great filmmaker who grew up in the British studio system preceding the outbreak of World War II and became a director, hitched to Noel Coward, during the conflict. After working directly with Coward for four films, he broke out on his own and became one of the most important British filmmakers. His great epics tend to overshadow his smaller films, some of which are pretty much just as great, and that’s really why I do these exercises of running through entire filmographies.

Looking for a quick Halloween craft? Pick up this kit from my daughter’s Etsy shop!

Trio Halloween  Witchs Hat Jack O Lantern and Bat  image 1

— 7 —


Speaking of books, again – a few lists if you are poking around for something to read either now or in the future.

Micah Mattix’s ongoing bookshop of interesting forthcoming titles.

Looking backwards, the #1956Club – from my favorite “The Neglected Book Page”

For about five years now, Karen Langley (Kaggsy of Kaggsy’s Bookish Rambles) and Simon Thomas (of Stuck in a Book) have instigated a semi-annual event in which people around the world take a week to read and write about books published during a particular year. The next round, coming up the week of 5-11 October, will look at books from the year 1956.

1956 was a terrific year for what I might call good but not stuffily great books. Perhaps the best example is Rose Macaulay’s The Towers of Trebizond, which won her the James Tait Black Memorial Prize for fiction and which is much loved for the spirit embodied in its opening line: “‘Take my camel, dear,’ said my Aunt Dot, as she climbed down from this animal on her return from High Mass.” This was Macaulay’s last novel; also appearing in 1956 is Anthony Burgess’s first novel Time for a Tiger, the first book in his Malayan Trilogy.

To encourage folks to take advantage of the #1956Club while also discovering something beyond what’s readily available for instant download or overnight delivery, I’ve put together this list of 10 long-forgotten and out of print books from 1956.

Go here for the list.

For more Quick Takes, visit This Ain’t the Lyceum!

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