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Archive for the ‘Music’ Category

It’s Friday – the day of the week that we remember Jesus’ Passion and Death – not just during Lent, of course, but year round.

Doing some research, I discovered the Ultimate Stabat Mater website. I really don’t know how I had not run across it before:

Hans van der Velden started collecting Stabat Maters in 1992. After five years, when he owned about 40 Stabat Mater CDs, his partner Hannie van Osnabrugge created the Ultimate Stabat Mater Website with FrontPage.

The site contained all his notes on the composer, the composition, the original Latin text, and the translations. Hans continued his search for Stabat Maters, and regularly updated the site with new composers and translations.

Via the website Hans came into contact with music lovers, musicians, and composers from all over the world who provided him with new information about compositions and translations. The Stabat Mater collection became one of his passions. In his own words:

When I realised, one day, that I owned several CDs with a musical setting of the Stabat Mater I decided to start a real collection. The Spectrum Muziek Lexicon by Theo Willemze named some 15 composers, so this should be not too difficult. It appeared, however, that the number was substantially larger. I now know about some 600 composers, who, (fortunately), have not all been recorded on CD yet. Still, a substantial fraction has been released on CD and my collection grew rapidly. Beside this list of my collection of CDs I have made another list of composers, who as far as I know have not yet been recorded on CD (more than 400).

A collection invites comparing, and that is what I do. I analyse the text and note the differences, as it appears that several variations of the Stabat Mater poem exist. I listen to the music and I try to present the results in an easily surveyable way. This comparison is handicapped by the fact, that, in the field of musical theories, I am illiterate and not even able to read music. Therefore, many of the opinions in this area come from the accompanying CD-inserts. Besides that, I try to give an impression of what I heard. This is, in effect, a question of sense and sensibility. I give a description in words, coloured of course by my own taste, and I give a graphical representation of the piece ..

When Hans died on December 28th, 2005, he possessed  211 different  Stabat Mater compositions on CD. The final composition he added was by the Polish composer Henryk Mikolaj Górecki. After his death, his spouse continued collecting Stabat Mater compositions and managing the site.

The YouTube Channel

The Instagram Page

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Over the next week, I’ll be sharing posts from the blog that might be worth a revisit – or a first visit, if you’re new.

I’ll go mostly month-by month, with some thematic stops.

That time my parents told me that during the Cuban Missile Crisis they’d made a contingency plan to OD me on sleeping pills if the missiles were launched…

To consider how they are all exploiting you, your anger, your idealism, your anxiety, and even your desire for change.

And how do we get out? What do we do?

We look at the good aspects of life that we hoped were served by this ecosystem – and perhaps were and are – and we consider two points in relation to that:

What is the cost of finding community, self-expression and so on in the context of this digital/social media world?

What temptations does this digital world touch and exploit in me?

Comparing and contrasting racist language in Hemingway and O’Connor

Yes, it is a relief to find a tribe. I know this well. It’s what “gathered” alot of us online two decades ago – Catholics who didn’t feel as if anything goes, but also weren’t going to wear veils to Mass or even fight about it, and also wanted to be informed about the outrages of Church corruption with as little ideological bias as possible – hard to suss that out in your local parish, true. It can be said for any number of interests and slants – to find, I don’t know – other libertarians, progressives if you live in in a red area, conservatives if you’re surrounded by blue, parents who homeschool, traditionally minded families who don’t homeschool and have no interest….or sometimes just someone to talk to.

Of course!

But in the end, I keep coming back to the conclusion that the ease of finding the like-minded and settling one’s life in that world …is a trap.

The world is fleeting. Our words, our thoughts are as dust. But ironically, that doesn’t make them pointless. What is the best use of these fleeting limited signs and symbols that we use to express our deepest yearnings and truest selves? How shall we use them in a way that actually does communicate our value and their significance, even as we acknowledge that they – and we – are like straw?

For the ephemeral nature of social media, and its use of us and our experiences as the product, enthusiastically offered just so we can be seen and heard, seems different to me. It seems to put into question the time spent on it, both creating and scrolling.

In that world, we only matter to the extent that we fill in the blanks, and what we put in those blanks is only seen if we work hard to learn the rules the Powers have established (today), shape our content to satisfy, not only their rules, but their intentions and priorities that they’ve figured out will get us coming back again and again…for now.



Books of 2021

Movies of 2021

Traditiones Custodes

2021 Highlights: January

2021 Highlights: February

2021 Highlights: March

2021 Highlights: April

2021 Highlights: May

2021 Highlights: June

2021 Highlights: July

2021 Highlights: August

2021 Highlights: September

2021 Highlights: October

2021 Highlights: November

2021 Highlights: December

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Today’s his feast, of course. One of my favorite saints for many reasons, including the fact of his determined resistance to God’s call, the expression of that call through the voice of the people of Milan, and then his full-spirited embrace of his duty when he discerned that yes, this was the way God wanted him to go.

A few St. Ambrose-related posts coming your way.

(Our 2011 trip to Milan. Ambrose on Repentance.)

First, the basics:

St. Ambrose, today.

Artwork: St. Ambrose rebukes Theodosius by Daniel Mitsui. More here.

In depicting this event, I wanted to give emphasis to the ideas of repentance and forgiveness; in a quatrefoil above the door of the church, I drew King David confronted by the Prophet Nathan (whose parable appears in a smaller quatrefoil). The postures, clothing, and positions of these figures relate them to those of St. Ambrose and Theodosius below. The beginning of the psalm expressing King David’s repentance I wrote on the lintel. On the door is a sactuary knocker (in the form of a green man, similar to that knocker on Durham Cathedral) which suggests again the idea of a church as a place for the repentant. Both St. Ambrose and the Emperor wear purple vestments; the color is a symbol both of repentance and of imperiality.

The crosier carried by St. Ambrose is my own fanciful design; it has a carved-ivory head in the shape of a seahorse with snails for crockets, and terminates in a narwhal tusk.

A narwhal tusk!

We might begin with his hymn, Veni Redemptor gentium:

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Source

A Clerk of Oxford has a wonderful, thorough post on the hymn. Go here for that!

He’s in the Loyola Kids Book of Saints, under “Saints are People Who Change Their Lives for God.” 

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You can peek at the chapter here, at Google Books.

B16 at a General Audience, speaking about St. Ambrose:

Dear brothers and sisters, I would like further to propose to you a sort of “patristic icon”, which, interpreted in the light of what we have said, effectively represents “the heart” of Ambrosian doctrine. In the sixth book of the Confessions, Augustine tells of his meeting with Ambrose, an encounter that was indisputably of great importance in the history of the Church. He writes in his text that whenever he went to see the Bishop of Milan, he would regularly find him taken up with catervae of people full of problems for whose needs he did his utmost. There was always a long queue waiting to talk to Ambrose, seeking in him consolation and hope. When Ambrose was not with them, with the people (and this happened for the space of the briefest of moments), he was either restoring his body with the necessary food or nourishing his spirit with reading. Here Augustine marvels because Ambrose read the Scriptures with his mouth shut, only with his eyes (cf. Confessions, 6, 3). Indeed, in the early Christian centuries reading was conceived of strictly for proclamation, and reading aloud also facilitated the reader’s understanding. That Ambrose could scan the pages with his eyes alone suggested to the admiring Augustine a rare ability for reading and familiarity with the Scriptures. Well, in that “reading under one’s breath”, where the heart is committed to achieving knowledge of the Word of God – this is the “icon” to which we are referring -, one can glimpse the method of Ambrosian catechesis; it is Scripture itself, intimately assimilated, which suggests the content to proclaim that will lead to the conversion of hearts.

Thus, with regard to the magisterium of Ambrose and of Augustine, catechesis is inseparable from witness of life. What I wrote on the theologian in the Introduction to Christianity might also be useful to the catechist. An educator in the faith cannot risk appearing like a sort of clown who recites a part “by profession”. Rather – to use an image dear to Origen, a writer who was particularly appreciated by Ambrose -, he must be like the beloved disciple who rested his head against his Master’s heart and there learned the way to think, speak and act. The true disciple is ultimately the one whose proclamation of the Gospel is the most credible and effective.

Like the Apostle John, Bishop Ambrose – who never tired of saying: “Omnia Christus est nobis! To us Christ is all!” – continues to be a genuine witness of the Lord. Let us thus conclude our Catechesis with his same words, full of love for Jesus: “Omnia Christus est nobis! If you have a wound to heal, he is the doctor; if you are parched by fever, he is the spring; if you are oppressed by injustice, he is justice; if you are in need of help, he is strength; if you fear death, he is life; if you desire Heaven, he is the way; if you are in the darkness, he is light…. Taste and see how good is the Lord:  blessed is the man who hopes in him!” (De Virginitate, 16, 99). Let us also hope in Christ. We shall thus be blessed and shall live in peace.

OSV, along with many other publishers at the time, collected these talks on the early Church Fathers into a volume. I wrote a study guide to go along with it, which is now available for a free download. So there you go – an easy personal or group study, at no cost to anyone for materials, since the talks are online at the Vatican website. Below are the pages for the Ambrose-Augustine chapter.

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I tell you, it’s coming.

I’ve been telling you for years, when it comes to social media, put not your trust in princes.

This has nothing to do with political preferences, but with other issues I’ve been contemplating, in my usual haphazard way, for years, and which I’ll set down later today.

Here.

Not in an Instagram or Facebook post. Not on Twitter. Not on a podcast or a YouTube video.

Here.

Yes, this space is prone to censorship and deplatforming as well. We’ve seen it. One of the best “Gender Critical” (i.e. anti-trans movement) blogs was completely removed from WordPress a couple of years ago. Including the archives, I believe. Google owns Blogger. You know what that means.

But for the moment, this is what it’s always been. Mostly mine.

For the moment, at least.

Update: How strange, but appropriate to see news, right after posting this, that Kathy Shaidle, pioneering blogger, both in general and in the Catholic arena, has died:

Following a tedious rendezvous with ovarian cancer, Kathy Shaidle has died, wishing she’d spent more time at the office.

Her tombstone reads: GET OFF MY LAWN! 

She is relieved she won’t have to update her LinkedIn profile, shave her legs, or hear “Creep” by Radiohead ever again. Some may even be jealous that she’s getting out of enduring a Biden presidency. 

Kathy was a writer, author, columnist and blogging pioneer, as proud of her first book’s Governor General’s Award nomination as of her stint as “Ed Anger” for the Weekly World News. A target for “cancel” culture before the term was coined, she was denounced by all the best people, sometimes for contradictory reasons

 


We’ll start easy.

So this happened.

Amy Welborn

(Ladder next to piano is part of our very professional setup for the remote piano lessons. Guitar is his own purchase with his organ-playing money.)

Someone was giving it away. Saw it on (okay….I know…shut up) FB Marketplace. As it happens, the family lives just a few houses down from our house before this one – just a couple of miles away. No way we could transport it ourselves, so I figured paying someone to move it + free fully operational organ (- one key, as you can see below) still = pretty good deal.

And for the record, these small organs from the 60’s and 70’s are items which, these days, you can really only give away. They have zero resale value. In fact, one organist discussion board I read said that the benches have more resale value than the instrument themselves – and yes, it’s a nice looking bench.

Organ Guy is delighted. It only has one octave of pedals, which makes it less than optimal for home practice for church pieces, but at least he can work with the manuals. And he’s having fun doing it. I had wondered before getting it, if it was really worth it, considering that he has a pretty nice digital keyboard already, but I can already see that yes, it’s different, with other, good reasons to decide to spend time with it, rather than the new shiny keyboard.

He remains noncommittal on a music career, but he does enjoy it, spends a lot of time practicing and then fooling around with various instruments, so as far as I’m concerned it’s money well spent.

Actually, my goal is for him to fill our house with sounds like this.

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— 1 —

Happy New Year to you. Just a note on how life changes, and how time goes on in case you are wondering if you will ever be out of this or that stage of life…

Our New Year’s Eve? Well, besides the far-flung in NYC, Charleston and Louisville, all celebrating in their own ways, the three of us here spent the evening, first at Mass – two of us downtown at the Cathedral, and then the youngest playing at his parish job, driving himself now. After our Mass, College Guy drove off to meet up with friends, youngest drove from church to a friend’s house, then drove back here and walked down to a neighborhood friend’s house for the rest of the night.

And I sat and read Gogol and Don Quixote and listened to Mary Lou Williams.

How about that.

Just as no time is tricky to navigate, so, when it surprises you is so much…time.

— 2 —

Not much writing in this space this week. Te Deum is here. I was in Living Faith on Tuesday – and will return there in a couple of weeks. A new set of those is due Monday (for the July-August issue), so I’ll be working on those over the weekend, as well as planning out at least the first part of American Literature for the high schooler.

Although we might start with The Overcoat for some general work in symbolism and such. I spent so much time thinking about it…why let it just rest in my head? Might was well share the bounty…

I will say that I’ve been gratified and humbled over the past few days as I’ve received several notes regarding my 2020: A Book of Grace-Filled Days that wrapped up yesterday. Folks said they were actually sorry it had come to an end, and they appreciated what I had to share. So kind! It was not a super-fun book to write (just imagine writing almost 400 individual devotional entries…..) and I don’t plan on doing it again any time soon. Maybe in another ten years when more life has happened.

But it is so nice when people take time to write and let you know that your work was helpful to them in some way. Thank you!

(And I’ll just mention that it’s not out of print – still for sale, as are all past editions by other writers – including 2021, of course. No, the dates won’t match, but you can still buy it and match the feast days yourself. And no, I don’t profit from your purchase in any way – it’s the kind of work for which you’re paid a flat fee – no royalties. Just making the suggestion!)

— 3 —

Are you making resolutions? Well, here’s a Twitter thread featuring some of Dorothy Day’s New Year’s resolutions over the years.

Here’s 1960:

Image

More.

— 4 —

I recently discovered the Public Domain Review, which is such a treasure chest of fascinating, beautiful, interesting images and information.

Here’s a link to their top ten posts of the year. Including this post on 19th century Japanese firemen’s coats. Gorgeous.

— 5 —

What a lovely video this is, on Etsuro Sotoo, the Japanese stonemason who is now the Chief Sculptor at Sagrada Familia.

“Sotoo was motivated mainly by the opportunity to be exposed to stone,” says director David Cerqueiro, “and later by the admiration of the genius of Antoni Gaudí—back then a still-to-be-recognized figure of outstanding universal value.”

Known as quite a guarded and private character, Sotoo only granted Cerqueiro the opportunity to profile his life’s work after the director made several attempts to meet with him in person and over email. “Some of those attempts included having to attend mass at the basilica several times,” says the director. “The film briefly explores, tactfully but sincerely, the emotional inner workings behind a forty-year career devoted to one project.” 

Gaudí’s unfinished masterpiece continues to exercise its charms over Sotoo who converted to Catholicism so he could gain a deeper understanding of Gaudí’s genius and his relationship with God through architecture. “I discovered an artist profoundly driven by faith. Although encased by organized religion, his faith is more closely related to the transcendental aspirations of genuine art,” says the director. “That’s how I ended up with a subtle portrayal of an ontological inquiry, personified by a surprisingly little-known major artist who seems to be more preoccupied with the intrinsic moral legacy of his work than by its formal expression or its public recognition.”

Gaudi talked with God about something very big and profound. To this day, no one really knows what it was about.

-Etsuro Sotoo, Chief Sculptor, Sagrada Familia

— 6 —

Those of you who’ve followed me for a while know about the Sister Servants of Casa Maria here in Birmingham. A small order dedicated to prayer (of course) and retreat ministry – the also do catechesis of various kinds in parishes in the area.

They provided music for one of our Cathedral’s Sunday Vespers during Advent. You can listen here.

Both of my younger sons spent a few years serving Mass and Benediction at the convent, and we have another connection, as well – my college roommate from UT (the real one, in Knoxville) is a sister there.

They haven’t been able to have public Mass or retreats since March, of course, but I thought you’d enjoy reading their latest newsletter and taking a look at a couple of their videos – you might remember I posted a link to their offering of “I’ll Fly Away” a few months ago. This is simply of their Christmas preparation, with more at the linked Vimeo page.

— 7 —

Therefore, we can ask ourselves: what is the reason why some men see and find, while others do not? What opens the eyes and the heart? What is lacking in those who remain indifferent, in those who point out the road but do not move? We can answer: too much self-assurance, the claim to knowing reality, the presumption of having formulated a definitive judgment on everything closes them and makes their hearts insensitive to the newness of God. They are certain of the idea that they have formed of the world and no longer let themselves be involved in the intimacy of an adventure with a God who wants to meet them. They place their confidence in themselves rather than in him, and they do not think it possible that God could be so great as to make himself small so as to come really close to us.

Lastly, what they lack is authentic humility, which is able to submit to what is greater, but also authentic courage, which leads to belief in what is truly great even if it is manifested in a helpless Baby. They lack the evangelical capacity to be children at heart, to feel wonder, and to emerge from themselves in order to follow the path indicated by the star, the path of God. God has the power to open our eyes and to save us. Let us therefore ask him to give us a heart that is wise and innocent, that allows us to see the Star of his mercy, to proceed along his way, in order to find him and be flooded with the great light and true joy that he brought to this world. Amen.  Source

"amy welborn"

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—1 —

Well, here we are. Just a few days until the Return. The Return to College. For a few months, we hope, and not just for a few weeks, as College Guy pessimistically predicts. As I keep saying, I’m optimistic.

We’ll see.

School for the other one is slowly picking up speed – to be interrupted by travel next week, to be sure, but getting a little more organized nonetheless. This week has seen meetings with Algebra 2 and Latin tutors as well as a piano lesson. We talked over plans for literature and history study. Looked at photos posted by the private high school most of his friends attend, saw all the images of people in single file in masks looking at each other from behind plexiglass in the lunchroom, and if there were any lingering questions, they were answered. “We’re good. Thanks.”

— 2 —

There’s been a bit of blogging this past week. Here’s a review of a novel called Followers and another of a novel, which I liked quite a bit, called Nothing to See Here. 

All done on a new laptop. I have a desktop, which is my preference for working, but I needed a new laptop – for a couple of years I’d been depending on a Chromebook we’d had to buy for Son #4’s high school career – and I hate Chromebooks. I mean, just hate. I love small laptops – that’s not the issue. The issue is the dependence on the cloud and the Internet and Google and all of that. And the fact that if you forget your passwords, it just might wipe the device of all local data on it – which happened to me last summer in Spain after I’d written a short piece for the Catholic Herald, but before I’d sent it in.  Cue new scene with me sitting on the floor in a hotel room in Caceres, Spain at 6 am, fuming (and worse) attempting to reconstruct and rewrite.

Plus, we needed a better, more dependable machine for Kid #5’s academics, such as they are. We don’t do a lot of screen stuff, and no remote classes of any sort, but you never know. Might as well have something decent, just in case.

Anyway, new computers are sweet.

— 3 —

I mentioned before that my book sales, like everyone else’s, have been impacted by this virus and responses to it – namely, no big gift-giving binges around Easter and the Spring Sacramental Season. But, as I noted, since mid-May, sales have been slowly but steadily edging back up. It’s really interesting. I’m still behind last year, but every week since mid-May, sales this year have topped the equivalent week last year, sometimes more than doubling the number of units sold.  The Loyola Kids Book of Heroes is now even with total sales from the same period last year (by the measure I have access to through Amazon Author portal – which doesn’t record all sales.). I think parishes that didn’t have big First Communion or Confirmation celebrations when they normally do have been having them in smaller batches through the summer, and people have purchased gifts for that – and then you throw in the increase in people doing homeschooling, and there you go.

So, yeah, if you know anyone who’s interested or in need of good titles for homeschooling catechism for children or young people, do consider pointing them my way –here’s a link to the Loyola Kids Books and here’s a link to the Prove It titles for teens. 

Today: St. Maximilian Kolbe. In the Loyola Kids Book of Saints.

"amy welborn"

 

— 4 —

From William Newton:

One of the most famous works of art rescued from the Nazis by the Monuments Men is, of course, “The Adoration of the Mystic Lamb”, more commonly known as “The Ghent Altarpiece”, a 15th-century masterpiece by the Van Eyck brothers that resides in St. Bravo’s Cathedral in the Belgian city of Ghent. Readers will recall that recently, a number of ill-informed commentators and meme-makers criticized the recent cleaning and restoration of the piece, because the face of the Lamb came out looking more humanoid and less lamb-like. After an exhaustive review, experts from the University of Antwerp and the National Gallery of Art have concluded that the Van Eycks did, in fact, intend to have the Lamb – who symbolizes Christ Himself – display the (to modern eyes) slightly disturbing face that we see gazing out at us now. It may be a late Medieval convention with respect to how to portray animals, since similar faces appear among the horses in one of the other panels of the altarpiece, or it may be that one or both of the Van Eycks intentionally wanted to have the viewer thrown a bit off-balance when praying or meditating before the image.

— 5 –

I meant, but forgot to mention last week, that the Cathedral parish held a celebration on August 2, bringing the traditional way of celebrating Our Lady of the Snows from St. Mary Major in Rome down here to Birmingham. That is – letting white rose petals fall from the ceiling.

More here.

 

(And yes, the Cathedral has been having Mass with full ceremony since April/May – no congregational singing, every other pew roped off, etc., but a full music program – you can see the orders of worship here.)

This next Sunday’s Mass, for example– Viadana’s Missa l’Hora Passa. 

— 6 —

From the New Yorker, on two new biographies of Poulenc:

Both accounts undermine the popular image of Poulenc—carefully cultivated by the man himself—as the epitome of Parisian suavity and ebullience. He was, in fact, a turbulent, even tortured character: sometimes arrogant, sometimes self-castigating, sometimes lovable, sometimes impossible. That complexity only adds to the interest of the music. The critic Claude Rostand famously commented that Poulenc was a combination of “moine et voyou”—monk and rogue. Many of the composer’s works fall cleanly into one category or the other, but some of the strongest fuse the two personalities in one. The Organ Concerto (1938) interlaces brimstone dissonances with rollicking fairground strains. The Gloria (1959-60) exudes an almost scandalous joy, as if a crowd of drunken angels were dancing down the boulevards.

— 7 —

My son watched all of Alfred Hitchcock’s films. All of them. Here’s his ranking. 

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—1 —

Well, that was interesting. Somehow, this post went viral, as we say, yesterday, with thousands more hits than I usually get around here. Very odd. I still don’t know why or how.

This also got a big bump, mostly because Ross Douthat retweeted a reference to it. Just glad to get the message out there!

Click back for other posts – on how 9th grade homeschooling ended up and on season 2 of Fargo. 

The other “extended reach” story of the week involved musician son-in-law, who had a song featured at the end of Tony Kornheiser’s podcast. 

— 2 —

The Real Lord of the Flies. A fascinating piece.

 

The kids agreed to work in teams of two, drawing up a strict roster for garden, kitchen and guard duty. Sometimes they quarrelled, but whenever that happened they solved it by imposing a time-out. Their days began and ended with song and prayer. Kolo fashioned a makeshift guitar from a piece of driftwood, half a coconut shell and six steel wires salvaged from their wrecked boat – an instrument Peter has kept all these years – and played it to help lift their spirits. And their spirits needed lifting. All summer long it hardly rained, driving the boys frantic with thirst. They tried constructing a raft in order to leave the island, but it fell apart in the crashing surf.

Worst of all, Stephen slipped one day, fell off a cliff and broke his leg. The other boys picked their way down after him and then helped him back up to the top. They set his leg using sticks and leaves. “Don’t worry,” Sione joked. “We’ll do your work, while you lie there like King Taufa‘ahau Tupou himself!”

They survived initially on fish, coconuts, tame birds (they drank the blood as well as eating the meat); seabird eggs were sucked dry. Later, when they got to the top of the island, they found an ancient volcanic crater, where people had lived a century before. There the boys discovered wild taro, bananas and chickens (which had been reproducing for the 100 years since the last Tongans had left).

Much more hopeful turn of events than in the novel.

— 3 —

America ran a very nice piece on Wyoming Catholic College:

The first class every student takes is an introduction to the Experiential Leadership Program, ELP 101. In the summer before the start of the new school year, freshmen take a wilderness first aid course, then embark on a 21-day backpacking trip in the Wyoming backcountry. Like most everything at W.C.C., the course is grounded in Western philosophy. “The term ‘gymnastic,’” the Philosophical Vision Statement of the college reads, “comes from the Greek gymnos, meaning ‘naked.’ Gymnastics, broadly speaking, refers to the naked or direct experience of reality.” Through their direct encounter with the grandeur of nature, the founders believed, students would grow in virtue.

Students continue their outdoor education all four years at W.C.C.: a week of winter camping after the first Christmas break; week-long hiking, rafting or rock-climbing excursions once a semester; and a required course in horsemanship. But it is the 21-day trip that forms the foundation of what will follow in and out of the classroom.

“There’s nothing more empowering than when those students can go backpacking in wolf country and grizzly bear country by themselves without an instructor,” Mr. Zimmer says. “And that allows them to know that [when they take] the final they’re going to have in humanities or Euclid or Latin, they’re going to be fine. Just like their 21-day trip, they have to put effort and energy and time into their training.”

Ms. Stypa agrees. “There are so many nights out there where you’re freezing or it’s raining, and your sleeping bag got wet and someone has a blister that needs to get taken care of. And it’s 11 p.m. and you’re supposed to get up at 6 a.m., and it’s just hard,” she says. “That toughness that it gives you sticks with you when you come back into the semester when you’re slammed by paper after paper.”

She also described a more subtle connection to the classroom. “You’re just thrust into the wilderness, into the mountains and these mountain lakes, snow and wildlife and lightning storms. It’s terrifying, and it’s beautiful,” she says. “And then we come back, and we study poetry, and we talk about ancient Greece and ancient Rome. And I think you really draw on your experience and fill your imagination as you’re reading the Great Books.”
Jason Baxter, an associate professor of fine arts and humanities, also finds a deep resonance between the freshmen expedition and the Great Books curriculum. “There’s something severely beautiful about ancient texts, which are not trying to accommodate us in any way,” he tells me over tea at Crux, the corner coffee shop staffed by students and frequented by faculty and local residents alike. “And there’s something fascinatingly analogous to the Wyoming landscape, which is severely beautiful but does not exist in order to accommodate human beings. Without railroads or now interstates, we would not be here.”

 

— 4 —

You know the tune Tuxedo Junction? 

Well….Tuxedo Junction is actually here in Birmingham, Alabama. I did not know that until this week.

The second floor of the Belcher-Nixon building located in Ensley was the dance hall and center of all The Junction happenings. Many talented performers hailing from Birmingham got their beginnings by entertaining there.

Among these was the acclaimed musician and performer Erskine Hawkins. In 1939, Hawkins released the Birmingham favorite “Tuxedo Junction” in honor of his hometown. He writes about the magical place that he can count on to raise his spirits, where he can lose himself by dancing the jive all night to his favorite jazz.

 

— 5 –

A really, really good piece on fear and faith, taking off from Cyprian or Carthage’s work On Mortality – written in a time of plague. 

The paradoxical nature of a Christian view of life and death shows up remarkably in Cyprian of Carthage’s treatise On Mortality. Written only a few years after he became bishop in 248, in the midst of a ravenous plague that nearly destroyed the Roman Empire, Cyprian reflects on what it means for Christians to be alive to God, and so not to fear death.

The plague broke out in Egypt around 249 (the “exotic” East for a Roman) and had reached Carthage by 250 or 251. Historian Kyle Harper suggests either pandemic influenza (like the Spanish Flu) or a viral hemorrhagic fever (like Ebola). Ancient sources say that it could have carried away 5,000 persons a day, decimating the population by as much as 60% in some cities. Another source says that it seemed to spread through contact with clothing or even simply by eyesight. It is often called “The Plague of Cyprian” because it is the Carthaginian bishop who provides one of the most graphic accounts of its effects: severe diarrhea (“As the strength of the body is dissolved, the bowels dissipate in a flow”), fever (“a fire that begins in the inmost depths, in the marrow, burns up into wounds in the throat”), and incessant, “intestine-rattling” vomiting (§14). In some cases, a person’s hands or feet were putrefied to the point of falling off, resulting in disfigurement or a loss of hearing and sight.

It was not a physical loss of sight, however, that worried Cyprian most. It was rather a loss of spiritual sight. 

 

— 6 —

Cyprian invites his hearers to see the plague as revelatory for how we view our life in reference to God. As an occasion for Christian sanctification, a time of plague reveals what we really care about, what we really love. The plague, in other words, makes visible what normally remains hidden in our ordinary lives of comfort and distraction. 

What a significance, beloved brethren, all this has! How suitable, how necessary it is that this plague and pestilence, which seems horrible and deadly, searches out the justice of each and every one and examines the minds of the human race—whether those who are well care for the sick, whether relatives dutifully love their kinsmen as they should, whether masters show compassion to their ailing slaves, whether physicians do not desert the afflicted begging their help, whether the violent repress their violence, whether the greedy, even through the fear of death, quench the ever insatiable fire of their raging avarice, whether the proud bend their necks, whether the shameless soften their affrontery, whether the rich, even when their dear ones are perishing and they are about to die without heirs, bestow and give something!

Although this mortality has contributed nothing else, it has especially accomplished this for Christians and servants of God: that we have begun gladly to seek martyrdom while we are learning not to fear death. These are trying exercises for us, not deaths; they give to the mind the glory of fortitude; by contempt of death they prepare for the crown. (§16)

The plague is a test, a spiritual exercise, not a death. 

 

— 7 —

"amy welborn"Here’s a short story for you. It was a finalist for the Dappled Things J. F. Powers competition, but not the winner. So here it is – I wanted to put it on a platform that was not my blog, and Wattpad was the quickest way to go. It undoubtedly does not quite fit the site, but it was easy and let me keep my italics, so it won.

It may not be there forever, as I’ll still keep looking.

And here’s a novel  –     from Son #2! (Check out his other writings here)

For more Quick Takes, visit This Ain’t the Lyceum!

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It is invariably, unfailingly true, that if I wait long enough, my inchoate thoughts on a topic find expression in someone else’s knowledgeable, rational words. I’ll link to those more knowledgeable words in a second.

First, let me just run this by you. This is the kind of post that back in the day, I used to be able to toss out,  and some would feel strongly one way or the other, sure, but for the most part, the conversation would be genial and people would be able to laugh and see the oddities, inconsistencies and questions, not only in the opposing point of view, but in their own.

But that really doesn’t happen much any more. I have loads of ideas about why that is and who or what to blame, but none of that really matters. What matters is the pronounced lack of chill in the world these days. Geez, people. Relax. It’s a joke. Everything’s a mess. Cry, then laugh.

(But, as Ann Althouse frequently points out, we’re in the Era of That’s Not Funny, so what can you do?)

So. I’ve been following the news, as I do, and particularly following the Catholic news related to the pandemic. Over the past few days, hints have come from various bishops and dioceses that we, the laity, might be permitted to attend public Masses again.

Thanks!

You can search for the various policies that are being proposed and promulgated, but the conditions that seem to be most common involve:

  • Asking the vulnerable to stay home. Which I generally have no problem with because, of course, the vulnerable are never obligated to attend Mass. My only issues are two: First I trust – I trust that all of these vulnerable, sick and elderly people who are being told to stay away from the parish grounds are also being told that pastoral ministry will certainly be coming to them because FieldHospitalAccompanimentLoveYa.  Secondly, these dioceses are…suggesting a cutoff age to define these vulnerable populations.Fort Worth, for example, has put it at…60. SIXTY. SIX-TY.

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Ahem.

  • Also, social distancing.
  • Masks, sometimes.
  • No touching. No hand-holding at the Lord’s Prayer, no Sign of Peace.
  • No singing.
  • People should super cautious about receiving Communion. No Communion from the shared chalice for the congregation. Congregants maybe don’t take for granted that they will receive, or no Communion distributed during Mass, or only in the hand.

So, I’m reading through all of these, and I’m getting the picture: a Mass where’s there’s more silence, where social aspects are minimized, people sort of keep to themselves, where they’re not touching, there’s no Sign of Peace in the congregation, and people aren’t looking at each other and constantly talking or singing and aspirating material all over each other, and it’s not taken for granted that you’ll receive Communion…

Hmmm. I’m thinking..

…thinking..

…something’s coming….

…I think I can conjure that up…

 

 

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Hahahaha. Come on. Laugh. You can do it. 

It sort of reminds me of a few months back, when a parish in these parts started advertising regular sensory-friendly Masses. I read about what that would be like, and I thought, “So, a traditional low Mass, right?”

The point about the Mass pictured above is made even more sharply when you understand that it was quite common for Communion to be distributed outside of Mass, during this time. I wrote about that here, in this post on the sociological study, St. Denis – a small Quebec community in which the laity would go to Confession and receive Communion before Mass, and then attend the Mass itself.

Look. Here’s what this is about. It’s about what I point out over and over and over AND OVER.

There is wisdom in tradition. 

Traditional practices grew out of human experience – human experiences of joy, sorrow, difficulty and challenge. Human experiences of trying to obey Christ, bring his presence into the world as it is –  in peace, war, plenty, famine, health and disease.  I wrote a bit about this earlier this week., Yes, tradition and traditional practices are always subject to reform and development. But it helps if, as we reform, we keep the wisdom of the tradition in mind and are realistic about life in this world as well.

Short version: Maybe they knew what they were doing, after all.

 

As promised, here’s the smarter take from a slightly different angle, from  Joseph Shaw of the UK Latin Mass society on “Epidemic and Liturgical Reform.”

Clearly, a carefully controlled approach to distributing Holy Communion outside Mass will place a limit on the numbers able to receive, and even on the most optimistic view Catholics will have to get used to another aspect of standard past practice: infrequent Communion. Today, not only is Communion outside Mass hard to imagine, but for many Catholics so is attendance at Mass without the reception of Communion. This implies a casual attitude towards the reception of Holy Communion which perfectly accords with the placing of the meal-symbolism ahead of other considerations, but is not a positive development from other points of view.

It certainly would not have been the way I would have chosen to do it — I have previously argued for the restoration of a longer Eucharistic fast — but the enforced infrequency of Holy Communion will do much to restore the fame eucharistica, “eucharistic hunger,” the lack of which Pope John II so lamented. It is to be hoped that priests will encourage the Faithful who are able to receive less frequently to make the most of it when it is possible, by careful preparation, ideally including fasting, an act of perfect contrition (or, if possible, sacramental Confession), and prayer, and to follow it with a serious thanksgiving.

It is dangerous to speculate too early about the long-term consequences of the current epidemic, but it will certainly have some. It seems likely that among them will be a shedding of the naivety about hygiene which characterizes modern liturgical practice. It is to be hoped that this will be accompanied by a restoration of a more acute awareness of spiritual realities, and of the practices which have historically served to nurture that awareness.

Update:  An example – the guidelines issued by the Diocese of Wichita. All of what I spoke of above, including specific directives about not greeting each other before or after Mass in the church, and no congregational singing.

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Who are you?

How did you become that person?

Did you have a choice?

Better Call Saul JMM Review – /Film

 

****

Well, now, Better Call Saul. That was a neat hat trick.

We were all fixated on the the moment and…that’s when Jimmy became Saul… 

…when all along we should have been looking for…that’s when Kim became…

well, not Saul, because she’s her own person. But…someone. 

SPOILERS. Don’t read if you don’t want to be spoiled. Although it was almost two weeks ago, and if you wanted to watch it, you’d have done so by now.

It wasn’t a shock though. Whether or not the creators had an end game in mind since the beginning, to their credit,  the seeds have been there: Kim might have been an ethical rock in Jimmy’s life, but face it – she was also Giselle, and she was very, very turned on by that particular game.

There’s no reason for me to do a complete run-down and analysis here. You can get that elsewhere –like here. I also won’t spend much time weighing in on the is it better than Breaking Bad question. At this point, I’d say no. They are very different shows, and BCS is fantastic, but I still think there is a thrill-ride edginess to Breaking Bad that makes it all the more delectable. BCS is more of a slow burn and careful character study, and it’s great, but I think, at this point, BB still wins in my book. We’ll see, though. One more season to go. Sadly.

This has been an interesting season because, at least on the surface, Jimmy’s major foil is no longer a part of the picture – Chuck, his brother. Even last season, when Chuck was dead, his presence loomed large. I think for that reason, the dynamic is a little looser, less tightly focused this season, and therefore, Kim’s change edges onto center stage.

I love this show for what it is, but I’m also fascinated by it from a creative perspective. The creators of this had a “problem” – not in a bad sense, just in terms of a situation. We know Saul Goodman (we think) from Breaking Bad. We know what he’s like in that world, we know what happens to him by the end of that timeline. The question BCS explored was – how did he get that way? Where did Saul Goodman come from? They could have approached it from a million different directions, but they went with this particular storyline of character origin and transformation, and it’s just been fascinating to watch. And no, we’re not there yet. The Jimmy/Saul we now know at the end of season 5 of BCS is still not the Saul Goodman who casually suggests to Walt and Jesse…why not just kill Badger? And, furthermore, hits on…Francesca. I confess, of all the distinctions in the character between shows…that is the one that strikes me as the knottiest. Will they just ignore it? Or will they come up with some ingenious explanation? I’m betting on the latter.

Which brings me back to Kim. All along – really, from the beginning, up until the second-to-the last episode of this season, I’ve been one with most of the rest of you viewers, dreading Kim’s fate. Something terrible must happen to her we said – it’s the only explanation for how Jimmy became Saul. 

Er…well…maybe not?

A completely different scenario flashed through my head during that confrontation with Lalo in the penultimate episode. What if…I wondered…during the Breaking Bad timeline…Kim’s not dead or in witness protection…or left Jimmy in disgust…what if she’s actually become some super-successful attorney working for some part of the cartel? And what Jimmy/Saul is doing is…related to her work, a cover for it or even in reaction to it? 

The possibilities are endless, and intriguing, and, from the perspective of creativity and art, quite suggestive.

And note a theme – the theme that dominates both shows. Both Breaking Bad and Better Call Saul focus us on broken, hurting human beings who might, indeed, have reason to blame their troubles on external factors – sickness, other people, family dynamics, threats – and who make a choice, ultimately, to go with that blame and let it control their decisions. Pride drives Walter White, and to some extent, Jimmy McGill. Jimmy’s trajectory is all the more painful because he really does mean well, and he really does try – while Walter White is pretty terrible from the beginning (something viewers tend to forget). But Jimmy is ultimately driven just as much by pride as Walt is.

Further, both shows are also about how that original sin, as it were, spreads. It’s like Genesis 1-11 brought to life in New Mexico, but with lawyers, drugs and money instead of forbidden fruit, grain sacrifices and ziggurats.

It was the great, overarching theme of Breaking Bad and while less dominant here in Better Call Saul, it still plays a part, especially, we now see, in the dynamic between Kim (magnificently played by Rhea Seehorn, perhaps one of the best female characters on any television show, ever) and Jimmy/Saul.

Who is Kim? We don’t know all about her, but we do know that she has worked very, very hard – to a fault. She is driven and meticulous with a ethical core – that is, however, sorely tempted and tried by the satisfaction of being Giselle, and all that means.  She can also justify the scams and deceit up to a point, since sometimes what she gets into is for the sake of a greater good. Ends justifies the means, and all that.

It’s about the difficulty of doing the right thing and the pull of doing the wrong thing.

So how do we become who we are? And who are we, anyway? Internal, external forces, innate factors, genetics, circumstances, emotions, reactions. Whoever we are at any given moment emerges from all of that muck – just as these characters and who they are emerge from the the muck of their fictional lives and the muck of the creative process.

It’s messy. But here’s the thing:  in the end, someone has to make a choice.

(From season 3)

Kim: I could have killed someone, Jimmy.

Jimmy: Yeah, yourself.

Kim: I worked most of last week on maybe six hours of sleep and then I crossed three lanes of traffic and I don’t remember any of it.

Jimmy: Look, you were just doing what you thought you had to do because of me.

Kim: You didn’t make me get in that car. It was all me. I’m an adult. I made a choice.

 

Yes, Jimmy McGill had an overbearing jerk of a brother.  Yes, he’s got a skill for manipulation and an attraction to showmanship. Yes, Kim Wexler (apparently) had an insecure childhood and is attracted to the power of dramatic exaggeration herself. Yes, Mike and his son, Nacho and his dad.  Yes, Walter White got lung cancer and was ripped off by his former friends and partners.

But I think what’s clear from both Better Call Saul is the persistent power of the reality and value of free will. We really do believe in it. And we believe that there are right and wrong uses of that free will. It’s why we watch shows and read books like this with such engagement and, at times, anxiety. That engagement shows that no, we really don’t believe everything is relative or all choices are equally valid and your truth is as good as my truth. We can be amused at the highjinks and gasp in dread and admiration and at the audacious moves, but most of us, despite the entertainment value of all that, stick with it because we really do want these pretend people to figure out how to use their pretend powers for good and stop, you know, helping the other pretend people get away with murder.

And we’re into it because we’re in it. Rising from muck ourselves every day, we’re pushed and pulled too. We’ve got our skills and our gifts and tragedies, our opportunities, our curses and we’ve got something else that the pretend people have, but ours are too real because this is real life:

Choices. 

 

Better Call Saul Season 5 Finale: Peter Gould Interview

Am I bad for you?

 

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I’ll be posting snippets and observations from our NYC trip last week over the next few days.

(No, I don’t take a blog/social media break for Lent. This is my work, so…no.)

One of the many highlights of our trip was the opportunity, on Thursday afternoon, for my organist son to meet and play the historic (built in 1868)  Erben Organ in the Old Saint Patrick’s Cathedral.

Here’s the website for the organization supporting maintenance and restoration of the organ.

And the Cathedral website.

Lana, of the Friends of the Erben Organ, was very generous with her time. She met us in the afternoon after we’d stuffed ourselves in not one, but two different Chinatown spots, talked to us about the history of the instrument, showed us the distinct factors of this type of tracker organ, led us around the back to see the innards, both in rest and in motion as she played, and then let my son play – no organ shoes were packed, so it was socks on the pedals.

For those of you not familiar with organs – and I don’t claim to be familiar, just vaguely aware – most organs, even pipe organs, that you see and hear today are electric and/or digital – since the two major actions of the organ – the movement of the air through the pipes and the connecting between the keys and the valves – are powered by electricity.

Of course, before the advent of electricity, this wasn’t possible. So organs were entirely mechanical. The key/valve action was by tracker action, and the air moved through the pipes by human-powered bellows.

(You may have seen old, smaller “pump” organs – in which the organist has to manually, with his or her foot, pump a large pedal to keep air flowing through the instrument. In larger organs, it would take another person to do so – in the case of the Erben Organ, there was a large wheel at the back to turn that would activate the bellows. Now, that element is electrically powered.)

There are pros and cons to electrical v. tracker action organs. My limited understanding is that an ideal instrument is a combination of both.

Playing an historic tracker action organ certainly is a different experience than playing a modern digital pipe organ, though. As my son said, he had to work a lot harder to produce sound (because of the force required to push the keys, in contrast to the light touch required for an electrical instrument), and because of that, the experience was more like playing a piano – which he, honestly, prefers to organ – than his usual instrument at church/work.

The pipe organ really is an amazing instrument – when you think about the large pipe organs that were being built even in the 14th and 15th centuries, the level of technological skill and knowledge required is astonishing.

Here’s the Facebook post on the afternoon, and here’s the Instagram post from the Friends, and from me, which includes a bit of video.

Please support them if you can – and support all your local church musicians and sacred music endeavors!

 

 

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