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Archive for the ‘Europe’ Category

—1 —

Apologies for the earlier, incomplete version of this post that a few of you were confused by. I had scheduled it, then gotten too tired to finish writing it…then forgot I’d scheduled it. It’s gone. You’ll never see that again.

— 2 —

Secondly,  welcome Catholic Herald readers and thanks to the Herald for the link to my Young Pope ramblings! Come back on Monday (probably – in the evening) for thoughts on the first three episodes of The New Pope. 

Check out my St. Francis de Sales post from today. 

— 3 —

We’re here in the Ham, as we call it, while Son #4 is up on his March for Life #3 – the first as a college student. What? No dire-threats-not-to-break them curfews? I can head into DC on Saturday…without a chaperone? What is this new life I’m leading?!

Very pleased and proud that he’s there, along with a huge group from his (Catholic) college.

— 4 —

From First Things: The Myth of Medieval Paganism:

When we encounter “pagan-­seeming” images or practices in ­medieval Christianity, we should consider the probability that they were simply expressions of popular Christianity before positing the existence of secret pagan cults in ­medieval Western Europe. Once we accept that most culturally alien practices in popular Christianity were products of imperfectly catechized Christian cultures rather than pockets of pagan resistance, we can begin to ask the interesting questions about why popular Christianity developed in the ways it did. Rejecting the myth of the pagan Middle Ages opens up the vista of medieval popular Christianity in all its inventiveness and eccentricity. After the first couple of centuries of evangelization, there were no superficially Christianized pagans—but there remained some very strange expressions of Christianity.

— 5 –

In my earlier post this week, I focused on things I’ve been wasting my life watching lately.

I forgot one, though:

My 15-year old is a music guy and a fan of odd humor, so I figured it was time to introduce him to these geniuses. Yes, there will be a few moments that we’ll skip over, but for the most part it’s just fine, content-wise. And has prompted one of those much-beloved teachable moments , this one about the difference between New Zealand and Australian accents.

And yes, this particular video has been on replay constantly for the past few days and prompted other teachable moments about French – which was the main language I studied in school (besides Latin) but which he (Spanish and Latin guy) has little understanding of. So those have been decent conversations, too, that end up comparing these two romance languages, with the original, and then with the Craziness that is English…

Another watch, for trip prep, has been the PBS American Experience  – The Swamp– about the Everglades. Running at almost two hours, it’s about thirty minutes too long, but other than that, it’s worth your time if you’re interested in the subject – it’s a history of the conflicts and problems surrounding the Everglades since the late 19th century when people actually started living down in South Florida – both the Seminoles, driven there as they attempted to escape US government forces -and white settlers, followed in the 20’s and 30’s by substantial migrant populations, mostly black from the deep south or the Caribbean.

So yes, that’s where we’re heading soon – a part of the state I’ve never been to. Looking forward to a quick adventure in warmer climes – son is disappointed we’ll probably miss the falling iguanas though – although he’d rather have warmer weather, as well.

— 6 —

Coming tomorrow  – the Conversion of St. Paul.
The event is included in The Loyola Kids Book of Bible Stories and The Loyola Kids’ Book of Heroes. 

 

— 7 —

It’s coming…

Ashwednesday

 

(Feel free to take the graphic and use where ever.)

Next week – some suggestions on resources from my end.

For more Quick Takes, visit This Ain’t the Lyceum!

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—1 —

Happy Christmastide and feast of St. John –if you’re around the Cathedral of St. Paul in Birmingham, Alabama at noon, you can come have some wine blessed:

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— 2 —

And then….there’s this:

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— 3 —

As a young person, and then youngish church geek, both employed and volunteer, I was formed in the late 60’s, 70’s and 80’s – an era in which people were forever making stuff up in the name of helping people bring faith into daily life, making it more relatable in modern times and such. When all along, what they should have been doing was rejecting the adolescent urge to reject what their parents (aka the Church) was giving them, listen, dig deeper, and see how almost two thousand years of Tradition and traditions means something. Maybe it just means that there are practices that, by their antiquity, have been experienced as powerful and, yes, pertinent to the daily joys and struggles of human beings, no matter where or when they lived.

— 4 —

Did you know that Hallmark worked with Salvador Dali to create Christmas cards? Not many were sold in the US, but here are a few articles and images.

From the Hallmark site.

From Artsy:

“It was the founder of Hallmark’s idea. Santas were always a hit,” explains historian for the Hallmark Archives Samantha Bradbeer of the anomalous, albeit wonderful Dalí painting. “Dalí’s first series of cards had just been pulled from the shelves, so he really wanted to design a popular card. He thought this might be it.” Hallmark, the biggest greeting card company in the world, had commissioned Dalí, and other up-and-coming artists of the decade, to design holiday cards earlier that year. But Dalí’s initial attempts—which depicted a headless angel, a glowing but featureless baby Jesus, and three wise men atop snarling camels—proved too avant-garde for the everyday buyer.

“Unfortunately, they just didn’t sell,” continues Bradbeer. “So that’s when Dalí asked for our founder J.C.’s advice.” Dalí’s second go, however, didn’t work out either. When the artist presented his unique Santa to Hallmark founder Joyce Clyde Hall, affectionately known as J.C., he wasn’t a fan. While Hall graciously purchased the painting for Hallmark’s permanent art collection, it was promptly stashed in a closet where it hid for many years. Only recently has it seen the light of day, on the walls of the company’s sprawling Kansas City headquarters.

From an expert on Spanish culture, more on these and the cards Dali created for Spanish markets:

This early 1948 rendition of a “Christmas” landscape, however, is but one of Dalí’s efforts to illustrate the holiday season. In 1958 he created the first of his eventual 19 greeting cards for Hoeschts, and the publishing company would annually send these artsy holiday cards to doctors and pharmacists throughout Spain. Importantly, Dalí’s renditions did not incorporate traditional Mediterranean, Catholic Christmas imagery such as the Nativity scene or the Reyes magos (Wise men), but rather they appropriated more American and Central European elements, such as the Christmas Tree. The “árbol santo” is in fact a constant element in these 19 illustrations, and Dalí occasionally converted the Christmas Tree into an allegorical depiction of the years events or infused it with distinctive elements of Spanish culture.

 

 

— 5 –

And here you go:

More images at all the links up there.

— 6 —

We have been awash in music, of course. Son #5, employed as the organist at a local parish. There’s a snippet of a postlude up on Instagram here.

— 7 —

Be sure to check out:

Christmas-related material for kids in some of my books!


For more Quick Takes, visit This Ain’t the Lyceum!

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Took a quick trip over to Cordoba on Monday.

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A note about the train in Spain: it’s not cheap. I mean – it can be if you book ahead and/or choose their least busy times. And I suppose the actual Spaniards who use the system have their discount and reward cards and do just fine. But for me, deciding to do this at almost the last minute, with a crew that I don’t want to force an early rising on – no, it wasn’t cheap.

The grandson’s parents are in Grenada for an overnight (3 hours by bus..so not a daytrip we’re going to take), so the four of us headed to the train station, then to Cordoba.

The main site in Cordoba is the Mosque-Cathedral. They have an excellent webiste here.

Short version: The site was first a Visigoth Chapel (I am not sure if the chapel dates from the Arian days or a point after the Visigoths generally embraced orthodoxy), then taken over by Muslims, who built the impressive mosque. The Christians got it back after the 12th century Reconquista, and in the 16th century, they plunked a church in the middle of the former mosque.

And do remember that much of what you read about the supposed golden age of tolerance in Cordoba (at one time western capital of the Islamic empire and the largest city in Europe) is myth-making. Yes, it was “peaceful” co-existence, but there were reasons for that, reasons related to law, taxation and punishment. A prison that happens to be functional can be described as a “peaceful” place, after all. Before we came over I read The Myth of the Andalusian Paradise, and one of the points the author makes is specifically related to this structure – that’s it’s not just the new Muslim leaders struck a deal with the conquered for the site. They, you know, took it. For a summary of his broader argument, read this article. 

For more, here’s Matthew Bunson in the NCRegister, with the added angle of the recent push by Muslims and Spanish leftists to return the mosque to Muslims.

Such was the beauty of the Great Mosque, the Mezquita in Spanish, that when Córdoba was captured by King Ferdinand, one of the first decisions he had to face was what to do with it.

The new ruler decided to transform the mosque into the city’s new cathedral. Respectful of the architecture, he maintained the columns and even preserved the ornate horseshoe-arched mihrab, or prayer niche, and its stunning dome above.

The minaret, meanwhile, was converted to a bell tower, with bells brought from Santiago de Compostela. In effect, Ferdinand preserved the mosque’s beauty for posterity.

With the exception of the chapels found throughout, the one major structural change was made in the 16th century, when Emperor Charles V permitted Bishop Alonso Manrique to construct a Renaissance cathedral in the middle of the building.

Fortunately, the current governing laws in Spain prevent such outright seizure, and Bishop Fernández has also been assured that, should this actually happen, Pope Francis and the Holy See would enter the fray. That will, of course, not stop opposition officials from trying.

And while the current law blocks such expropriation, other goals might be more attainable. The bishop warned of “the more immediate objectives, such as asking for them [Muslims] to be able to share the cathedral … but that’s not possible, neither for the Catholics nor for the Muslims.”

Equally, there is no desperate need for prayer space on the part of Muslims, as there are barely 1,500 in the city, which is served by two mosques. The Islamic population in Spain, while growing through immigration, makes up barely 4% of the total population.

Local Muslims are also not behind the controversy. The push is coming from outside of Spain, and it is believed that much of the funding is being provided by Arab countries, with some Church officials and even Ambassador Ruperez warning that funding may even be coming from Qatar, which is facing many accusations of being a state sponsor of international terrorism.

It’s quite interesting – you can see plenty of photos at the official site and I have a bit of video on Instagram. I will say that many of the guides I read indicated you should give the site two hours, but we found one hour plenty – but perhaps a factor in that is a five-year old.

 

Anyway, some impressions:

The structure is quite beautiful, unique and stunning. The repetition of the identical striped double arches, juxtaposed with the wild Baroque of the Cathedral is an expression, in a way, of  differences between Islam and Catholicism – something even my teens picked up on without my prompting.

It was not very busy on this Monday in June. If there had been no school groups, it would have been even less so.

Here’s the most interesting thing I saw.

We were in a small exhibit on some particular silvermaker who made chalices. At one point, a Muslim family (who’d been on the train with us from Seville and, it would turn out, would also be on the same return train) came over, led by a security guard, who pointed up to a particular pillar. They told him thank you, then asked him a few questions, studied the pillar, and took photos of it. They left. Not a couple of minutes later another small Muslim group came over, found the pillar, discussed it, pointed, and took photos.

It was this:

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I asked the guard the significance. He barely spoke English, but he was able to indicate that it said something about Allah being the only God (probably a portion of the Shahada) and very important to Muslims. Well, yes. So what I concluded (and I can’t find anything about this online in the time I have at the moment) is that it must be the only remaining original Arabic/Koranic script left in the structure. You could see  similar spaces on the other column capitals that had obviously been scraped clean.

And then a third Muslim group came by, stopped, searched, pointed and photographed – three in the space of five minutes.

All right then, after that, it was about four (we’d come on an early afternoon train). We went to the Moorish/Roman bridge. Found a bathroom. Made our way to the ancient Synagogue, which was closed (it’s a museum, so of course, yeah – on a Monday – closed), then decided, eh, find ice cream and just go to the station.

Which we did. We didn’t do a lot of wandering. I was glad to have gone and seen the Cathedral, but the area around it is super, super touristy. I’ve been on plenty of ancient winding European streets, so spending a hot afternoon with a five-year old on narrow streets crammed with souvenir shops and other tourists doesn’t have much appeal to me. So a slow meander back to the station, back to Seville on a slower train, went to the grocery store, provide food for the youngest one, put him to sleep, and then M and I went out for some late-night tapas. Set out at ten, it was still light outside and the streets were busy and restaurants were crowded with all sorts of groups, including families.

We found a good tapas bar – we weren’t super hungry, but I just wanted to try some new things. So I found a new thing on the menu and ordered it. As I was sitting there waiting and watching the action behind the bar, I pointed and laughed and this weird thing being plated – “Look,” I said, “It’s a piece of cake with…lettuce on the side! What in the world?”

And then the waiter grabbed it and put it in front of me.

Oh!

Not exactly what I expected when ordering a “zucchini tart.” But it was good!

Also below: innovations from Spanish cuisine, including free 2L coke bottles with your Seagram’s and one I can truly get behind – pre-skewered relishes in a jar.

 

 

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— 1 —

Hey, guys, I think you’re going to spare obscure academic articles this week.

But you will not be spared…..

— 2 —

Brochure 2019

PUY DU FOU!

Long, long time readers will know that in the fall of 2012, I took my two youngest to Europe. It was, as I have written here, a way of forcing myself to homeschool them. I reasoned – if I actually left the country – I couldn’t go racing back to the school principal a week in,  begging her to take us back.

Anyway, one of the highlights and grand surprises of the trip was Puy du Fou. I will bet money you’ve never heard of it.   When I first started researching the trip, I happened upon information about Puy du Fou, and was immediately intrigued. What is this??  It’s the most popular attraction of its type in France – more so than EuroDisney – and I’d never even heard of it.  Then I went to the website, watched the over-the-top amazing videos about knights and vikings and such, and I was determined.

 

We had to go. 

So we did – as far as I could tell, one of the few non-French speakers in the park that day, which also happened to be the last day of the season they perform the massive, (literally) cast of thousands evening show.

It’s an “amusement park” but there are no rides.  The main attractions are recreations of medieval and renaissance villages with artisans and shops, a small collection of animals, a few animantronic features – de la Fontaine’s fairy tales, for example, and then these spectacular – I mean spectacular shows featuring French history, starting with the Romans – in a full-blown Roman coliseum with chariots and so on.

So, quickly – when we went, the shows were:

  1. The Romans
  2. A recreation of a Viking raid story with a variation of a saint/miracle story
  3. A Joan of Arc type story (although not quite)
  4. Richilieu’s Musketeer, which I didn’t understand at all – involving musketeers, Spanish type dancers and horses prancing on a water-flooded stage.
  5. Birds of Prey show
  6. The evening show, Cinescine 

You have to watch the videos to understand why, once I saw them, there was no way I was going to France and not going to Puy du Fou.

I see that for 2019, they’re promoting a new show – it looks to be about Clovis and….hmmm…

That said, I didn’t know anything about the place beyond the fact that it was popular and looked kind of trippy and totally French.

As we moved through the day, I started to notice a couple of things:

  1. The explicit religious content of every show (except the musketeer one, but it may have been there, and I just didn’t grasp it.)   The Roman show began with two Christian men running onto the sandy floor of the coliseum and drawing an ichthys, and being arrested for that.  The Viking show featured a miracle (based, I think on a particular miracle story but I don’t remember which at the time) about a saint raising a child from the dead.
  2. At some point it dawned on me…there’s nothing about the French Revolution here.  Nothing. Not a word, not an image. Wait. Aren’t all the French all about the French Revolution?

I knew that the evening show was about the Vendee resistance to the Revolution, but before I went, I didn’t know anything about the founder of the park, his politics and how the park expresses that vision.

As I keep saying, it was simply fascinating and really helped broaden my understanding of French history and the French people and the complexity of contemporary France.

Cinescine is really unlike anything you have ever seen. You’re seated on this huge grandstand, and the show happens around this lake – lights, hundreds and hundreds of people in costume tracing the history of the area, including the resistance to the Revolution, animals, music….wow.

Loved it, and would absolutely go back if I had the chance.

(If you read TripAdvisor reviews, you will see almost 100% agreement with that sentiment. “Wow” “Amazing” “Hidden Gem” – etc. )

ANYWAY.

The reason I’m bringing this up is that the news came that the empire is expanding – Puy du Fou Espana will begin a soft open late this summer, to be completed in 2021.

I’m absolutely intrigued by this, considering how the French Puy du Fou is expressive of, if not anti-Revolutionary ideals, a more traditional nationalistic view of France that includes, you know, faith. I am wondering what the thinking behind this is – I did see mentioned that one of the historical areas in the park will be a “Muslim camp” and there’s a couple of Arab-looking/dressed fellows in the imagery. Fascinating.

This is the video advertising the “Grand Spectacle” -“El Sueño de Toledo”  – “The Dream of Toledo.”

—3–

Speaking of travel, one of the things I noticed in Japan last summer was the mannered, constant patter from the convenience store clerks. It was weird and awkward – was I supposed to respond in some way or just let it flow over me as I bought my Coca-Cola Light? I thought at the time that it struck me as mannered simply because I don’t speak Japanese. No – it is mannered and practiced and rote – although there are moves afoot to de-emphasize its importance in customer service, mostly because of the greater numbers of non-native Japanese speakers working in that sector. 

Within the framework of Japanese speech exists the somewhat controversial practice of employing formulaic honorific speech by those in the service industry. Manual keigo—so named for the training manuals of phrases that clerks and employees are expected to memorize and use in interactions with the public—creates artificial, repetitious, or otherwise grammatically questionable honorific expressions as companies strive to outdo themselves in terms of reverentially addressing their customers.

Customers can expect to hear generous use of the honorific prefixes “o-” and “go-”, which are appended to words as a sign of respect. “Tsugi no o-kyaku-sama,” or “the next honorable customer,” for instance, becomes “O-tsugi no o-kyaku-sama”—“the honorable next honorable customer.” Similarly redundant compound greetings—irasshaimase konnichiwa, or “Welcome hello”—are also common.

 

–4–

Good stuff from Tom Hoopes on how his family is dealing with tech issues. 

–5 —

Some years ago, I edited an edition of Myles Connelly’s novel Mr. Blue for Loyola Classics. That edition is out of print, but Cluny Media picked it up – and you should to. It’s a powerful parable, much better than the execrable Joshua (which seems to have diminished in popularity, thank goodness) and in a way, an interesting response – not retort, but response – to The Great Gatsby. 

If I were teaching high school religion or literature in a Catholic high school – it just might be my summer reading pick.

Well, here’s an interesting review article about new editions of two other Connelly novels, these new editions edited (as was their Mr. Blue)  by Steve Mirarchi of Benedictine College – who happens to married to one of my former students!

Dan England and the Noonday Devil is somewhat darker. Similar to Blue, Dan England employs a narrator who, conventional in the ways of the world, is initially skeptical of the eccentric ways of the protagonist and yet comes to admire him. Having tried a newspaper career, and having been in his own telling converted in an improbable manner from a conformist lifestyle, Dan England now ekes out a living as a hack writer of detective stories. His real talent and great joy, however, is gathering his motley group of friends and acquaintances nightly at his ample dinner table where he holds court. His home “was a veritable hotel” for his friends, and those friends “were parasites of the most genuine and enduring sort,” including artists, ex-fighters, derelicts, “refugees from Communism and White Supremacy,”—“all having in common a love of Dan’s hospitality and generosity and a few having a love of Dan himself.”

A romantic, an eclectic reader, a storyteller, and an ardent Catholic, Dan indulges in wide-ranging talk that includes paeans to the beauty of the Church and the heroics of the saints and the martyrs. He maintains the “belief that Scripture and the saints should be a natural part of the common small talk and banter of each and every day.” The narrator, a newspaper man, is drawn into Dan’s circle after witnessing Dan’s humanizing effect on a colleague. Betrayed by one of his hangers-on, Dan exhibits a Christ-like forgiveness despite the personal cost: “What mattered to him was not serenity or success but what he so often called ‘the plain but nonetheless terrible necessity’ of saving his soul,” the narrator muses.

True to his cinematic training, Connolly’s novels often consist of a series of brief set pieces or vignettes. His characteristic theme is that of the man who eschews a conventional, conformist way of life in pursuit of human freedom. One is reminded of Melville’s “Bartleby the Scrivener,” which similarly tells a parable-like tale of the ultimate “drop-out” from mercenary society and that also employs an initially skeptical narrator. The great difference is, of course, that Connolly’s fools are holy fools. While O’Connor’s original Catholic readers would no doubt enthuse over these novels as decidedly positive expositions of the Catholic faith, Connolly acknowledges the suffering and sacrifice that comes with such belief.

–6–

You probably know about Doctors Without Borders. Well, how about The Mission Doctors Association? This month marks an important anniversary for them:

2019 marks a special anniversary for Mission Doctors Association; our 60th Anniversary.  We have many things planned to celebrate this year as we also look to the future.  Yet, we also know that without the vision of our founder, Msgr. Anthony Brouwers, none of the lifesaving work of the past 60 years would have been possible.

January 14th marks the anniversary of our founder’s passing at only 51 years old, in 1964. This story is a familiar one for anyone who is close to MDA, or who has ever heard me speak!  As the Director of the Propagation of the Faith in Los Angeles, Msgr. Brouwers traveled to Legos Nigeria to attend the Marian Congress. Once it was over he traveled all over Africa – he said later that he wanted to find ways to help the people of Los Angeles know more about the needs so they could be help.  While he expected to hear requests for money, overwhelming he heard “We need help” He met with priests doing construction, sisters (with no training) pulling teeth and bishops who were so involved in the administration and secular tasks that they had little time to be shepherds.

So, Msgr. returned with a very focused vision.  He wanted to make it possible for Catholic professionals, (not the priests, sisters or brothers, just lay people – single, married, families) to find a way to share their gifts as they lived their faith.   In the 10 years that followed, Msgr. founded the Lay Mission-Helpers Association to send teachers, nurses, accountants and others, and then working with the Catholic Physicians Guild, Mission Doctors Association to send physicians and dentists and their families.

 

–7–

 As I noted the other day, I’ve put up Michael’s How to Get the Most Out of the amy-welbornEucharist on Kindle. 

I’ve created a Lent page here.

The page of the articles I’ve published on Medium here. 

And don’t forget my story!

For more Quick Takes, visit This Ain’t the Lyceum!

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She’s in the Loyola Kids Book of Heroes. I love the illustration.

For more…go here. 

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According to this website, this is a late 19th or early 20th century candy wrapping. 

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— 1 —

Well, this has been a week. For those of you just now popping in since last Friday – we spent last weekend in NYC – report here.

Since, we’ve had school, orthodontist, a daughter needing to be taken to the airport at 4:30AM to travel to job interviews, the beginning of basketball practice, which has necessitated some juggling of music lessons, music lessons, and now a day off of school for teacher conferences.

Plus, it actually feels like fall, which means I actually feel like cooking again.

As for me: I didn’t get a ton of reading done this week – only the autobiography of St. Anthony Mary Claret – which I wrote about in several posts on Wednesday (just click backwards for those) and the beginnings of a couple of books – one novel and one historical study. More on those next week, once I finish.

Writing? I finished – I think – the “short” story I’ve been working on for a very long time. It’s over 7K words, which is not unheard of for a so-called “short” story, although the fact that most of my books run around 25k books – just a little more than triple that – does give me pause.

What will become of that story? I have a competition in mind to which I am probably going to submit it, but if I don’t – I will publish it on Amazon Kindle.

— 2 —

I had really not been aware of how much space that story had been taking up in my head until I finally settled on a last sentence and pressed the period key, and then “save.” My brain immediately felt 80% emptier (that might be a bad thing…)

BTW – I’ll be Living Faith on Sunday. Go here for that. 

— 3 —

Halloween’s coming, and wow does it feel great to be past all of that. Sort of like the feeling a post-menopausal woman gets in walking past the feminine hygiene aisle or the parent with no babies in the present or future gets while walking past the diapers.

Been there, done that. 

I mean – one of them will go out trick-or-treating with some friends, I think, but dressed as what? Don’t care, and it’s his job to figure it out. We have had very few trick-or-treaters over the past couple of years, so I’ll just get one bag this year  – and this time, I’ll get a bag of something everyone here actually likes, so the leftovers don’t sit in a bin in the kitchen for…a year.

There will be no lack of commentary on Catholics n’ Halloween – because there never is – but perhaps your most efficient course of action on this score will be to head over to CWR and read Tom McDonald:

— 4 —

Allhallowtide is actually a kind of triduum: three days of commemoration that includes All Hallows Eve (October 31, shortened Hallowe’en), All Saints Day (All Hallows Day, November 1), and All Souls Day (November 2). As with other major feasts, celebration of All Saints Day begins on the vigil, which is why secular culture celebrates Halloween on the night of October 31st, but then does nothing on the actual feast days that follow.

Halloween is a Christian holiday. Some Celtic neo-pagans and fundamentalist Christians claim the Church simply took over the date for a pagan festival of the dead and all its trappings. False. The current dates fall on a harvest festival called Samhain by the Celts, but there is no indication that Samhain was a festival of the dead. It simply marked the end of the harvest season. Festival days were often regarded as liminal time in which the veil between the material and spiritual worlds are considered thinner, but elaborating this into a festival of the dead on par with those found in other ancient pagan belief systems is more than than the textual evidence can support. Since we have no pre-Christian records of its observation, claims about about its observation are speculative.

Bede calls November Blod-monath (Blood Month), which sounds promising. However, the real meaning is mundane: it was the time surplus livestock were slaughtered to save fodder for the long winter. Otherwise, Bede attaches no significance to the season.

— 5 —

I’ll be posting more on this and All Saints/Souls days next week, of course, but in looking to see if the Clerk of Oxford had posted anything on Halloween, I ran across this interesting post on English churches and saints’ shrines:

This is the season of All Saints, Hallowtide, and it seems a fitting time to post a collection of pictures on a theme I’ve been interested in for a while: how English cathedrals and major churches today choose to represent their pre-Reformation history, and especially the history of the medieval saints whose shrines they once housed. In the Middle Ages, these shrines were integral to the life, history, and physical shape of these cathedrals, a tangible embodiment (in every sense) of their shared spiritual life and their collective identity as a community. As at Winchester, these shrines were usually in a prominent and central position in the church, close to the high altar, and the history of most cathedrals was inextricably bound up with the saints whose relics they preserved, who might be their founders, early leaders, or the nucleus around which the community originally grew. The saint was both literally and metaphorically at the heart of the cathedral, and to remove them created a huge gap. When these shrines were destroyed, it left an absence in more ways than the loss of the saint’s holy ‘rotten bones’.

A number of churches today choose to acknowledge and commemorate that absence, and as a medievalist I’m interested in the different ways they find to do that. This post is a brief journey through the shrines of some of England’s medieval saints – or rather, the empty spaces which those shrines once occupied.

Some of these churches are among the oldest surviving institutions in England, with more than a thousand years of tumultuous, yet essentially unbroken continuity, and their saints and their medieval history of pilgrimage are an unavoidable part of their story – unless they are prepared to ignore the first six or seven centuries of their history, and often their own foundation-story, these churches have to find some way of telling that story to visitors. 

Get ready:

— 6 —

This is amazing and beautiful (as seen on Facebook)

Staged paintings / paintings:
1. The burial of Christ / the entombment of Christ
2. O êxtase de María Magdalena / Mary Magdalen in ecstasy
3. the crucifixion of Saint Peter / crucifixion of Saint Peter
4. A decapitação de João Batista / Beheading of John the Baptist
5. Judite decapitando Holofernes / Judith beheading Holofernes
6. The flagellation of Christ / Mikko of Christ
7. the martyrdom of saint Matthew / the martyrdom of saint Matthew
8. The Annunciation
9. Rest on the flight to Egypt / rest on the flight into Egypt
10. Narcissus / Narcissus
11.: the resurrection of Lazarus
Saint Francis of Saint Francis of Assisi in ecstasy
13. Baco / Bacchus

— 7 —

All right, as Queen of the Local Educational Field Trip, I cannot believe that after doing this for years now, researching my eyes out, scouring the southeast for day trips hither and yon – I missed the paper museum!

The museum was founded in 1939 at the Massachusettes Institute of Technology by paper expert and collector Dard Hunter, who came from a family of printers and was a follower of the American Arts and Crafts Movement in the early 20th century. Considered one of the preeminent papermakers and printers of his age, his work has been featured at the Smithsonian and the New York Public Library.

The museum was revived in 1989 and moved to Atlanta, where today it is located at the Renewable Bioproducts Institute at Georgia Institute of Technology. 

(Not kidding – it looks very good – on the Georgia Tech campus, for heaven’s sake.)

Speaking of Atlanta – I am hoping we can see Yayoi Kusama’s Infinity Mirrors exhibit at the High Museum. It’s going to be there for three months, and all the regular tickets have already sold out. They are going to make a hundred tickets available every day, first come first serve in the mornings. I’ll wait until Christmas break and see if we can do it.

Photo taken inside a Yayoi Kusama Infinity room filled with black and yellow spotted pumpkins reflected in mirrors.Image result for infinity mirrors high museum

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— 1 —

The big news down here was of course, Hurricane Michael. We were well out of the way of anything except some clouds, but of course the Gulf shore is “the beach” for this part of the country. We’ve never actually been to Mexico Beach, but many people do spend time in that area – and of course many live down there and have seen their lives turned completely upside down in this devastation. I can’t see how an area recovers from this.

Before and after photos here.

 

— 2 —

Reading: A couple of days ago, I read the novel The Last Cruise by Kate Christensen. I had read her The Great Man and thought it was just okay – but this was on the new books shelf at the library, it vaguely appealed to me, and I wanted to have a real book on hand to read one evening as a prophylatic against the temptation of screens, so there you go.

Like the other – it was okay. It kept my interest, and I enjoyed reading about food – from one of the ship’s chef’s perspective – and music, from the perspective of an aging Israeli musician on board. In fact, both of those subplots – about the Hungarian sous-chef trying to figure out his path – and the string quartet composed of one woman and three men, all elderly and all veterans of life in Israel during its formative years, including military service – were absorbing enough. But the rest of the characters were too lightly sketched or too (surprisingly) stereotypical representatives of ethnic groups. I thought she could have done a lot more with the setting and bigger theme – this “last cruise” is on a smaller cruise ship being retired after this voyage, a ship that enjoyed its heyday in the 50’s and 60’s , and the voyage was themed to be a retro celebration of all of that. There was also just a bit too much busy-ness in the plot and honestly, the main female character (not the musician) wasn’t interesting at all.

A lot of readers on both Amazon and Goodreads hate the ending – and so I was prepared to hate it, too, but…I didn’t. When you have a book set on a ship, you’ve got a ready-made metaphor for Life right there, and it just seemed to me that the ending was, if not emotionally satisfying, true to the way that life goes, all of us knocking about on this ship, subject to uncontrollable forces, doing what we can, be surprised by each other along the way.

Some reader-reviewers say that the end is too much like the climax of The Perfect Storm, but since I’ve neither read nor seen it, I can’t speak to that.

— 3 —

Well, we’ve got some canonizations this weekend, don’t we? Romero I get of course, but Paul VI? Really? Well, I take that back. Since I have no illusions about ecclesiastical politics and ideological agendas, sure, I get the push to canonize Paul VI. But…yeah. Tell me about all the popular devotion to Paul VI out there. Anyone? Anyone? Bueller?

/cynicism.

Well, that’s not honest because my cynicism is never off. Sorry.

Anyway, more important than my snide remarks are the lives of the five other saints being canonized today. Here’s a report.

Blessed Nunzio Sulprizio was born in Pescosansonesco (Italy) on 13 April 1817 and died in Naples (Italy) on 5 May 1836. He was beatified by Pope Paul VI on 1 December 1963.

Blessed Francesco Spinelli, diocesan priest and Founder of the Institute of the Sister Adorers of the Blessed Sacrament, who born in Milan (Italy) on 14 April 1853 and died at Rivolta d’Adda (Italy) on 6 February 1913.

Blessed Vincenzo Romano, diocesan priest, who was born at Torre del Greco (Italy) on 3 June 1751 and died there on 20 December 1831.

Blessed Maria Caterina Kasper, Foundress of the Institute of the Poor Handmaids of Jesus Christ who was born on 26 May 1820 in Dernbach (Germany) and died there on 2 February 1898.

Blessed Nazaria Ignazia March Mesa (in religion: Nazaria Ignazia di Santa Teresa di Gesù), Foundress of the Congregation of the Misioneras Cruzadas de la Iglesia Sisters who was born in Madrid (Spain) on 10 January 1889 and died in Buenos Aires (Argentina) on 6 July 1943.

— 4 —

Samford University, a local Baptist institution, is hosting a conference at the end of the month – on teaching Dante. 

In a 1921 encyclical marking the 600th anniversary of Dante’s death, Pope Benedict XV praised the great Florentine poet as “that noble figure, pride and glory of humanity.” Few writers have shaped the Christian intellectual tradition and imagination more than Dante, this noble figure whose work stands between two worlds, embodying the creative genius of the Middle Ages while anticipating and shaping the Renaissance to come. “Teaching Dante” will bring together more than thirty scholars from across the disciplines to explore effective strategies for introducing a new generation of students to Dante’s achievement and influence.

Hopefully, we’ll get to the free lecture, by Notre Dame’s Theodore Cachey, called “Mapping Hell.”

— 5 —

Next Monday is the feast of St. Teresa of Avila. She’s in The Loyola Kids’ Book of Saints, and Loyola has a very readable excerpt here 

(If you would like to read a pdf version, click here.) 

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St. Ignatius of Antioch coming up, too – October 17. Go here to prep for that!

— 6 —

If you don’t come here regularly during the week, check back a few days to the big post I did on our long weekend trip to the Kansas City area. 

 

More travel coming fairly soon: to NYC this time, so stay tuned here and to Instagram for that.

Just a reminder: if you cast your eyes up the screen a bit, you see a couple of tabs up there – and they will take to pages with blog posts focused on those topics: homeschooling and travel. The travel page isn’t complete, but I’m getting there.

Also – I’ve posted some more general interest posts of old to the Medium site. 

 

— 7 —

Coming soon: Posts on Better Call Saul and Ross Douthat’s To Change the Church: Pope Francis and the Future of Catholicism, which I read on the plane to Kansas City.

Hopefully, early next week.

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— 1 —

It’s the second of September’s Ember Days. Go here for more information on what that means. 

Today’s the feast of St. Matthew.

A few St. Matthew links for you.

From B16,back in 2006:

On the basis of these simple observations that result from the Gospel, we can advance a pair of thoughts.

The first is that Jesus welcomes into the group of his close friends a man who, according to the concepts in vogue in Israel at that time, was regarded as a public sinner.

Matthew, in fact, not only handled money deemed impure because of its provenance from people foreign to the"amy welborn"People of God, but he also collaborated with an alien and despicably greedy authority whose tributes moreover, could be arbitrarily determined.

This is why the Gospels several times link “tax collectors and sinners” (Mt 9: 10; Lk 15: 1), as well as “tax collectors and prostitutes” (Mt 21: 31).

Furthermore, they see publicans as an example of miserliness (cf. Mt 5: 46: they only like those who like them), and mention one of them, Zacchaeus, as “a chief tax collector, and rich” (Lk 19: 2), whereas popular opinion associated them with “extortioners, the unjust, adulterers” (Lk 18: 11).

A first fact strikes one based on these references: Jesus does not exclude anyone from his friendship. Indeed, precisely while he is at table in the home of Matthew-Levi, in response to those who expressed shock at the fact that he associated with people who had so little to recommend them, he made the important statement: “Those who are well have no need of a physician, but those who are sick; I came not to call the righteous, but sinners” (Mk 2: 17).

The good news of the Gospel consists precisely in this: offering God’s grace to the sinner!

Elsewhere, with the famous words of the Pharisee and the publican who went up to the Temple to pray, Jesus actually indicates an anonymous tax collector as an appreciated example of humble trust in divine mercy: while the Pharisee is boasting of his own moral perfection, the “tax collector… would not even lift up his eyes to heaven, but beat his breast, saying, “God, be merciful to me a sinner!’”.

And Jesus comments: “I tell you, this man went down to his house justified rather than the other; for every one who exalts himself will be humbled, but he who humbles himself will be exalted” (Lk 18: 13-14).

Thus, in the figure of Matthew, the Gospels present to us a true and proper paradox: those who seem to be the farthest from holiness can even become a model of the acceptance of God’s mercy and offer a glimpse of its marvellous effects in their own lives.

From today’s Office of Readings:

There is no reason for surprise that the tax collector abandoned earthly wealth as soon as the Lord commanded him. Nor should one be amazed that neglecting his wealth, he joined a band of men whose leader had, on Matthew’s assessment, no riches at all. Our Lord summoned Matthew by speaking to him in words. By an invisible, interior impulse flooding his mind with the light of grace, he instructed him to walk in his footsteps. In this way Matthew could understand that Christ, who was summoning him away from earthly possessions, had incorruptible treasures of heaven in his gift.

What strikes us about the story of Matthew is the immediacy of his response. Invited by Jesus, he simply leaves his sinful life behind. No ambiguity, no parsing of matters of subjectivity and objectivity. This perhaps is not something we are all capable of at every moment, but it is certainly a response we recognize as the ideal one, articulated by Jesus himself (Mark 10:29) and lived out by people like Matthew.

The spiritual life is a never-ending, fascinating and mysterious dynamic, it seems to me, between finding God in all things and if anyone comes to me and does not hate father and mother…cannot be my disciple. 

 

 

 — 2 —

This, of course, is from one of his GA talks on the apostles and which were collected in book form by various publishers, including OSV. Back in the day, I wrote a study guide for these collected talks to be used either by individuals or groups in parish discussion settings. Here’s the section on Matthew. Feel free to use!

 

— 3 —

 

Speaking of St. Matthew and speaking of parish adult religious education, maybe consider this Loyola Press Six Weeks with the Bible book on the Passion accounts in Matthew:

 

— 4 —

This came across one of my social media feeds, as things do, and it was very striking and sobering: “27 Photos that prove that depression has no face or mood.”  Photographs  – random, candid photos – of people smiling and having a great time, people who just a day or two after the photo was taken, committed suicide. 

Well worth pondering and prayer, and a reminder to be aware, be kind, be open and never assume. Anything.

 

— 5 –

Something surprising and sad: one of the earlier Catholic bloggers, Zippy Catholic, died this week in a bike accident. 

 

 

— 6 —

Here’s something: a secret Reformation-era chapel in Amsterdam: 

One of the oldest continuously operating churches in the Netherlands is hidden away in an attic not far from Amsterdam’s infamous red-light district.

The story of how the chapel came to be starts with Jan Hartman, a German Catholic living in Amsterdam during the Reformation.

During the 17th century, Hartman, like all Catholics, was prevented from exercising his faith in public following the rebellion of the majority-Protestant Low Countries, encompassing parts of modern-day Belgium and the Netherlands, against the Catholic king Philip II of Spain. This led to hostility towards Catholics in the Dutch capital. All Catholic churches were turned into Protestant ones, and many Catholics fled the city to pursue their religious freedom.

But instead of fleeing, Hartman came up with an innovative solution to continue practicing his faith. He brought the two properties on each side of his own home and turned the attic in one of them, at Number 40, Oudezijds Voorburgwal, right near the infamous red light district, into a secret Catholic church. Fellow Catholics could access the “schuilkerk” (literally “clandestine church”) through a spiral staircase hidden behind a fake door in the living room. They would often resort to code language to share news about Mass and other services. F or instance saying “I am going to the parrot” was a way to say that Mass was going to be celebrated.

— 7 —

Finally, here’s a story about spiderwebs enveloping a Greek town, notable, not only for the very fact of it, but for this quote, which I would like to frame:

“The spiders will have their party and will soon die.”

I mean….is there a more succinct summary of life on earth?

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— 1 —

Recent….reads:

“The Canterville Ghost” by Wilde. This was our easing-into-school read this week. I’d never read it, nor seen any of the adaptations, but I knew the basics of the tale: An American diplomat and his family knowingly move into a haunted English estate. The ghost attempts to haunt them, but the pragmatic, good-humored Americans are immune, giving Wilde ample opportunity for some amusing satirical, but entirely good-natured commentary on cultural differences.

The deeper point, I suppose, regards the American disdain of tradition and deep history. They don’t believe in the ghost, but once they accept his existence, they treat him with undaunted practicality – suggesting medications for whatever ails him – and derision, teasing and even torment from the younger family members.

But then, Wilde, as he is wont to do, turns the tables on us all by way of sentimental spirituality, as the family’s daughter, appropriately named Virginia, provides the mediation the ghost requires to find peace.

It’s short, a good read, and a good way to explore the uses of satire and cultural commentary, as well as a bit of light spirituality.

 

 — 2 —

I also read Lord Arthur Savile’s Crime in the same volume. It’s a mild satire on 19th century gothic literature, in which a palm reader tells a young man he’s destined to murder someone. The young man, who is engaged to be married, decides that if this is Fate, he will try to take care of this before his wedding so as not to ruin his marriage. Since this is Oscar Wilde, the descriptions can be delectable:

…at the end of the picture-gallery stood the Princess Sophia of Carlsruhe, a heavy Tartar-looking lady, with tiny black eyes and wonderful emeralds, talking bad French at the top of her voice, and laughing immoderately at everything that was said to her. It was certainly a wonderful medley of people. Gorgeous peeresses chatted affably to violent Radicals, popular preachers brushed coat-tails with eminent sceptics, a perfect bevy of bishops kept following a stout prima-donna from room to room, on the staircase stood several Royal Academicians, disguised as artists, and it was said that at one time the supper-room was absolutely crammed with geniuses.

Lord Arthur’s deeply misdirected sense of obligation is appropriately appalling and the consequences darkly comic, but I enjoyed The Canterville Ghost more.

Next up (for him) “The Lottery” – and then a new novel starting next week. (On his own, he’s reading Dune.) 

— 3 —

I am probably not supposed to read this, but I am trying my hand at A.N. Wilson’s Charles Darwin: Victorian Mythmaker. Everyone says he gets the science all wrong, and wow, look at all those one-star reviews,  but as I am a fan of works that subvert conventional wisdom as well as those that set ideas in historical context, so once I saw it on the library shelf, it was impossible for me to resist.

 

–4–

Recently watched:

Not much, really, over the past week (sports and video games keeping control of the new television), but tonight I got up two episodes of Alfred Hitchcock Presents for us – via the Internet Archive. On the big television, which still amazes me. Anyway, I looked up what fans say are the best of the series, and we watched a couple: “The Man from the South,” with Steve McQueen and Peter Lorre, and “Lamb to the Slaughter,” with Barbara bel Geddes.

Spoiler alert – well, not really, since it happens at the beginning of the episode – if you have seen the second, you know that the plot involves a woman who kills her husband with a frozen leg of lamb, and the subsequent investigation into the crime. I thought it was good, but I also thought it would have been better if we hadn’t know her weapon until the end – it seemed to me the crime could have been artfully glossed over, and it would only gradually dawn on us what was up as sweet blonde Barbara serves up a late supper to the cops.

–5 —

Recent writes:

Look back for posts on Homeschooling Fall 2017 report and a jaunt my son and I took up to north Alabama to see Sandhill Cranes.

As well as ongoing projects.

 

— 6 —

Oh, I guess I should add this to the “recent watches” – might as well knock this off here.

We finally got around to taking a look at Stranger Things – both seasons. I had been highly resistant, first because if you tell me something is a “must watch” and inundate me with think pieces on it – yeah I’m going to #resist. I might come around, but don’t save space for me on the bandwagon right away.

I was also resistant because it’s a Netflix series, and even though it does feature pre-teens and teens, it’s a Netflix series and I knew that while it wasn’t Thirteen Reasons level, I did know that the language was a little rough. But I read reviews and gathered opinions from people whom I trust, and finally, from my throne, offered my assent to the viewing.

My take?

Meh.

Well done on a superficial level – for the most part. (The second seasons is much weaker than the first) A decent introduction to “peak TV” for teens. But:

 

— 7 —

While at times, from moment to moment, I could get swept up in the suspense as a whole, it just didn’t mean anything to me. I didn’t find the 80’s setting engaging – I don’t have a lick of nostalgia for the 80’s, and the series really had nothing to say about it except: Big hair, shoulder pads and Reagan yard signs.

I didn’t find it thematically resonant. Articles proclaimed it a super-Catholic show in a deep sense – why? Because characters were sensing signs of the supernatural through the material? Stretching it. Other articles honed in on kids solving Big Mysteries on their own and tying it into themes of broken families – except that, well, Kids Solving Big Mysteries On Their Own is as old as E. Nesbit and probably older – all great kid-centered adventures have the kids on their own – what fun would it be with adults around? Secondly, the “broken family” theme didn’t really factor into the theme as strongly or meaningfully as I had expected coming into it – especially since it really only factors into one of the children’s situations.

Beyond that, I had two problems with Stranger Things, one relatively minor and the other more fundamental. First – the kids cussing. I’m not on board with that, especially at the level they took it here, and I even found some of it unrealistic. Sure, preteens and teens will curse in their own conversations, but would a typical small-town 13-year old curse as part of a doorway conversation with one of his friend’s parents? That was just off, as was the level of cursing, especially in the second season. The second season, which was far weaker than the first, and really, from a story perspective, had little reason to exist  – and yeah, those kids swore a lot more in the second season than the first.

But more importantly – I’ll try to articulate this, although this type of criticism is not my forte. I feel something, but I’m not sure why I feel it or what an alternative would look like. So with that introduction…

The plot of both seasons of Stranger Things was about a malevolence that lurks beneath ordinary life. It took different forms in each season (which is something that didn’t make sense to me – what happened to the Upside Down – until that last shot of the season?) – but that was the driving element of the plot – this Stuff that was largely unseen, was in some way a negative image of what we live with every day, but for some reason, sometimes, seeks our destruction and must be contained.

Except – whatever this is has no actual relation to life as it’s lived. You can say – well, that’s because it’s been contained – but what I think was missing was any thematic connection between this hidden evil and human life and choices. There was this Bigger Thing – this Stranger Thing– but it was just a creepy destructive force which had no motivation except for a hunger-driven destruction, and that found no reflection or reference in the hungers or creepy destructive forces that we encounter in every day life or in the world at large.

It’s not that Stranger Things needed blatant metaphors telegraphed in lame fashion, but I guess what I am attempting to say is that I never had any sense that this malevolence or the efforts to contain or control it was a metaphor for anything, and that rendered it ultimately not very interesting.

That said, some of the acting was remarkable, particularly from Millie Bobby Brown, who played Eleven, the girl who’d been kept to develop her psychic powers, and Gaten Matarazzo, who is a natural and a delight.

I found Winona Ryder tiresome – well, of course her frantic aspect was perfectly understandable as she sought her lost son and became convinced he was trapped in, er, the electrical system. But All! The! Anxious! Shouting!

And can I say this? Will it get me into trouble? Probably, just for being stupid. But here’s the thing: the creators of Stranger Things are twin brothers, and I really felt that during this show. The whole thing felt like the expression of very insular world that was about that world and not much else.

And the second season….there was no reason for it. Especially if your name is Bob. Poor Bob.

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It did make for a good running joke during Christmas, though….

 

 

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And here, we are on Day Three of Christmastime in the City…

(Instagram summaries here…)

It was going to be cold. We all knew that. Everyone knew that. I’ve been cold before. I was born in Indiana. The formative part of my childhood was spent in Kansas. I lived in northern Indiana for seven years as an adult. I’ve been cold.

Still…this was cold.

The high in Manhattan on Thursday was to be around 20 degrees, so of course we weren’t going to be traipsing about the city (although my Birmingham friend did just that, and covered an impressive amount of ground, on foot, outdoors. But as I said, she’s a New Englander…), so that would be our Metropolitan Museum of Art day.

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(Other options: We’d been to the Guggenheim last summer, as well as the Morgan Library. The Frick might have been another option, but I did want to see the Michelangelo exhibit, so the Met it was.)

We – including they have been to the Metropolitan Museum a few times, including some time this past summer, most of that spent in the ancient Americas and Byzantine holdings. The focus this time would be Michelangelo, as well as  the Medieval and Renaissance holdings, including the lovely Neapolitan Christmas tree and presipio that was part of Ann Engelhart’s inspiration for Bambinelli Sunday.

But how to get there? That was the knotty issue. For you see, the Met is not on a subway line, and “our” subway options didn’t take us easily to the east side. If the weather had been good, it would not have been anything to wonder about – take the subway to the Natural History Museum and walk across the park to the Met. It was about ten degrees. I wasn’t walking across Central Park in that. Sorry. So after checking out of the Leo House, taking our backpacks with us, then taking the subway up, we took a cab from the Natural History Museum stop  – five bucks, quick trip, no problem.

But in my efficiency, I landed us there early – as in twenty minutes early, and apparently not even near-zero degree weather moves the rulers of the Met to let the freezing, IMG_20171228_095633.jpghuddling masses in out of the cold even a nanosecond early. We crowded in an alcove entrance to the educational wing with a few dozen others until my oldest arrived – he was working that day, but he’s a Met member, so he stopped by on his way to work to get us in – once they opened – and Ann soon followed.

 

Highlights:

I do love all the Madonna and Child statuary at the Met. They are mostly all smiles, mother and Child – and there is just a sense of warmth in those rooms – warmth mixed with regret, since all of that loveliness should still be in churches and chapels, still being used as objects of devotion.

These galleries also were relevant to a project I recently completed. As I wandered, I found myself wishing I’d had a chance to visit in the midst of my writing, but I was also reassured that I probably got the gist of the subject correct…

I love this Visitation group – both Mary and Elizabeth have clear oval bubbles on their abdomens – the cards indicated that there were once images of the babies visible through each.

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An interesting martyrdom. St. Godelieve – part of this larger piece. 

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This was, according to the placard, a devotional crib for the Christ Child, probably given as a gift to a woman entering a convent or upon taking final vows:

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The tree – not great photos, but I’m sure you can go to the website and see more:

The Michelangelo exhibit was very instructive and quite well done, helping us understand his development as an artist and his process.

After FOURTEEN DOLLAR HALF-BAGUETTES WITH A COUPLE OF PIECES OF HAM AND CHEESE on them  – Ann left, and we continued on up to the World War I exhibit – very, very good and sobering, of course. A presentation of visual art inspired by the experience of the Great War, the theme was, over and over, initial jingoistic enthusiasm brought up short by reality and suffering.

Museum Fatigue is a thing, of course. Think about it. Look at the maps of the Metropolitan Museum of Art. How can anyone “do” this museum, even in a day? Even if you could whizz through every room, what would you really see? What would you absorb? That’s why I don’t push it, that’s why we take our time. Even if this were our first, only or last time at this massive museum, I wouldn’t insist on pushing through and seeing “everything,” or even a lot.

It’s like all of travel, it’s like learning, and it’s like life. There’s this much  (spreads arms wide) that’s out there. One person can only fruitfully and memorably encounter and absorb this much (holds fingers close together). It’s much more fruitful to go slowly, contemplate and see a few things in a thoughtful way rather than racing through a checklist, glancing at images and taking a few selfies in front of the more well-known pieces as you go.

In the context of art, consider that every piece you see is the fruit of weeks if not months of work and a lifetime of creative thought and energy, as well as the product of a complex culture and social setting that’s different than the one you live in. A glance and a checklist is not the point. Contemplation and conversation that might lead to a broader, deeper understanding is.

So slow down. Look carefully. Listen. Talk about it. Think some more. And then go see something else – or go home and think about that one thing. I’m not telling you. As I have to do all the time, I’m telling me.

Coda:

We left the Met about 4:30, took a super slow M4 bus down to Penn Station – seeing more IMG_20171228_181353.jpglights and windows as we went (speaking of checklists), found the Shake Shack, shared a table with a very nice pre-school teacher from Long Island, got on the train to the airport, arrived there, found the shuttle to the Doubletree, hopped on that, checked in, and leaving Boys with Screens, Mama went to the bar, took notes on the day and had a drink (or two) to help her sleep since a 3:30 AM alarm was in her future.

Coda II:

We did it! Woke up with our alarm, didn’t suffer too much, got the shuttle back to the airport, checked in for our 6:11 AM flight back to Atlanta. Which didn’t leave until 7. Arrived in Atlanta, got in the car, drove to Florida, dropped off boys with grandparents, aunts, uncle and cousins, then I drove to  Charleston where I’ve been all weekend with IMG_20171230_144002.jpgmy son, daughter-in-law and grandson. I’ve been babysitting, going to the Children’s Museum, stopped by the Daughters of St. Paul bookstore, and to Mass at the Cathedral, where former Mayor Riley was the lector. I found him after Mass and introduced myself – he’s good friends with Bishop Baker, and had been in Birmingham a year and a half ago to present at a conference on racial issues. I spent some time this fall editing those talks into a form that we hope will be publishable as a book, so I wanted to meet Mayor Riley and thank him for his leadership of Charleston and wise words, particularly after the Emanuel AME church shooting – and I did – he was, of course, very gracious, pointing out to us Bishop Baker’s steeple atop the Cathedral – because of seismic and weather issues, there had been no steeple until Bishop Baker revisited the issue during his tenure there.

And now, back to Life in 2018!

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