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Seven Quick Takes

— 1 —

Well, here we are, just about one week and counting from, we hope, The Return to College. Out of five classes, all but one will be (as far as we can tell) face-to-face, and I don’t mind paying for that.

What a ride.

So, next week: Hopefully get his old car sold (anyone in Alabama want a 2006 Mazda Miata?) get serious about lists and shopping and such. I’m not anxious about it because he’ll have a car with him and in case he needs toothpaste, he can just pop out to Wal-Mart and…go get some. There isn’t that concern to Buy All The Things because he won’t be able to restock for weeks or months.

But we do want to get most of the stuff before we go. Added to the usual this year: Masks? Check. Sanitizer? Check. Thermometer? Check. Etc. He has all of this textbooks. He’ll be in a single room, so no roommate concerns, and that also lessens the Pandemic Prevention Pressure.

— 2 —

I’m in Living Faith today. Here ’tis. 

Before this – here. 

— 3 —

My new favorite Twitter account. Language alert, blah, blah, blah.

 — 4 —

Working hard here, every day. Process?

In the evening, take a look at the material to be written about the next day. Read any unfamiliar Scripture passages. Let it simmer.

Get up the next morning, first thing revise the two or three chunks written the day before. Then write two-three new chunks.

Done by 10 am, usually.

Onward!

— 5

In case you missed it earlier this week:

I’ll Fly Away – The Sister Servants from Sister Servants on Vimeo.

Learn more about the Sister Servants here. 

 

6–

Here’s a really excellent article on Hemingway and O’Connor, turning on the imagery of blood and yes, bulls. It’s very, very good. 

It is also noteworthy here that Mrs. May is described as being “pierced”—that word associated with suffering and with the cross—and that the piercing coincides with a kind or rapture or “ecstasy,” a word whose Greek root means “to stand outside of oneself” and suggests a transcendence of self. O’Connor’s heroine is cast as a modern-day version of Bernini’s St. Teresa in Ecstasy, who is pierced, in the midst of her visionary rapture, by a visiting angel.

Along similar lines, Hemingway associates the violence of the bullring with ecstasy, particularly the faena—the final third of the bullfight wherein the matador performs his capework with the bull before killing him. In Death in the Afternoon he writes of this rapture, describing the faena as a ritual

That takes a man out of himself and makes him feel immortal while it is proceeding, that gives him an ecstasy, that is, while momentary, as profound as any religious ecstasy; moving all the people in the ring together . . . in a growing ecstasy of ordered, formal, passionate, increasing disregard for death (206-207).

The ecstasy O’Connor and Hemingway describe—and that Bernini depicts— is the culmination of intense bodily sensation leading to enlightenment of the soul. The natural leads to the supernatural. Time becomes one with eternity. Suffering is redeemed. It is mystical, transcendent, and deeply Catholic.

The uses of violence by both Hemingway and O’Connor remind us of the reality human life is grounded in: we are all living “on the verge of eternity” (O’Connor, Mystery and Manners, 114), and the way we conduct our lives in the here and now has a spiritual dimension. Violence reminds us of our unceasing proximity to death, and this knowledge can serve as a conduit to grace.

 

— 7 —

Tomorrow? St. Dominic, here in the Loyola Kids’ Book of Saints.  Only a page is available  online, so here it is. He’s in “Saints are people who teach us new ways to pray” section.

For more Quick Takes, visit This Ain’t the Lyceum!

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Seven Quick Takes

— 1 —

It’s July 31 – the feast of St. Ignatius Loyola.

St. Ignatius was in my Loyola Kids Book of Saints, and you can read the entire chapter here:

Because he had spent all those months in his sickbed, Ignatius got bored. He asked for something to read. He was hoping for adventure books, tales that were popular back then: knights fighting for the hands of beautiful ladies, traveling to distant lands, and battling strange creatures.

But for some reason, two completely different books were brought to Ignatius. One was a book about the life of Christ, and the other was a collection of saints’ stories.

Ignatius read these books. He thought about them. He was struck by the great sacrifices that the saints had made for God. He was overwhelmed by their love of Jesus.

And Ignatius thought, “Why am I using my life just for myself? These people did so much good during their time on earth. Why can’t I?”

Ignatius decided that he would use the talents God had given him—his strength, his leadership ability, his bravery, and his intelligence—to serve God and God’s people.

While Ignatius continued to heal, he started praying very seriously. God’s peace filled his heart and assured him that he was on the right path.

When Ignatius was all healed and ready to walk and travel again, he left his home to prepare for his new life. It wasn’t easy. He was 30, which was considered old in those days, and he was getting a late start in his studies for the priesthood. In those days, the Mass was said only in Latin, and Latin was the language all educated people used to communicate with each other. Ignatius didn’t know a bit of Latin. So for his first Latin lessons, big, rough Ignatius had to sit in a classroom with a bunch of 10-year-old boys who were learning Latin for the first time too!

That takes a different kind of strength, doesn’t it?

saints

 

— 2 —

 

Take Lord, and receive all my liberty, my memory, my understanding, and my entire will, all that I have and possess. Thou hast given all to me. To Thee, O lord, I return it. All is Thine, dispose of it wholly according to Thy will. Give me Thy love and thy grace, for this is sufficient for me.

In The Words We Pray, I wrote about the Suscipe Prayer. That chapter is excerpted here:

The more you roll this prayer around in your soul, and the more you think about it, the more radical it is revealed to be.

One of the primary themes of the Spiritual Exercises is that of attachments and affections. Ignatius offers the account of “three classes of men” who have been given a sum of money, and who all want to rid themselves of it because they know their attachment to this worldly good impedes their salvation.

The first class would really like to rid themselves of the attachment, but the hour of death comes, and they haven’t even tried. The second class would also like to give up the attachment, but do so, conveniently, without actually giving anything up.

Is this sounding familiar at all?

The third class wants to get rid of the attachment to the money, which they, like the others, know is a burden standing in the way. But they make no stipulations as to how this attachment is relinquished; they are indifferent about the method. Whatever God wants, they want. In a word, they are the free ones.

The prayer “Take Lord, receive” is possible only because the retreatant has opened himself to the reality of who God is, what God’s purpose is for humanity, and what God has done for him in a particularly intense way.

A Response to God’s Love

The retreatant has seen that there is really no other response to life that does God justice. What love the Father has for us in letting us be called children of God, John says (1 John 3:1). What gift does our love prompt us to give?

In ages past, and probably in the minds of some of us still, that gift of self to God, putting oneself totally at God’s disposal, is possible only for people called to a vowed religious life. Well, God didn’t institute religious life in the second chapter of Genesis. He instituted marriage and family. I’m not a nun, but the Scriptures tell us repeatedly that all creation is groaning and being reborn and moving toward completion in God. Every speck of creation, everything that happens, every kid kicking a soccer ball down a road in Guatemala, each office worker in New Delhi, every ancient great-grandmother in a rest home in Boynton Beach, every baby swimming in utero at this moment around the world—all are beloved by God and are being constantly invited by him to love. And all can respond.

— 3 —

Depicting Dante’s heaven:

“Dante is often presented in a very secular way,” Schmalz said, noting the obsession that universities, artists and writers have had with the Inferno, ignoring the rest of poem.

According to Schmalz, limiting the poem’s scope to the Inferno means “not giving the proper representation of Dante and also the Christian ideas that are in the ‘Divine Comedy.’

“As a Catholic sculptor I have been very angry about this for many years,” he said.

An example of the fascination Dante’s Inferno has had on artists throughout history is the famous “Thinker” by the French sculptor Auguste Rodin. The popular image was originally meant to portray Dante as the “Poet,” and a miniature version of it can be found atop Rodin’s massive representation of “The Gates of Hell.”

“Because I am a Christian sculptor I will right this wrong,” Schmalz said. “I will do what has never been done before in the history of sculpture, which is to create a sculpture for each canto of the ‘Divine Comedy.’

 

 — 4 —

On a biography of Charles Peguy

In a way, Péguy preserved and cherished each of these influences: He would maintain an obsessive concern for the dispossessed, an ardent passion for France, and an unyielding faith in God all his life. But his intensity of belief did not prevent him for recognizing and pointing out the flaws in that which he loved. Péguy deplored the Catholic Church’s reactionary excesses and the Third Republic’s racialist conception of citizenship, and his unorthodox view of socialism rejected Marx’s enforced equality and anti-religious undertones. To him, solidarity — and politics itself — began with the “mystical,” that is, the set of myths and shared transcendent beliefs that underpin the construction of communities. Resolutely anti-cosmopolitan, he did not believe in the transnational alliance of workers that would become central to the Soviet project. For him, to reject the centrality of local attachments was to abstract away the suffering of people close-by; only cold-hearted bourgeois were rootless enough to live in multiple cities at once, to oscillate between cultures and languages, to detach themselves from the warmth of traditions and communities. The very small and the transcendent were the scales that mattered. Real change would not come through centralized Jacobin putsches, but through local micro-revolutions.

Péguy abhorred all attempts to demystify life’s mysteries. He rejected the scientism of his era, and laughed at the claim — seemingly blind to its own metaphysical assumptions — that empirical science would ever supersede the need for metaphysics. He thought that Adam Smith and Karl Marx had equally simplistic views of history, views that sacrificed transcendence on the altar of materialism. Yet he did not believe that the Bible had all the answers, either — or, at least, he did not believe that any human being could ever access all the answers. In fact, he fervently opposed what he saw as a conservative attempt to weaponize scripture. In a way, he thought, both sides emptied metaphysics of their significance; the Left reduced religion to “the opium of the masses,” and the Right relegated faith to a mere political tool. Like Dostoevsky, Péguy thought that in the absence of God, men would devolve into beasts; unlike Dostoevsky, he also believed that if God were too present in human affairs, the same degeneration would ensue.

— 5 

Watch out. This Sunday brings us the Miracle of Sharing….

6–

One of the newsletters I enjoy reading is The Convivial Society..about tech and life and such. This is from a recent edition – not from the author of the newsletter itself, but from a writer named Jean Baudrillard in Simulacra and Simulation (1981). See if you can relate.

Rather than creating communication, [information] exhausts itself in the act of staging communication. Rather than producing meaning, it exhausts itself in the staging of meaning. A gigantic process of simulation that is very familiar. The nondirective interview, speech, listeners who call in, participation at every level, blackmail through speech: ‘You are concerned, you are the event, etc.’ More and more information is invaded by this kind of phantom content, this homeopathic grafting, this awakening dream of communication. A circular arrangement through which one stages the desire of the audience, the antitheater of communication, which, as one knows, is never anything but the recycling in the negative of the traditional institution, the integrated circuit of the negative. Immense energies are deployed to hold this simulacrum at bay, to avoid the brutal desimulation that would confront us in the face of the obvious reality of a radical loss of meaning.

 

 

— 7 —

Tomorrow is the memorial of St. Alphonsus Liguori, whom I wrote about here. Just a brief excerpt – related to the travails of writers, which he shared:

The letters reflect quite a bit on his concern to get this books out there to people who will read them – Naples is always out of copies, but that’s one of the few places he has an interested audience, and the priests, well….

I am glad that the History of the Heresies is finished. Once more, I remind you not to send me any copies for sale, as the priests of my diocese are not eager for such books; indeed, they have very little love for any reading whatsoever.

Besides, I am a poor cripple, who am Hearing my grave, and I do not know what I should do with these copies.

Rest assured, that I regard all your interests as though they were my own. If I could only visit Naples, I might be able to do something personally. But confined here in this poverty-stricken Arienzo, I write letters innumerable to people in Naples about the sale, but with very little result. I am much afflicted at this, but affliction seems to be all that I am to reap from these negotiations.

So, writers….you’re not alone!

 

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A final chapter from Mary Magdalene: Truth, Legends and Lies (full text available here for .99 – actually .00 until midnight tonight).  I have skipped a few – this is chapter 10, which describes the role of Mary Magdalene in the lives of late medieval and counter-reformation mystics and spiritual writers.

For excerpts from other  chapters:

Chapter one: Introducing Mary Magdalene in the Bible

Chapter two: Mary Magdalene at the Resurrection

Chapter three: Mary Magdalene in Gnostic writings

Chapter four: Mary Magdalene in Patristic writings

MARY AND THE MYSTICS

The heart of the Christian life is prayer, and throughout our history Mary Magdalene has often been found in that heart, pointing the way to Christ. Like any saint, Christians have looked to her as a model, and have prayed for her intercession.

In this chapter, we’ll look at some important figures in the Christian spiritual tradition, mostly women, and how they have been inspired and nourished by the example of Mary Magdalene. Some found parallels between their lives and hers. Others found strength in her identity as a repentant sinner, or in the model of solitary con-templation offered by the legends they knew. The lives of all of these prayerful people help us see the tremendous positive power the figure of Mary Magdalene has held in the lives of many Christians.

Like a Sister

Margery Kempe is one of the more vivid figures to emerge from the medieval period, partly because she left extensive autobiographical writings (dictated to a priest), but also because her experiences are so extreme to the point that today we might indeed diagnose her as mentally ill.

She was an Englishwoman, born in the late thirteenth century, married, and the mother of fourteen children. She eventually convinced her husband to live with her as a brother, and from that point embarked on a number of pilgrimages — to the Holy Land, Rome, Santiago de Compostela, Norway, and Germany. Her Book of Margery Kempe is an invaluable record of the period in general, and of religious life and sensibilities in particular.

The Book records visionary experiences, most of which involve Margery, who refers to herself as “said creature,” in the midst of a biblical scene, observing and interacting with the other participants, often weeping copiously. Her visions reflect a knowledge of some of the medieval religious plays featuring Mary Magdalene, as well as a work called Meditations on the Life of Christ, a very popular devotional believed to have been written by St. Bonaventure, but now ascribed to a figure known as “Pseudo-Bonaventure.”

Margery joins Mary Magdalene and others at the cross. She mourns with them. For ten years, on every Good Friday, she weeps for five or six hours. After the Resurrection, she displaces Mary Magdalene, and converses with Christ herself, receiving his assurance that if Mary Magdalene could be forgiven of her sins, so should Margery. She, along with the Virgin, expresses sorrow at the imminent physical departure of Jesus, and is comforted by him.

Margery draws strength from Mary Magdalene, then, as a model of a sinner who loved Christ and was devoted to him. The imagery she offers, of herself mourning over the dead Christ, kissing his feet and caring for his body, is evocative of spiritual writing and art of the period in which Mary Magdalene is playing that same role:

[Jesus to Margery Kempe:] “Also, daughter, I know . . . how you call Mary Magdalene into your soul to welcome me for, daugh-ter,I know well enough what you are thinking.You think that she is the worthiest, in your soul, and you trust most in her prayers next to my mother, and so you may indeed, daughter, for she is a very great mediator to me for you in the bliss of heaven.” (Book of Margery Kempe, chapter 86, in Medieval Writings on Female Spiritualityedited by Elizabeth Spearing [Penguin Books, 2002], p. 251)

The Second Mary Magdalene

Similar comfort was found by St. Margaret Cortona (1247-1297), who is actually called the “Second Mary Magdalene.” She was born in Tuscany, and as a young adult woman she became lovers with a nobleman, bore him a child, and lived with him for nine years. The man File:Giovanni Lanfranco - Ecstasy of St Margaret of Cortona - WGA12453.jpgwas murdered, at which point Margaret took her child and fled, first to her family’s home, where she was rejected, and then to a Franciscan friary. Her subsequent life as a Franciscan tertiary was marked by continued battles with temptations of the flesh (she is a patron saint of those battling temptation), repentance, and service to the poor.

Obviously, her past life led to her identification with the popular memory of St. Mary Magdalene, repentant sinner — and like Margery Kempe, Margaret found solace in Mary’s penitent life. The following was related by one of her early biographers:

“Shortly before her death, she had a vision of St. Mary Magdalene, ‘most faithful of Christ’s apostles, clothed in a robe as it were of silver, and crowned with a crown of precious gems, and surrounded by the holy angels.’ And whilst she was in this ecstasy Christ spoke to Margaret, saying:‘My Eternal Father said of Me to the Baptist:This is My beloved Son;so do I say to thee of Magdalene:This is my beloved daughter.’ On
another occasion we are told that ‘she was taken in spirit to the feet of Christ, which she washed with her tears as did Magdalene of old;and as she wiped His feet she desired greatly to behold His face,and prayed to the Lord to grant her this favor.’ Thus to the end we see she was the same; and yet the difference.” (
Saints for Sinners, by Alban Goodier, S.J. [Ignatius Press, 1993], p. 46)

Bathed in Blood

St. Catherine of Siena is one of the most fascinating women of the medieval period, and considering the competition, that is saying quite a bit.

Born in 1347, the youngest of twenty-five children, Catherine was intensely devout, but uninterested in taking the usual route for young women like herself, which would have been joining a reli-gious community. She became associated with the Dominicans — whose patron was Mary Magdalene, remember — as a tertiary, but operated with a startling degree of independence for a woman of her era. We remember her today for her letters, her spiritual writ-ings (dictated to her confessor, Blessed Raymond of Capua), and her determination to play a role in reforming the papacy, at that time in exile in Avignon, France, and corrupted by luxury.

Catherine saw Mary Magdalene as a second mother, having dedicated herself to her in a special way upon the death in child-birth of her sister, Bonaventura, an incident that seems to have been an important motivator in Catherine’s spiritual life. When Bonaventura died, Catherine envisioned herself at the feet of Christ, with Mary Magdalene, begging for mercy. Her biographer noted Catherine “doing everything she could to imitate her to obtain forgiveness” (quoted in Haskins, p. 179). Blessed Raymond summarizes Catherine’s devotion in the following passage:

“‘Sweetest daughter, for your greater comfort I give you Mary Magdalen for your mother.Turn to her in absolute confidence; I entrust her with a special care of you.’ The virgin gratefully accepted this offer. . . . From that moment the virgin felt entirely at one with the Magdalen and always referred to her as her mother.” (Quoted in Jansen, p. 303)

In terms of her personal spirituality, Catherine looked to Mary Magdalene as a model of repentance and faithfulness, never leaving Jesus at the cross. Nor, she determined, would she, faithfully persevering in fidelity despite the extraordinary risks she faced in confronting the most powerful figure of the day — the pope — with evidence of his own sins.

[Catherine of Siena on Mary Magdalene, the “loving disciple”:] “Wracked with love, she runs and embraces the cross.There is no doubt that to see her master, she becomes inundated with blood.” (Quoted in Haskins, p. 188)

St.Teresa of Ávila

The sixteenth century was a period of conflict and reform for the Catholic Church. At the beginning of the century, there was only one Christian Church in the West, but by the end there were scores of different churches and movements emanating from the Protestant Reformation.

The Catholic Church, faced with the consequences of, in part, its own weakness and corruption, responded to the Reformation with its own inner purification, commonly called the Counter-Reformation, or the Catholic Reformation. The Council of Trent, meeting over several years mid-century, standardized prayer and liturgical texts, mandated seminary training for priests, and confidently restated traditional Catholic teaching on justification, Scripture, Tradition, and the life of the Church.

Change doesn’t come only from the top, though. When a reforming spirit is in the Catholic air, inevitably groups rise up to meet the challenge and undertake the work. It happened, for example, in the thirteenth century with the rise of the mendicant orders.

Some argue it is happening today with the rising popularity of groups like Communion and Liberation, Opus Dei, and the Neo-Catechumenal Way.

The sixteenth century was no different. It was the era that saw the establishment of the Jesuits, who evangelized with vigor and focus, under the direct supervision of the pope. It was also the era that saw the reformation of many religious orders. One of the most important leaders on this score was St. Teresa of Ávila, who worked tirelessly to reform the Carmelites in Spain.

Not that she started out life as a reformer. Teresa entered religious life at an early age, but did not pursue holiness with much vigor. Many convents in that period had devolved to essentially groups of well-off women dwelling together, living only nominally religious lives.

Teresa lived this way until her forties, when illness prompted a change of heart. In the wake of her conversion, Teresa was inspired to reform existing houses of her order and establish new ones that would be expressions of a sacrificial road to holiness. Teresa was also a great mystic and teacher of prayer. Her works — including her Life, the Way of Perfection, and The Interior Castle — are still widely read today.

In these works, we see the influence of Mary Magdalene on Teresa, primarily, as she has been for the other women we’ve looked at, as a model of fidelity and repentance:

“I had a very great devotion to the glorious Magdalene,and very frequently used to think of her conversion — especially when I went to Communion. As I knew for certain that our Lord was then within me, I used to place myself at His feet, thinking that my tears would not be despised. I did not know what I was saying; only He did great things for me, in that He was pleased I should shed those tears,seeing that I so soon forgot that impression. I used to recommend myself to that glorious saint,that she might obtain my pardon.” (Life, 9:2)

The story of Mary Magdalene’s contemplative years in the wilderness and her association with the quiet, listening Mary (in contrast to the busy Martha) also Teresa_de_Jesúsappealed to Teresa, unsurprisingly:

“Let us, then, pray Him always to show His mercy upon us, with a submissive spirit,yet trusting in the goodness of God. And now that the soul is permitted to sit at the feet of Christ, let it con-trive not to quit its place, but keep it anyhow. Let it follow the example of the Magdalene; and when it shall be strong enough, God will lead it into the wilderness.” (Life, 21:9)

Asceticism, an important part of Teresa’s spirituality (although never to extremes, she firmly taught), was understood by her and others in this period as a means of penance for one’s own sins, as well as the sins of others. Here, again, Mary Magdalene was a model:

“Indeed the body suffers much while alive, for whatever work it does, the soul has energy for far greater tasks and goads it on to more, for all it can perform appears as nothing.This must be the reason of the severe penances performed by many of the saints, especially the glorious Magdalene, who had always spent her life in luxury.This caused the zeal felt by our Father Elias for the honor of God, and the desires of St. Dominic and St. Fran-cis to draw souls to praise the Almighty. I assure you that, for-getful of themselves, they must have passed through no small trials.” (Interior Castle, 4:16)

Teresa, like many other women, saw in Mary Magdalene a model for faithful discipleship through difficulty, an ideal penitent, and an inspiring contemplative.

Practical Advice

During this same era, another kind of Catholic reformer was working in another part of Europe. St. Francis de Sales — a gifted writer, preacher, and spiritual director — was the bishop of Geneva, although throughout most of his career, because of the Calvinist control of that city, he could not openly lead his flock. He wrote, unusually for this period, specifically for the laity, very aware of the particular challenges of living in the world.

His Introduction to the Devout Life is a lovely, practical, and charming classic, and it is still indispensable. His letters of spiritual direction, many of them written to his close friend and fellow reformer St. Jane Frances de Chantal, are carefully crafted to answer the specific needs of their recipients. In one of his letters of spiritual direction, written to one Rose Bourgeois, an abbess who, much like Teresa of Ávila, was attempting to reform her own life and that of her convent in a way more faithful to the demands of the Gospel, Francis draws on the image of the contemplative Magdalene in a lovely way:

“Dear daughter,what a good way of praying,and what a fine way of staying in God’s presence: doing what He wants and accept-ing what pleases Him! It seems to me that Mary Magdalene was a statue in her niche when,without saying a word,without mov-ing, and perhaps even without looking at Him, she sat at our Lord’s feet and listened to what He was saying.When He spoke, she listened; whenever He paused, she stopped listening; but always, she was right there.” (Letters of Spiritual Direction, by Francis de Sales and Jane de Chantal [Paulist Press, 1988], p. 152)

Silent Witness

Mary Magdalene’s place in medieval and early modern Catholic spirituality was firm and clear. Her example encouraged Christians to see their own sins clearly and honestly, and hopefully approach the Lord for forgiveness. Her faithfulness to Jesus, an important part of the Passion narratives in the Gospels, was an accessible expression of fidelity. Her identity as a contemplative, fueled by the legend of her time in the wilderness, as well as her identification with Mary, sister of Martha, provided a model for women who sought to pursue a life of deep prayer, singularly devoted to Christ.

Questions for Reflection

  1. In what ways did these medieval spiritual writers find Mary Magdalene inspiring?
  1. How did they respond to her identity as “Apostle to the Apos-tles,” within the context of their times?
  2. Does the image of Mary Magdalene inspire you in similar ways?

Below: The pages on Mary Magdalene from the Loyola Kids Book of Catholic Signs and Symbols. As a new school year approaches, please consider purchasing copies of this and other Loyola Kids titles for your local Catholic parish and school! Or using them in your homeschool…..

 

 

 

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amy_welborn2

 

His memorial is today.

peter_to_rot_stamp_2

Here is a good version of his life:

One of the patron saints of World Youth Day 2008 in Sydney, Australia, was Bl. Peter To Rot, a native son of Papua New Guinea. A second-generation Catholic during the evangelization of his Southern Pacific island in the early twentieth century, Peter was an exemplary husband, father, and catechist. In 1945 he suffered martyrdom at the hands of Japanese soldiers for his courageous defense of Christian marriage…

 

…The mission field in Oceania was immense but the missionary priests were few, and so young men were trained as catechists to work with them. Peter threw himself cheerfully into his new daily routine at St. Paul’s College: spiritual exercises, classes, and manual labor. The school had a farm that made it largely self-supporting. When the tropical sun was blazing and some of the students preferred to take it easy, Peter by his example and urging convinced them to get down to work. He was a “joyful companion” who often put an end to quarrels with his good-natured joking, although he learned to refrain from humor at the expense of the instructors. Through frequent Confession, daily Communion, and the Rosary, he and his fellow students fought temptations, increased their faith, and became mature, apostolic Christian men.

Peter To Rot received from the bishop his catechist’s cross in 1934 and was sent back to his native village to help the pastor, Fr. Laufer. He taught catechism classes to the children of Rakunai, instructed adults in the faith and led prayer meetings. He encouraged attendance at Sunday Mass, counseled sinners and helped them prepare for Confession. He zealously combated sorcery, which was practiced by many of the people, even some who were nominally Christian.

In 1936 Peter To Rot married Paula Ia Varpit, a young woman from a neighboring village. Theirs was a model Christian marriage. He showed great respect for his wife and prayed with her every morning and evening. He was very devoted to his children and spent as much time with them as possible.

A Time of Trial

During World War II, the Japanese invaded New Guinea in 1942 and immediately put all the priests and religious into concentration camps. Being a layman, Peter was able to remain in Rakunai. He took on many new responsibilities, leading Sunday prayer and exhorting the faithful to persevere, witnessing marriages, baptizing newborns, and presiding at funerals. One missionary priest who had escaped arrest lived in the forest; Peter brought villagers to him in secret so that they could receive the sacraments.

Although the Japanese did not outlaw all Catholic practices at first, they soon began to pillage and destroy the churches. To Rot had to build a wooden chapel in the bush and devise underground hiding places for the sacred vessels. He carried on his apostolic work cautiously, visiting Christians at night because of the many spies. He often traveled to Vunapopé, a distant village, where a priest gave him the Blessed Sacrament. By special permission of the bishop, To Rot brought Communion to the sick and dying.

Exploiting divisions among the people in New Guinea, the Japanese reintroduced polygamy to win over the support of several local chiefs. They planned thereby to counteract “Western” influence on the native population. Because of sensuality or fear of reprisals, many men took a second wife.

Peter To Rot, as a catechist, was obliged to speak up. “I will never say enough to the Christians about the dignity and the great importance of the Sacrament of Marriage,” he declared. He even took a stand against his own brother Joseph, who was publicly advocating a return to the practice of polygamy. Another brother, Tatamai, remarried and denounced Peter to the Japanese authorities. Paula feared that her husband’s determination would result in harm to their family, but Peter replied, “If I must die, that is good, because I will die for the reign of God over our people.”

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And then the homily on the occasion of his beatification by Pope John Paul II, in 1999:

3. Blessed Peter understood the value of suffering. Inspired by his faith in Christ, he was a devoted husband, a loving father and a dedicated catechist known for his kindness, gentleness and compassion. Daily Mass and Holy Communion, and frequent visits to our Lord in the Blessed Sacrament, sustained him, gave him wisdom to counsel the disheartened, and courage to persevere until death. In order to be an effective evangelizer, Peter To Rot studied hard and sought advice from wise and holy “big men”. Most of all he prayed – for himself, for his family, for his people, for the Church. His witness to the Gospel inspired others, in very difficult situations, because he lived his Christian life so purely and joyfully. Without being aware of it, he was preparing throughout his life for his greatest offering: by dying daily to himself, he walked with his Lord on the road which leads to Calvary (Cf. Mt. 10: 38-39).

4. During times of persecution the faith of individuals and communities is “tested by fire” (1Pt. 1: 7). But Christ tells us that there is no reason to be afraid. Those persecuted for their faith will be more eloquent than ever: “it is not you who will be speaking; the Spirit of your Father will be speaking in you” (Mt. 10: 20). So it was for Blessed Peter To Rot. When the village of Rakunai was occupied during the Second World War and after the heroic missionary priests were imprisoned, he assumed responsibility for the spiritual life of the villagers. Not only did he continue to instruct the faithful and visit the sick, he also baptized, assisted at marriages and led people in prayer.

When the authorities legalized and encouraged polygamy, Blessed Peter knew it to be against Christian principles and firmly denounced this practice. Because the Spirit of God dwelt in him, he fearlessly proclaimed the truth about the sanctity of marriage. He refused to take the “easy way” (Cf. ibid. 7: 13) of moral compromise. “I have to fulfil my duty as a Church witness to Jesus Christ”, he explained. Fear of suffering and death did not deter him. During his final imprisonment Peter To Rot was serene, even joyful. He told people that he was ready to die for the faith and for his people.

5. On the day of his death, Blessed Peter asked his wife to bring him his catechist’s crucifix. It accompanied him to the end. Condemned without trial, he suffered his martyrdom calmly. Following in the footsteps of his Master, the “Lamb of God who takes away the sin of the world” (Jn.1: 29), he too was “led like a lamb to the slaughter” (Cf. Is. 53: 7). And yet this “grain of wheat” which fell silently into the earth (Cf. Jn. 12: 24) has produced a harvest of blessings for the Church in Papua New Guinea!

He’s included in the Loyola Kids’ Book of Saints in the section, “Saints are People Who Come From All Over the World.” You can click on the individual images for a larger, more readable version. I include just the end of the entry because that’s what’s available online.

 

 

 

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—1 —

An interesting few days.

The two fellows who still live here are gone for a bit to visit family elsewhere. They’ll be back early next week, but for the moment, I’m alone for the first time since Christmas.

I was talking to my son who lives in NYC, where they’re opening things up, slowly but surely. The past week, he’s finally had some consistent social, face-to-face interaction with friends again – for the first time in months.

Each of experiencing welcome change, for opposite, but related reasons.

I add – quickly – that it will also be a welcome change when the guys return!

But everyone needs a break now and then, yes?

— 2 —

So what am I doing? Working. I have a project due on June 20, and I’m trying to get it halfway finished by Monday. Then I can coast, working on it for probably an hour or so a day until it’s due.

For me, the part of a project like this that requires the most focus is the framing and thinking through the shape and emphasis of it. And that kind of focus is hard for me to grab in small chunks. I need to have a large expanse of time in which I know I’m not going to be interrupted by anything. It didn’t used to be that way, but you know, guys, I’ll be sixty in a few weeks, and so something like concentration is harder to come by.

Today (Thursday) was a framing/get in the groove day. That done, I can work on it for a couple of hours a day till Monday, and then put my mind to the next fiction project.

Still getting chapters of Nothing Else Occurs to Me up on Wattpad. Slowly but surely. (Backstory: here)

— 3 —

So….we have a new bishop here in Birmingham. Bishop Steven Raica, formerly of the Diocese of Gaylord, Michigan.

I’ve not met him yet, don’t know a thing about him.

If you’re interested, you can watch the Vespers and Installation Mass that were broadcast on EWTN. If you do, you’ll get to hear the voices of our Cathedral’s core schola, which has been singing Cathedral Masses even through much of the lockdown, when Masses were streaming-only, not public.

 

 

 

As I’ve said before, it’s an approach that makes sense. If you’re not going to have congregational singing, consider the liturgical history of the Church, consider what developed during the centuries when congregational singing in the West was not the norm – and use that. 

It’s far preferable than having to listen to someone gamely warbling Praise and Worship music up there all by themselves.

— 4 —

Okay, I’ve not only been working the past couple of days. I’ve tried to walk a couple of hours a day – which means listening to my BBC radio podcasts – and I’ve read quite a bit as well as (gasp) watched a few movies – films that wouldn’t interest my housemates. So let’s do a quick survey.

First, reading – I finally finished Trevor’s The Boarding-House. That was a tough slog. I was most interested in the structure of it, which switched between points of view very quickly without transitions, as well as the historical detail revealed about London in the early ’60’s. The switching was confusing at first (I read it on Kindle and thought there was something wrong with the formatting), but once I got accustomed to it, I didn’t mind. My problem with the book is that I didn’t care about any of the characters and couldn’t figure out why I should spend time with them.

Anyway, I have a couple more short novels that I checked out via Hoopla that I will try to knock off over the next couple of days, then I think I’m going to plunge back into some Wilkie Collins. I need an absorbing, crazy read like No Name (reviewed here) in my life. I’d started Poor Miss Finch a couple of weeks ago, and will probably return to that. 

— 5 –

Now, movies.

I started watching Rocketman. I did like a few Elton John songs as a teen, but am definitely not a fan, but I was curious about the structure of the film and wanted to see the sections about his early life. Ended up watching the whole thing, not because it was great, but simply because of inertia, I suppose.

I did like the structure – I mean, why not tell a sketchy biographical tale of a living musician by making it a musical of sorts? I actually liked most of the musical set-pieces quite a lot. I think they worked. But the psychological trajectory and personal motivation offered was superficial – to be expected when the piece is produced by intimates and is about a living figure – and formulaic.

Bernie Taupin emerges as the one person you wouldn’t mind spending time with, to be sure.

— 6 —

Il Posto via the Kanopy platform. I gather you’re not supposed to say this is Italian Neorealism, since it’s not immediately postwar, but, well, you could have fooled me. It’s slow and observant, and I liked it quite a bit.

It’s the story of a young man from a village outside Milan who travels to the great city to test for a job, gets the job and begins working at the job. That’s it. It offers us a fascinating look at Italian life in the period and a rather trenchant, mostly wordless critique of white-collar work in large companies.

Except he won’t, and that’s what is so crushing about Il Posto. Antonietta comes to represent the youthful dreams that stagnate in an office building and the drudgery a job enforces. Once Domenico accepts his position as a messenger, Olmi breaks away from his lead for the first time. He takes us on an evening tour of the off-the-clock activities of the accounting staff that Domenico will eventually join. Some have very common, uninspired existences, others harbor their youthful folly as if it were rare treasure. There is the older man who goes to the pub and sings a song that is intended for someone not so advanced in years, and the would-be novelist who scribbles out his book in secret, hiding his light under a towel. Domenico tells his new boss that he may still go to night school to pursue the vocation he wants, but Olmi is showing us the true likelihood of that happening. Domenico’s father told his son that a job like this one is for life, and as the boy will learn, these positions tend to only open up when somebody dies.

Much of Olmi’s framing is intentionally expressionistic. The corporate world alternates between imposing, with the workers appearing small next to the business structure, and claustrophobic, cramped into their own little spaces. On the other hand, though Ermanno Olmi and cameraman Lamberto Caimi shot Il Posto in such a way to show life as it was, hoping to render the dreary gray of an average day, the black-and-white photography has taken on a nostalgic beauty over the years. Domenico and his peers just look more stylish, with their clean haircuts and their suits and ties, than we expect our youths to look today. Looking at Il Posto is like looking at photographs in a vintage magazine back issue: by being frozen in time, the images seem simpler, more desirable, than the busy world we’re used to today. Maybe that was by design. Maybe Olmi wanted it all to look hopeful and modern if only to add to the impact of the crushing blows to come.

The subverted ending of Il Posto sneaks up on the audience. We’ve been trained to expect something more, just like Domenico. We realize that there is nothing else mere moments before he does, and we can only brace ourselves for the heartbreak that is coming.

— 7 —

The Virgin Spring (1960) | The Criterion Collection

Finally, in a move that will please Son #2, I finally watched The Virgin Spring – his pick for his #1 Bergman. Here’s his review, and here’s his list. 

(He’s currently working his way through Hitchcock)

Okay, okay. I agree. It’s a great film, and I’m glad I finally watched it. I’m not an afficiando of Bergman’s films, but I have come to understand a bit about his spiritual-wrestling throughreading my son’s reviews. 

The standouts of that violence made the contemporary New York Times critic say that the movie was a thin morality tale below Bergman’s talents, but there’s actually so much more. What is there just isn’t spoken about, but it lingers in the background of everything. The conflict between the paganism of Odin and the monotheism of the new Christianity isn’t a stand-in for a simplistic good vs. evil battle. Instead, there are interesting shades within each character that drive the ideas even further. The father, Tore, obviously clings to his old pagan ways and has been dragged into the new Christianity by his wife Mareta. Their daughter, Karin, is beautiful and eager to look her best for her mission to deliver candles to the church, but she is also haughty, entitled, and manipulates her parents with ease. Ingeri, the pregnant Odin worshiper the family has taken in as a ward, prays for Karin’s defilement but confesses to Tore after the crime and begs for the punishment Tore will mete out to the perpetrators.

Where this movie stands out in Bergman’s filmography most for me is the thematic thrust of the film. The Virgin Spring came out in 1960, just a few years after the existential The Seventh Seal and right before the Silence Trilogy, and yet the thematic point isn’t a form of rejection of religion. In fact, the titular spring is an embrace of the idea that man’s concept of God, as manifested by the Church, is correct. It’s a natural extension of the story he was trying to tell, but also an artifact of the fact that he didn’t actually write the movie. God is still silent in the face of the violence placed upon the innocent Karin, but the existence of the spring that shoots from where her lifeless head had laid for a day, opening up immediately after Tore had promised to build a church of mortar and stone on the spot, is God’s communication. He speaks more in that than in anything else Bergman made.

For more Quick Takes, visit This Ain’t the Lyceum!

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Had a very strange, unusual experience yesterday. Encapsulated in this Instagram story:

wp-1592917356898.png

No, I’m not going anywhere, except to Atlanta to take people to the airport. But it does mean a few days of (I hope) great productivity. What it doesn’t mean is a trip to Ikea on that Atlanta journey, since the hints I’ve read online indicate that there’s a considerable wait just to get into the store, which just reopened about ten days ago. Forget that. Let’s digest:

Writing: I have something due on July 20. Haven’t started writing it yet. Hopefully over the next week I’ll get it about half done as well as get myself in a sort of groove, so that once people return, the hard part of framing and envisioning will be done and I can just write a few hundred words in between music practices and food prep and other shenanigans.

I am putting up a chapter a day to the novel I wrote about here. Two up so far, one more coming later today.

I’ll be in Living Faith on Sunday. You’ll be able to see it here. 

A lot of my book sales are seasonal, specifically– Christmas and then Easter/First Communion/Confirmation related. I don’t have access to book sales from the various publishers that publish my books, but I do have some metric that Amazon provides authors. I don’t think it’s just Amazon sales, but I’m not sure. Anyway, not surprisingly, compared to previous years, this spring’s sales have been laughably miniscule. Totally expected. Shrug. The interesting thing, though, is that over the past two weeks, there’s been a rather dramatic uptick. Not at the typical height of April/May, but about four times as high as a normal June.

First Communions are back, baby!

Listening:  As reported, we have moved on from Brahms, Haydn and Prokofiev(you can listen here to the entire playlist – it’s public now – and he got “Excellents” from all three judges in the competition) to Gershwin (the big three Preludes plus Novelette in Fourths and Debussy’s First Arabesque. That’s the summer playlist, with him beginning to tackle the entire Moonlight Sonata as his big project for next year. Plus, I think the teacher is wanting him to do some Chopin Etude.

Watching: A bit of a blip in movie watching, as work schedules, hanging out with friends The Man in the White Suit (1951) - IMDband a new video game have interfered. After Hobson’s Choice, we stayed in England and took in the Ealing comedy The Man in the White Suit

A low-key satire about human beings’ response to innovation and change. Alec Guinness portrays an unassuming yet committed young scientist who is trying to invent an indestructible fabric. He seems to succeed, but the initially-welcomed development is soon understood to have repercussions for almost everyone – from the big business tycoons to labor. It’s a movie about persistence, creativity, resistance to change and yes, my favorite theme, unintended consequences. Not as hilarious as The Lavender Hill Mob or quite as dark as Kind Hearts and Coronets,  but a gem of a film.

A Nanoscale Perspective on The Man in the White Suit - 2020 Science

We watched in on the Kanopy platform via the library, and followed it withthis Buster Keaton short,also on Kanopy.

Reading:  Wandering about the internet, searching through book blogging and reading sites, I happened upon this entry focusing on a mid-century novelist who apparently penned relatively short, sharp and dark books. I’m sold. I picked up The Girl on the Via Flaminia  – reviewed here, and read it in an evening.

(My main go-to for books like this, the Internet Archive, has been hit with legal action restricting what books it can make available for borrowing – books that you could borrow for a week or more are now only available for an hour. Hopefully they can get that straightened out soon. I discovered that this was available via Hoopla from my local library. It seems to me that Hoopla’s holdings have greatly expanded since the last time I checked, before Covid.)

I enjoyed it very much, although, you know, it wasn’t a laugh riot or anything. Set in Rome during the last stages of the Second World War, it’s about an American soldier who attempts an arrangement with a young Italian woman. A step above prostitution, in his mind, but is it really? Aside from the interesting landscape of wartime Rome, it confronts us with important questions about victory, defeat and occupation – and the impact of these Important Events on ordinary people, who simply want to live their lives.

I’ll be reading more of him.

Now I’m reading The Boarding House by William Trevor, which I also borrowed digitally from Hoopla. It’s quite a strange book. I started it last week and gave up after twenty pages, but then returned to last night. I’ll stick with it this time.

Cooking: Three major recent successes:

Madeleines. They were Son #4’s favorite bakery good from France years ago, and it just wp-1592919871186.jpgoccurred to me a couple of weeks ago that I should try to make them. Ordered a pan for the purpose, and followed this recipe – success! The recipe is correct though – these are not items that keep. They really are only good the first day.

These ribs. I ended up marinating them for almost three days (kept meaning to cook them, but life interfered). Delicious. Excellent. And yes, the Chinese cooking wine does make a difference. (Obtained, along with the ribs, from our local mega-Asian grocery store. $2.99 a bottle.)

A bone-in ribeye cooked via this method – the reverse sear.This is the second time I’ve done this, and I’m sold. Yes, I splurged on a higher cut of steak (when you’re only buying one, and you do it once a month….go ahead), so that makes a difference, but this method really does produce a wonderfully juicy steak, no resting required.

Now…no cooking for a week!

 

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—1 —

One outing this week: to Noccacula Falls, which is in Gadsden, about an hour away. It’s off I-59, which is the interstate you’d take if you were going from here to Chattanooga or Knoxville.

We’d been several years ago – so long, Kid #5 had no recollection of it. (Kid #4 was working). That time, however, I think we just did a brief stop on our way somewhere else and just looked at the falls from above – we didn’t venture down on the Gorge trail, which allows you to go behind the falls.

We did this time.

A very nice day. The weather’s been really pleasant this week – lows in the actual low 60’s, which is quite unusual and surely won’t last.

For video, go to Instagram.

— 2 —

Movies this week:

Master and Commander – none of us had ever seen it before. A great movie, quite rousing, must have been spectacular on the big screen. It’s a real shame no more were ever made.

But…speaking of Russell Crowe…have you seen the trailer for his new movie? It looks ridiculously insane. 

And he looks…different.

— 3 —

Then Hobson’s ChoiceWhat a wonderful movie. I’d seen it long ago, when – perhaps a few of you remember – some PBS stations would run Janus Films on Saturday nights. Anyway, although some regular television stations ran older films late night or on weekends and the networks still broadcast made-for-theater movies (NBC Monday Night at the Movies!), what they showed was very mainstream, of course. By the time I was in high school, cable had come into our world – WTBS and WGN mostly, in those early days, and they showed movies. But never any art house or foreign films.

So….those Saturday night Janus Films on the Knoxville PBS stations …that was where I first saw Cocteau’s Beauty and the Beast, The Four Hundred Blows, M,  La Strada, Metropolis and so many others.

Here’s a contemporary article about PBS purchasing the rights to broadcast these films. 

And yes, Janus Films still exists as a rightsholder and distributor.

— 4 —

And oh yes, Hobson’s Choice. The only place it was streaming was through HBOMax, so I grabbed a 7-day free trial (remind me to cancel it on Tuesday, will you?) and got it rolling.

Based on an early 20th century play, starring Charles Laughton, Brenda de Banzie and John Mills and of course directed by David Lean, it’s a marvelous, easy comedy with a strong female lead and a charming love story based, initially, not on passion or even initially much attraction – but built on mutual respect (and, okay,  a little fear) and partnership. John Mills bracing himself for his wedding night – and the transformation that comes the morning after – is very funny and illustrative of how to express true things about sex and marriage in subtle, artful – and comedic – ways.

 

— 5 –

Next movies? Not sure. We only have a couple of days before people head off for a little visit to family, so we must choose wisely. I’m leaning towards The Man in the White Suit and Wages of Fear. 

Quite a change, isn’t it, from forty years ago, when, besides those Janus Films, the best we could get was a commercial-laden, chopped up showing of His Girl Friday on a Saturday afternoon.

— 6 —

 

The cover of the edition that’s in my memory from my parents’ shelves.

Over this past week, I read Travels with My Aunt by Graham Greene for the first time. There won’t be another time. It’s definitely my least favorite Greene, although, being a Greene, it’s not an unpleasant read. I suppose I prefer my Greene with a bit more politics and a little less wacky female character. A couple of passages worth remembering:

I met my Aunt August for the first time in more than half a century at my mother’s funeral. My mother was approaching eighty-six when she died, and my aunt was some eleven or twelve years younger. I had retired from the bank two years before with an adequate pension and a silver handshake. There had been a take-over by the Westminster and my branch was considered redundant. Everyone thought me lucky, but I found it difficult to occupy my time. I have never married, I have always lived quietly, and, apart from my interest in dahlias, I have no hobby. For those reasons I found myself agreeably excited by my mother’s funeral.

 

“Are you really a Roman Catholic?’ I asked my aunt with interest.

She replied promptly and seriously, ‘Yes, my dear, only I just don’t believe in all the things they believe in.’ ”

 

“But surely you must have despised the man after all he had done to you?“
We were crossing the long aqueduct through the lagoons which leads to Venice-Mestre, but there were no signs of the beautiful city, only tall chimneys with pale gas flames hardly visible in the late-afternoon sunlight. I was not expecting my aunt’s outburst.
She turned on me with real fury as though I were a child who had carelessly broken some vase she had cherished over the years for its beauty and the memories it contained. “I despise no one,” she said, “no one. Regret your own actions, if you like that kind of wallowing self-pity, but never, never despise. Never presume yours is a better morality.”

 

In the act of creation there is always, it seems, an awful selfishness. So Dickens’s wife and mistress had to suffer so that dickens could make his novels and his fortune. At least a bank manager’s money is not so tainted by egotism. Mine was not a destructive profession. A bank manager doesn’t leave a trail of the martyred behind him.

And then, what sums up the entire book, beginning with a childhood memory:

I was afraid of burglars and Indian thugs and snakes and fires and Jack the Ripper, when I should have been afraid of thirty years in a bank and a take-over bid and a premature retirement and the Deuil du Roy Albert.

(The last is a reference to a dahlia that had not flourished under his care, and had therefore been a source of disappointment to him.)

— 7 —

Today is the solemnity of  the Sacred Heart of Jesus

In a time and culture in which hardly any of us understand what love actually is, in which dehumanizing hate and contempt dominate public discourse, a daily prayer (you can find some here) focused simply on love might just have surprising power.

In a church culture which often reflects contemporary values that emphasize achievement and self-actualization and fulfillment by doing the Next Big Amazing Thing in Your Very Big Amazing Life, a daily prayer centered on opening ourselves to sharing the love pouring forth from the heart of Jesus in just ordinary ways might provide a welcome refocus as we get our bearings for summer.

Here are the pages on the Sacred Heart from The Loyola Kids Book of Catholic Signs and Symbols. 

Click on each image for a larger version.

More about the book – and the others in the series – here. 

Tomorrow (June 20) is the memorial of the Immaculate Heart of the Blessed Virgin:

From The Loyola Kids Book of Catholic Signs and Symbols. 

For more Quick Takes, visit This Ain’t the Lyceum!

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—1 —

Thanks to Catholic World Report for picking up one of this week’s blog posts – reprinted here. 

Look for me in Living Faith next week. Friday, I believe.It will be here. 

Here’s a post on St. Rita for today. 

— 2 —

I thought this was just excellent:

By focusing so minutely and carefully on their ordinary holiness of life, rather than solely on his martyrdom, the film points out a further irony. We look to the martyrs as heroic precisely because of the martyrdom. But what led the martyrs to their martyrdom? We can be blinded by our need for heroes, blinded by the particular heroism of martyrdom; fascinated by it, the rest of the martyrs’ lives remain hidden to us by our own lack of interest, our narrowness of vision, like the way our desire for stunning miracles can obscure from us the ubiquitous and ordinary but just as holy ways of God’s providence.

If the Church canonizes and so proclaims a saint to us in order to provide objects of admiration and thus models of holiness for us to emulate, then it is really a kind of cheap grace for someone like me to admire Jägerstätter’s martyrdom; I cannot connect with him at all in his martyrdom, except hypothetically—well, if I am ever in that situation, I pray I will do what he did. Right, if I am ever in that situation . . . But what the film shows is that his martyrdom was the fruit of the holiness of his ordinary hidden life. And that is a portrait of the life of a man I can connect with, a life I can seek to emulate—a man at home with his wife, children, friends, a job, living a life that is hidden, “unhistorical,” but holy.

That hidden life was not a conscience hidden from the world around him. It was the life of a conscience as clear and bright as a cloudless day, alive in its impact upon the lives of those around him. For me to emulate that hidden life would not be cheap grace. And maybe, just maybe, it would not then be cheap grace for me to pray, if I am ever confronted with a situation as bad as he was, however unlikely that is, that I could emulate his martyrdom, because I have already emulated the holiness of his hidden life. “If you found out you were going to die in fifteen minutes, what would you do?” “Same thing I have been doing.” The Little Way, day by day.

— 3 —

Well, I love this. In the Milan Duomo, on the feast of the Ascension, the huge and elaborate paschal candle holder is…raised to the ceiling during the proclamaion of the Gospel. 

In the Roman Rite, there is a rubric that simply says the Paschal candle is extinguished after the Gospel on the feast of the Ascension, and therefore lit again only for the blessing of the baptismal font on the vigil of Pentecost. In the Duomo, the rite is something a little more impressive, as you can see in this video of Pontifical Mass held last year on the feast of the Ascension (starting at 21:38, with the beginning of the Gospel. 

More, including the video, at the link.

Catholic traditions are the best – unfortunately, our local version of Pentecost petals from the ceiling is not happening this year, for reasons we can all guess…

— 4 —

Continuing the tradition of the Church Mothers and Fathers – in the Arctic.

But another type of desert, which also features extreme weather and hardship, is the site of a new monastic community: the white desert of ice, snow, and cold in the northern hemisphere, specifically in the tiny village of Lannavaara, in Swedish Lapland. Home to only about one hundred inhabitants, it is located 250 kilometers north of the Arctic Circle. It is here, amid silence, prayer, and very low temperatures, that two religious sisters are laying the foundations for a new order at Sankt Josefs Kloster (the Monastery of St. Joseph): the Marias Lamm (Mary’s Lambs) community.

The community’s story begins in 2011, when Swedish Sister Amada Mobergh received permission from the bishop of Stockholm, now-Cardinal Anders Arborelius, to undertake contemplative religious life in Sweden. Sister Amada, who converted to Catholicism in her 20s while living in London, had spent 30 years as a member of the Missionaries of Charity, serving in India, then-Yugoslavia, Kosovo, Italy, Albania, Iceland, and the United Kingdom. In a 2015 interview with the Italian Catholic news agency SIR, Sister Amada recounted that after discerning that a more contemplative life was God’s will for her, she and another sister, Sister Karla, visited several monasteries in southern Sweden. While Bishop Arborelius expressed his happiness over their decision, he had made it clear that he would not be able to support them financially, since the Catholic Church in Sweden is very small. Following a series of what the sisters considered miracles, they were able to find temporary free accommodations far to the north. “We arrived December 24th, 2011, the temperature was -30 C. I immediately understood that this is where I had to be,” Sister Amada recalled in the SIR interview.

After a year and a half, the sisters had to move, in part because their residence was too small to accommodate all the people who had begun to come to visit and to pray with them.

— 5 –

From McSweeney’s: “What Your Favorite Requiem Mass says about you.”  

As someone on FB said, “I suspect the infamous Onion Trad is now writing for McSweeney’s.”

(I never was a part of any conversations about the “infamous Onion Trad” but it was very clear to me for a time that there was someone who wrote for the Onion who was very familiar with Catholic life and lingo. )

Anyway:

Victoria: You, an American, went to “university,” where you discovered you held very strong opinions about Requiem masses. None of your “friends” cared…

….Fauré: Someone very close to you has given you a “live, laugh, love” print, and you don’t have the heart to tell them how you felt about it…

…Duruflé: You taught yourself Latin, and now phrases like “vita incerta, mors certissima” are staples of everyday conversation. You pay too much for your glasses.

 

— 6 —

This week, I read Greene’s Ministry of Fear. It’s one of his self-described “entertainments” but that doesn’t mean it doesn’t contain extraordinary writing and engagement with important themes. 

It’s got one of the more compelling opening chapters I’ve ever read in a novel. We meet a man, Arthur Rowe, in London during the Blitz. He happens upon a church carnival of sorts, which brings forth all sorts of memories of childhood – a completely other time, distant in more ways than one. A strange thing happens to him there. He wins a cake – made with real eggs – because the fortune-teller, for some reason, told him the exact weight – someone tries to get him to give up the cake…and we’re off in a story of espionage, intrigue, mistaken identity and memory loss.

There are loads of near-perfect passages and descriptions, which I’ll highlight below, but what I want to focus on is the theme of pity.  Greene wrote this novel during World War II – the only book he wrote during the war –  while on post in Sierre Leone – the setting of The Heart of the Matter, the theme of which was also the contrast pity pity and real, authentic love. 

Which, incidentally, is also a theme of both Walker Percy and Flannery O’Connor, who uses the term “tenderness” in this famous quote, but I think pity is an apt synonym:

“In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber.”

Essentially – and this is the case in the book – pity is essentially dehumanizing. Or, as Green puts it in the novel, Pity is cruel. Pity destroys.

And of course, loss of innocence factors large here, as Greene’s protagonist is always recalling a more innocent past  – both his personal past and his country’s – in the context of bombed-out, continually threatened London. A dream he has while sheltering:

“This isn’t real life any more,” he said. “Tea on the lawn, evensong, croquet, the old ladies calling, the gentle unmalicious gossip, the gardener trundling the wheelbarrow full of leaves and grass. People write about it as if it still went on; lady novelists describe it over and over again in books of the month, but it’s not there any more.”

His mother smiled at him in a scared way but let him talk; he was the master of the dream now. He said, “I’m wanted for a murder I didn’t do. People want to kill me because I know too much. I’m hiding underground, and up above the Germans are methodically smashing London to bits all around me. You remember St. Clement’s – the bells of St. Clement’s. They’ve smashed that – St. James’s, Piccadilly, the Burlington Arcade, Garland’s Hotel, where we stayed for the pantomime, Maples and John Lewis. It sounds like a thriller, doesn’t it, but the thrillers are like life – more like life than you are, this lawn, your sandwiches, that pine. You used to laugh at the books Miss Savage read – about spies, and murders, and violence, and wild motor-car chases, but, dear, that’s real life; it’s what we’ve all made of the world since you died. I’m your little Arthur who wouldn’t hurt a beetle and I’m a murderer too. The world has been remade by William Le Queux.”

I enjoyed Ministry of Fear – even as I was, not surprisingly, confused by it. Some more quotes:

He had in those days imagined himself capable of extraordinary heroisms and endurances which would make the girl he loved forget the awkward hands and the spotty chin of adolescence. Everything had seemed possible. One could laugh at daydreams, but so long as you had the capacity to daydream there was a chance that you might develop some of the qualities of which you dreamed. It was like the religious discipline: words however emptily repeated can in time form a habit, a kind of unnoticed sediment at the bottom of the mind, until one day to your own surprise you find yourself acting on the belief you thought you didn’t believe in.

 

His heart beat and the band played, and inside the lean experienced skull lay childhood.

 

 

— 7 —

"amy welborn"Here’s a short story for you that’s about a hundred and seventy-five levels below the writing of Graham Greene. It was a finalist for the Dappled Things J. F. Powers competition, but not the winner. So here it is – I wanted to put it on a platform that was not my blog, and Wattpad was the quickest way to go. It undoubtedly does not quite fit the site, but it was easy and let me keep my italics, so it won.

It may not be there forever, as I’ll still keep looking.

And here’s a novel  –     from Son #2! (Check out his other writings here)

 

For more Quick Takes, visit This Ain’t the Lyceum!

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Thoughts, of course, are leaning towards the fall and a new school year. As families drive by and drop off books, tablets and laptops at school, you can’t avoid the question, what next?

Some systems and schools in some areas probably won’t change much of what they were doing. Others will institute new policies directed at greater cleanliness and distancing – which, I’m going to say, for a school, is not a bad thing. Schools – as is the case with all public places – are probably going to be a lot safer, health-wise, now that we’re plunged into this sanitizing craze. More thoroughly clean those spaces inhabited by six-year olds all day? I’m for that. Make sure they keep their grimy hands off each other? Spacing in buses, giving less proximity to the bullies? Good idea.

There are various graphics circulating which purport to summarize CDC recommendations on this score. I don’t know how accurate those are, but this is the CDC’s actual page on recommendations for schools – and it’s updated regularly, it seems. 

Looking through it, I’m struck by some of the same thoughts that I’ve had in considering back-to-Mass regulations. As in: all those innovations we’ve been pushing on you for decades?

Never mind. 

In this case, for example: “Turn desks to face in the same direction (rather than facing each other)”

File:Queensland State Archives 1640 Kelvin Grove State School ...

Hah.

Of course, they’re not six feet apart.

But. 

This is for parents.

If your school – private or public – or system starts instituting procedures and rules that strike you as over-the-top, guess what….you can check out. Leave. Walk away. Don’t have to send the kid there.

It will be hard. It’s hard. You will have to rethink so much about your life.

You don’t have to be a part of it.

You just don’t.

Yes, your child needs an education. He’s a human being with a mind and soul that naturally wants to learn and figure things out. School is not the only place that can happen.

And guess what – a school environment filled with rules and regulations and loads of invisible lines is not, to say the least, one friendly to learning.

School  – while it can be great – can also be very hard  for children and families. It can be stressful and harmful to a child’s sense of self. Peers can be brutal. A highly competitive atmosphere can skew a child’s understanding of what it means to be human. A  chaotic atmosphere can lead to days and days of nothing but frustration and wasted time. From a parent’s perspective, the hassle of understanding school procedures, keeping up with pedagogical fads and demands, and just signing all those damn forms can be exhausting and alienating.

Very simply: if it looks to you as if school this fall is going to be a stressful, ridiculous mess in which your child will be spending eight hours a day being told don’t get so close – don’t touch that – don’t talk, just listen – no you can’t play catch because you’ll be touching the same ball – no you can’t sing because that spreads the virus – 

….Get. Out. 

Getting out can mean any number of things. Depending on the situation in your particular area, it definitely doesn’t have to mean what it’s meant for so many over the past months:  an “education” based on isolation, with your kid’s work reflecting someone else’s educational priorities and philosophies, with little contact with friends or activity outside the home.

It can mean anything. I’m not going to do a rehash of what it means to homeschool. You can go here in case you’re interested in my perspective and (limited) experience.

But what I hope is that if, indeed a school or a system embraces extreme, stress-inducing procedures for this fall, parents and families will, yes, #resist and engage, creatively with each other and find the will and strength to create alternatives – which can be all over the map, ranging from online classes to individual tutoring to small-scale co-ops or tutoring groups.

As I say over and over again – this is hard. People have to work. Hopefully, they’ll be able to work in greater numbers by the fall, which makes taking a kid out of school daunting and perhaps near-impossible. Supervising a child’s education responsibly takes far more effort that switching on a laptop at the beginning of the day. I’ve written over and over about this – I’m not anti-school in general.greatly appreciate what a quality school and dedicated teachers give my children.

But….

am anti-schools that restrict, restrain and limit a child’s experience and horizons. I’m anti-schools that present a child with a single vision of “success,” “achievement” and “accomplishment” based on the current pedagogical fads and social expectations. I’m anti-schools that don’t respect family time and a child’s need for unstructured time.

My fear is that this pandemic will only lead to more of what’s most damaging about the school experience and will just encourage the worst, control-freak instincts of educational administrators and that parents, stressed-out, fearful and seeing only very limited options, will just say yes, convinced that this is the only way.

It’s not. 

***

Kerry McDonald writes:

We should care deeply about children’s health and safety, but like much about this pandemic, it’s important to make sure that the response isn’t more damaging than the virus itself. Many parents and educators are rightfully concerned about children’s mental health during these lockdowns, but when lockdowns end and schools reopen, children’s mental health could be worsened with extreme social distancing measures that remove any of the potentially enjoyable pieces of schooling, such as playground time, extracurriculars, and gathering with friends.

Stripped of these accessories that can often compensate for the more oppressive parts of conventional schooling, it’s not surprising that some parents and students would choose to continue with homeschooling or virtual learning until the pandemic ends.

****

Now, as I was writing this, something else occurred to me.  We could actually go either way on this, right?

This situation could encourage megalomaniac school administrators to, indeed, go even deeper into their authoritarian fantasies, making everyone’s life hell – or….

…just as the work-from-home situation has alerted employers to the efficiencies and cost-saving aspects of increased working from home, so might those engaged in education, from families to churches to schools, be forced, by circumstance, to a different way.

That is: maybe we can best protect everyone by getting students in and out of this place as quickly as possible. 

Minimizing social aspects of the day. Moving away from the ideal of school-as-community and simply focusing on what needs to get done. No meals served on campus, no extraneous group activities.

Get ’em in. Sit ’em down (all facing the same way!). Teach them some stuff. Everyone’s on the clock, since we’re in smaller groups, perhaps one half of the school here in the morning, the other half in the afternoon. No time to waste. And then, after three or four hours of focused work – off you go, back home.

The only glitch being, of course, that no one would trust that this 3-4 hours (the actual instruction time in a typical school day these days anyway)  would actually be “enough.” The kids would be followed home by all sorts of assignments and websites to check in with at home. And it would be endless. 

Or maybe not. Maybe the challenges and of these past few weeks will have soured the taste for that sort of thing, too, as teachers and families reflect on the fact that one of the meanings of online school is that….school’s never out. 

And who wants that?

1967, SCHOOL LAST DAY SCENES | Historic Images

 

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Today’s the memorial of St. Bernardine (Bernardino) of Siena:

At 22, he entered the Franciscan Order and was ordained two years later. For almost a dozen years he lived in solitude and prayer, but his gifts ultimately caused him to be sent to preach. He always traveled on foot, sometimes speaking for hours in one place, then doing the same in another town.

Especially known for his devotion to the Holy Name of Jesus, Bernardine devised a symbol—IHS, the first three letters of the name of Jesus in Greek—in Gothic letters on a blazing sun. This was to displace the superstitious symbols of the day, as well as the insignia of factions: for example, Guelphs and Ghibellines. The devotion spread, and the symbol began to appear in churches, homes and public buildings. Opposition arose from those who thought it a dangerous innovation. Three attempts were made to have the pope take action against him, but Bernardine’s holiness, orthodoxy, and intelligence were evidence of his faithfulness.

General of the Friars of the Strict Observance, a branch of the Franciscan Order, Bernardine strongly emphasized scholarship and further study of theology and canon law. When he started there were 300 friars in the community; when he died there were 4,000. He returned to preaching the last two years of his life, dying while traveling.

I’m sure there are other collections out there, perhaps some with more contemporary translations, but this is one I grabbed from archive.or. It’s worth your time. If you’re interested in that sort of thing. They give you an intriguing snapshot of the time, for these sermons were, of course, not being given during Mass, but outside of it, probably outdoors, to the entire community, wealthy and poor. The uses examples from all walks of life, from bakers to shoemakers to farmers, and has great concern for local political squabbles.

Beccafumi, Domenico, 1484/1485-1551; San Bernardino Preaching in the Campo, Siena

Source

So, for example, his sermons on vanity.

(I’ve embedded the book below. You can also go here – remember you can download these books as pdfs. The table of contents is at the back of the book.)

Sermon 28 is on vanity. It’s applicable to the present moment, perhaps not in every particular, since social morays and cultural expectations do change over time, but in the basic spiritual orientation, largely neglected today, even in the self-consciously Christian world. What’s deemed necessary and credible in “evangelization” is framed differently in an affluent, image-oriented culture.

This lengthy sermon goes all over the place and reflects, of course, his time – a time in which social and economic class and position were reflected in dress, sometimes by local law (called sumptuary laws). So there is a touch of that in this sermon – attempting to punch above your weight with your clothing is a manifestation of vanity – but just a bit. More important to Bernardine is the message that attempting to draw attention to oneself and using clothing as an indicator of wealth and privilege is vanity, and therefore sinful.

It’s also unjust:

The fifth sin and sign of the displeasure of God is injustice: and here we will pause a little, for if thou look well into this sin thou wilt see that of ten which thou dost commit, nine are comprised in this one. Thou wilt give thy daughter to a man as his wife; and neither he who taketh her in marriage, nor her father, nor her mother , doth consider whence come her possessions ; whereas if they were wise, they would have considered it their duty to think of this before all else : whence come these possessions, whence come these garments, of what is her dowry made up ?

For many times, and most times, it is made up of robbery, of usury, and of the sweat of the brow of peasants,, and of the blood of widows, and of the marrow of wards and orphans. “Who would take one ‘ of those petticoats and squeeze it and wring it, would see issue therefrom the blood of human beings. Woe is me ! Do you never think how great cruelty is this, that thou shouldst dress thyself in garments that this man hath gained for thee, who perisheth with cold? And thou sayest : my father stands well and is rich; he hath given me a very great dowry. And doth it not seem clear to thee that he stands well ? Yea, with his head down ! If the husband of a woman of this kind were to do that which he should do, things would go far better than they go now. Thou hast it that Christ was dressed in a purple garment, so that he should be held in derision, for they wished to mock him; and yet it was suited to him, since that such a garment is the most precious one that can be found in this life; so that he deserved it well, since that there was never a creature more precious than Christ. And therefore, by the example of Christ, woman, this morning learn this. Every time that thou dost wear violet, which hath in it the colour of vermilion, if thou dost wear it when it hath been ill-gained, thou dost wear it in mockery of Christ. And you have five of them, now take the other five.

The first of the other five is called superfluity: The first of the whereas you must reflect that when God gave the garment of skin to Adam, he gave it to him out of decency, and to protect him from the heat and the cold, so that it might be fitted to his needs, and in this all the holy Doctors agree; and he had one only and no more. thou who hast so many of them, and keepest them in a chest, see to it, forsooth, that they be not moth-eaten; see to it that thou dost put them out in the morning sun to air, and shake them well, and look to them often. And now weary thyself in such work as much as thou wilt, yet shalt thou not be able to hinder but that moths shall consume them, since that the garment which is not worn, is always spoiled; and that which is spoiled is a loss. Go, then, and give an account of this in the other life. And because of this said Saint James in the fifth chapter of his Canonical Epistle : Vestimenta tua a tineis contesta sunt –  Your garments are moth-eaten; and if they are not consumed by material moths, yet they will be consumed by spiritual ones.

Knowest thou what are spiritual moths ? They are cursed avarice. Tell me, whence cometh it, that thou dost weary thyself with so much work all the year for these, * and dost never wear them? Thou dost weary thyself all the year, shaking them and hanging them up on poles; and a poor woman standeth yonder and doth freeze with cold, because that she hath not even so much clothing as she hath need of. What thinkest thou that her shivering doth cry out to God in respect of thee ? ….And thou lookest on at the poor man who doth perish with cold, and thou takest no heed thereof. Thou dost not hear any sound of cries, forsooth. Knowest thou why ? Because thou sufferest not from the cold; thou dost fill thy belly with good food, thou dost drink thy fill, and thou hast many garments upon thy back, and ofttimes dost thou sit by a fire. Thou takest thought for naught else: with a full belly thou art comforted in thy soul. And how many shirts, women, have you sent down here to those unfortunate prisoners, eh ?

It’s an interesting alternative to a world in which evangelists and spiritual thought leaders get (and seek, even indirectly) flattery and are emulated for their makeup tips, hair, skin and clothing choices, in which spiritual encouragers and inspirers are really just influencers with Bible quotes on their feed.

And then this sermon on accumulating stuff and alms.

Now consider for a little that which God doth command us. A very little thing doth he command us. He doth not command that thou should give  more than thou canst give. He doth not wish that thou shouldst leave thyself with naught. He saith: Wouldst thou give an alms ? Then give it. Canst thou not give a loaf? No ? Then give a part of one. Canst thou not give wine ? Then give some water which hath -been poured over the lees. If thou canst not give even such wine, then give some vinegar mixed with water. Canst thou not clothe a poor man? No. Give him at the least, as perchance thou canst, a pair of drawers, or a shirt. Canst thou not aid the sick man ? See that thou hast at least pity upon him : have compassion on him, comfort him with words. Canst thou not deliver him from prison? No. Visit him, send him some- times a little soup, and have compassion for him. If thou dost take thought for this, it will be well for thee ! Aad therefore do I say that God will judge with perfect justice.

In a time in which, in one way or another, the prosperity Gospel reigns, Bernardine – as well as other spiritual writers from the breadth and depth of Christian tradition – serve as a corrective. He preached to mixed groups, to wealthy and to poor, and his words to the wealthy are always about the folly of putting faith in these worldly things and God’s judgment that awaits those who hoard and ignore the cries of the poor.

Following Christ, it seems, is not about mimicking and attempting to baptize contemporary values of achievement and self-fulfillment, but of something more simple and basic: loving as Christ did and treating the gift of life on earth as one to keep giving, poured out as He did.

You might also like his sermon on the tongue – that is, on speech, in which he riffs off his understanding of the anatomy of the tongue to offer his listeners advice on the wise and charitable use of the gift of speech.

God put the tongue ‘in man’s head.

Knowest  thou why he put it in the head rather than in any other place ? Because in the head are all the senses. And these senses surround the tongue placed among them, showing that whatsoever thou speakest, thou shouldst speak with caution, since thou canst do naught which the senses do not perceive, and according as thou speakest, so shalt thou be esteemed.

11.God placed the tongue lower than the ears, and he placed one ear on this side, and the other on that side,  and they keep the tongue in the middle between them, and keep guard over it one on each side. And therefore when thou speakest thou shouldst consider : from which side do I speak ? I shall be overheard if I speak here, for here is the right ear. If I speak there, there is the left ear, which doth hear what I say.

12. The tongue is placed under the two eyes, signifying the two kinds of knowledge that a man ought to have; the namely, to know how to distinguish the true and the false, and when a thing is not true, never to say it. And the true thing if thou knowest it, thou mayest say it most times without sinning, but not always.

13. The tongue is placed below the nostrils of the nose, it is also below so that when thou sayest aught about thy neighbour, first thou touchest thyself, to see whether thou hast the same fault. I know not whether thou hast given heed to this, that when one man wisheth to speak of another, first he toucheth his nose, and then commenceth to speak, proving first in regard to himself that he is full of the very fault of which he doth accuse his neighbour. And therefore do ” not point out that thou art good and thy neighbour bad ; look first to thyself, and afterwards to thy neighbour. And of such as these speaks Saint Matthew, in the seventh chapter: Hypocrita, eilce primum trabem de oculo tuo. Thou hypocrite, who wishest to show that thou art esteemed a good man, cast out first the beam out of thy own eye, and then re- prove others. Thou, on the other hand, who art reproved by some one for that which thou hast not done, but which he himself hath done, say to him : Wipe thy nose !

 

 

 

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