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Posts Tagged ‘art’

— 1 —

Well, this has been a week. For those of you just now popping in since last Friday – we spent last weekend in NYC – report here.

Since, we’ve had school, orthodontist, a daughter needing to be taken to the airport at 4:30AM to travel to job interviews, the beginning of basketball practice, which has necessitated some juggling of music lessons, music lessons, and now a day off of school for teacher conferences.

Plus, it actually feels like fall, which means I actually feel like cooking again.

As for me: I didn’t get a ton of reading done this week – only the autobiography of St. Anthony Mary Claret – which I wrote about in several posts on Wednesday (just click backwards for those) and the beginnings of a couple of books – one novel and one historical study. More on those next week, once I finish.

Writing? I finished – I think – the “short” story I’ve been working on for a very long time. It’s over 7K words, which is not unheard of for a so-called “short” story, although the fact that most of my books run around 25k books – just a little more than triple that – does give me pause.

What will become of that story? I have a competition in mind to which I am probably going to submit it, but if I don’t – I will publish it on Amazon Kindle.

— 2 —

I had really not been aware of how much space that story had been taking up in my head until I finally settled on a last sentence and pressed the period key, and then “save.” My brain immediately felt 80% emptier (that might be a bad thing…)

BTW – I’ll be Living Faith on Sunday. Go here for that. 

— 3 —

Halloween’s coming, and wow does it feel great to be past all of that. Sort of like the feeling a post-menopausal woman gets in walking past the feminine hygiene aisle or the parent with no babies in the present or future gets while walking past the diapers.

Been there, done that. 

I mean – one of them will go out trick-or-treating with some friends, I think, but dressed as what? Don’t care, and it’s his job to figure it out. We have had very few trick-or-treaters over the past couple of years, so I’ll just get one bag this year  – and this time, I’ll get a bag of something everyone here actually likes, so the leftovers don’t sit in a bin in the kitchen for…a year.

There will be no lack of commentary on Catholics n’ Halloween – because there never is – but perhaps your most efficient course of action on this score will be to head over to CWR and read Tom McDonald:

— 4 —

Allhallowtide is actually a kind of triduum: three days of commemoration that includes All Hallows Eve (October 31, shortened Hallowe’en), All Saints Day (All Hallows Day, November 1), and All Souls Day (November 2). As with other major feasts, celebration of All Saints Day begins on the vigil, which is why secular culture celebrates Halloween on the night of October 31st, but then does nothing on the actual feast days that follow.

Halloween is a Christian holiday. Some Celtic neo-pagans and fundamentalist Christians claim the Church simply took over the date for a pagan festival of the dead and all its trappings. False. The current dates fall on a harvest festival called Samhain by the Celts, but there is no indication that Samhain was a festival of the dead. It simply marked the end of the harvest season. Festival days were often regarded as liminal time in which the veil between the material and spiritual worlds are considered thinner, but elaborating this into a festival of the dead on par with those found in other ancient pagan belief systems is more than than the textual evidence can support. Since we have no pre-Christian records of its observation, claims about about its observation are speculative.

Bede calls November Blod-monath (Blood Month), which sounds promising. However, the real meaning is mundane: it was the time surplus livestock were slaughtered to save fodder for the long winter. Otherwise, Bede attaches no significance to the season.

— 5 —

I’ll be posting more on this and All Saints/Souls days next week, of course, but in looking to see if the Clerk of Oxford had posted anything on Halloween, I ran across this interesting post on English churches and saints’ shrines:

This is the season of All Saints, Hallowtide, and it seems a fitting time to post a collection of pictures on a theme I’ve been interested in for a while: how English cathedrals and major churches today choose to represent their pre-Reformation history, and especially the history of the medieval saints whose shrines they once housed. In the Middle Ages, these shrines were integral to the life, history, and physical shape of these cathedrals, a tangible embodiment (in every sense) of their shared spiritual life and their collective identity as a community. As at Winchester, these shrines were usually in a prominent and central position in the church, close to the high altar, and the history of most cathedrals was inextricably bound up with the saints whose relics they preserved, who might be their founders, early leaders, or the nucleus around which the community originally grew. The saint was both literally and metaphorically at the heart of the cathedral, and to remove them created a huge gap. When these shrines were destroyed, it left an absence in more ways than the loss of the saint’s holy ‘rotten bones’.

A number of churches today choose to acknowledge and commemorate that absence, and as a medievalist I’m interested in the different ways they find to do that. This post is a brief journey through the shrines of some of England’s medieval saints – or rather, the empty spaces which those shrines once occupied.

Some of these churches are among the oldest surviving institutions in England, with more than a thousand years of tumultuous, yet essentially unbroken continuity, and their saints and their medieval history of pilgrimage are an unavoidable part of their story – unless they are prepared to ignore the first six or seven centuries of their history, and often their own foundation-story, these churches have to find some way of telling that story to visitors. 

Get ready:

— 6 —

This is amazing and beautiful (as seen on Facebook)

Staged paintings / paintings:
1. The burial of Christ / the entombment of Christ
2. O êxtase de María Magdalena / Mary Magdalen in ecstasy
3. the crucifixion of Saint Peter / crucifixion of Saint Peter
4. A decapitação de João Batista / Beheading of John the Baptist
5. Judite decapitando Holofernes / Judith beheading Holofernes
6. The flagellation of Christ / Mikko of Christ
7. the martyrdom of saint Matthew / the martyrdom of saint Matthew
8. The Annunciation
9. Rest on the flight to Egypt / rest on the flight into Egypt
10. Narcissus / Narcissus
11.: the resurrection of Lazarus
Saint Francis of Saint Francis of Assisi in ecstasy
13. Baco / Bacchus

— 7 —

All right, as Queen of the Local Educational Field Trip, I cannot believe that after doing this for years now, researching my eyes out, scouring the southeast for day trips hither and yon – I missed the paper museum!

The museum was founded in 1939 at the Massachusettes Institute of Technology by paper expert and collector Dard Hunter, who came from a family of printers and was a follower of the American Arts and Crafts Movement in the early 20th century. Considered one of the preeminent papermakers and printers of his age, his work has been featured at the Smithsonian and the New York Public Library.

The museum was revived in 1989 and moved to Atlanta, where today it is located at the Renewable Bioproducts Institute at Georgia Institute of Technology. 

(Not kidding – it looks very good – on the Georgia Tech campus, for heaven’s sake.)

Speaking of Atlanta – I am hoping we can see Yayoi Kusama’s Infinity Mirrors exhibit at the High Museum. It’s going to be there for three months, and all the regular tickets have already sold out. They are going to make a hundred tickets available every day, first come first serve in the mornings. I’ll wait until Christmas break and see if we can do it.

Photo taken inside a Yayoi Kusama Infinity room filled with black and yellow spotted pumpkins reflected in mirrors.Image result for infinity mirrors high museum

For more Quick Takes, visit This Ain’t the Lyceum!

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A very quick, super busy weekend in NYC.

The occasion: For some reason my 17-year old is a Vikings fan. Vikings were playing the Jets. Oldest son, who lives in NYC, said, “Hey, why don’t you bring him up for the game?”

So…sure!

Left Friday, arrived at LGA about 9:30. Took shuttle to hotel #1 in Astoria (picked because of the shuttle). Went out and walked down the nearby Steinway Street, which, for the distance we walked it, is shoulder to shoulder hookah bars that time of night – interesting! We got some fabulous shwarama and falafel at Duzan, then went back and crashed.

Up the next morning, packed up and walked (with our backpacks – we were only staying for two days – it’s all we needed.) down to the Museum of the Moving Image, located in the old Astoria Studios, which for a time (the 1910’s-20’s) was the busiest movie studio in the country. It was good, although I wish they had the history of the place a little more prominently displayed and even used as a framework for exhibits. The special exhibit right now is on Jim Henson, which was very interesting, especially the material about his early career. Jim Henson’s is the only celebrity death I’ve ever reacted strongly too – if you were around and sentient during that time, perhaps you remember? It was because he was relatively young (53) and it seemingly came out of nowhere (it was toxic shock syndrome related to a bacterial infection…although there’s also disagreement about that, too), so it shocked many of us.

Anyway, after that, we caught the train, went across the East River, checked into hotel #2 – the first time I’ve ever gotten a hotel in Manhattan on points, so yay – and it was perfectly located – the Residence Inn that’s very close to Bryant Park. We were headed to the Morgan Library, but on the way we stopped at this chicken place in Korea Town we’d been to a couple of visits ago – and it did not disappoint this time, either. Super quick, too – it’s already

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cooked, and you just grab it from the case. Perfect for what we needed. at the moment.

Then over to the Morgan Library for their excellent exhibit on Frankenstein at 200. I’d figured this would be the main museum experience for J because he’d be game watching the rest of the time – and he read Frankenstein last summer for school, so perhaps he’d relate?

One side was material related to the cultural and personal genesis of the work – explanations of the gothic, of the state of science in the early 19th century, and so on. Included were a few manuscript pages of the novel, written in Mary Shelley’s 18 & 19-year old hand. Amazing.

On the other side were posters and programs and illustrations from adaptations. As with so much else, the popularity of Frankenstein was solidified very early by adaptations.

Ann Engelhart – friend, collaborator and water-colorist – met us at the Morgan. I always enjoy going there – they have good, well-curated smaller exhibits (Frankenstein this time and one on Thoreau last time we were here)  and it’s always wonderful to peruse whatever manuscripts they’ve pulled out of the collection in the library itself – not only the illuminated manuscripts and one of the three Gutenburg Bibles in the collection, but things like a hand-written Liszt transcription of Rossini’s William Tell Overture. 

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At this point, the oldest son met us, and then took J away to watch football (Tennessee-Alabama & Indiana-Penn State about covered it) with him at a bar. The three of us then walked back through Bryant Park and up to Steinway Hall, Steinway’s Manhattan showroom.

A diversion – Steinway, is of course, headquartered in Astoria – the very spot we’d been in the day before. The history of Steinway is a good one to study for a bit of a microcosm of immigrant energy, 19th century social tensions, and the transformation of the urban landscape during this period.

Here’s a short summary of Heinrich Steinweg’s invention and development of the fortepiano and his emigration to America in 1853. 

And here’s a history of the Steinway presence is Astoria/Queens – Steinway (as he changed his name) moved his workshop from Manhattan to Queens in the face social unrest – fears of anarchists and socialists – and the draft riots.

With all of this newfound space, William was able to bring in plenty of infrastructure to support the company and its employees. Victorian row houses were built for Steinway employees so that they could all live close to the new production headquarters. Steinway Village spanned, roughly, from what is now Ditmars Boulevard up to the East River/Bowery Bay; and from 31st Street to Hazen Street. A group of the original two-story brick homes has been preserved on 20th Avenue and 41st Street.

Besides the housing, several amenities were developed to make Steinway Village a place that employees and their families could spend all their time. Steinway Reformed Church, built in 1890 on land donated by William Steinway, still stands at 41st Street and Ditmars. The Steinway Library, started with books from William’s own collection, is now a branch of the Queens Library. A public school (one of the first free kindergartens in the country), a fire house, and a post office were also built.

For entertainment, Steinway employees had North Beach, an amusement park/resort area with a ferris wheel, swimming pool and German beer garden located on the Bowery Bay waterfront. The venue did not survive Prohibition, however, and eventually became the site of North Beach Airport (which was later renamed LaGuardia Airport).

William helped develop a whole network of transportation, including ferries, streetcars, trolleys, and horse-car railroads to make the neighborhood more convenient and bring in additional revenue. His influence in the area was so far-reaching that he was responsible for the development of the tunnel under the East River that is used by the 7 train today. 

Someday, we’ll go on the Steinway factory tour – but not for a couple of years – since you have to be 16 to go on it…..

Oh, but back to Manhattan. Steinway Hall has a dedicated room for those who’d like to play a Steinway. There are perhaps some days when it’s more in demand than others, but on this day, we only had to wait about five minutes to take our turn.

Yes, an $80,000 piano feels different….

img_20181020_180038We then did some wandering, stopping in a store here and there (like this one – my son’s favorite), seeing a group doing Capoeira – this Brazilian martial arts/dance thing that is becoming all the rage up here, I guess, then eventually ended up back at Pete’s Tavern, where my oldest wanted to take us to dinner. It’s one of his favorites, and a fun spot to go, it being the longest continually-operating restaurant in New York City.

Sunday morning:

Mass right around the corner from our hotel at the Shrine of the Holy Innocents. It really is just by coincidence that the Masses I’ve attended while traveling over the last two weeks have been Extraordinary Form Low Mass – they’ve both been closest to our hotels at the moment. This one was considerably less crowded than Mass in Kansas City, but that’s not surprising – it’s not a residential area, to say the least. I do wonder how many tourists stumble in there for Mass and settle in, only to be deeply confused, wondering if they’ve entered a time warp of some kind. I think they could probably do a bit more with information directed at people in that situation.

Then a quick breakfast at a deli – we attempted the Andrews Coffee Shop, but it was packed out (not surprisingly), so we just stopped in at a deli down the block, where the guy behind the counter took about five orders before he started cooking, didn’t write anything down and got it all almost 100% correct. “A legend,” as my son said.

Next: Penn Station where my oldest met us, and my fears of my Vikings-gear clad son getting beat up by Jets fans was somewhat alleviated by the waves of Vikings fans surrounding us, also headed to the game. A good weekend trip to NYC, I guess, right?

Then M and I headed to Brooklyn, bearing all of our backpacks – we’d checked out of the hotel, of course. We took the 2 train down here:

…where Ann met us, and we had a lovely afternoon at the Brooklyn Museum – where I’d wanted to go for a while.  They had a decent little Meso-American collection, which M enjoyed – particularly since he found a pretty definite error on one of the placards (I’m going to have him write a letter this week to the museum about it, suggesting a correction.) He also enjoyed the Egyptian collection, which is good-sized, and we were all moved by these large paintings of prisoners during the Russian-Turkish War.

There is some fine American work, including this striking portrait.

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The “Brooklyn Della Robbia” is lovely, and I was..amused by this placard.

My translation: For a while, this piece was deemed way too Eurocentric and Christianist for our eyes. 

Ann and I both took some time to separately go view Judy Chicago’s The Dinner Party. 

I’ll admit – I was surprised, both by the piece and by my reaction to it. As a young woman, I followed the very controversial beginnings of this piece, as it toured the world, scandalized some and then finally settled in Brooklyn. I was somewhat intrigued, but saw it mostly as a pretty strange concept, and not expressive of any kind of feminism I was interested in signing up for.

Seeing it in person is an experience that convinced me it’s a worthy piece of art, not just a gimmick. And to be honest –  the conceit of it is going to strike a 58-year old woman differently than it will a younger person. We are, in generally, more comfortable and less shockable (some of us, at least) and the body is just…the body. Weird, amazing, singular, life-giving and at the same time, dying. Given the chapel-like setting, of course a spiritual response is expected – but what that is will depend on whether or not you’re looking for the divine feminine or your looking for hints of the desire for Truth, Beauty and Life in what people make in a broken world, through a glass darkly, despite themselves.

 

(If you go to the museum site and read the questions and answers about the piece, you’ll see how the end game to identity politics is clearly in sight, as the museum earnestly responds to a question about the exclusion of “transgender women” from the piece…..)

We then had a fabulous lunch at Werkstatt – fresh, homemade pretzel, wurst, schnitzel and goulash, with lovely cool little dabs of salads to provide contrast. It’s the kind of place: small, serious yet informal – that is totally the norm in the New York City, that is not a big deal, that just sits on the corner like it’s a Waffle House or something – and would be dominating Instagram as  The Restaurant of the Moment for six solid months in Birmingham. It’s just what happens when you get millions of people living in a few dozen square miles, having to compete, live and express their passions. Everything happens and such a higher level – for good and for ill, I suppose.

A great meal!

Ann then drove us around Prospect Park, showing us some great home architecture as I, as I always do, try to figure out how in the world normal people live there, living in these expensive apartments and houses, eating out all the time, paying enormously high taxes… And they do. I get part of it – salaries are higher, people share dwellings, but still. I really don’t understand!

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Ready for Halloween!

I didn’t get a photo – I don’t know why – but of particular interest was the fabulous Japanese House, constructed in the early 20th century. Go check it out. 

 

Then…..the ordeal of getting back here. Which was only sort of an ordeal. We went back to Penn Station, then the train to the Newark Airport (flying out of Newark because of the kid at the game in NJ). For his part, he was making his way from MetLife Stadium to the airport, accompanied part of the way by my oldest. There was some…confusion, but all’s well that ends well. He made it. Our original flight was supposed to leave at 8:30, but it was massively delayed, assuring that we’d miss our connection from ATL to BHM. When I got to the airport, I immediately went to the gate agent and she put us on standby for another, earlier – also delayed – flight. It was supposed to leave at 7:15, I think, but was now scheduled for 8:05. I really don’t understand how all of this works. There were over a hundred people on standby for this flight, and we were #8-10. How did we get so highly placed? I don’t know. And we got on. I don’t have status of any sort. So no – how we got on is a mystery. But we did, and were able to make the connection (if we hadn’t – we would have taken the later flight, and I would have rented a car in Atlanta and just driven home.)

And now, grumbling, everyone’s back in school, and here I am….phew!

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Eh, it works. Let’s try to knock this out in the time between the first rising noises and the appearance outside the door, bookbag in hand.

Update: He beat me. Next goal: get it done in less than fifteen minutes and move on.

Reading: Because of some watching (see below), I didn’t make much progress on I was Dancing, but will probably finish it today. I also remembered that last week I’d started Edith Wharton’s The Custom of the CountrySo that will be next, after the O’Connor.

Writing: Well, all I got done yesterday was blog posts because I remembered that we were serving dinner at one of the women’s shelters in town, and I hadn’t picked up our designated item, so I had to leave earlier than planned for the school pickup and make a Tuesdaytrip to Sam’s Club for that.

Listening: To people complaining about school. Does that count?

Watching: Yes, yesterday was Better Call Saul, and it was good, but not worth an entire post this week. It’s not where my mind is at the moment anyway, because I made the mistake (or not) of watching the new AMC series that they’ve position after BCS – Lodge 49. 

I’d heard a bit about it, but I usually don’t watch shows right when they premiere – it took me a year to get to Breaking Bad – my heart has been broken too many times! Mostly by HBO shows that I got all excited about and intrigued by, settled down to watch the minute they aired, but which then turned out to be overstuffed, pretentious duds – I’m looking at you, Carnivale and, come to think of it, John of Cincinnati, which immediately came to mind when I heard of the premise of this show:

Lodge 49 is a light-hearted, endearing modern fable set in Long Beach, California about a disarmingly optimistic local ex-surfer, Dud (Wyatt Russell), who’s drifting after the death of his father and collapse of the family business. Dud finds himself on the doorstep of a rundown fraternal lodge where a middle-aged plumbing salesman and “Luminous Knight” of the order, Ernie (Brent Jennings), welcomes him into a world of cheap beer, easy camaraderie and the promise of Alchemical mysteries that may — or may not — put Dud on the path to recover the idyllic life he’s lost.

I also thought: trying way too hard. 

But, um..guess what.

really liked it.

Not loved. Not thought was the Best Show Ever. But I’ll keep watching it, for sure. Here’s what I liked – and guess what – depending on the direction of the show over the next couple of weeks, yes, a full post on it will be coming. Because guess what – there’s a definite Catholic sensibility about the piece, something I can smell a mile – or a continent  – away, and sure enough, from an interview with the creator of the show, short-story writer Jim Gavin:

The first image in the book is of martyrdom! You can’t escape a Catholic childhood. My parents made a lot of sacrifices to put us through Catholic school. I’m a typical lapsed Catholic and have problems with the church for all the reasons you might imagine, but in my adult life I’ve discovered some of the theology and find a lot of beauty in it. There’s so much beauty in something like Dante.

Isn’t Dante best known for writing about the nine circles of hell?

(Laughs). Yeah — the beauty of hell! I’m a weird Catholic nerd. I like theology and the idea of mercy really runs through the book. A lot of the characters secretly wish for the world to take mercy on them for just one second. It’s very un-American to ask for help — we almost have to be taken by the collar.

So what’s the Catholic sensibility? I won’t commit fully yet, but right now, two episodes in, it’s about seeking wholeness and a place in the world despite loss, disappointment and a continual sense of indebtedness that seems to define the life of every character: everyone owes someone, everyone’s scrambling to meet that debt, everyone’s life is defined by the debt. Is there hope for restoration? Is there a way to lift the debt? Is there mercy – anywhere?

The answer seems to be maybe. And maybe it’s in this place, a place that Dudley, the ex-surfer at the center, happens upon. He finds a lodge ring in the sand on the beach, unsuccessfully tries to pawn it, and then runs out of gas in front of the lodge, a place he’s lived near his whole life, but never recognized for what it is until now because he’d just happened upon a sign.

So yearning, brokenness, an intuition that there’s something more and then finding it – perhaps even being led to it –  in a place rich with signifiers, a place where people gather in community, a place where mystery – perhaps even a merciful mystery –  is encountered: Catholic.

Ernie: Once we can see that you are dedicated, there's a whole secret 
ceremony.
Dud: Cool, a secret.  What happens at the ceremony? 
Ernie: Well, I can't tell you that.But basically, there's a solemn oath, 
and then, we will begin to entrust you with the mysteries.
Dud: Entrusted with the mysteries.That's so cool. That's all I ever wanted.

I’m prepared for disappointment, but yeah – for the moment, I’m in.

What else did I like about it: The cast and the look is refreshingly diverse – the Lodge’s membership is male and female, of varied backgrounds.  It’s got some familiar faces in it – David Pasquesi, who plays Selina Myers’ ex-husband in Veep is a delightfully loopy “apothecary” here and Adam  Godley – Elliot in Breaking Bad – is the British liason from Lynx HQ to Lodge 49, apparently.

Eating/Cooking: We ate the Ropa Vieja last night, and it was excellent.

 

 

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Seventeen – seventeen – years ago, I was asked by Loyola Press to write a saints book for saintscoverndchildren. I signed the contract – it would be the first book I’d written, along with, about the same time, Prove It God for Our Sunday Visitor. I procrastinated and procrastinated until it was early January, the book was due on March 1, and I had barely written a word. But I don’t miss deadlines. Even as I put off working….so I wrote the book in two months. Two intense months – and it’s still in print (as is Prove It God).  And it’s pretty good!

(To get a sample – the feastday of St. Ignatius Loyola is on July 31. Loyola has my entry from the saints book up on their website as “Saint Story” for his feast. Go here for that. )

The Loyola Kids Book of Heroes followed a few years later, and then several years later, we did The Loyola Kids Book of Bible Stories. 

And now, here you go – The Loyola Kids Book of Signs and Symbols. 

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I’m just so proud of all of these books. My words are okay, but what really makes them are the design and the art. I’m very grateful to Loyola for the editorial vision that produces these books and their ability to find such gifted designers and artists.

Now, a word about this book. 

It wasn’t my idea – it was Loyola’s, as was, this time, the structure, which I think is very smart.

Each entry has two pages. Top left is a beautiful illustration of the sign or symbol.

Under that is a simple, basic explanation, suitable for younger elementary aged children.

The right side page of the spread provides a more detailed explanation of the sign or symbol, suitable for older kids.

From the introduction:

The Kingdom of Heaven is like…..

…a mustard seed.

…a treasure hidden in a field

….leaven

                Think about the most important things in your life: feelings, ideas, emotions, realities, and hopes. Now try to explain these things in a way that communicates the depth and breadth and truth of what you’ve experienced.

                It’s hard. It might even be impossible. For we all know this: no matter how eloquent we are, what we express only touches on the surface of what’s real. What’s more, the deeper and more important the reality, the more challenging it is to adequately express.

                But we still try, because we are created to do so. We’re created in God’s image, which means we’re created to be in deep communion, to understand, to imagine, to love and create. And so to do so, we depend on metaphors and similes, signs and symbols.

                Signs and symbols are not add-ons to human communication. All Signs_Symbols_Amy_Welborncommunication, from letters to words to hugs to great paintings, is symbolic. For what are signs and symbols? They are expressions that represent something beyond themselves.

                So, yes, written and oral speech is symbolic. Gestures are symbols. Images, music, food, nature – all of what we see can be incorporated into life in symbolic ways.

                Just as Jesus himself used that most absorbing means of human communication – the story – to communicate with us, so did he use deeply symbolic language as well as signs. The Scriptures are woven with imagery that remains fundamental to our understanding of God: rock, shepherd, right hand…

Spirituality involves the deepest realities of all: the human soul and its relation to the Creator. Signs and symbols play an especially rich and important role in this part of life.

Signs and symbols have always been important in Christian life and faith. Human beings are, of course, natural artists and communicators, so we use symbols to express deep realities. Early Christianity developed in an environment in which persecution was a frequent fact of life, so symbols became a way to communicate and build bonds and pass on the truths of the faith in ways that hostile outsiders could not understand.

                Signs and symbols have played a vital role in Christian life over the centuries for another reason: for most of Christian history, most Christians could not read. In these pre-literate societies, most people learned about their faith orally, as parents, catechists and clergy passed on prayers and basic teachings. They also learned about their faith in the context of cultures in which spiritual realities were made visible throughout the year, through symbolic language and actions: they lived in the rhythm of liturgical feasts and seasons. They participated in the Mass and other community prayers, rich with symbolic gestures, images and even structured in a highly symbolic way, from beginning to end. Their places of worship, great and small, were built on symbolic lines, and bore symbolic artwork inside and out.

                These people might not have been able to read – but they could read.

Their books were made of stone, of paint, of tapestry threads, of gestures, chant and the seasons of the year.

                They could indeed read – they could read this rich symbolic language of the faith. Their language was one that communicated the realities of salvation history and God’s mercy and love through images of animals, plants, shapes and design.  They knew through these symbols that God is justice, God is beauty and with God, there waits a feast.

                We still, of course, speak this symbolic language, but the welcome increase in reading literacy has also privileged that particular form of symbolic communication, so that we often think that verbal expression – what we can read on the printed page – is somehow more “real” – more expressive of what’s true and certainly more appropriate for the mature believer who has surely moved beyond imagery, just as, when we are young, a sign of growing maturity to us is that we can read a book with no illustrations.

                But when we think about it, we realize that this privileging of the spoken or written word is just not true to what human beings really value.

                After all, what do we say?

Actions speak louder than words.

                And it’s true. The deepest realities of life – joy, love, passion, grief, hope – can certainly be expressed with words, how often to we raise our hands in resignation, knowing that in this moment, we’ve said all we can, even though we know and mean so much more?

There are no words…

…..

…..The rich world of Christian sign and symbols is a gift for children. The simplicity of imagery meets them where they are, and the depth and richness of this same imagery prepares the soil for deeper understanding. When a child’s faith is lived in the midst of a wealth of imagery at home, at church and in broader culture, she is continually assured that she is not alone, that God is present in every aspect of this world he created, and that God meets her where she is. She’s taught from the beginning this truth that the world is much more than what we can initially apprehend. She’s taught that the spiritual life involves soul and body, reason and imagination, ideas and the tangible. She learns to live faith in a Biblical, holistic, Catholic way.

The book is available from Loyola, of course. 

It is listed on Amazon, but apparently not yet in the warehouse. 

If you have a local Catholic bookstore, let them know about the book. I’d appreciate it.

I have copies here. I have loads, and I also have a lot of the Bible Stories. You can order them through my bookstore here, or if you want to do the exchange outside of the PayPal Universe, email me at amywelborn60 AT gmail.

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— 1 —

Went to the movies, saw A Quiet Place. If you can handle a bit of a scare and some earned sadness based on themes of love and sacrifice – go see it, too. I wrote about it here. 

— 2 —

Various activities this week:

  • A Piano Honors Ensemble Recital on Sunday
  • Went and watched our young mayor whom I don’t think anyone hates yet jump out of a plane on Monday afternoon – story here. It was a fun community moment out there in our lovely Railroad Park.
  • Monday evening, we attended a recital of organ students, including the daughter of a friend of ours. Here’s hoping that our keyboardist will be performing in it next year…
  • Homeschool trip/activity at the Birmingham Museum of Art. I always like going to our fine, free museum, but I think we might have aged out of activities like this…even if it was geared towards teens.
  • Two music lessons this week – one classical, one jazz.
  • Friday promises good weather, so M and will probably go check out what’s blooming in the Botanical Gardens and try out our finally reopened Vulcan Trail. Fascinating updates will probably be posted on Instagram. I thought I had recorded the plane-jumping, but got home and discovered that my phone video wasn’t recording for some reason. A restart fixed it.

 

—3–

And here you go, Friday: A morning with math (getting through that Art of Problem Solving Pre-Algebra – we’ll finish by mid-May!), some Spanish, some history reading. IMG_20180413_131338.jpgThen we set out to visit our just re-opened Vulcan Trail. It’s been closed for probably close to a year as they did something that’s been needed for a while – joining the Vulcan park to the trail below.

If you want to read about who this Vulcan fellow is, go here. He made his first formal appearance at the 1904 World’s Fair in St. Louis, representing the city.

Then to the (also free) wonderful Birmingham Botanical Gardens to see what’s in bloom. Not anything at the Zen spot, obviously – except enlightenment. 

 

–4–

 

This weekend:

  • Mass serving
  • District piano competition (to qualify to play at state in May)
  • 17-year old taking the ACT
  • 17-year old working
  • 17-year old prepping for a college visit to Auburn Sunday night and Monday.
  • Oh, and someone looking at a car he’s hankering to buy with his hard-earned grocery bagging cash. My philosophy is: you have use of a car you don’t have to pay for. Why buy one? His philosophy is different. The whole things make me nervous, but the car he wants has excellent reviews and is by a carmaker I trust, so….
  • You’d think I’d be used to this by now. But I’m not. Parents of potty-training kids who think it can’t get worse? Oh, yes, it can. Everything about parenting older kids is great and fantastic except the driving part. That’s awful. And it’s awful because it’s not a joke. You don’t want your child to be hurt or killed. You don’t want them hurting or, God forbid being responsible for the death of another person. Over-dramatic? Nope. My prayer life gets a daily revival twice a day – once from 7:15-7:30 and then again from 3:15-3:45. Double revival when I hear sirens during that half-hour.

 

–5 —

I somehow missed this earlier in the year, but…you know those podcast series centered on a mysterious crime? Like Serial and S-Town (which was centered not too far from here – closer to Tuscaloosa)? I listened to part of Serial, then got impatient with it and fed up with the centrality of the podcaster to the story.

Very dependably, The Onion has come through with its own version: A Very Fatal Murder. It’s in six parts, which total about an hour. It’s pretty funny and absolutely -spot on in the satire of the self-important podcaster, the subtext of contempt for “ordinary” people and the ultimate sense you get of human lives being valuable only insofar as they serve a narrative.

It’s the kind of school where the football field is bigger than the chemistry lab, and kids learn to throw a baseball before they take the SAT’s.

After all, most of the people who lived here had never met a podcast host. Let alone a podcast host from New York City. They weren’t used to stuff like this.

 

–6–

Speaking of contempt for The Rest of Us, let’s turn to the pages of The New Yorker and “Chick-Fil-A’s Creepy Infiltration of New York City.” 

 

Defenders of Chick-fil-A point out that the company donates thousands of pounds of food to New York Common Pantry, and that its expansion creates jobs. The more fatalistic will add that hypocrisy is baked, or fried, into every consumer experience—that unbridled corporate power makes it impossible to bring your wallet in line with your morals. Still, there’s something especially distasteful about Chick-fil-A, which has sought to portray itself as better than other fast food: cleaner, gentler, and more ethical, with its poultry slightly healthier than the mystery meat of burgers. Its politics, its décor, and its commercial-evangelical messaging are inflected with this suburban piety. A representative of the Richards Group once told Adweek, “People root for the low-status character, and the Cows are low status. They’re the underdog.” That may have been true in 1995, when Chick-fil-A was a lowly mall brand struggling to find its footing against the burger juggernauts. Today, the Cows’ “guerrilla insurgency” is more of a carpet bombing. New Yorkers are under no obligation to repeat what they say. Enough, we can tell them. NO MOR.

My pleasure. 

As someone on Twitter said, I thought New Yorkers were supposed to be tough. So why are they so scared of a chicken sandwich?

And let’s imagine the outcry if the Nashville Tenessean or Knoxville News-Sentinel had run a piece fretting about the infiltration of halal or kosher food on the local menu.

Save yourself time – don’t read the article. Just scroll through “chick-fil-a New Yorker” on Twitter and enjoy yourself on this Friday afternoon, maybe with a side order of waffle fries.

https://platform.twitter.com/widgets.js

–7–

 

Next Monday, April 16, is the memorial of St. Bernadette.

Today  (April 16)  is her memorial.  Loyola has the entry I wrote on St. Bernadette for The Loyola Kids Book of Saints up on their website – you can read the whole thing here. 

Bernadette’s life wasn’t easy to begin with. She and her family lived in terrible poverty in a village in France called Lourdes. By the time she was 14, Bernadette had been sick so often that she hadn’t grown properly. She was the size of a much younger girl. She, her parents, and her younger brothers and sisters all lived in a tiny room at the back of someone else’s house, a building that had actually been a prison many years before.

They slept on three beds: one for the parents, one for the boys, and one for the girls. Every night they battled mice and rats. Every morning, they woke up, put their feet on cold stone floors, and dressed in clothes that had been mended more times than anyone could count. 12912673_1739425146300211_1906595173_nEach day they hoped the work they could find would bring them enough bread to live on that day.

Bernadette’s life was terribly difficult, but she wasn’t a miserable girl. She had a deep, simple faith in God. She didn’t mind any of the work she had to do, whether it was helping her mother cook or taking care of her younger brothers and sisters. There was, though, one thing that bothered her. She hadn’t been able to attend school very often, and she didn’t know how to read. Because of that, she had never learned enough about her faith to be able to receive her first Communion. Bernadette wanted to receive Jesus in the Eucharist, but her days, which were full of hard work, left little time for learning

Like other girls, Bernadette had many friends. She spent time with them in the countryside, playing and gathering wood for their families’ fireplaces and stoves. One cold February day, Bernadette was out with her sister and a friend, doing just that. They wandered along the river until they came to a spot where a large, shallow cave called a grotto had formed in the hilly bank. Bernadette’s sister and friend decided to take off their shoes and cross the stream.

Because she was so sickly, Bernadette knew her mother would be angry if she plunged her thin legs into the icy water, so she stayed behind. But after a few minutes, she grew tired of waiting for her companions to return. She took off her stockings and crossed the stream herself.

What happened then was very strange. The bushes that grew out of the grotto walls started blowing around as if they were being blown by a strong wind. Bernadette looked up. High above her in the grotto stood a gi

 

For more Quick Takes, visit This Ain’t the Lyceum!

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In New Orleans, studying Mayans. 

Today was a full day of glyph-chasing at the New Orleans Museum of Art.

And the 13-year old wasn’t even completely out of place today, since there was a high school group present for the morning session.

The workshop began with 2 hours of presentation on Mayan glyphs. Then in the

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afternoon, the workshop leaders facilitated some large-group translation.

Turns out that you can’t rest on your laurels of knowing the Mayan number system and month glyphs when playing this game….

#humilityonaLentenFriday

During lunch, we walked around City Park a bit.

We’d been there before – a couple of years ago, both boys and I came down to New Orleans for a couple of days – recounted here – and one of our favorite things was renting bikes and riding through the park.

No bikes today, but we did see a sweet little turtle in the reeds…

and a snake….

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always a good day when you see a snake. Mayans and snakes in a single day? Choice!

What we later identified as apple snail eggs.

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We wandered back inside and took in some art.

 

Here’s a Madonna and Child and Goldfinch painting. The goldfinch is often present with Madonna and Child because of its association with the Passion. The legend was that as Christ suffered with his crown of thorns, a goldfinch came and attempted to ease his suffering by plucking thorns from his brow – hence the touch of red in the bird’s plumage.

What interests me in this painting is that the goldfinch is not in the Child’s hands or even that nearby – it’s flying away.

(You probably can’t even see it – it’s on the upper left.)

I was also intrigued by this 17th century painting by one van Schreick. Called Serpents and Insects, the artist painted from his own collection of living creatures. It has a rather contemporary sensibility about it.


(My main memory of a former visit to the museum – two trips ago – was leaving my camera there. Somehow. And somehow, it was retrieved.)

The day ended with a close look at the some of the museum’s Mayan holdings, and then a not-very-penitential Lenten meal of a shrimp po-boy at the Parkway Bakery and Tavern. 

For more, and to keep up, check out Instagram

****

See what I meant when I described this as a rather crazy learner-led unschooling activity?

To be honest, it’s not as if he himself did a search for “MesoAmerican history and archaeology conferences Near Me.” No, I did that part – last fall some time, not knowing until that search that Tulane has this well-established institute and a long-running conference, and that the theme of this year’s conference would be Mayan warfare (bonus points).

I presented it to him, we looked through the program and he agreed, that yes, he’d like to go.

My justification has (not surprisingly) several parts.

(Not that you are arguing with me, necessarily. Rather, I’m arguing with myself, as I always do.)

  • Parents take their kids on multi-day soccer/volleyball/baseball/gymnastics trips. They accompany their kids on the traveling sports teams journeys. This is our version of that.
  • He’s really, really interested in this stuff. This gives him exposure to the actual academic world of this discipline, and he can get a better grasp on whether or not this is something he actually wants to pursue as part of a career.
  • He’s going back to school for the 8th grade year. We must do many, many homeschooly-things before this year ends! They must be spectacularly home-schooly!
  • He probably won’t go to traditional high school. This is a trial run for that kind of life.

And now you’re thinking…what about you, Amy? What about your interests? 

Well, no I don’t have a deep interest in ancient Meso-American history. Here’s what I do have though:

  • An interest in history in general. Actually, I have such a wide net of a brain that I can manage to find something of interest and a way to connect with almost any subject matter (within reason). And if I can’t find compelling points of interest in the subject, you know, there’s always people-watching which never fails.
  • (And do remember that having a wide net of a brain means that the same brain that enjoys taking in a lot from every direction as it sweeps through the Ocean of Life also has …holes. Lots of them. As the Flannery O’Connor quote I have framed says: Total non-retention has kept my education from being a burden to me. 
  • Even more than historical events and narrative, I’m intrigued by the fashioning of historical narrative and historiography. The Mayans are okay and all that, but what really interests me and what I have actually purchased books about of my own free will are accounts of the “rediscovery” of ancient MesoAmerican cultures, their structures and past. That whole journey of the decline of Mayan civilizations (intriguing in and of itself), the encroachment of the jungle and the the rediscoveries that began in the 19th century and continue today is just fascinating to me.
  • That thread is reflected in this conference (at least from the abstracts…we’ll see), mostly because there are constant new discoveries and the accepted wisdom of the past is being continually reevaluated. Everything you thought was true was wrong is always  going to get my attention, and there’s a lot of that in this field.

And then on a more personal level, there’s: I’m 57. He’s 13. This is what I can give him now.

Yes, my eyes glazed over at certain points today and my attention wandered and  I checked the time but it’s no different than you waiting outside of softball practice or dance lessons or taking on that extra project that you’re not crazy about so you can pay their tuition. It’s what you do, it’s what you can give now, and so, trying to balance your interests and theirs, your resources and their dreams and the good of the family, you do what you do and pray it’s the right thing for everyone, and if you discern it’s too much, you put on the brakes, you say no,  and everyone learns another kind of lesson.

Who knows what I’ll be able to give him in 5 or 10 years? But here we are now, kid. Go for it. And sure, I’ll come along. Well, I guess I have to. I am the driver, after all. 

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