Incoming: Screed.
Ah, well.
What’s up? Well, working on an audio element to support a textbook series, recorded a short video in support of a new family Lenten devotional from Creative Communications for the Parish, worked on some other stuff. I guess. Getting ready for Christmas, but of course that takes on a different tone and energy when it’s a stir-crazy you, a 16-year old, a 19-year old, with a 38-year old coming to visit than it did when everyone was small. I am a very last-minute person when it comes to Christmas, so yes, I guess we’ll get a tree up this weekend.
Once probably 25 years ago, or so, I was aghast when my (late) mother announced that she might not even want to put up a tree at Christmas that year. What? How can you? What are you saying???
Let’s just say…I get it. Time to pass the torch, and I’m pleased to say that the next generation (son/daughter-in-law – mostly the latter of course – and daughter/son-in-law) seem to have taken up that torch with firm hands and run with it. They are welcome to it!
Not much viewing – been watching Mad Men with College Guy for his first time. Almost done with season 1. We also watched My Favorite Wife – a favorite of mine which I’d watched with Kid #5 back in the Olden Days of early March right before College Guy came home for “Spring Break” …..hahahahahaha. So now it was his turn. Love the movie and find it fascinating for reasons I explain here.
Movie Son continues his path of watching, watching, watching and then writing, writing, writing. He’s currently on a Fellini jag.
Now, these two characters (Gelsomina and Zampano) are at the center of the film, but it’s really Zampano’s story in the end. He’s left alone on a beach (the same beach that Gelsomina was found in the town and a similar beach to where the movie began) with nothing but the bitter feeling in his stomach that his loneliness and isolation at that time is entirely his own fault. He hasn’t changed, but he has come to a realization (I’ve read it as “ripened”, which I think is a good way to describe it). I’m not sure I would go so far as to call it a redemption, but it’s certainly redemptive. He doesn’t do anything to make up for his failings as a man responsible for a simple woman, but he does begin to understand his failings that led to his empty life. Gelsomina provided joy and happiness wherever she went, but she was never accepted, especially by Zampano who could have learned the most from her.
Here’s a diversion that looks intriguing, although I really can’t figure out how to do it. I’m waiting for one of the sons to come back home to figure it out for me.
Blob Opera.
Notes on this week’s American lit reading. First, some Walt Whitman. What did we emphasize? His self-understanding of himself as an American poet, what he was trying to express about America and then, more broadly, about the human experience. Also his engagement with Eastern thought.
I many not be on his wavelength on every point, but I found great simpatico in his vision of the communion of human beings and their experiences over space and time, as well as the cumulative impact of an individual’s experiences on her life.
So:
Crossing Brooklyn Ferry:
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.
Others will enter the gates of the ferry and cross from shore to shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half an hour high,
A hundred years hence, or ever so many hundred years hence, others will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide.
And on the second point, There Was a Child Went Forth Every Day:
THERE was a child went forth every day,
And the first object he look’d upon, that object he became,
And that object became part of him for the day or a certain part
of the day,
Or for many years or stretching cycles of years.
The early lilacs became part of this child,
And grass and white and red morning-glories, and white and red
clover, and the song of the phoebe-bird,
And the Third-month lambs and the sow’s pink-faint litter, and
the mare’s foal and the cow’s calf,
And the noisy brood of the barnyard or by the mire of the pond-
side,
And the fish suspending themselves so curiously below there, and
the beautiful curious liquid,
And the water-plants with their graceful flat heads, all became part
of him.
And, to finish up the “semester,” such as it is around here, we decided to leave chronology behind and go seasonal instead, reading Truman Capote’s “A Christmas Memory,” which – in case you’ve never read it – you can read here.
A lovely, moving piece, rich with imagery and suggestion as well as rock-solid details that put you right in the presence of these two outcasts, the seven-year old child and his only friend, his elderly cousin.
An interesting note. I have the most recent edition of the Norton Anthology of American Literature, 1865 to the present – three fat volumes purchased for College Guy’s class in the spring, but retained and not resold because I knew we’d be using it in the homeschool. Capote’s not in it – at all. I mean, I get it, I suppose. He’s not a “serious” writer, but how does one define that? His writing certainly had an impact. I don’t like In Cold Blood for a lot of reasons, but no matter what I think of the book, it did have an enormous influence on American writing, and I think it’s an impact that should be discussed. I mean, there’s an excerpt from Nathanael West’s The Day of the Locust in the anthology, for pete’s sake – a seminal work in some ways, but indifferently, awkwardly written – not even close to the quality of what Capote was capable of in his best work.
Odd.
My own current read, separate from school? The Complete Henry Bech by John Updike. Why? In the library, desperate for an actual book-on-paper to read, with an armful of non-fiction, I came upon the U’s in fiction and decided to give Updike a go again. I read Rabbit, Run and at least one other Rabbit book in high school (not for high school, but in high school, plucked from my parents’ bookshelves), and then his very good In the Beauty of the Lilies , about America’s loss of (Protestant) faith, when it was published. I do remember Bech is Back from those same parental bookshelves, but never had a real interest in the books, believing that thinly disguised autobiography of a privileged, randy male writer was not my cup of tea.
Well, I don’t know what my final verdict will be, but I’m enjoying it far more than I expected. Updike’s prose overcomes much of my prejudices.
His mother. He had taken her death as a bump in his road, an inconvenience in his busy postwar reconstruction of himself. He had seen death in war and had learned to sneer at its perennial melodrama. He had denied his mother’s death the reality it must have had to her, this chasm that numbed as it swallowed; and now it was swallowing him. He had scarcely mourned. No one sat shivah. No Kaddish had been said. Six thousand years of observance had been overturned in Bech.
Here’s the Fourth Sunday of Advent approaching, with the Gospel narrative of the Annunciation.
From the Loyola Kids Book of Bible Stories
From the Loyola Kids Book of Catholic Signs and Symbols
For more Quick Takes, visit This Ain’t the Lyceum!
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