Feeds:
Posts
Comments

Posts Tagged ‘Loyola Kids’ Book of Saints’

Today’s his feast, of course. One of my favorite saints for many reasons, including the fact of his determined resistance to God’s call, the expression of that call through the voice of the people of Milan, and then his full-spirited embrace of his duty when he discerned that yes, this was the way God wanted him to go.

A few St. Ambrose-related posts coming your way.

(Our 2011 trip to Milan. Ambrose on Repentance.)

First, the basics:

St. Ambrose, today.

Artwork: St. Ambrose rebukes Theodosius by Daniel Mitsui. More here.

In depicting this event, I wanted to give emphasis to the ideas of repentance and forgiveness; in a quatrefoil above the door of the church, I drew King David confronted by the Prophet Nathan (whose parable appears in a smaller quatrefoil). The postures, clothing, and positions of these figures relate them to those of St. Ambrose and Theodosius below. The beginning of the psalm expressing King David’s repentance I wrote on the lintel. On the door is a sactuary knocker (in the form of a green man, similar to that knocker on Durham Cathedral) which suggests again the idea of a church as a place for the repentant. Both St. Ambrose and the Emperor wear purple vestments; the color is a symbol both of repentance and of imperiality.

The crosier carried by St. Ambrose is my own fanciful design; it has a carved-ivory head in the shape of a seahorse with snails for crockets, and terminates in a narwhal tusk.

A narwhal tusk!

We might begin with his hymn, Veni Redemptor gentium:

amywelbornbooks2

Source

A Clerk of Oxford has a wonderful, thorough post on the hymn. Go here for that!

He’s in the Loyola Kids Book of Saints, under “Saints are People Who Change Their Lives for God.” 

AmyWelbornBooks

You can peek at the chapter here, at Google Books.

B16 at a General Audience, speaking about St. Ambrose:

Dear brothers and sisters, I would like further to propose to you a sort of “patristic icon”, which, interpreted in the light of what we have said, effectively represents “the heart” of Ambrosian doctrine. In the sixth book of the Confessions, Augustine tells of his meeting with Ambrose, an encounter that was indisputably of great importance in the history of the Church. He writes in his text that whenever he went to see the Bishop of Milan, he would regularly find him taken up with catervae of people full of problems for whose needs he did his utmost. There was always a long queue waiting to talk to Ambrose, seeking in him consolation and hope. When Ambrose was not with them, with the people (and this happened for the space of the briefest of moments), he was either restoring his body with the necessary food or nourishing his spirit with reading. Here Augustine marvels because Ambrose read the Scriptures with his mouth shut, only with his eyes (cf. Confessions, 6, 3). Indeed, in the early Christian centuries reading was conceived of strictly for proclamation, and reading aloud also facilitated the reader’s understanding. That Ambrose could scan the pages with his eyes alone suggested to the admiring Augustine a rare ability for reading and familiarity with the Scriptures. Well, in that “reading under one’s breath”, where the heart is committed to achieving knowledge of the Word of God – this is the “icon” to which we are referring -, one can glimpse the method of Ambrosian catechesis; it is Scripture itself, intimately assimilated, which suggests the content to proclaim that will lead to the conversion of hearts.

Thus, with regard to the magisterium of Ambrose and of Augustine, catechesis is inseparable from witness of life. What I wrote on the theologian in the Introduction to Christianity might also be useful to the catechist. An educator in the faith cannot risk appearing like a sort of clown who recites a part “by profession”. Rather – to use an image dear to Origen, a writer who was particularly appreciated by Ambrose -, he must be like the beloved disciple who rested his head against his Master’s heart and there learned the way to think, speak and act. The true disciple is ultimately the one whose proclamation of the Gospel is the most credible and effective.

Like the Apostle John, Bishop Ambrose – who never tired of saying: “Omnia Christus est nobis! To us Christ is all!” – continues to be a genuine witness of the Lord. Let us thus conclude our Catechesis with his same words, full of love for Jesus: “Omnia Christus est nobis! If you have a wound to heal, he is the doctor; if you are parched by fever, he is the spring; if you are oppressed by injustice, he is justice; if you are in need of help, he is strength; if you fear death, he is life; if you desire Heaven, he is the way; if you are in the darkness, he is light…. Taste and see how good is the Lord:  blessed is the man who hopes in him!” (De Virginitate, 16, 99). Let us also hope in Christ. We shall thus be blessed and shall live in peace.

OSV, along with many other publishers at the time, collected these talks on the early Church Fathers into a volume. I wrote a study guide to go along with it, which is now available for a free download. So there you go – an easy personal or group study, at no cost to anyone for materials, since the talks are online at the Vatican website. Below are the pages for the Ambrose-Augustine chapter.

Read Full Post »

—1 —

A bit of blogging this week. Perhaps of the most interest will be this post on the movie The Sound of Metal.

— 2 —

Pentecost is coming, of course.

Pages above are (left) from the Loyola Kids Book of Catholic Signs and Symbols  and (right) from the Loyola Kids Book of Bible Stories.  Click on images for larger versions. Remember that for the Signs and Symbols entry, there’s another page –  a full page of more detailed text.

— 3 —

Pentecost is one of the events in The Loyola Kids Book of Heroes. 

(The book is structured around the virtues. Each section begins with an event from Scripture that illustrates one of those virtues, followed by stories of people and events from church history that do so as well)

amy-welborn-books

This hasn’t been published in a book – yet – but it’s a painting byAnn Engelhart, illustrator of several books, including four with my writing attached – all listed here. It’s a painting of the tradition of dropping rose petals through the oculus in the Pantheon in Rome.

pentecost

(Our Cathedral here in Birmingham has also done this regularly over the past few years – it’s happening this coming Saturday for the Vigil of Pentecost, which will be livestreamed here.

For more on the Cathedral’s livestreaming, go here.

— 4 —

By the way, please follow Ann on Instagram. She features her beautiful art and regularly posts live painting sessions on Instagram Stories. 

— 5 –

Hopefully this weekend,  you’ll be hearing/singing/praying Veni Creator Spiritus.  I have a chapter on it in The Words We Pray. A sample:

amywelbornbooks
amy-welborn2

— 6 —

Speaking of art, from Daniel Mitsui:

— 7 —

Daniel has designs available as wallpaper and fabric here. Gorgeous.

No photo description available.

And finally, here’s an excerpt from a lecture he delivered earlier this year. Food for thought for artists of all kinds – and any of us, really.

So how does an artist who wants to make religious art, who wants to make it both beautiful and traditional, to glorify God and edify men through it, answer the challenge of doing that in a changing world?

He should choose his influences – both visual and intellectual – out of love. He should love them for what they are, rather than for what they are not.

No matter how devoted he is to a certain kind of art or school of thought, he should remember that it is incomplete and imperfect. He can and should try to make it better. This is an altogether traditional thing to do.

He should be open to whatever medium, whatever materials, whatever methods work best to express his artistry. A willingness to be bold, technically, is another altogether traditional thing to do.

He should not consider religious art to be a political tool, or encourage its use as such.

He should look to every kind of art – whether it comes from within the Church or without it – asking the questions: what works? and what can this teach me to make my art better? God is the author of all beauty; as Augustine says, the mines of his providence are everywhere scattered abroad.

He should ask the same question even of art that he considers generally bad: What works? What can this teach me? The answer may be: very little. But if it is anything at all, he should accept the lesson.

More.

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

Well, that’s strange. In my rush to publish this on Thursday night/Friday morning, I guess I published it for last Friday (the 8th). Huh. Those of you who subscribe to direct links saw it, but those who just show up to look at the front page…probably didn’t. So here it is again….

— 1 —

Yes, yes, I have more to say about social media and the internet and such, but I got a bit tired of saying it, so we can all wait a bit more. God knows, the landscape will probably undergo another avalanche and earthquake before we’re even close, so there’s no hurry. Ever.

If you want to check out what I’ve been gabbing about, just click backward.

The rest of this will be ridiculously random. Apologies in advance. I’m in a strange mood tonight.

— 2 —

With Ordinary Time, we’re in year B – which means the focus of the Sunday Gospels is Mark.

Consider this book – The Memoirs of St. Peter as an apt accompaniment to this year. I am! I’ve had the book for a while, read chunks of it, but will be keeping it at hand as a reference and spiritual companion to the Mass readings.

— 3 —

I have been reading about St. Margaret of Scotland the past couple of days. If you’d like to read the biography of her written by Turgot, her spiritual advisor and confessor, you can access it through the Internet Archive here.

St. Margaret of Scotland

I do have a work purpose in studying up on her, which means I am reading about her, searching for lessons and finding teachable moments.

What have I found? What I often find: Sanctity begins when we find ourselves in a certain moment and pray, not that God will help us “be happy” or “find our true selves” – but when we pray, instead, for God to work through us to serve the people he’s put in our lives, especially the poor.

— 4 —

To go from saints to sinners, but really, who has the right to proclaim the difference except for God, from the Public Domain Review – quickly becoming a favorite site – pages from the first published collection of mug shots.

Image

Not a bad looking crew for horse thieves, barn burners and pickpockets….

Quite thought-provoking.

— 5 —

Really, really interesting piece on a 1939 attempt to present a jazz, mostly Black version of A Midsummer’s Night Dream.

When Swingin’ the Dream opened on Broadway on 29 November 1939, the creators of this jazz version of A Midsummer Night’s Dream had every expectation of a smash hit. The music alone seemed worth the price of admission. Among the hits were Ain’t Misbehavin’, I Can’t Give You Anything But Love, Jeepers Creepers, and

If you go down to the woods … Butterfly McQueen as Puck, Maxine Sullivan as Titania and Louis Armstrong as Bottom/Pyramus.

Darn That Dream. All this was intermingled with swing renditions of Mendelssohn’s Wedding March, from his 1842 Midsummer Night’s Dream. The music was performed by some of the biggest names around: Bud Freeman’s band played on one side of the stage, Benny Goodman’s inter-racial group on the other, and in the centre Donald Voorhees conducted an orchestra of 50.

The Shakespeare musical had a 150-strong cast, featuring many of America’s most popular black artists, including Maxine Sullivan as Titania, Juano Hernandez as Oberon and none other than Louis Armstrong as Bottom. The trumpeter reportedly turned down a part in another Broadway-bound jazz show, Young Man With a Horn, to star in it. Butterfly McQueen (AKA Prissy in Gone With the Wind) played Puck. Agnes de Mille, who a year later would break new ground in her Black Ritual for the newly formed Negro Unit of Ballet Theatre, oversaw the choreography.

The dancers included the great tap star Bill Bailey, the three Dandridge sisters (who played Titania’s pixie attendants), as well as 13 tireless jitterbugging couples. With set designs based on Walt Disney cartoons, it looked great, too. Sullivan’s Titania entered enthroned in a “World of Tomorrow” electric wheelchair, microphones appeared in the shape of snakes and caterpillars, while a pull-down bed hung from a tree.


It seemed destined to a be a hit, and a startlingly original one. But Swingin’ the Dream closed after only 13 performances – and lost its investors a staggering $100,000, the equivalent to about $2m today. Critics continue to debate what went wrong, hampered by the fact that no script for the show, other than a few pages from the Pyramus and Thisbe scene, has ever been found, despite extensive searches.

More

— 6 —

As I mentioned a few days ago, I’ve been reading Hemingway stories. I must say that “An Alpine Idyll” is one of the strangest stories I’ve ever read. Not in a necessarily bad way – just…..strange.

I wonder if it’s based on something he heard about that really happened?

— 7 —

Anyway. Speaking of Gospels, today’s Gospel from the Mass readings is the healing of the paralytic from (of course) Mark. Here’s the first page of my retelling from the Loyola Kids Book of Bible Stories.

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

— 1 —

Incoming: Screed.

Ah, well.

What’s up? Well, working on an audio element to support a textbook series, recorded a short video in support of a new family Lenten devotional from Creative Communications for the Parish, worked on some other stuff. I guess. Getting ready for Christmas, but of course that takes on a different tone and energy when it’s a stir-crazy you, a 16-year old, a 19-year old, with a 38-year old coming to visit than it did when everyone was small. I am a very last-minute person when it comes to Christmas, so yes, I guess we’ll get a tree up this weekend.

Once probably 25 years ago, or so, I was aghast when my (late) mother announced that she might not even want to put up a tree at Christmas that year. What? How can you? What are you saying???

Let’s just say…I get it. Time to pass the torch, and I’m pleased to say that the next generation (son/daughter-in-law – mostly the latter of course – and daughter/son-in-law) seem to have taken up that torch with firm hands and run with it. They are welcome to it!

Not much viewing – been watching Mad Men with College Guy for his first time. Almost done with season 1. We also watched My Favorite Wife – a favorite of mine which I’d watched with Kid #5 back in the Olden Days of early March right before College Guy came home for “Spring Break” …..hahahahahaha. So now it was his turn. Love the movie and find it fascinating for reasons I explain here.

Image result for my favorite wife tcm randolph gif

Movie Son continues his path of watching, watching, watching and then writing, writing, writing. He’s currently on a Fellini jag.

Now, these two characters (Gelsomina and Zampano) are at the center of the film, but it’s really Zampano’s story in the end. He’s left alone on a beach (the same beach that Gelsomina was found in the town and a similar beach to where the movie began) with nothing but the bitter feeling in his stomach that his loneliness and isolation at that time is entirely his own fault. He hasn’t changed, but he has come to a realization (I’ve read it as “ripened”, which I think is a good way to describe it). I’m not sure I would go so far as to call it a redemption, but it’s certainly redemptive. He doesn’t do anything to make up for his failings as a man responsible for a simple woman, but he does begin to understand his failings that led to his empty life. Gelsomina provided joy and happiness wherever she went, but she was never accepted, especially by Zampano who could have learned the most from her.

— 2 —

Here’s a diversion that looks intriguing, although I really can’t figure out how to do it. I’m waiting for one of the sons to come back home to figure it out for me.

Blob Opera.

Google's Blob Opera is a weird and wonderful experiment - CNET

— 3 —

Notes on this week’s American lit reading. First, some Walt Whitman. What did we emphasize? His self-understanding of himself as an American poet, what he was trying to express about America and then, more broadly, about the human experience. Also his engagement with Eastern thought.

I many not be on his wavelength on every point, but I found great simpatico in his vision of the communion of human beings and their experiences over space and time, as well as the cumulative impact of an individual’s experiences on her life.

So:

Crossing Brooklyn Ferry:

The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half an hour high,
A hundred years hence, or ever so many hundred years hence, others will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide.

— 4 —

And on the second point, There Was a Child Went Forth Every Day:

THERE was a child went forth every day,
And the first object he look’d upon, that object he became,

And that object became part of him for the day or a certain part
of the day,
Or for many years or stretching cycles of years.

The early lilacs became part of this child,
And grass and white and red morning-glories, and white and red
clover, and the song of the phoebe-bird,
And the Third-month lambs and the sow’s pink-faint litter, and
the mare’s foal and the cow’s calf,
And the noisy brood of the barnyard or by the mire of the pond-
side,

And the fish suspending themselves so curiously below there, and
the beautiful curious liquid,
And the water-plants with their graceful flat heads, all became part
of him.

— 5 —

And, to finish up the “semester,” such as it is around here, we decided to leave chronology behind and go seasonal instead, reading Truman Capote’s “A Christmas Memory,” which – in case you’ve never read it – you can read here.

A lovely, moving piece, rich with imagery and suggestion as well as rock-solid details that put you right in the presence of these two outcasts, the seven-year old child and his only friend, his elderly cousin.

An interesting note. I have the most recent edition of the Norton Anthology of American Literature, 1865 to the present – three fat volumes purchased for College Guy’s class in the spring, but retained and not resold because I knew we’d be using it in the homeschool. Capote’s not in it – at all. I mean, I get it, I suppose. He’s not a “serious” writer, but how does one define that? His writing certainly had an impact. I don’t like In Cold Blood for a lot of reasons, but no matter what I think of the book, it did have an enormous influence on American writing, and I think it’s an impact that should be discussed. I mean, there’s an excerpt from Nathanael West’s The Day of the Locust in the anthology, for pete’s sake – a seminal work in some ways, but indifferently, awkwardly written – not even close to the quality of what Capote was capable of in his best work.

Odd.

— 6 —

My own current read, separate from school? The Complete Henry Bech by John Updike. Why? In the library, desperate for an actual book-on-paper to read, with an armful of non-fiction, I came upon the U’s in fiction and decided to give Updike a go again. I read Rabbit, Run and at least one other Rabbit book in high school (not for high school, but in high school, plucked from my parents’ bookshelves), and then his very good In the Beauty of the Lilies , about America’s loss of (Protestant) faith, when it was published. I do remember Bech is Back from those same parental bookshelves, but never had a real interest in the books, believing that thinly disguised autobiography of a privileged, randy male writer was not my cup of tea.

Well, I don’t know what my final verdict will be, but I’m enjoying it far more than I expected. Updike’s prose overcomes much of my prejudices.

His mother. He had taken her death as a bump in his road, an inconvenience in his busy postwar reconstruction of himself. He had seen death in war and had learned to sneer at its perennial melodrama. He had denied his mother’s death the reality it must have had to her, this chasm that numbed as it swallowed; and now it was swallowing him. He had scarcely mourned. No one sat shivah. No Kaddish had been said. Six thousand years of observance had been overturned in Bech.

— 7 —

Here’s the Fourth Sunday of Advent approaching, with the Gospel narrative of the Annunciation.

From the Loyola Kids Book of Bible Stories

EPSON MFP image

From the Loyola Kids Book of Catholic Signs and Symbols

EPSON MFP image

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

—1 —

I was in Living Faith yesterday. And here’s a post with photos to illustrate the point of that entry. 

— 2 —

Here’s a forthcoming book that looks great!

The Light Ages: The Surprising Story of Medieval Science

In this book, we walk the path of medieval science with a real-life guide, a fourteenth-century monk named John of Westwyk – inventor, astrologer, crusader – who was educated in England’s grandest monastery and exiled to a clifftop priory. Following the traces of his life, we learn to see the natural world through Brother John’s eyes: navigating by the stars, multiplying Roman numerals, curing disease and telling the time with an astrolabe.

We travel the length and breadth of England, from Saint Albans to Tynemouth, and venture far beyond the shores of Britain. On our way, we encounter a remarkable cast of characters: the clock-building English abbot with leprosy, the French craftsman-turned-spy and the Persian polymath who founded the world’s most advanced observatory.

An enthralling story of the struggles and successes of an ordinary man and an extraordinary time, The Light Ages conjures up a vivid picture of the medieval world as we have never seen it before

Well, a bit overwrought, but if it enlightens folks, have at it!

The Light Ages by Seb Falk | Penguin Random House Canada
Available in the US in November.

— 3 —

Speaking of books, as I mentioned before, I’ve been tracking my book sales since the Covid-soused pre-Easter plunge. (Tracking in the only way I can, through the metric Amazon provides authors, which tracks…something. I really have no idea what. I think it’s more than Amazon sales, but I’m not sure).

The cratering reached its worst point the last week of April, when sales this year were about a tenth of what they were last year. Maybe an eighth. No First Communions, no Confirmations, not much Easter visiting and associated gifting from grannies. This year’s sales lagged behind last’s until the second week of May when the tables began to turn.

All summer, slowly but surely, this year’s sales started to surpass last year’s. By mid-summer this year’s cumulative sales of all my titles (as recorded by this metric) were regularly double or triple what they were last year each week.

It’s interesting to me because it’s my way of tracking parish life – obviously what was happening was that parishes were slowly opening back up and beginning to celebrate these sacramental milestones again. And then, as summer waned, folks started looking for religious education materials and supplements. This week’s big sellers were Prove It God, Prove it Prayer (both with sales about ten times the usual – it seems to me that they were required by some classes or schools) and the book of Heroes (sales 7 x what they were the same week last year) and Sign and Symbols (3 x this week last year).

It’s fascinating because at this rate, my sales during this six month royalty period are probably, after a disastrous start, going to even out and end up being commensurate with last year’s.

As I said, it’s mostly interesting to me as a sort-of concrete way to “measure” Catholic parish and catechetical life in these very weird times.

And guess what – you don’t even have to pay a dime for this title!

Mary Magdalene: Truth, Legends and Lies – normally priced at an exorbitant .99 – is absolutely, positively free through Saturday midnight.

Pretty exciting stuff, all around.

— 4 —

Speaking of Catholic parishes and the pandemic, if you know of a parish that’s truly worked hard to serve the needs of its people and the community during this time – nominate them to be recognized for this! Here’s an article about the effort, and here’s the site.

— 5 –

Yes, there’s good news out here in Catholic land – I’ve tried to highlight some local parishes that I believe have really stepped up – but I also will co-sign Phil Lawler’s stance here:

As much as I applaud him for bringing our Eucharistic Lord out onto the streets of the city…

As much as I thank him for taking the lead (when so many other prelates remain silent) in insisting that religious worship is “essential activity”…

As fully as I agree with him that the response from city officials—or rather, their failure to make any response—is an insult to Catholics…

Still I wonder: If the archbishop thinks that the city’s restrictions are unreasonable—if he thinks that it would be safe to celebrate Mass for a larger congregation in the city’s cathedral—why doesn’t he take the obvious action? Why doesn’t he go into his own cathedral, invite the public, and celebrate Mass?

Before I go any further let me emphasize that I do not mean to single out Archbishop Cordileone for criticism here. On the contrary, I mean to praise him. The question that I ask of him could apply, far more pointedly, to all the other bishops and priests who have meekly accepted unreasonable restrictions on the administration of the sacraments—to the bishops and priests who have not raised public objections, have not mobilized the faithful, have not organized Eucharistic processions.

Give Archbishop Cordileone full credit for speaking truth to power: for telling the faithful who joined him last Sunday outside the cathedral that city officials “are mocking you, and even worse, they are mocking God.” Credit him, too, for the public campaign that has urged faithful Catholics to call San Francisco’s Mayor London Breed, and has already raised 17,000 signatures on a petition “asking the City of San Francisco to free the Mass.

But again: Why ask city officials to “free” the Mass? There is only one man who has the rightful authority to restrict and regulate the liturgy of the Catholic Church in San Francisco, and his name is Cordileone. If he wants to celebrate Mass for the public in his cathedral, he can do it.

But wait, you say. He can’t celebrate Mass for the public in his cathedral. It would be against the law.

To which I respond: what law?

— 6 —

Looking for a movie to watch or argue about? Check out Movie/Writer Son’s “Definitive Ranking of David Lean Films” here.

David Lean was a great filmmaker who grew up in the British studio system preceding the outbreak of World War II and became a director, hitched to Noel Coward, during the conflict. After working directly with Coward for four films, he broke out on his own and became one of the most important British filmmakers. His great epics tend to overshadow his smaller films, some of which are pretty much just as great, and that’s really why I do these exercises of running through entire filmographies.

Looking for a quick Halloween craft? Pick up this kit from my daughter’s Etsy shop!

Trio Halloween  Witchs Hat Jack O Lantern and Bat  image 1

— 7 —


Speaking of books, again – a few lists if you are poking around for something to read either now or in the future.

Micah Mattix’s ongoing bookshop of interesting forthcoming titles.

Looking backwards, the #1956Club – from my favorite “The Neglected Book Page”

For about five years now, Karen Langley (Kaggsy of Kaggsy’s Bookish Rambles) and Simon Thomas (of Stuck in a Book) have instigated a semi-annual event in which people around the world take a week to read and write about books published during a particular year. The next round, coming up the week of 5-11 October, will look at books from the year 1956.

1956 was a terrific year for what I might call good but not stuffily great books. Perhaps the best example is Rose Macaulay’s The Towers of Trebizond, which won her the James Tait Black Memorial Prize for fiction and which is much loved for the spirit embodied in its opening line: “‘Take my camel, dear,’ said my Aunt Dot, as she climbed down from this animal on her return from High Mass.” This was Macaulay’s last novel; also appearing in 1956 is Anthony Burgess’s first novel Time for a Tiger, the first book in his Malayan Trilogy.

To encourage folks to take advantage of the #1956Club while also discovering something beyond what’s readily available for instant download or overnight delivery, I’ve put together this list of 10 long-forgotten and out of print books from 1956.

Go here for the list.

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

—1 —

First, St. Augustine, who’s in the Loyola Kids Book o’ Saints, under “Saints are people who help us understand God.” The first two pages:

— 2 —

Secondly…well, we’re back. And about to be gone. So here’s what happened today.

We packed up and left Gardnier, WY, at the north end of the park, about 7:30. We were met at the Yellowstone entrance (which is right there) with the news that not only was the road I knew was closed still closed because of fires (between Old Faithful and West Thumb), but another road  – the alternate I’d been assuming would be our way out – was closed as well, because of an overturned gas-carrying 18-wheeler. That one, between Canyon and the lake (below is a campground map – first thing I grabbed – it’s the road between Canyon Village and “Fishing Bridge” campground.)

So here’s a map.

campgroundmap

You can see the problem. There would be no way to get from Gardiner, in the north, to the South entrance, which then would get us on the road to Jackson. It was going to be a 3.5 hour drive, straight shot (you can’t go over 45 on most park roads), and we were planning to take our time and see things we’d missed and maybe take another look at some geysers.

But with that news, the route had to shift, didn’t it? Like, dramatically – out through West Yellowstone and out and over further west, then south through Idaho, to Jackson from the west. Adding not only distance, but time as well. Okay, champ, I’ll settle in to drive, you settle in to sleep.

And now is the part where I tell you that I just learned that as of 8am this morning that road between Old Faithful and West Thumb was opened. I don’t know why they didn’t know that at the entrance gate at 7:35, but it is what it is. No regrets. It’s fine – we saw some lovely sights along the way.

— 3 —

I shook traveling companion awake not long after departure to take in the Roaring Mountain – it used to emit this steam with a lot more force and noise (hence the name), but it’s still impressive.

IMG_20200827_083241

After that – the drive to West Yellowstone is gorgeous, with stunning cliffsides lining the road.

Then….Idaho. So, new state! That means three new states added to our list with this trip, and I’ve now realized I’m up to 45. Only Oregon, Washington, North Dakota, Alaska and Hawaii remain.

It also means that one traveling companion awakened and learning where we were, it was a steady diet of Napoleon Dynamite quotations until the Tetons loomed into site again – and from the west, they are quite lovely. And we were delighted to see that we could, at last…actually see them, since the smoke from the fires further west had evidently dissipated.

— 4 —

Once over the pass, we took a slight detour into Teton Village, since I was curious what a ski village would look like. I’ve known folks who’ve traveled to the area to ski, and I confess my image of what that was wasn’t exactly what I saw, and not just because it’s summer. I guess I imagined something more bucolic and rural, not condos crammed at the base of a mountain. Huh. Well, it’s probably real nice in winter and obviously people like it, so they can have it.

On to Jackson, lunch, since it was a little early, wander around a bit, since it was still early, finally gain access to hotel.

IMG_20200827_140847

This is not from our hotel, but from the balcony of a shop. See the arch? It’s elk antlers, and there’s more of the same on the square, and one at the entrance into the Jackson airport terminal, as well. 

— 5 –

Then back into the car and back up to Jenny Lake – about 30 miles north. We had hours of daylight left, so why not get in some more hiking to points we’d missed before? The route was partway around the lake to the Moose Pond trails – no moose where seen – there– and then up the rest of the way to where the boat had dropped us before, the starting point for hikes to Inspiration Point, Hidden Falls and then the Cascade Canyon trail, which we’d walked a good bit of on Friday, and greatly enjoyed.We decided the best use of our time would be to get up to Hidden Falls and then take the boat back to the other side. Which we did, getting back to the car by 7, back into Jackson by 8, then to dinner at Bubba’s Barbecue, which was excellent. 

— 6 –

And so…..animals today? Lots of elk, of course. Two does with their fawns crossing the road near the Visitor’s Center on this end of Grand Teton NP, and then, on the Jenny Lake hike…

IMG_20200827_181106

— 7 —

And….

IMG_20200827_173004

I think he was in the same spot 45 minutes later when we rode the boat across the lake, because I could see a group of folks on the trail there, looking down. For video, go to Instagram. 

As per usual, I’ll do a post– probably tomorrow, from the airport – describing our itinerary and accommodations choices, for anyone contemplating a similar trip.

Back to ordinary life very, very soon. But in these days, of course, “ordinary” is anything but….

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

—1 —

Well, here we are. Just a few days until the Return. The Return to College. For a few months, we hope, and not just for a few weeks, as College Guy pessimistically predicts. As I keep saying, I’m optimistic.

We’ll see.

School for the other one is slowly picking up speed – to be interrupted by travel next week, to be sure, but getting a little more organized nonetheless. This week has seen meetings with Algebra 2 and Latin tutors as well as a piano lesson. We talked over plans for literature and history study. Looked at photos posted by the private high school most of his friends attend, saw all the images of people in single file in masks looking at each other from behind plexiglass in the lunchroom, and if there were any lingering questions, they were answered. “We’re good. Thanks.”

— 2 —

There’s been a bit of blogging this past week. Here’s a review of a novel called Followers and another of a novel, which I liked quite a bit, called Nothing to See Here. 

All done on a new laptop. I have a desktop, which is my preference for working, but I needed a new laptop – for a couple of years I’d been depending on a Chromebook we’d had to buy for Son #4’s high school career – and I hate Chromebooks. I mean, just hate. I love small laptops – that’s not the issue. The issue is the dependence on the cloud and the Internet and Google and all of that. And the fact that if you forget your passwords, it just might wipe the device of all local data on it – which happened to me last summer in Spain after I’d written a short piece for the Catholic Herald, but before I’d sent it in.  Cue new scene with me sitting on the floor in a hotel room in Caceres, Spain at 6 am, fuming (and worse) attempting to reconstruct and rewrite.

Plus, we needed a better, more dependable machine for Kid #5’s academics, such as they are. We don’t do a lot of screen stuff, and no remote classes of any sort, but you never know. Might as well have something decent, just in case.

Anyway, new computers are sweet.

— 3 —

I mentioned before that my book sales, like everyone else’s, have been impacted by this virus and responses to it – namely, no big gift-giving binges around Easter and the Spring Sacramental Season. But, as I noted, since mid-May, sales have been slowly but steadily edging back up. It’s really interesting. I’m still behind last year, but every week since mid-May, sales this year have topped the equivalent week last year, sometimes more than doubling the number of units sold.  The Loyola Kids Book of Heroes is now even with total sales from the same period last year (by the measure I have access to through Amazon Author portal – which doesn’t record all sales.). I think parishes that didn’t have big First Communion or Confirmation celebrations when they normally do have been having them in smaller batches through the summer, and people have purchased gifts for that – and then you throw in the increase in people doing homeschooling, and there you go.

So, yeah, if you know anyone who’s interested or in need of good titles for homeschooling catechism for children or young people, do consider pointing them my way –here’s a link to the Loyola Kids Books and here’s a link to the Prove It titles for teens. 

Today: St. Maximilian Kolbe. In the Loyola Kids Book of Saints.

"amy welborn"

 

— 4 —

From William Newton:

One of the most famous works of art rescued from the Nazis by the Monuments Men is, of course, “The Adoration of the Mystic Lamb”, more commonly known as “The Ghent Altarpiece”, a 15th-century masterpiece by the Van Eyck brothers that resides in St. Bravo’s Cathedral in the Belgian city of Ghent. Readers will recall that recently, a number of ill-informed commentators and meme-makers criticized the recent cleaning and restoration of the piece, because the face of the Lamb came out looking more humanoid and less lamb-like. After an exhaustive review, experts from the University of Antwerp and the National Gallery of Art have concluded that the Van Eycks did, in fact, intend to have the Lamb – who symbolizes Christ Himself – display the (to modern eyes) slightly disturbing face that we see gazing out at us now. It may be a late Medieval convention with respect to how to portray animals, since similar faces appear among the horses in one of the other panels of the altarpiece, or it may be that one or both of the Van Eycks intentionally wanted to have the viewer thrown a bit off-balance when praying or meditating before the image.

— 5 –

I meant, but forgot to mention last week, that the Cathedral parish held a celebration on August 2, bringing the traditional way of celebrating Our Lady of the Snows from St. Mary Major in Rome down here to Birmingham. That is – letting white rose petals fall from the ceiling.

More here.

 

(And yes, the Cathedral has been having Mass with full ceremony since April/May – no congregational singing, every other pew roped off, etc., but a full music program – you can see the orders of worship here.)

This next Sunday’s Mass, for example– Viadana’s Missa l’Hora Passa. 

— 6 —

From the New Yorker, on two new biographies of Poulenc:

Both accounts undermine the popular image of Poulenc—carefully cultivated by the man himself—as the epitome of Parisian suavity and ebullience. He was, in fact, a turbulent, even tortured character: sometimes arrogant, sometimes self-castigating, sometimes lovable, sometimes impossible. That complexity only adds to the interest of the music. The critic Claude Rostand famously commented that Poulenc was a combination of “moine et voyou”—monk and rogue. Many of the composer’s works fall cleanly into one category or the other, but some of the strongest fuse the two personalities in one. The Organ Concerto (1938) interlaces brimstone dissonances with rollicking fairground strains. The Gloria (1959-60) exudes an almost scandalous joy, as if a crowd of drunken angels were dancing down the boulevards.

— 7 —

My son watched all of Alfred Hitchcock’s films. All of them. Here’s his ranking. 

o-ALFRED-HITCHCOCK-GUN-facebook-750x400

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

Seven Quick Takes

— 1 —

It’s July 31 – the feast of St. Ignatius Loyola.

St. Ignatius was in my Loyola Kids Book of Saints, and you can read the entire chapter here:

Because he had spent all those months in his sickbed, Ignatius got bored. He asked for something to read. He was hoping for adventure books, tales that were popular back then: knights fighting for the hands of beautiful ladies, traveling to distant lands, and battling strange creatures.

But for some reason, two completely different books were brought to Ignatius. One was a book about the life of Christ, and the other was a collection of saints’ stories.

Ignatius read these books. He thought about them. He was struck by the great sacrifices that the saints had made for God. He was overwhelmed by their love of Jesus.

And Ignatius thought, “Why am I using my life just for myself? These people did so much good during their time on earth. Why can’t I?”

Ignatius decided that he would use the talents God had given him—his strength, his leadership ability, his bravery, and his intelligence—to serve God and God’s people.

While Ignatius continued to heal, he started praying very seriously. God’s peace filled his heart and assured him that he was on the right path.

When Ignatius was all healed and ready to walk and travel again, he left his home to prepare for his new life. It wasn’t easy. He was 30, which was considered old in those days, and he was getting a late start in his studies for the priesthood. In those days, the Mass was said only in Latin, and Latin was the language all educated people used to communicate with each other. Ignatius didn’t know a bit of Latin. So for his first Latin lessons, big, rough Ignatius had to sit in a classroom with a bunch of 10-year-old boys who were learning Latin for the first time too!

That takes a different kind of strength, doesn’t it?

saints

 

— 2 —

 

Take Lord, and receive all my liberty, my memory, my understanding, and my entire will, all that I have and possess. Thou hast given all to me. To Thee, O lord, I return it. All is Thine, dispose of it wholly according to Thy will. Give me Thy love and thy grace, for this is sufficient for me.

In The Words We Pray, I wrote about the Suscipe Prayer. That chapter is excerpted here:

The more you roll this prayer around in your soul, and the more you think about it, the more radical it is revealed to be.

One of the primary themes of the Spiritual Exercises is that of attachments and affections. Ignatius offers the account of “three classes of men” who have been given a sum of money, and who all want to rid themselves of it because they know their attachment to this worldly good impedes their salvation.

The first class would really like to rid themselves of the attachment, but the hour of death comes, and they haven’t even tried. The second class would also like to give up the attachment, but do so, conveniently, without actually giving anything up.

Is this sounding familiar at all?

The third class wants to get rid of the attachment to the money, which they, like the others, know is a burden standing in the way. But they make no stipulations as to how this attachment is relinquished; they are indifferent about the method. Whatever God wants, they want. In a word, they are the free ones.

The prayer “Take Lord, receive” is possible only because the retreatant has opened himself to the reality of who God is, what God’s purpose is for humanity, and what God has done for him in a particularly intense way.

A Response to God’s Love

The retreatant has seen that there is really no other response to life that does God justice. What love the Father has for us in letting us be called children of God, John says (1 John 3:1). What gift does our love prompt us to give?

In ages past, and probably in the minds of some of us still, that gift of self to God, putting oneself totally at God’s disposal, is possible only for people called to a vowed religious life. Well, God didn’t institute religious life in the second chapter of Genesis. He instituted marriage and family. I’m not a nun, but the Scriptures tell us repeatedly that all creation is groaning and being reborn and moving toward completion in God. Every speck of creation, everything that happens, every kid kicking a soccer ball down a road in Guatemala, each office worker in New Delhi, every ancient great-grandmother in a rest home in Boynton Beach, every baby swimming in utero at this moment around the world—all are beloved by God and are being constantly invited by him to love. And all can respond.

— 3 —

Depicting Dante’s heaven:

“Dante is often presented in a very secular way,” Schmalz said, noting the obsession that universities, artists and writers have had with the Inferno, ignoring the rest of poem.

According to Schmalz, limiting the poem’s scope to the Inferno means “not giving the proper representation of Dante and also the Christian ideas that are in the ‘Divine Comedy.’

“As a Catholic sculptor I have been very angry about this for many years,” he said.

An example of the fascination Dante’s Inferno has had on artists throughout history is the famous “Thinker” by the French sculptor Auguste Rodin. The popular image was originally meant to portray Dante as the “Poet,” and a miniature version of it can be found atop Rodin’s massive representation of “The Gates of Hell.”

“Because I am a Christian sculptor I will right this wrong,” Schmalz said. “I will do what has never been done before in the history of sculpture, which is to create a sculpture for each canto of the ‘Divine Comedy.’

 

 — 4 —

On a biography of Charles Peguy

In a way, Péguy preserved and cherished each of these influences: He would maintain an obsessive concern for the dispossessed, an ardent passion for France, and an unyielding faith in God all his life. But his intensity of belief did not prevent him for recognizing and pointing out the flaws in that which he loved. Péguy deplored the Catholic Church’s reactionary excesses and the Third Republic’s racialist conception of citizenship, and his unorthodox view of socialism rejected Marx’s enforced equality and anti-religious undertones. To him, solidarity — and politics itself — began with the “mystical,” that is, the set of myths and shared transcendent beliefs that underpin the construction of communities. Resolutely anti-cosmopolitan, he did not believe in the transnational alliance of workers that would become central to the Soviet project. For him, to reject the centrality of local attachments was to abstract away the suffering of people close-by; only cold-hearted bourgeois were rootless enough to live in multiple cities at once, to oscillate between cultures and languages, to detach themselves from the warmth of traditions and communities. The very small and the transcendent were the scales that mattered. Real change would not come through centralized Jacobin putsches, but through local micro-revolutions.

Péguy abhorred all attempts to demystify life’s mysteries. He rejected the scientism of his era, and laughed at the claim — seemingly blind to its own metaphysical assumptions — that empirical science would ever supersede the need for metaphysics. He thought that Adam Smith and Karl Marx had equally simplistic views of history, views that sacrificed transcendence on the altar of materialism. Yet he did not believe that the Bible had all the answers, either — or, at least, he did not believe that any human being could ever access all the answers. In fact, he fervently opposed what he saw as a conservative attempt to weaponize scripture. In a way, he thought, both sides emptied metaphysics of their significance; the Left reduced religion to “the opium of the masses,” and the Right relegated faith to a mere political tool. Like Dostoevsky, Péguy thought that in the absence of God, men would devolve into beasts; unlike Dostoevsky, he also believed that if God were too present in human affairs, the same degeneration would ensue.

— 5 

Watch out. This Sunday brings us the Miracle of Sharing….

6–

One of the newsletters I enjoy reading is The Convivial Society..about tech and life and such. This is from a recent edition – not from the author of the newsletter itself, but from a writer named Jean Baudrillard in Simulacra and Simulation (1981). See if you can relate.

Rather than creating communication, [information] exhausts itself in the act of staging communication. Rather than producing meaning, it exhausts itself in the staging of meaning. A gigantic process of simulation that is very familiar. The nondirective interview, speech, listeners who call in, participation at every level, blackmail through speech: ‘You are concerned, you are the event, etc.’ More and more information is invaded by this kind of phantom content, this homeopathic grafting, this awakening dream of communication. A circular arrangement through which one stages the desire of the audience, the antitheater of communication, which, as one knows, is never anything but the recycling in the negative of the traditional institution, the integrated circuit of the negative. Immense energies are deployed to hold this simulacrum at bay, to avoid the brutal desimulation that would confront us in the face of the obvious reality of a radical loss of meaning.

 

 

— 7 —

Tomorrow is the memorial of St. Alphonsus Liguori, whom I wrote about here. Just a brief excerpt – related to the travails of writers, which he shared:

The letters reflect quite a bit on his concern to get this books out there to people who will read them – Naples is always out of copies, but that’s one of the few places he has an interested audience, and the priests, well….

I am glad that the History of the Heresies is finished. Once more, I remind you not to send me any copies for sale, as the priests of my diocese are not eager for such books; indeed, they have very little love for any reading whatsoever.

Besides, I am a poor cripple, who am Hearing my grave, and I do not know what I should do with these copies.

Rest assured, that I regard all your interests as though they were my own. If I could only visit Naples, I might be able to do something personally. But confined here in this poverty-stricken Arienzo, I write letters innumerable to people in Naples about the sale, but with very little result. I am much afflicted at this, but affliction seems to be all that I am to reap from these negotiations.

So, writers….you’re not alone!

 

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

—1 —

Hey, there – I’m in Living Faith today – here you go for that! 

 

— 2 —

Today’s the feast of St. John Bosco. Want to know more about him?  The old Catholic Encyclopedia entry is a good place to start. 

I wrote about him in The Loyola Kids Book of Saints.

 

(You can click on individual images to get a clearer view.)

— 3 —

Ashwednesday

You know it. 

Here’s a page with many Lent-related posts. 

Next week, I’ll be ranting again about Septuagesima. But if you’re interested, you can catch the gist of it here. 

Short version, to newcomers – used to be that all Catholics (not just Eastern Catholics) celebrated a “pre-Lent” – three Sundays that, through the readings, prayers and practices, prepared your soul and readied your spirit for the sacrifices ahead.

But…well…some people thought they new better. Go here to read the tale. 

— 4 —

We spent the first part of this week in South Florida: the Everglades, the Upper Keys, and Biscayne, with the quickest of shots through Miami Beach – as quickly as one can do such a thing a few days before the Super Bowl…in Miami.

For the posts and photos, just click back through this week’s entries. And go to Instagram for some video – if you would like to see the highlights of the trip for us which were, respectively: kayaking out to an island in the Gulf; seeing manatees, stumbling into a citizenship ceremony, and watching a large gator munch on a waterfowl of some sort. Yup.

— 5 –

And sure, teachable moments. The emphasis was on history and ecology – we learned about the history of South Florida, focusing on the Seminole presence – where and why – as well as the history of development. (The PBS American Experience episode The Swamp is very good. Long, but good.) Lots of natural sciences and ecological considerations – the flora and fauna, the invasive species, the function of the Everglades and the formation of the Keys.

And manatees!

IMG_20200129_104752

— 6 —

Thanks to Dom & Melanie Bettinelli (on Facebook), I was reminded of P.D.Q. Bach. 

Wow, how could I have forgotten, with a music guy in the house? Well, a couple of weeks ago, it was Flight of the Conchords – this week, we’ll dive into the Maestro.

Music related, also from the Bettinellis – I’ve not yet listened, but we will certainly try out the podcast “How Does Music Do That?” Looks good! 

— 7 —

 I’ve recommended this before – but it bears repeating – of the many digest/newsletter type resources out there, Prufrock News is one of the best. Always good links to follow, and not so many that it’s overwhelming.

Today, he links to a piece on the history of the  Memphis (Tennessee) pyramid – in case you’d ever wondered!

 

 

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

—1 —

img_20190922_140034

A friend from Red Mountain Park on Sunday.

Just a bit of blogging this past week – scroll back for that. Some homeschooling thoughts, some El Camino thoughts. Important, big stuff.

I’ll be in Living Faith on Tuesday – go here for that.

And per usual, check out my son’s writings on film and his fiction!

— 2 —

After flailing away for months, trying to find thinkers and thoughts that in some way echo my own chaotic thoughts on the Present Moment, particularly in regard to mass and social media, the self and spirituality, I’ve stumbled upon a couple of works that I think might help – one I should have read decades ago, the other new to me:

The Culture of Narcissism – duh. It’s one of those books that for years I’ve just thought, yeah, I get it – as I’ve read other authors referencing it. But then I thought – yeah, I should probably just read it.

and then Society of the Spectacle by Frenchman Guy Debord, referenced by Catholic thinkers here and  here and available here. 

So perhaps at some point, you can return for any insights gained from that.

— 3 —

Debord wrote from the position of a cultural Marxist, and before you get all frazzled by that, consider:

It goes without saying that Western culture is saturated with images. They are on our billboards, on sides of vehicles, buildings, clothing and phones. We cannot even answer nature’s call without the walls of toilets calling to us with the latest offer we cannot refuse. The explosion of smartphone technology means that users have round-the-clock screen time. Our world is awash with signs and symbols that flood every corner of our social space and fill our collective imaginations.

But what is the cultural effect this image-saturation? This is where Kulturkritik comes in. The heart of Kulturkritik is the well-known Marxist analysis of the process of commodification ― the conversion of things into units of exchange. In brief, Marx saw commodities not merely as things but also carriers of meaning acquired through the process of industrial manufacture and commercial distribution. This cultural meaning accrues in the form of a series of images that surround the commodity, the most important of which is the conceit that the commodity possesses self-contained value ― and it is this value that facilitates commodity-exchange. The upshot of this is that, for Marx, a commodity is a thing with an image fused to it. And through these images, the commodity acquires a symbolic power over its creator, shaping ― and clouding ― the creator’s perceptions of the world around him. This was described by Marx not only as an illusion, but also as a “religious fog.”

But Marx was talking about tables and chairs. What happens when non-physical goods like images become commodities in themselves? This is where Baudrillard and Debord make their singular contributions. In 1967, Guy Debord published his landmark work Society of the Spectacle, in which he argued that images have the mobilising power they have now because “the commodity has succeeded in totally colonising social life … we no longer see anything else; the world we see is the world of the commodity.” Images are not distractions from the real world, they have become the means by which we apprehend the real world. They, moreover, give a certain consistency to the world; as Debord writes, images are “a means of unification … the focal point of all vision and consciousness.”

That’s from Matthew Tan, who blogs at Awkward Asian Theologian – a spot I will be exploring with great interest. 

— 4 —

This is the Debord reference that piqued my interest:

This debris, the culture of late-modern industrial society – as has been realized at both ends of the political spectrum – is really little more than a spectacle designed to reproduce and inculcate a secular, consumerist ethos and order of production, which itself is essentially a theatre. This partly lies in the fact that the gratuitous consumption fundamental to our society is driven not by need, but by wants related to the construction and maintenance of “identities” and “lifestyles” paraded about in a collective charade with little connection to authentic human realities. Thus, to paraphrase Guy Debord, cultural Marxist par excellence, spiritually lifeless mass culture in late-modern capitalism is just a spectacle for the sake of maintaining a spectacle. 

It’s from Catholic Insight – another online publication, this one Canadian, that is also worth your time. 

— 5 –

Today’s the feastday of St. Vincent de Paul:

He’s in The Loyola Kids Book of Saints. 

 

An account of his life:

Thus, although he had no advantages of birth, fortune, or handsome appearance, or any showy gifts at all, Vincent de Paul’s later years became one long record of accomplishment. In the midst of great affairs, his soul never strayed from God; always when he heard the clock strike, he made the sign of the cross as an act of divine love. Under setbacks, calumnies, and frustrations, and there were many, he preserved his serenity of mind. He looked on all events as manifestations of the Divine will, to which he was perfectly resigned. Yet by nature, he once wrote of himself, he was “of a bilious temperament and very subject to anger.” Without divine grace, he declared, he would have been “in temper hard and repellent, rough and crabbed.” With grace, he became tenderhearted to the point of looking on the troubles of all mankind as his own. His tranquillity seemed to lift him above petty disturbances. Self-denial, humility, and an earnest spirit of prayer were the means by which he attained to this degree of perfection. Once when two men of exceptional learning and ability asked to be admitted to his congregation, Vincent courteously refused them, saying: “Your abilities raise you above our low state. Your talents may be of good service in some other place. As for us, our highest ambition is to instruct the ignorant, to bring sinners to a spirit of penitence, and to plant the Gospel spirit of charity, humility, and simplicity in the hearts of all Christians.” One of his rules was that, so far as possible, a man ought not to speak of himself or his own concerns, since such discourse usually proceeds from and strengthens pride and self-love.

From his own words, in today’s Office of Readings:

Since Christ willed to be born poor, he chose for himself disciples who were poor. He made himself the servant of the poor and shared their poverty. He went so far as to say that he would consider every deed which either helps or harms the poor as done for or against himself. Since God surely loves the poor, he also loves those who love the poor. For when one person holds another dear, he also includes in his affection anyone who loves or serves the one he loves. That is why we hope that God will love us for the sake of the poor. So when we visit the poor and needy, we try to understand the poor and weak. We sympathise with them so fully that we can echo Paul’s words: I have become all things to all men. Therefore, we must try to be stirred by our neighbours’ worries and distress. We must beg God to pour into our hearts sentiments of pity and compassion and to fill them again and again with these dispositions.

 

— 6 —

The writings that St. Vincent left behind are mostly in the form of correspondence and conferences, which are in print today and easy to find. Some of these thoughts were collected in a small volume of “Counsels” which you can access via archive.org. For example, here.

I find reading works like this instructive for a number of reasons. First, naturally, because they are the thoughts and advice of a great saint, and that’s always good to put in your brain and fill your time with.

But secondly – what a contrast. What a contrast to the contemporary spiritual gestalt and yes, I’m talking about Catholic gestalt, too. Perhaps especially.

I am ever intrigued by popular spirituality, no matter what era, and in particular by the give and take, ebb and flow between Catholicism and secular thought and culture. When does the latter help illuminate the former? When does it obscure, distract and point us away from Christ? When we tease it apart, what should be retained, and what should be tossed?

When you read these Counsels of St. Vincent de Paul, you might start suspecting that much of what you’re encountering in contemporary Catholic spiritual and pastoral efforts falls into that latter category.

Harsh!

But why?

Because traditional Catholic spirituality, from St. Paul on, has been about humility and emptying the self and allowing Christ to fill you. It is no longer I who live but Christ who lives in me. 

Consider what you’re being sold these days, even from Catholics. In every way, in every corner, it seems to be about you and your self. We are constantly told that the core of spiritual seeking is to discover who you really are, with gifts ‘n’ talents at the ready, accept who you really are, accept that God accepts you as you really are, arrange your life around the self you have accepted, be passionate about that self and its potential for greatness, find a church community that accepts you as you really are, and then get upset if you feel that you’re not being accepted as you really are. Lather, rinse, repeat.

 

There’s that concept of being stuck in perpetual adolescence, and this seems to me to be one manifestation of it – that unrelenting focus on and anxiety about the self and how well we are understood and accepted. As well as a spirituality formed in a context of relative material prosperity and social segregation. Does it nudge us in the proper direction, open us to the fullness of the Gospel? Sometimes, perhaps. God can work through anything, no matter how weird and odd and even bad, and does. But really, this moralistic therapeutic deism, as it’s commonly called in this, yes, culture of narcissism –  and what St. Vincent is preaching – to not speak of oneself and one’s own concerns –  are…different.  It’s good to pay attention and question your spiritual paradigm, not just once in a while, but every day.

— 7 —

Here’s my tonic for that temptation. From the Counsels:

The methods by which God chooses to work are not in accordance with our ideas and our wishes. We must content ourselves with using those small powers which He has given us, and not be distressed because they are not higher or more far-reaching. If we are faithful in a little, He will give much into our charge ; but that is His province, and does not depend on efforts of ours. We must leave it to Him, and try and fill our own niche.

The spirit of the world is restless, and desires to be active in all things. Let it alone. We must not choose our paths, but follow those into which it is God’s pleasure to direct us. So long as we know ourselves unworthy to be used by Him, or to be esteemed by other men, we are safe. Let us offer ourselves to Him to do or to suffer anything that may be for His glory or for the strengthening of His Church. That is all He asks. If He requires results, that is in His hands and not in ours ; let us spread out heart and will in His presence, having no choice of this or that until God has spoken. And, -‘meanwhile, pray we may have grace to copy our Lord in those virtues that belonged to His hidden life.

Remember always that the Son of God remained unrecognised. That is  our aim, and that is what He asks of us now, for the future and for always, unless He shows us, by some method of His which we cannot mistake, that He wants something else of us. Pay homage to the everyday life led by our Lord on earth, to His humility, His self-surrender, and His practice of  the virtues such a life requires. But chiefly pay homage to the limitations our Divine Master set on His own achievements. He did not choose to do all He might have done, and He teaches us to be content to refrain from undertakings which might be within our power, and to fulfill only what charity demands and His will requires.

I rejoice at this generous resolve of yours to imitate our Lord in the hiddenness of His life. The idea of it seems as if it must have come from God, because it is so opposed to the ordinary point of view of flesh and blood. You may be quite sure that that certainly is the state befitting children of God. Therefore be steadfast, and have the courage to resist all  the suggestions that are against it. You have found the means by which you may become what God asks you to be and learn to do His holy will continually, and that is the goal for which we are striving and for which all the saints have striven.

Another way to think of this, traditionally, is in terms of will. One of St. Benedict’s rules is “to hate one’s own will.” Again – harsh! Isn’t happiness about fulfilling our deepest yearnings?

Well, yes and no, and of course it all comes down to definitions.

We all suffer because we believe that happiness lies in fulfilling our will. But if we have the gift to reflect on our past, we quickly come to the realization that much of what we “will” does not bring us happiness and in fact is quite fleeting and arbitrary–changing with the wind.

To fight “our will” does not mean going off into another direction but rather facing reality. Our “will” often pulls us away from what most needs our attention. We often will to be somewhere other than where we are, to be doing something other than what needs to be done and to be with someone other than the one we are with at the present moment. These are exactly the moments when we are to “hate” our own will and seek to do the will of God.

 


 

Coming Monday: St. Jerome’s feastday:

 

 

From The Loyola Kids Book of Signs and Symbols. 

 

For more Quick Takes, visit This Ain’t the Lyceum!

Read Full Post »

Older Posts »

%d bloggers like this: