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Archive for the ‘Joseph Dubruiel’ Category

Well, that’s strange. In my rush to publish this on Thursday night/Friday morning, I guess I published it for last Friday (the 8th). Huh. Those of you who subscribe to direct links saw it, but those who just show up to look at the front page…probably didn’t. So here it is again….

— 1 —

Yes, yes, I have more to say about social media and the internet and such, but I got a bit tired of saying it, so we can all wait a bit more. God knows, the landscape will probably undergo another avalanche and earthquake before we’re even close, so there’s no hurry. Ever.

If you want to check out what I’ve been gabbing about, just click backward.

The rest of this will be ridiculously random. Apologies in advance. I’m in a strange mood tonight.

— 2 —

With Ordinary Time, we’re in year B – which means the focus of the Sunday Gospels is Mark.

Consider this book – The Memoirs of St. Peter as an apt accompaniment to this year. I am! I’ve had the book for a while, read chunks of it, but will be keeping it at hand as a reference and spiritual companion to the Mass readings.

— 3 —

I have been reading about St. Margaret of Scotland the past couple of days. If you’d like to read the biography of her written by Turgot, her spiritual advisor and confessor, you can access it through the Internet Archive here.

St. Margaret of Scotland

I do have a work purpose in studying up on her, which means I am reading about her, searching for lessons and finding teachable moments.

What have I found? What I often find: Sanctity begins when we find ourselves in a certain moment and pray, not that God will help us “be happy” or “find our true selves” – but when we pray, instead, for God to work through us to serve the people he’s put in our lives, especially the poor.

— 4 —

To go from saints to sinners, but really, who has the right to proclaim the difference except for God, from the Public Domain Review – quickly becoming a favorite site – pages from the first published collection of mug shots.

Image

Not a bad looking crew for horse thieves, barn burners and pickpockets….

Quite thought-provoking.

— 5 —

Really, really interesting piece on a 1939 attempt to present a jazz, mostly Black version of A Midsummer’s Night Dream.

When Swingin’ the Dream opened on Broadway on 29 November 1939, the creators of this jazz version of A Midsummer Night’s Dream had every expectation of a smash hit. The music alone seemed worth the price of admission. Among the hits were Ain’t Misbehavin’, I Can’t Give You Anything But Love, Jeepers Creepers, and

If you go down to the woods … Butterfly McQueen as Puck, Maxine Sullivan as Titania and Louis Armstrong as Bottom/Pyramus.

Darn That Dream. All this was intermingled with swing renditions of Mendelssohn’s Wedding March, from his 1842 Midsummer Night’s Dream. The music was performed by some of the biggest names around: Bud Freeman’s band played on one side of the stage, Benny Goodman’s inter-racial group on the other, and in the centre Donald Voorhees conducted an orchestra of 50.

The Shakespeare musical had a 150-strong cast, featuring many of America’s most popular black artists, including Maxine Sullivan as Titania, Juano Hernandez as Oberon and none other than Louis Armstrong as Bottom. The trumpeter reportedly turned down a part in another Broadway-bound jazz show, Young Man With a Horn, to star in it. Butterfly McQueen (AKA Prissy in Gone With the Wind) played Puck. Agnes de Mille, who a year later would break new ground in her Black Ritual for the newly formed Negro Unit of Ballet Theatre, oversaw the choreography.

The dancers included the great tap star Bill Bailey, the three Dandridge sisters (who played Titania’s pixie attendants), as well as 13 tireless jitterbugging couples. With set designs based on Walt Disney cartoons, it looked great, too. Sullivan’s Titania entered enthroned in a “World of Tomorrow” electric wheelchair, microphones appeared in the shape of snakes and caterpillars, while a pull-down bed hung from a tree.


It seemed destined to a be a hit, and a startlingly original one. But Swingin’ the Dream closed after only 13 performances – and lost its investors a staggering $100,000, the equivalent to about $2m today. Critics continue to debate what went wrong, hampered by the fact that no script for the show, other than a few pages from the Pyramus and Thisbe scene, has ever been found, despite extensive searches.

More

— 6 —

As I mentioned a few days ago, I’ve been reading Hemingway stories. I must say that “An Alpine Idyll” is one of the strangest stories I’ve ever read. Not in a necessarily bad way – just…..strange.

I wonder if it’s based on something he heard about that really happened?

— 7 —

Anyway. Speaking of Gospels, today’s Gospel from the Mass readings is the healing of the paralytic from (of course) Mark. Here’s the first page of my retelling from the Loyola Kids Book of Bible Stories.

For more Quick Takes, visit This Ain’t the Lyceum!

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Over the past half-decade or so, blogs – which along with discussion boards of various types, had long provided the main venues for conversation and expression on the Internet – have been thoroughly usurped by social media: Snapchat, TikTok, Instagram, Twitter and Facebook, primarily. And probably others my aged self isn’t aware of.

I use three of those, but minimally. I’ve had TikTok on my phone a couple of times, but deleted it. I know that my younger two sons (19 and 16) and their crowd pretty much only use Snapchat to communicate – rather than texting, even.

I generally don’t engage in “discussion” on any of them, unless it’s on a post by someone I actually, really know in some sense. And I don’t stay long. And I haven’t accepted new Facebook friends in years.

From the beginning of their rise – among my middle-age set, that is – I’ve maintained a distance, in terms of time and energy, from these platforms. I had an intuition from the beginning that there was something about them that didn’t serve my purpose in being online, and really, in the end, primarily served the owners of the platforms themselves.

And here’s what I eventually concluded. It’s rather challenging for me to put into words. Let’s see how I do. I’m going to focus on Instagram and Facebook because as problematic as Twitter is, it doesn’t share quite the same issues, and I think most of the “self-expression” energy these days is on those platforms, as well as TikTok, which I am not as familiar with. And guess what, Instagram is now owned by Facebook, so surprise – they have the same limitations.

First off, I want to acknowledge the given – that all of these platforms exploit the human desire to argue, score points and have the last word. These platforms, especially Facebook and Twitter have made themselves essential in spreading news and information. I mean – how did you arrive here anyway? Yeah.

They exploit our aspirations and our desires and our need for community and our attention-seeking instincts. They are deliberately addictive. Those are problems, but they are not the problems I’m going to explore here. This isn’t about sharing family photos. It’s about producing content that you hope will impact people and that you believe is meaningful beyond the present moment.

Let’s be concrete. Say I want to write a microblog on Instagram, a couple hundred heartfelt words attached to a pretty picture. Great. People will read it…

If they follow me…

If it happens to come on their feed by way of the platform’s current algorithm.

Sure, people can read it, but what if it strikes them as something worth keeping and sharing? They can easily share it with folks within the platform, who might take two seconds to read it and then…scroll on. Share with someone not on Instagram or Facebook? A little more challenging. Save it? less easily with those outside. They can archive it – within the app. Or I guess they can send themselves a link to share. Do you want to find a post on a certain topic? No luck unless the poster has hashtagged it with the specific hashtag you’re looking for.

And Facebook? Same. With the complication that my experience in Facebook is that posts – even your own posts that you want to revisit – are incredibly difficult to find. The search features on both apps are almost useless and are subject to change.

And of course, this is no accident.

There is a reason these platforms make it difficult to search and share posts beyond their system. They want to keep you inside, in that loop.

They make it super easy to create. You don’t have to know any code, you don’t have to think about design. You just type in the blank that’s provided for you, and the platform handles the rest.

And – I might add – it’s free. There is no financial cost to use it. It’s free.

What a deal!

But of course your space on these platforms is not actually your space, in any sense. Your posts can be removed for any reason. The rules governing your presence and content are not made by you – they’re made by the platform, and change all the time. Your ability to share what you create is directed in ways the platform determines, and to me, this has always been the feature of these platforms that’s given me pause, even more than the possibility of removal.

We’ve all seen it. For example, on my Facebook feed, no matter how I fiddle with the settings, I always see posts from the same people, few of whom I’ve ever interacted with, and hardly ever see posts coming through from people I actually know. Plus ads. Lots and lots of ads. I’m guessing Instagram is the same way, but I’ve long stepped away from any general perusal of Instagram – there are a few people – family and real-life friends – whose posts I see because I purposely seek them out – and that’s it.

What’s the most frequent complaint about these platforms from users? Besides trying to find ways to do paragraphs in Instagram, of course? It’s all about the feed – They’re not letting me see what I’m really interested in.

Oh.

Then maybe, go find what you’re interested in….somewhere else.

And further, the platforms – all of them – are designed to exploit your ego and desire for attention. They make it seemingly easy to get attention because of the ease of posting. Then the closed nature of the systems – which are presented as if they are for the sake of your safety and privacy –  move the user to prioritize churning out posts that get more attention from other users, always, always fighting that algorithm.

In short: these platforms get us in by making creating and sharing within the platform easy and free. But what you post speeds by the reader, is difficult to hold on to, is designed to be most easily shared within the platform, therefore bringing in new users.

 They’re for brand establishing, attention gathering and impression making. They’re really not for thoughtfulness, for nuance, for exploring. You don’t sit with these posts and save them and come back to them. You note them, maybe comment, nod and scroll on.

The content is, moreover, going to be shaped by the platform. Not in the sense of outright censorship or shadowbanning or restrictions, but, well, simply because as the Man said, the medium is the message.

If Facebook is the place you want to see and be seen, you’ll shape your content to what Facebook privileges and with what the Facebook audience values. Same with any of the platforms, just as with all media.

I wrote 800-word faith-n-life columns for years, and the shape and rhythm of those columns became second nature: incident – tension – hopeful and inspiring, perhaps self-deprecating resolution.  I thought in 800-word chunks and in daily life, was keenly aware, always on the lookout for the inspirational moment.

These platforms are no different from any other medium in that regard – columns, traditional news stories, essays – the medium is the message.

Which is fine. But given the transitory nature of these platforms – the ease of posting, but then the difficulties of finding and keeping, not to speak of the privacy and data issues – is it worth my time?  

Maybe it’s worth yours. Maybe you’re trying to do what I suggested above – establish a brand, get attention and make an impression. Go for it. Spend your time on it. I’m questioning the means, and yes, I’m questioning the message, too.

All digital media is ephemeral, including this space. No doubt about that. It can all be gone tomorrow. The systems could go down, the servers melt, or whatever they might do. Censorship and deplatforming exists everywhere from WordPress to Blogger to Reddit. No illusions there.

But the unique thing about social media platforms that has discouraged me from engaging to much on them is the clear sense that those spaces are not mine and that I’m a servant of the platform. We, as we’ve been told over and over again, are the product. My Instagram account exists the way it exists not to benefit me or even those who might read me there, but to benefit Instagram. The space doesn’t encourage staying, keeping or maintaining or searching. It privileges the present moment and then scrolling on. It also privileges making connections and placing information in them – that make it very hard to let go. All my memories are on Facebook! I can’t quit!

I know that some people have what they see as meaningful presences on these platforms. I’m always glad to see a wry Dorian Speed post or Ann Engelhart teaching me about watercolor. It’s become, annoyingly, the way I keep up with local businesses – is  Paramount or Rougaroux open today? Just check the Gram. When I’m about to go on a trip and want to double check the weather conditions, I often do a search for recent posts from that location to see what it looks like over there and what folks are wearing. So no, I’m not immune.

Communication. We have to do it. We want to do it. We’re called to do it.

Information is to be shared, discussed and acted upon.

But on whose terms? Who is really shaping the content and reach of the message I think I want to send?

The whole thing is ephemeral. All of it. Not just on our screens, either.

I’ve written dozens, if not hundreds of columns. I didn’t keep them. I doubt anyone did. They were written, read, made their impact, such as it was, and are gone. I’ve written books, some of which still sell decently, some of which are out of print. I hate to think of how many blog posts I’ve written. Again – typed out, published, and probably forgotten, even by me. None of it was written in total freedom, either. There were editors and audiences and publishing needs that determined what I wrote and was finally published under my name. And no question that publishers have, from time immemorial, profited from writers’ work in a skewed, unjust way. So in a sense, this is more of the same. But is it? That’s what I’m trying to work out here.

The world is fleeting. Our words, our thoughts are as dust. But ironically, that doesn’t make them pointless. What is the best use of these fleeting limited signs and symbols that we use to express our deepest yearnings and truest selves? How shall we use them in a way that actually does communicate our value and their significance, even as we acknowledge that they – and we – are like straw?

For the ephemeral nature of social media, and its use of us and our experiences as the product, enthusiastically offered just so we can be seen and heard, seems different to me. It seems to put into question the time spent on it, both creating and scrolling.

In that world, we only matter to the extent that we fill in the blanks, and what we put in those blanks is only seen if we work hard to learn the rules the Powers have established (today), shape our content to satisfy, not only their rules, but their intentions and priorities that they’ve figured out will get us coming back again and again…for now.

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I’m going to be writing a little bit about the Internet and social media every day this week.

“A little bit” and “every day” are nothing more than a probably pointless attempt at self-discipline. This is the kind of knotty issue I do contemplate every day and that might lead me sit for hours in front of the computer hashing out ridiculously long walls of text. So I’m going to limit myself. And sitting here, it’s 9:15 am – I am committing to publish this by 10. AM. Let’s see how I do.

Strange times, what with social media bannings and excommunications and attempts to even deny upstarts and dissidents a framework for their businesses. There’s a lot to unpack here, a challenging task because of the almost frantic narrative shaping that’s happening. We really don’t know – as usual. I have my suspicions. I think the core of what’s happening, both in Congress and in Big Tech, is an effort to strip Trump of his power immediately,  before 1/20, not because they seriously think he will have a second term, but because of what he can still do in the next couple of weeks: namely declassify, pardon and issue executive orders (as Pompeo did regarding Taiwan in the last couple of days.)

We’ll see.

That’s not my subject today, anyway.

And yes, what is “actually happening” in the United States government is more important the Internet/social media treatment of it, but they are also intimately connected.

I also want to be very clear on something else: there are serious issues here, related to repression of information and news, and the greater power that has concentrated in a few hands as other news sources have disappeared. That’s not my subject today.

Over the past couple of days, the calls to Follow Me on [Alternative Platform] have heightened. I don’t spend a lot of time on Facebook (and hardly any at all commenting or “discussing”), but every other post, it seems, over the past few days has been invitations to migrate, declarations of cancellation and so on.

Valerie Cherish Take 3 GIF by The Comeback HBO - Find & Share on GIPHY

I won’t be following anyone on to any new platforms. Not a one. In fact, this is a clarifying moment for me. It’s time to take a few more steps away. I’m in the process of stripping down my FB presence – they don’t make it easy, that’s for sure. It might take a few weeks, but in the end, I’ll still have a FB page, but it will only have a week’s worth of posts on it at a time – and none of those personal, just links from here.

(My only concern – and the reason I’m taking time – is to catch personal photos or anecdotes I might have posted there, but not saved elsewhere.)


Before this (yes) wall o’ text, let me just give you an abstract. Maybe save you some time:

If you’re frustrated by the limitations of social media, discern why. Maybe it’s not time to find another, more acceptable form of social media. Maybe it’s time to turn away.

Pay attention, come to me;

listen, and your soul will live.

-Today’s first reading. Isaiah 55

Let me offer a little spiritual perspective. Limited, as usual. Perhaps even wrong – not unusual. But perhaps it might help one or two of you.

When we live, shaped by a framework of Catholic spirituality, we live in tension – an acknowledged tension between radical acceptance of God’s will and acceptance of God’s call to courageously plunge into the world and, with his help, affect radical change.

I think following the latter path correctly is totally dependent on embracing the former.

And in traditional Catholic spirituality, acceptance of God’s will in my life means approaching a particular event or circumstance, not with a reflexive reaction of rejection or outrage or determination to do what I did before, but rather of calm watching and listening.

What’s happening here? What is God teaching me through this? How can I grow through this? What does this invite me to embrace that’s good and from God? What elements of my life or the world is it revealing to me I should turn from or change?

So, in the wake of great loss – say, a death – you can rage and grieve – and there is a place for that – but then there is a point at which such emotions become an exhausting treadmill, not to speak of a rejection of God’s will, and it’s time to take a look at life, not as you want it to be, but as it is.

How can I grow closer to God now, not despite this, but through this?

For that – lest we forget – is why we’re here. Not to make our voices heard, not to right earthly injustices, but to grow in holiness. We may do that through those other efforts, but our first reason for existence stems from the fact that God created us, God loves us, and wants us to love him and dwell with him forever.

So when something happens – good, bad, indifferent – our call is to stop, look and listen, set our egos aside, and say….what does this reveal? About my sins? About my temptations? About my love of God and neighbor?

So much for no wall of text.

Anyway. All that is to say – in a moment like this, I find it really ironic that as we have spent years fretting and clucking over the mostly negative impact of particularly social media on our individual and social lives – the minute the true face of these powers is revealed, so many of us respond by….trying to find another way to remain in their caves.

What about this? What about seeing this as a clarifying moment and girding your loins and actually leaving the cave?

Maybe begin with the following. First recognize that this internet/social media loop is not random. It didn’t just happen. Like marketing, it’s designed.

It’s designed to elevate and harness various aspects of human personality and behavior, not for the benefit of society, not for your personal benefit, but for their profit.

There’s no nobility here. There’s no idealism. It’s about money and power, period.

It’s about using particular types of energy that make you tick, like you’re a cog in a machine.

  • First, and most obviously, you’ve given up your data. All of it. It’s there, from your Social Security number to what you searched for on Ebay just now. It’s all there.

But of more interest to me is how this ecosystem engages and exploits:

  • Our curiosity
  • Our nosiness
  • Our anxiety
  • Our loneliness
  • Our aspirations
  • Our desires
  • Our tribalism
  • Our anger
  • Our ego
  • Our creativity
  • Our drive for change
  • Our desire for freedom

Yes, the Internet can help us direct our good qualities in positive ways. But I think it’s clear, particularly in the context of the authoritarian ecosystem this is turning out to be, it’s mostly a negative and it’s time to leave it behind, as much as we can.

For it is good and natural to:

  • Want to know and understand
  • Feel as if I belong
  • Know that I’m not alone in my views, interests and loyalties
  • Express myself
  • Connect
  • Play
  • Share what I know
  • Share my gifts

How does social media exploit these good, even holy aspirations and desires and turn them into destructive, demeaning dross?

Double Indemnity

So as with anything else – we look to this digital empire and we must discern. It’s true of any moment, of any situation – there is a neutral aspect to it, there is the potential for positive outcomes, and there is always, no matter what, temptation. Temptation to let our qualities, both good and bad, be used for the sake of another’s profit and power.

As you can see, this isn’t so much a comment of the events over the past week, but more a nudge offered about how to approach the moment. To stand apart from the events, whether they be in Washington or on the screen in your hand, and to consider how truth is being served by the events and how they are used, and to consider what how this digital ecosystem is tempting us, what it’s delivering and who is ultimately benefiting.

To consider how they are all exploiting you, your anger, your idealism, your anxiety, and even your desire for change.

And how do we get out? What do we do?

We look at the good aspects of life that we hoped were served by this ecosystem – and perhaps were and are – and we consider two points in relation to that:

  • What is the cost of finding community, self-expression and so on in the context of this digital/social media world?
  • What temptations does this digital world touch and exploit in me?

All that  – yes – wall of text – is to say – here’s this moment. It’s clarifying even as it’s very confusing. Perhaps it makes sense to respond by finding another outlet that won’t exploit both your worst and best instincts and censor you when you violate the chosen narrative.

Or perhaps….it doesn’t make any sense at all.

9:56. Made it!

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I tell you, it’s coming.

I’ve been telling you for years, when it comes to social media, put not your trust in princes.

This has nothing to do with political preferences, but with other issues I’ve been contemplating, in my usual haphazard way, for years, and which I’ll set down later today.

Here.

Not in an Instagram or Facebook post. Not on Twitter. Not on a podcast or a YouTube video.

Here.

Yes, this space is prone to censorship and deplatforming as well. We’ve seen it. One of the best “Gender Critical” (i.e. anti-trans movement) blogs was completely removed from WordPress a couple of years ago. Including the archives, I believe. Google owns Blogger. You know what that means.

But for the moment, this is what it’s always been. Mostly mine.

For the moment, at least.

Update: How strange, but appropriate to see news, right after posting this, that Kathy Shaidle, pioneering blogger, both in general and in the Catholic arena, has died:

Following a tedious rendezvous with ovarian cancer, Kathy Shaidle has died, wishing she’d spent more time at the office.

Her tombstone reads: GET OFF MY LAWN! 

She is relieved she won’t have to update her LinkedIn profile, shave her legs, or hear “Creep” by Radiohead ever again. Some may even be jealous that she’s getting out of enduring a Biden presidency. 

Kathy was a writer, author, columnist and blogging pioneer, as proud of her first book’s Governor General’s Award nomination as of her stint as “Ed Anger” for the Weekly World News. A target for “cancel” culture before the term was coined, she was denounced by all the best people, sometimes for contradictory reasons

 


We’ll start easy.

So this happened.

Amy Welborn

(Ladder next to piano is part of our very professional setup for the remote piano lessons. Guitar is his own purchase with his organ-playing money.)

Someone was giving it away. Saw it on (okay….I know…shut up) FB Marketplace. As it happens, the family lives just a few houses down from our house before this one – just a couple of miles away. No way we could transport it ourselves, so I figured paying someone to move it + free fully operational organ (- one key, as you can see below) still = pretty good deal.

And for the record, these small organs from the 60’s and 70’s are items which, these days, you can really only give away. They have zero resale value. In fact, one organist discussion board I read said that the benches have more resale value than the instrument themselves – and yes, it’s a nice looking bench.

Organ Guy is delighted. It only has one octave of pedals, which makes it less than optimal for home practice for church pieces, but at least he can work with the manuals. And he’s having fun doing it. I had wondered before getting it, if it was really worth it, considering that he has a pretty nice digital keyboard already, but I can already see that yes, it’s different, with other, good reasons to decide to spend time with it, rather than the new shiny keyboard.

He remains noncommittal on a music career, but he does enjoy it, spends a lot of time practicing and then fooling around with various instruments, so as far as I’m concerned it’s money well spent.

Actually, my goal is for him to fill our house with sounds like this.

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— 1 —

Happy New Year to you. Just a note on how life changes, and how time goes on in case you are wondering if you will ever be out of this or that stage of life…

Our New Year’s Eve? Well, besides the far-flung in NYC, Charleston and Louisville, all celebrating in their own ways, the three of us here spent the evening, first at Mass – two of us downtown at the Cathedral, and then the youngest playing at his parish job, driving himself now. After our Mass, College Guy drove off to meet up with friends, youngest drove from church to a friend’s house, then drove back here and walked down to a neighborhood friend’s house for the rest of the night.

And I sat and read Gogol and Don Quixote and listened to Mary Lou Williams.

How about that.

Just as no time is tricky to navigate, so, when it surprises you is so much…time.

— 2 —

Not much writing in this space this week. Te Deum is here. I was in Living Faith on Tuesday – and will return there in a couple of weeks. A new set of those is due Monday (for the July-August issue), so I’ll be working on those over the weekend, as well as planning out at least the first part of American Literature for the high schooler.

Although we might start with The Overcoat for some general work in symbolism and such. I spent so much time thinking about it…why let it just rest in my head? Might was well share the bounty…

I will say that I’ve been gratified and humbled over the past few days as I’ve received several notes regarding my 2020: A Book of Grace-Filled Days that wrapped up yesterday. Folks said they were actually sorry it had come to an end, and they appreciated what I had to share. So kind! It was not a super-fun book to write (just imagine writing almost 400 individual devotional entries…..) and I don’t plan on doing it again any time soon. Maybe in another ten years when more life has happened.

But it is so nice when people take time to write and let you know that your work was helpful to them in some way. Thank you!

(And I’ll just mention that it’s not out of print – still for sale, as are all past editions by other writers – including 2021, of course. No, the dates won’t match, but you can still buy it and match the feast days yourself. And no, I don’t profit from your purchase in any way – it’s the kind of work for which you’re paid a flat fee – no royalties. Just making the suggestion!)

— 3 —

Are you making resolutions? Well, here’s a Twitter thread featuring some of Dorothy Day’s New Year’s resolutions over the years.

Here’s 1960:

Image

More.

— 4 —

I recently discovered the Public Domain Review, which is such a treasure chest of fascinating, beautiful, interesting images and information.

Here’s a link to their top ten posts of the year. Including this post on 19th century Japanese firemen’s coats. Gorgeous.

— 5 —

What a lovely video this is, on Etsuro Sotoo, the Japanese stonemason who is now the Chief Sculptor at Sagrada Familia.

“Sotoo was motivated mainly by the opportunity to be exposed to stone,” says director David Cerqueiro, “and later by the admiration of the genius of Antoni Gaudí—back then a still-to-be-recognized figure of outstanding universal value.”

Known as quite a guarded and private character, Sotoo only granted Cerqueiro the opportunity to profile his life’s work after the director made several attempts to meet with him in person and over email. “Some of those attempts included having to attend mass at the basilica several times,” says the director. “The film briefly explores, tactfully but sincerely, the emotional inner workings behind a forty-year career devoted to one project.” 

Gaudí’s unfinished masterpiece continues to exercise its charms over Sotoo who converted to Catholicism so he could gain a deeper understanding of Gaudí’s genius and his relationship with God through architecture. “I discovered an artist profoundly driven by faith. Although encased by organized religion, his faith is more closely related to the transcendental aspirations of genuine art,” says the director. “That’s how I ended up with a subtle portrayal of an ontological inquiry, personified by a surprisingly little-known major artist who seems to be more preoccupied with the intrinsic moral legacy of his work than by its formal expression or its public recognition.”

Gaudi talked with God about something very big and profound. To this day, no one really knows what it was about.

-Etsuro Sotoo, Chief Sculptor, Sagrada Familia

— 6 —

Those of you who’ve followed me for a while know about the Sister Servants of Casa Maria here in Birmingham. A small order dedicated to prayer (of course) and retreat ministry – the also do catechesis of various kinds in parishes in the area.

They provided music for one of our Cathedral’s Sunday Vespers during Advent. You can listen here.

Both of my younger sons spent a few years serving Mass and Benediction at the convent, and we have another connection, as well – my college roommate from UT (the real one, in Knoxville) is a sister there.

They haven’t been able to have public Mass or retreats since March, of course, but I thought you’d enjoy reading their latest newsletter and taking a look at a couple of their videos – you might remember I posted a link to their offering of “I’ll Fly Away” a few months ago. This is simply of their Christmas preparation, with more at the linked Vimeo page.

— 7 —

Therefore, we can ask ourselves: what is the reason why some men see and find, while others do not? What opens the eyes and the heart? What is lacking in those who remain indifferent, in those who point out the road but do not move? We can answer: too much self-assurance, the claim to knowing reality, the presumption of having formulated a definitive judgment on everything closes them and makes their hearts insensitive to the newness of God. They are certain of the idea that they have formed of the world and no longer let themselves be involved in the intimacy of an adventure with a God who wants to meet them. They place their confidence in themselves rather than in him, and they do not think it possible that God could be so great as to make himself small so as to come really close to us.

Lastly, what they lack is authentic humility, which is able to submit to what is greater, but also authentic courage, which leads to belief in what is truly great even if it is manifested in a helpless Baby. They lack the evangelical capacity to be children at heart, to feel wonder, and to emerge from themselves in order to follow the path indicated by the star, the path of God. God has the power to open our eyes and to save us. Let us therefore ask him to give us a heart that is wise and innocent, that allows us to see the Star of his mercy, to proceed along his way, in order to find him and be flooded with the great light and true joy that he brought to this world. Amen.  Source

"amy welborn"

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So my oldest landed in his former town of Atlanta this morning and tried to go to Mass.

Good luck with that.

No entrance without a ticket, and even then you had to be there forty-five minutes early.

Garbage. Complete and utter garbage.

The Church’s response to the pandemic has been about 80% terrible – the 20% being the ministers, ordained and lay, who have heroically visited the sick in hospital, care facilities, and homes, and the parishes that have remained open – in some way – continuing to communicate the truth that yes, we all need Jesus and Jesus is Here, in this place, in this world.

But that 80%?

Are you even ready?

Do you even remember that it’s Christmas, and even in normal years, your numbers multiply to the point at which you’ve got to double up Masses and hold them all over the property? That this is the time of year in which the lost, the disaffected, the questioning, the broken, turn up?

Because they’ve heard this rumor that there is actually an answer to their questions, a reason for their being, a meaning to their suffering and One Who Loves? And maybe that One who lay in a manger in Bethlehem dwells among us still and the place to meet him again is in this place with a cross on top, light streaming from windows, doors….open?

And that this year, a year of confusion, displacement, suffering, fear and death…that pull might be even…stronger?

Are folks involved with these matters aware that even in a normal year, practicing Protestants regularly show up to Christmas Mass, especially Midnight Mass, because their own churches don’t do much for Christmas, especially if it’s not on a Sunday? And this year, far more Protestant churches have gone completely virtual and remain so, and so those hungering for flesh and blood religion, for fellowship, to be fed…might hear that the Catholic church down the road still seems to be in business and might be a place to try to experience that?

And so what are you going to do about it?

What are the ticket-taking, pew-roping, reservation-demanding Catholics powers-that-be that be going to do about it?

Are you going to find a way to actually be welcoming and get these folks through the doors at which they’ve gathered so they can be touched and moved by the Lord they are sincerely seeking?

Or are you going to position your sour-faced ushers Ministers of Hospitality at the door, arms crossed, offering not much more than “Sorry. Tickets required. Had to get here early. Merry Christmas. Stay safe.” Clubby, insular, satisfied and yes, using the word of the year…safe.

If the rules are strict and the will to work around them is weak, are you at least going to have true ministers of hospitality at the door, recognizing the lost and the seeker, ready with prayer and more information and an invitation to please, please come back to this place – even tomorrow, when the people are mostly gone, we’ll be open, Jesus will be here and we will be here to pray with you at the end of this horrible, frightening year, to be in the quiet where, almost unbelievably, peace and more unexpectedly, joy can be found?

What will we do?

Where will we be?

Who will we be?

Thank you for the comments so far. Hopefully, this will turn up information of creative ways parishes and dioceses are dealing with this challenge. And to be clear, the question I pose here is not…”Why don’t you open up?” But rather…”What are you going to do when people show up?” Or, call or inquire. “Sorry. No ticket? No, you can’t come in. Merry Christmas and stay safe out there!”

For more of what I’ve written about creative responses to pandemic, epidemic and plague, start with these two posts:

1918, Sisters and Church Closings

Birmingham priest Fr. Coyle and the 1918 Spanish Flu

“The Orations did not stop…” St. Charles Borromeo, Milan and the Plague:

….the clergy are told to prepare each household for the devotional activities devised for the extraordinary circumstances by teaching them a variety of prayers, litanies, and Psalms ahead of the quarantine. During the quarantine, bells across the parish were to be rung seven times a day, approximately every two hours, to call the households to prayer. Once begun, the bell would be rung again every quarter hour, until the fourth bell signals an end to the hour of prayer. While the bell rings,

litanies or supplications will be chanted or recited at the direction of the Bishop. This will be performed in such a way that one group sings from the windows or the doors of their homes, and then another group sings and responds in turn.

To ensure that these prayers are carried out properly, the decree continues, a member of the clergy or someone trained in these prayers (possibly the head of the household) should also come to a window or door at the appointed times to direct the prayers and stir up enthusiasm for this devotion. To further facilitate these devotional activities, Borromeo instructed the parish clergy to be supplied with books ‘that contain certain prayers, litanies, and oration, which will be made freely available, in order that he may go and distribute them to his own or other parishes’.

… Borromeo’s directive to sing at doors and windows was evidently put into practice and impressed a number of chroniclers. In his Relatione verissima, Paolo Bisciola reports:

[W]hen the plague began to grow, this practice [of singing the litanies in public] was interrupted, so as not to allow the congregations to provide it more fuel. The orations did not stop, however, because each person stood in his house at the window or door and made them from there […] Just think, in walking around Milan, one heard nothing but song, veneration of God, and supplication to the saints, such that one almost wished for these tribulations to last longer.

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— 1 —

Incoming: Screed.

Ah, well.

What’s up? Well, working on an audio element to support a textbook series, recorded a short video in support of a new family Lenten devotional from Creative Communications for the Parish, worked on some other stuff. I guess. Getting ready for Christmas, but of course that takes on a different tone and energy when it’s a stir-crazy you, a 16-year old, a 19-year old, with a 38-year old coming to visit than it did when everyone was small. I am a very last-minute person when it comes to Christmas, so yes, I guess we’ll get a tree up this weekend.

Once probably 25 years ago, or so, I was aghast when my (late) mother announced that she might not even want to put up a tree at Christmas that year. What? How can you? What are you saying???

Let’s just say…I get it. Time to pass the torch, and I’m pleased to say that the next generation (son/daughter-in-law – mostly the latter of course – and daughter/son-in-law) seem to have taken up that torch with firm hands and run with it. They are welcome to it!

Not much viewing – been watching Mad Men with College Guy for his first time. Almost done with season 1. We also watched My Favorite Wife – a favorite of mine which I’d watched with Kid #5 back in the Olden Days of early March right before College Guy came home for “Spring Break” …..hahahahahaha. So now it was his turn. Love the movie and find it fascinating for reasons I explain here.

Image result for my favorite wife tcm randolph gif

Movie Son continues his path of watching, watching, watching and then writing, writing, writing. He’s currently on a Fellini jag.

Now, these two characters (Gelsomina and Zampano) are at the center of the film, but it’s really Zampano’s story in the end. He’s left alone on a beach (the same beach that Gelsomina was found in the town and a similar beach to where the movie began) with nothing but the bitter feeling in his stomach that his loneliness and isolation at that time is entirely his own fault. He hasn’t changed, but he has come to a realization (I’ve read it as “ripened”, which I think is a good way to describe it). I’m not sure I would go so far as to call it a redemption, but it’s certainly redemptive. He doesn’t do anything to make up for his failings as a man responsible for a simple woman, but he does begin to understand his failings that led to his empty life. Gelsomina provided joy and happiness wherever she went, but she was never accepted, especially by Zampano who could have learned the most from her.

— 2 —

Here’s a diversion that looks intriguing, although I really can’t figure out how to do it. I’m waiting for one of the sons to come back home to figure it out for me.

Blob Opera.

Google's Blob Opera is a weird and wonderful experiment - CNET

— 3 —

Notes on this week’s American lit reading. First, some Walt Whitman. What did we emphasize? His self-understanding of himself as an American poet, what he was trying to express about America and then, more broadly, about the human experience. Also his engagement with Eastern thought.

I many not be on his wavelength on every point, but I found great simpatico in his vision of the communion of human beings and their experiences over space and time, as well as the cumulative impact of an individual’s experiences on her life.

So:

Crossing Brooklyn Ferry:

The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half an hour high,
A hundred years hence, or ever so many hundred years hence, others will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide.

— 4 —

And on the second point, There Was a Child Went Forth Every Day:

THERE was a child went forth every day,
And the first object he look’d upon, that object he became,

And that object became part of him for the day or a certain part
of the day,
Or for many years or stretching cycles of years.

The early lilacs became part of this child,
And grass and white and red morning-glories, and white and red
clover, and the song of the phoebe-bird,
And the Third-month lambs and the sow’s pink-faint litter, and
the mare’s foal and the cow’s calf,
And the noisy brood of the barnyard or by the mire of the pond-
side,

And the fish suspending themselves so curiously below there, and
the beautiful curious liquid,
And the water-plants with their graceful flat heads, all became part
of him.

— 5 —

And, to finish up the “semester,” such as it is around here, we decided to leave chronology behind and go seasonal instead, reading Truman Capote’s “A Christmas Memory,” which – in case you’ve never read it – you can read here.

A lovely, moving piece, rich with imagery and suggestion as well as rock-solid details that put you right in the presence of these two outcasts, the seven-year old child and his only friend, his elderly cousin.

An interesting note. I have the most recent edition of the Norton Anthology of American Literature, 1865 to the present – three fat volumes purchased for College Guy’s class in the spring, but retained and not resold because I knew we’d be using it in the homeschool. Capote’s not in it – at all. I mean, I get it, I suppose. He’s not a “serious” writer, but how does one define that? His writing certainly had an impact. I don’t like In Cold Blood for a lot of reasons, but no matter what I think of the book, it did have an enormous influence on American writing, and I think it’s an impact that should be discussed. I mean, there’s an excerpt from Nathanael West’s The Day of the Locust in the anthology, for pete’s sake – a seminal work in some ways, but indifferently, awkwardly written – not even close to the quality of what Capote was capable of in his best work.

Odd.

— 6 —

My own current read, separate from school? The Complete Henry Bech by John Updike. Why? In the library, desperate for an actual book-on-paper to read, with an armful of non-fiction, I came upon the U’s in fiction and decided to give Updike a go again. I read Rabbit, Run and at least one other Rabbit book in high school (not for high school, but in high school, plucked from my parents’ bookshelves), and then his very good In the Beauty of the Lilies , about America’s loss of (Protestant) faith, when it was published. I do remember Bech is Back from those same parental bookshelves, but never had a real interest in the books, believing that thinly disguised autobiography of a privileged, randy male writer was not my cup of tea.

Well, I don’t know what my final verdict will be, but I’m enjoying it far more than I expected. Updike’s prose overcomes much of my prejudices.

His mother. He had taken her death as a bump in his road, an inconvenience in his busy postwar reconstruction of himself. He had seen death in war and had learned to sneer at its perennial melodrama. He had denied his mother’s death the reality it must have had to her, this chasm that numbed as it swallowed; and now it was swallowing him. He had scarcely mourned. No one sat shivah. No Kaddish had been said. Six thousand years of observance had been overturned in Bech.

— 7 —

Here’s the Fourth Sunday of Advent approaching, with the Gospel narrative of the Annunciation.

From the Loyola Kids Book of Bible Stories

EPSON MFP image

From the Loyola Kids Book of Catholic Signs and Symbols

EPSON MFP image

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Via another blog, I happened upon this trailer for a new movie streaming or showing somewhere. It stars Justin Timberlake and it’s about this ex-con who returns to his southern (of course) hometown and somehow ends up taking care of a young boy who’s having troubles because (you know it) he wants to wear dresses.

Justin Timberlake Stars as in 'Palmer' Trailer - Rolling Stone

It’s the next step from the Magical Negro and the Magical Gay – the Magical Non-Gender-Conforming-Minor (not creepy at all) , who showers wisdom, self-understanding and tolerance upon all in his now very Magic Circle.

And yes, the trailer enraged me. But not, perhaps for the reasons you expect. It enraged me, not for the boys, who can and will do whatever they want and then profit while the rest of the world praises them for it, whether starting wars or wearing dresses, for that’s the way of the world – no, not so much for the boys.

But for the girls.

I’ve only watched the trailer, and that’s all I’ll ever watch, and perhaps I’m off base, and perhaps the movie tells a different, more subtle story, but this is what I got from the trailer.

This boy-child is outcast and bullied because he:

  • Spends times with the girls, affecting dance moves like a drag queen
  • Plays with a Barbie
  • Joyfully imitates the moves of girl cheerleaders
  • Viewing some Disney-type princess cartoon declares that not only can he be one of them, he can be the first like him to be one of them.

It’s unclear from the trailer whether the issue is that the boy wants to become a girl or if he wants to remain a boy but be free! to do “girl things” and present in “girl ways.”

I don’t care. Any or all of those choices are repulsive, and again, it’s not because the story presents the (stupid) story of a boy who wants to do them.

It’s repulsive because of what it all says about girls.

I’m going to keep repeating this until I drop. The transgender moment is a war against females. It is built on rigid gender stereotypes and ultimately communicates that women are better off as men and men make the best women.

This, the trailer implies, is Girl World: A world of young human beings defined by fey, coy, sexualized dance moves, of cheering on males in athletic combat, of dressing up dolls with unrealizable physiques and, of course, ruled by wide-eyed, curvaceous (but not too curvaceous) princesses.

And oh! Let us pity and cheer on the brave, misunderstood person with a penis who simply seeks to enter this enchanting and fun Land of Cute!

Screw this. I am so tired of this. Exhausted. Confounded. As I’ve written before. Absolutely confounded.

Come on, little boy, do you want to learn about Girl World? Here. Listen up. Look. Watch.

Girl World is a place where there’s blood, and pain and, more often than you would expect, fear.

It’s a place where most of us, for most of our lives, bleed and cramp and are emotionally tossed up and plunged downward regularly, once a month, for days. I once had to leave a final exam in college – right in the middle – the pain was unendurable. And that, my young friend, was a normal month, a regular, bloody, body-bending part of life.

And when the time of bleeding stops, in Girl World, it’s a time of heat and racing hearts and depression and dryness and more, different kinds of pain.

What else happens in Girl World? We grow people inside of us, and through history, have died in great numbers as we strove to push those people through our bodies. When we survive, we spend years giving suck to those people we’ve grown and birthed, but not at leisure, but hours every day while keeping at the hard work of our life in the world, whether that be in fields or at the hearth or the office. All day, every day. And night.

Oh, Girl World. That place where human beings called girls and women can’t walk down a street, can’t sit in a café or bar alone without being catcalled, bothered or worse.

So no, little boy, you can never be a part of that, even if you wear a dress, and I suspect, knowing the truth, you probably don’t want to. You just want to play, to perform, to act, to act out – something. Some loss, some desire, some yearning.

But damn the culture and society that lets you believe that this imaginary Girl World of Cute and Princesses and Cheering on the Boys, wiggling asses, jiggling breasts and shiny clothes is the place for you – or for anyone – to live and pretend.

So yes, the Girl World of this kind of garbage infuriates me because it’s not about the real lives of girls and women, but about fantasies that serve other, more nefarious ends – economically, culturally, and personally.

But it infuriates me for the real girls of the very real Girl World, not only because it devalues their unique experience, but also because it reinforces that insidious, horrendous definition of femaleness that I thought we had killed off, but has resurrected, so bizarrely, over the past two decades, it seems.

I like swiveling my hips, playing with dolls, cheerleading and princesses – it’s my ticket to Girl World!

I’ll give you your ticket to Girl World. Here you go. And now, what do you see? The young female human beings who actually do have tickets to the real Girl World – don’t be fooled. Don’t get off at the Potemkin village they’re selling you. Wait a little longer. You’ll see who lives here.

Where do we start?

Athletes, astronauts, governors, senators, vice-presidents, prime ministers, colonels, captains and generals,

EPSON MFP image

scientists, CEOS and plant managers, engineers, attorneys, nurses, doctors, surgeons, homemakers, ministers, teachers, farmers, cashiers, archaeologists, pilots, chefs, coaches, nuns and artists….and that’s only the beginning.

These females – these real, biological females who live in this Girl World – the real one – are just like you. They’re short, tall, thin, heavy, have high voices or speak in low tones, giggle or guffaw, laugh a lot or just when something is really darkly funny, think princesses are wonderful or think they’re silly or never think about them all, love cheering, love playing on the field or even both, want to have kids, can’t stand kids, wear makeup and go without, spend time on their hair or get it cut twice a year, wear dresses sometimes, all the time or never, maybe want to be cute or maybe don’t give a damn.

So sorry, young dude. Affecting a cute demeanor doesn’t get you into Girl World. And a culture that encourages you is telling you a lie. But of course, those hurt the worst by the bizarre, insistent lie of the performative, superficialities of this supercute, glittery, hip-swiveling, chest-thrusting, pouty-lipped land of cheering, dancing pink-encased princesses are, of course, as always.…girls.

But not if we don’t want to be….

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Another repeat – still on the road, hither and yon.

Yesterday,  brought you the Immaculate Conception via the Monkees, today, it’s St. Juan Diego (whose feast is today, even though we won’t celebrate it because it’s, well..Sunday)  via a literary dog.

Perhaps some of you remember the 1990’s PBS series, Wishbone. My older kids grew up with it, and I confess, I loved it. The conceit? A dog daydreams about being a character in various works of literature. It was kind of crazy, but it actually worked.

And believe it or not, the show actually dramatized a religious narrative in Viva, Wishbone!  – which involved Our Lady of Guadalupe, in which our friend Wishbone portrays, yes, Juan Diego.

Now, the story deviates. I just watched a bit of the climax, and the whole roses/tilma thing is not presented as the traditional narrative would have it. So you might not want to use it as a catechetical tool.  But take a look on YouTube, and just remember a time – not so long ago – when even PBS portrayed religion as something other than the Opium of Particularly Stupid Bigots.

Access parts 2 & 3 via this link.

wishbone guadalupe

More seriously, here are some photos from our 2018 trip to the shrine:

Your eyes are not deceiving you and it’s not bad camerawork – in the photo on the far left, the old church – the original shrine – is indeed tilting. Earthquakes, of course.

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I toss the same general post up every year. I don’t care. (Even less so this year since I’m on the road today….) No need to search my brain for heartfelt spiritual metaphors from Daily Life™. When we have the Monkees!

Riu riu chiu, la guarda ribera;
Dios guardo el lobo de nuestra cordera,
Dios guardo el lobo de neustra cordera.

El lobo rabioso la quiso morder,
Mas Dios poderoso la supo defender;
Quisola hazer que no pudiese pecar,
Ni aun original esta Virgen no tuviera.

Riu, riu chiu…

Este qu’es nacido es el gran monarca,
Christo patriarca de carne vestido;
Hemos redemido con se hazer chiquito,
Aunqu’era infinito, finito se hiziera.

Translation:

River, roaring river, guard our homes in safety,
God has kept the black wolf from our lamb, our Lady.
God has kept the black wolf from our lamb, our Lady.

Raging mad to bite her, there the wolf did steal,
But our God Almighty defended her with zeal.
Pure He wished to keep Her so She could never sin,
That first sin of man never touched the Virgin sainted.

River, roaring river…

He who’s now begotten is our mighty Monarch,
Christ, our Holy Father, in human flesh embodied.
He has brough atonement by being born so humble,
Though He is immortal, as mortal was created.

River, roaring river…

Here’s a helpful video that someone put up with subtitles. 

And the Kingston Trio:

More from Fr. Steve Grunow on the song and the feast.

Here’s my book on Mary, available in a Kindle version for  free today:

 And for even more substance from a homily hB16 gave in 2005 on the feast – it was also the 40th anniversary of the closing of the Second Vatican Council.  It’s lengthy but SO worth it, an excellent reflection of what he has written elsewhere on it (for example, in this book):

But now we must ask ourselves:  What does “Mary, the Immaculate” mean? Does this title have something to tell us? Today, the liturgy illuminates the content of these words for us in two great images.

First of all comes the marvellous narrative of the annunciation of the Messiah’s coming to Mary, the Virgin of Nazareth. The Angel’s greeting is interwoven with threads from the Old Testament, especially from the Prophet Zephaniah. He shows that Mary, the humble provincial woman who comes from a priestly race and bears within her the great priestly patrimony of Israel, is “the holy remnant” of Israel to which the prophets referred in all the periods of trial and darkness.

In her is present the true Zion, the pure, living dwelling-place of God. In her the Lord dwells, in her he finds the place of his repose. She is the living house of God, who does not dwell in buildings of stone but in the heart of living man. She is the shoot which sprouts from the stump of David in the dark winter night of history. In her, the words of the Psalm are fulfilled:  “The earth has yielded its fruits” (Ps 67: 7).

She is the offshoot from which grew the tree of redemption and of the redeemed. God has not failed, as it might have seemed formerly at the beginning of history with Adam and Eve or during the period of the Babylonian Exile, and as it seemed anew in Mary’s time when Israel had become a people with no importance in an occupied region and with very few recognizable signs of its holiness.

God did not fail. In the humility of the house in Nazareth lived holy Israel, the pure remnant. God saved and saves his people. From the felled tree trunk Israel’s history shone out anew, becoming a living force that guides and pervades the world.

Mary is holy Israel:  she says “yes” to the Lord, she puts herself totally at his disposal and thus becomes the living temple of God.

……..

This is something we should indeed learn on the day of the Immaculate Conception:  the person who abandons himself totally in God’s hands does not become God’s puppet, a boring “yes man”; he does not lose his freedom. Only the person who entrusts himself totally to God finds true freedom, the great, creative immensity of the freedom of good.

The person who turns to God does not become smaller but greater, for through God and with God he becomes great, he becomes divine, he becomes truly himself. The person who puts himself in God’s hands does not distance himself from others, withdrawing into his private salvation; on the contrary, it is only then that his heart truly awakens and he becomes a sensitive, hence, benevolent and open person.

The closer a person is to God, the closer he is to people. We see this in Mary. The fact that she is totally with God is the reason why she is so close to human beings.

For this reason she can be the Mother of every consolation and every help, a Mother whom anyone can dare to address in any kind of need in weakness and in sin, for she has understanding for everything and is for everyone the open power of creative goodness.

In her, God has impressed his own image, the image of the One who follows the lost sheep even up into the mountains and among the briars and thornbushes of the sins of this world, letting himself be spiked by the crown of thorns of these sins in order to take the sheep on his shoulders and bring it home.

As a merciful Mother, Mary is the anticipated figure and everlasting portrait of the Son. Thus, we see that the image of the Sorrowful Virgin, of the Mother who shares her suffering and her love, is also a true image of the Immaculate Conception. Her heart was enlarged by being and feeling together with God. In her, God’s goodness came very close to us.

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