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Posts Tagged ‘Loyola Press’

Today is “Good Shepherd Sunday,” and what many of us might not realize, as we hear homilies about 1st century sheep herders and Old Testament imagery, is that Jesus’ words about being a shepherd in today’s Gospel are part of a larger narrative. Jesus alludes to sheep and shepherds in other contexts throughout the Gospels, but it’s important to realize that today’s passage, from John 10, doesn’t just exist as a collection of quotable sayings that Jesus is standing around tossing out. It’s actually the second part of another event – the healing of the man born blind, described in John 9. Go back and read it for yourself!

Jesus’ words about being a shepherd to whom the sheep respond and who gathers and protects, rather than abandons his sheep, is, in fact, not a general illustration, but a continuation of his attack on the Pharisees who had excommunicated the man born blind. This is a case in which the useful, but of course not original division of Scripture into chapters can actually hamper our understanding.

When I wrote about Jesus as the Good Shepherd in the the Loyola Kids Book of Bible Stories, I focused on this passage and did be sure to place it in context. I took a slightly different angle, though – appropriate to the audience of children, of course – and focused on listening to the voice of Jesus who cares for us and rescues us – and being able to recognize that voice in the midst of all the other voices that call to us.

The excerpts below are just the first and last pages of the section – the first so you can see how they are introduced, and the last, so you can see how each chapter ends – with a tie-back into Catholic-specific stuff and then questions for review and reflection.

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Then, the first page of the entry on “Shepherd” from The Loyola Kids Book of Signs and Symbols. Remember how the book is organized – this first page has a basic explanation, and then the facing page has a more in-depth exploration of the symbol.

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Finally, the chapter on the Second Sunday of Easter (which was traditionally Good Shepherd Sunday until You-Know-What) from the 1947 7th grade textbook which I often share with you. 

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Moving through the Acts of the Apostles as we are doing in the Mass readings right now, yesterday and today, we reach the narrative of Stephen and his martyrdom.

Here are pages about Stephen from The Loyola Kids Book of Bible Stories – from the “Easter Season” section and including the first and the last pages. From the last page, you can get a sense of the structure – telling the story,  tying it into bigger Catholic themes, and then with reflection questions.

 

Stephen is also in the Loyola Kids Book of Heroes – a book that’s been out of stock at both Amazon and the Loyola site itself for over a week now.  They must have miscalculated and not had enough in the current print run for this season. Well, that’s….annoying.

Here’s the table of contents, so you can see where he falls.

 

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I’ve been highlighting elements of my books related to Mary – here are a few images from The Loyola Kids Book of Bible Stories

 

More:

Mary and the Christian Life

Salve Regina

Ave Maria and Memorare

Mary in Catholic Signs and Symbols

 

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I’ve been highlighting elements of my books that are related to Mary. Today it’s The Loyola Kids Book of Catholic Signs and Symbols. 

Of course, the wealth of Marian imagery in Catholic tradition is…beyond one book. Especially one relatively short, basic children’s book. But here’s some of what we have.

Remember the structure of the book. Each entry has three parts – an illustration, a brief definition/explanation under that illustration, and then on the facing page, a more detailed explanation suitable for older children.

What I’m sharing is by no means complete – just a few samples!

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For more information.

Mary and the Christian Life

Salve Regina

Ave Maria and Memorare

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I’ve been highlighting aspects of my books that are Mary-related.

Mary and the Christian Life

Salve Regina

Today, just a couple of scans of pages from the chapters in The Words We Pray about the Hail, Mary and the Memorare. 

As I said, they are random – just to give you a taste of the style of writing and the focus. The chapters in the book, each focused on a particular traditional Catholic prayer, are a mix of history and spiritual reflection.

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More from The Words We Pray

The Introduction

An excerpt on praying traditional prayers.

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— 1 —

Well, hey. If you only come here on Fridays, please stay a while and check out my previous posts. You might be interested in my account of the various Triduum liturgies I attended here in Birmingham or the page I’ve started collating much of the more substantive writing I’ve done on books.

The collage below (click on each image for a larger version) features images from my books related to recent and near future liturgical commemorations and highlights – saints, Scripture readings, seasons:

 

Divine Mercy (this coming Sunday), St. Mark (4/25), Mary Magdalene (Gospel accounts), Easter, last page of entry on St. Thomas’ encounter with Jesus (this coming Sunday), the Road to Emmaus, St. Catherine of Siena (Monday).

For more on these books, go here. 

I also have copies of all of them except Heroes here, as well as The Catholic Woman’s Book of Days (great Mother’s Day gift!) Go here to order if you’d like a personalized copy! 

 — 2 —

From the Catholic Herald: “What Happens when Celebrities Walk to Rome:”

 

They have their joking and bantering moments, but they grasp the deeper meaning of pilgrimage: a journey of discovery into the soul, as well as a physical challenge surrounded by inspiring scenery.

Each of the characters has a back story: most touching was Les Dennis’s feeling for the Ave Maria, because his mother had sung it as a young girl in Liverpool Cathedral (but she left the faith when a priest refused to baptise her child born out of wedlock – a very wrong clerical decision, surely). Dana didn’t say a lot, but when she spoke to illuminate a wayside shrine to Our Lady, she was so patently sincere in her faith that the whole group seemed moved.

The pilgrims have a sense of awe that they are following in the footsteps of so many who went before, on the same route, from Canterbury to Rome (although in this instance, they started off in Switzerland). They are also in the tradition of Chaucer, where adventure was part of the journey too.

And The Road to Rome has another striking dimension: in these Brexity days of adversarial debate and shouty political arguments, here’s a genuinely European experience which is about crossing frontiers in peace, discovery, spirituality and merry companionship.

— 3 —

Sohrab Ahmari on the Sri Lankan martyrs:

“He who does not take his cross and follow me is not worthy of me,” but “he who loses his life for my sake will find it” (Matthew 10:38-9).

By that stark measure of discipleship, Sri Lanka’s slaughtered Christians have amply proved themselves. On Sunday, they filled their churches in Colombo to greet the Risen Jesus only to fall victim to Islamist savagery. The Christians of Sri Lanka lost their lives for the sake of the Lord – simply, beautifully, radically – and even now their wounds are glorified like his.

The question the Sri Lanka massacre, and others like it in places such as Egypt, Nigeria and Iraq, pose to Christians in the West is: what have we sacrificed for the faith lately? What have we suffered for the suffering God?

A friend of mine likes to say that “there are no Styrofoam crosses”. If you’re handed a real cross, you will recognise it by the heavy weight, by the pieces of wood that splinter off and prick your hands as you try to carry it.

–4–

From First Things, a fascinating exchange between French writers Michel Houellebecq and Geoffroy Lejeune. 

Geoffroy Lejeune: I have been going to Mass every Sunday for the last thirty years and have experienced almost all the liturgical styles. I frequented some charismatic meetings, notably with the Communauté de l’Emmanuel, and like you I saw people dancing, singing, speaking in tongues—in short, giving themselves over to all the effusions that we thought were reserved to Americans alone. I have to admit that a form of joy reigns over these assemblies that is sometimes a bit worrisome, because certain members seem possessed (their behavior during so-called “evenings of healing” leads one to believe that this mystery can only be experienced if one is in bad shape). And I have never felt farther from God than on these occasions: I was eighteen years old, I was neither sickly nor depressed, and I ended up believing that, because I was unable to sob uncontrollably or pour out my feelings into a microphone in front of people I didn’t know, I was simply not made for the faith.

There is a wound that ought to be treated by the Church: the wound of not knowing God, or of not knowing how to find him. In the 1960s, when the Beatles were making the world dance, the Church asked itself how to continue to announce the gospel. In 1962, it called the Second Vatican Council. Wags remarked that the cardinals arrived there by boat and left by plane: The institution had just entered modernity. In drawing closer to common mores, in speaking the language of its time, the Church believed it could maintain its tie with the faithful who were thrown off balance by the liberal and sexual revolutions.

The changes, notably, concerned liturgy: Latin was abandoned, ornamentation was simplified, and the priest turned toward the congregation. Parishes invested in synthesizers, and girls began to keep the beat in the choir. But the drama of style is that it goes out of style. Sixty years later, the synthesizers are still there, and the girls too, but they have grown old, and their voices quaver—even the priests can no longer put up with them. Only the dynamic parishes of the city centers escape this liturgical impoverishment, but even there on a Sunday one can hear a guitarist trying his hand at arpeggios, and recall this cruel reality: He’s no Mark Knopfler.

This race toward modernity is an obvious failure, and the churches are considerably emptied as a result. Before Vatican II, one-third of French people stated that they went to Mass every Sunday. In 2012, this number had fallen to six percent, the sign of a major cultural upheaval.

The phenomena are probably linked: The Church tried to conform itself to the world at a moment when the world was becoming uglier.

Well, that doesn’t actually represent an “exchange” – but you can click back and read it for yourself. I read Houellebecq’s Submission a couple of years ago and wrote briefly about it here. I’m looking forward to reading his new novel, which will be published in English in the fall.

–5 —

If you have followed the story of the Notre Dame fire, you have probably picked up on the fact that what we see of Notre Dame includes a great deal of restoration. Here’s an article detailing centuries of work, destruction, and rebuilding:

What many don’t realize is that the majority of what one sees when one looks at Notre-Dame’s west façade is a modern restoration. The French Revolution badly damaged the symbol of the hated monarchy, robbed the treasury, and threw many of the art and artifacts contained therein into the River Seine. The 28 statues of biblical kings on the west portal were beheaded, even as the flesh-and-blood Louis XVI had been; the majority of the other statues destroyed; and the building itself used as a warehouse.

While Napoleon Bonaparte restored the building to the church in 1802, Notre-Dame was still half-ruined. Victor Hugo’s bestselling 1831 novel Notre-Dame de Paris (better known in English as The Hunchback of Notre Dame) drew attention to the cathedral’s plight.

 

— 6 —

Alabama prisons are terrible. Our governor wants to “fix” the problem by building more. A Republican state senator argues for a different approach – from a Christian point of view.

State Sen. Cam Ward, R-Alabaster, chairman of a key prison oversight committee, and a longtime advocate for justice-system reforms, describes himself as appalled by the report’s findings. And, from his bully pulpit at the Statehouse, he’s been doing some preaching about it.

In comments to AL.com and to NPR, Ward has wondered aloud how a proud Bible-believing state can countenance such shameful prisons in its midst.

“No one in this state should read this report and just roll their eyes,” Ward said to AL.com. “It’s a disgrace to our state. I know everyone says, ‘They are criminals’ and ‘Who cares?’ We profess to be the most Christian state in the country, but no Christian would allow their fellow man to be treated the way that they are said to be treated. That may not be the popular view, but it’s the truth.”

 

 

— 7 —

Son who writes on film (and writes fiction) has a bunch of recent posts:

Jean de Florette

The Lord of the Rings

Silent comedies. 

Harold Lloyd, I think, was closer in style to Buster Keaton than Charlie Chaplin. All three’s movies were primarily made up a series of gags, but Lloyd was more interested in stunts and laughs (like Keaton) than narrative cohesion (like Chaplin).

Still, his comedy remains distinct. Where Keaton was The Great Stone Face, Lloyd was extremely expressive. He also had very boyish looks as opposed to Keaton who kind of looks like he could have just been a stuntman. Lloyd was also probably as daring as Keaton was. It’s the combination of boyish innocence in his face along with the outlandishness of his stunts that makes Lloyd my personal favorite of these three.

 

 

 

 

 

For more Quick Takes, visit This Ain’t the Lyceum!

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Well, hello there. It’s been busy, hasn’t it? Click back for posts on various other subjects, including my tour of some different kind of Triduum moments here in Birmingham.  I’m Thursdayjust going to digest today. Maybe more later, but probably not.

Watching: We’ll get the negatives out of the way first. Against my better judgment and probably in violation of some moral code, I watched Veep again this week, and man, it just gets worse and worse. I don’t mean in terms of language and such – it’s always “bad” in that respect, but rather in terms of plotting and character and just the whole “humor” department, which is a problem when you’re a “comedy.” This was a total, uncomfortable mess, even more forced than usual. Bah.

Then, also against my better judgment, I finished off season 1 and the first three episodes of season 2 of Killing Eve, the trendy Show of the Moment. Why did I pick it up again after being not impressed the first time around? Well, probably because I didn’t have a book to grab me and after six days of Being With People I needed down time with fake people whose lives did not involve piano or organ lessons, thinking about exams, graduations or me preparing meals.

Verdict? No change. Well – maybe a change, since I like it even less than I did after the first viewing chunk. I continue to like all of the actors very much, but the whole thing strikes me as a shallow exercise in (feeble) wit and style. In that way, it reminds me of House of Cards which I stopped watching after season 2 because in all of the conniving, there was never anything of moral consequence at stake.  How odd that this show – which revolves around the quest to find a professional assassin, for heaven’s sake Image result for killing eve– leaves me with the same feeling. In this case, it’s not that no one is trying to stop the evil (as was the case with House of Cards – everyone was a bad guy), it’s that the reasons they’re in pursuit of this killer are so ambiguous and weird, it becomes all just no more than a psycho-sexual game. Which perhaps is the point, and not something I have an inherent objection to. No, my problem is that the motives of the primary pursuer – Eve, played by Sandra Oh – have been, since the beginning, opaque. We know little about her past, why she’s in this line of work, what’s motivated her in the past, or even what her expertise is. Here she is, for some reason, fixated on this killer. I would imagine that the conceit of a cat-and-mouse game between killer and the law could be legitimately framed in a way to bring out themes of mutual obsession and a twisted sense of desire that in some way echoes a romantic pursuit, but my problem with Eve is that whatever is there seems to come from nowhere and is, as I said, all style and no substance.

If there’s nothing human at stake, it’s hard for humans to be truly interested, and not just entertained. 

Listening:

Finally got back into In Our Time after a winter’s hiatus. Yesterday was this episode on the Great Famine with lots of interesting and balanced discussion on how to deal with humanitarian crises and the complex causes of same.

Musically, a bunch of pieces tossed out by M’s piano teacher to consider for a next piece to work on, including this, this and this. He’s settled on this Prokofiev, which is pretty crazy, but I say that at the beginning of every new piece: No way he can play that. And somehow, every time, thanks to talent, (some) hard work and an excellent teacher,  he does.

Should I write a heartfelt Instagram microblog with a photo of him at the piano to inspire you to believe in yourself, overcome challenges and achieve your goals?

Nah. 

Also, as I’ve mentioned before, this organist. We listened to several of his performances, including this 1812 Overture, this very fun Pirates of the Caribbean and this duet with a pianist of Shostakovich’s Waltz #2, which we play on the piano together.

This evening, I listened to some John Fields Piano Sonatas, which I liked very much, and then a couple of Schubert lieder, including this – why? (Since I usually don’t listen to vocal music while I’m reading – can’t concentrate) – because it was part of the book I was reading, and I wanted to fill out the atmosphere. And the book?

Reading: Lucy Gayheart by Willa Cather

The only other Cather books I’ve read are the obligatory-for-Catholic-literary-types Death Comes for the Archbishop a few times and then, a couple of years ago, The Professor’s House. You can read my post about it here. Re-reading it, I can see some of the same concerns in Lucy. It’s interesting.

So first, my denseness. I saw references to this as a “novella” and so knew it wouldn’t be very long. I read it on my Kindle , but not on an actual Kindle app – from this website, with continual scrolling. No pages, and no progress bar. So I’d been reading for a while, a lot had happened, and I got to the end of the current webpage. No more scrolling. Okay. It seemed like an abrupt ending, but perhaps that was the point? I shrugged. That was interesting,  I thought.

I then turned to an article I’d skimmed earlier – this one about Joanne Woodward (sorry, NYTimes, so yes, paywall..sometimes. I find that reading things on different devices can sometimes work around those limitations), who adored this book and always hoped to make a film about it. I got to the end of the article, which described the last sentence of the novel, and I thought, Wait, what? That wasn’t the end *I* read! 

So I returned to the book and sure enough, down there on the bottom was a “next” button. The book has three “books”  – and I’d only read the first!

But by that time, I was tired, so there we have this evening’s read. Which is good, because I wasn’t ready to leave that world quite yet.

Lucy Gayheart is a young woman from a small Nebraska town who is a music student, teacher and accompanist in Chicago. The book opens with Lucy on break back home and then we quickly hop on the train with her an travel back to Chicago. I’ll write a full post on it when I finish, but for now, I’ll mention a few things:

Yes, Willa Cather was a woman, a female writer, but even so, reading a book like this is a useful corrective to the narrow-mindedness of the present, a constrained and ignorant vision of the past in which we imagine a world peopled with gender stereotypes all happily lived and perpetuated by stock male and female characters, waiting for Betty and Gloria to liberate them.

No. Lucy is a person  – fully drawn, person who has an independent life there in the early 20th century, living on her own in the big city, earning her keep – and it’s fine. Yes, there is a sense, hovering here and there, that after this little adventure, she’ll end up back home, domesticated, giving lessons to children in the front parlor – but that’s of a piece, really, with the life trajectories of all the characters, male and female. I don’t know how the book ends yet (I keep reading “sad” in reviews, so….) but I’m going to guess that many of the characters are going to be bumping up against disappointment and constraints – not just the women.

Secondly, a few passages that were striking and beautiful. This one took my breath away, as Cather describes an experience in which Lucy catches a hint of the transcendent on one cold, crisp night:

Lucy felt drowsy and dreamy, glad to be warm. The sleigh was such a tiny moving spot on that still white country settling into shadow and silence. Suddenly Lucy started and struggled under the tight blankets. In the darkening sky she had seen the first star come out; it brought her heart into her throat. That point of silver light spoke to her like a signal, released another kind of life and feeling which did not belong here. It overpowered her. With a mere thought she had reached that star and it had answered, recognition had flashed between. Something knew, then, in the unknowing waste: something had always known, forever! That joy of saluting what is far above one was an eternal thing, not merely something that had happened to her ignorance and her foolish heart.

The flash of understanding lasted but a moment. Then everything was confused again. Lucy shut her eyes and leaned on Harry’s shoulder to escape from what she had gone so far to snatch. It was too bright and too sharp. It hurt, and made one feel small and lost.

On the train, on the way to Chicago:

Lucy undressed quickly, got into her berth, and turned off the lights. At last she was alone, lying still in the dark, and could give herself up to the vibration of the train, — a rhythm that had to do with escape, change, chance, with life hurrying forward. That sense of release and surrender went all over her body; she seemed to lie in it as in a warm bath. Tomorrow night at this time she would be coming home from Clement Sebastian’s recital. In a few hours one could cover that incalculable distance; from the winter country and homely neighbours, to the city where the air trembled like a tuning-fork with unimaginable possibilities.

Finally, this – a passage in which, to use the current lingo, I felt seen. I mean – that feeling of having one’s own life, of being able to set things right without being bothered. That’s everyone’s notion of paradise, right? Right? 

The next morning Lucy was in Chicago, in her own room, unpacking and putting her things to rights. She lived in a somewhat unusual manner; had a room two flights up over a bakery, in one of the grimy streets off the river.

When she first came to Chicago she had stayed at a students’ boarding-house, but she didn’t like the pervasive informality of the place, nor the Southern gentlewoman of fallen fortunes who conducted it. She told her teacher, Professor Auerbach, that she would never get on unless she could live alone with her piano, where there would be no gay voices in the hall or friendly taps at her door. Auerbach took her out to his house, and they consulted with his wife. Mrs. Auerbach knew exactly what to do. She and Lucy went to see Mrs. Schneff and her bakery.

The Schneff bakery was an old German landmark in that part of the city. On the ground floor was the bake shop, and a homely restaurant specializing in German dishes, conducted by Mrs. Schneff. On the top floor was a glove factory. The three floors between, the Schneffs rented to people who did not want to take long leases; travelling salesmen, clerks, railroad men who must be near the station. The food in the bakery downstairs was good enough, and there were no table companions or table jokes. Everyone had his own little table, attended to his own business, and read his paper. Lucy had taken a room here at once, and for the first time in her life she could come and go like a boy; no one fussing about, no one hovering over her. There were inconveniences, to be sure. The lodgers came and went by an open stairway which led up from the street beside the front door of the restaurant; the winter winds blew up through the halls — burglars might come, too, but so far they never had. There was no parlour in which Lucy could receive callers. When she went anywhere with one of Auerbach’s students, the young man waited for her on the stairway, or met her in the restaurant below.

This morning Lucy was glad as never before to be back with her own things and her own will. After she had unpacked, she arranged and rearranged; nothing was too much trouble. The moment she had shut the door upon the baggage man, she seemed to find herself again. Out there in Haverford she had scarcely been herself at all; she had been trying to feel and behave like someone she no longer was; as children go on playing the old games to please their elders, after they have ceased to be children at heart.

Oh, yes, the Melville – The Confidence-Man.  I read two or three chapters and then put it down. I read a few articles about the book and decided that was good enough. I could see that if my interests were slightly different, it would be worth my time, but as such – it’s not right now. 

 

Writing: Not very productive, other than blog posts. Unfortunately. Well, writing-related – it’s my Black Friday season, the time in which my author sales ranking reaches its peak for the year – between Easter and Mother’s Day, essentially. 

 

I did start collating book-related posts on this page. 

Also writing: Movie and fiction-writing son. Lots of posts here, including thoughts on silent comedies, as well as the French film Jean de Florette. 

Today’s the feast of St. Mark. We’re obviously still within the Easter Octave, so we don’t commemorate in liturgically, but here’s the page on the symbols for the four evangelists from The Loyola Kids Book of Catholic Signs and Symbols anyway:

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Cooking! 

No big Easter dinner here. I didn’t cook – we went to Buffalo Wild Wings. Yup! No shame.

img_20190421_113842-1But I did contribute to the cause by spending a lot of time making a pound cake on Saturday, for post-Vigil celebration. It was a great pound cake – I followed the recipe exactly and it worked well. 

Also did some Chicken Tinga from this recipe – I think last Thursday. 

Monday night: Flank steak using this rub (and steak just a bit more expensive, from Fresh Market rather than the regular grocery story. So much more flavor) and these potatoes, which are a favorite around here. 

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