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Posts Tagged ‘Loyola Press’

Noreen: Camus says knowin’ we’re gonna die makes life absurd.

Betsy : Well, I don’t know who that is. But I’m guessing he doesn’t have a 6-year-old girl.

Noreen : He’s French

Betsy : Ugh, I don’t care if he’s from Mars. Nobody with any sense would say something that foolish. We’re put on this earth to do a job. And each of us gets the time we get to do it. And when this life is over and you stand in front of the Lord… Well, you try tellin’ Him it was all some Frenchman’s joke.

We just finished watching season 2 of Fargo. 

I’d watched seasons 1 and 3 a while back by myself. But they’re both old enough to appreciate it now, so when Better Call Saul ended and the lockdown continued, I thought it might be a good choice to fill some time. It’s rough, and Coenesque and violent, so perhaps it’s not your cup of tea. Lots of exploding heads. Sorry. Know that going forward. I don’t “recommend.”  People are just too different, with varying tastes. I mean. Don’t watch it. You’ll hate it. There.

Anyway, as I said, I’d watched the bookend seasons, but never season 2, for some reason. So this was my first-go through, and I’ll say that I enjoyed it very much. I’m torn about ranking the seasons , though. Perhaps a rewatch will change my mind, but I still think I like season 3 the most, although what season 2 has going for it is a far, far bigger heart than either of the other two. All of the characteristic Noah Hawley/CoenesqueVision aspects are there – extreme violence, weirdness, randomness, chance – but this one has a greater number of sympathetic characters that provide more of an anchor in goodness than the usual almost solitary-figure in the others.

Hanzee Dent - Wikipedia

The cast is amazing – from Patrick Wilson to Jean Smart to Ted Danson to Zahn McLarnon (above) to Bokeem Woodbine (below).

Bokeem Woodbine as Mike Milligan in Fargo's Season 2 | Mike ...

I wrote at length about season 3 here, but was surprised to see that I seem to have never written about season 1. Well, I won’t begin now. Let’s just move on to two.

As per usual, what we have here is a battle between good and evil in the upper Midwest. Here, with the added attraction of evil v. evil driving a great deal of the action as well.

It’s 1979. The big picture here is that the Kansas City mafia – modern, business-oriented and efficient – wants to take over the Gerhardt family mob that runs the northern territories, rooted in their German heritage, out of the rambling family farmhouse.

Jean Smart on 'Fargo': Performance in Season 1 | TVLine

Getting things in motion, as usual, is an accident. The most hapless Gerhardt son, in order to prove himself, puts out a hit on a judge in a waffle restaurant, but on his escape, distracted by (yes) a UFO, he pauses, and in that moment, is struck by a car driven by local beautician Peggy Blumquist, played by Kirsten Dunst. Who’s married to local butcher Ed, played by Jess Plemons, which means that for most of the series, I called him “Todd.” 

The resultant mess and attempt to clean up the mess and avoid trouble gets the Blumquists deeper and deeper into trouble and, without their knowledge, also brings the Kansas City and Fargo sides closer and closer to outright war.

There are lots of fantastic lines in this season of Fargo, but the best probably go to the Blumquists who say things like:

Hon, you got to stop stabbing him.

and

It’s just a flyin’ saucer, Ed. We gotta go.

Well, I guess you had to be there, huh?

Trying to figure all of this out and somehow stay the bloodshed and dig out justice are local law enforcement, some of whom are fools, but two of whom – Lou Solverson and his father-in-law Hank (played by Ted Danson) – are rocks of integrity, humanity and courage. Lou’s wife and Hank’s daughter – Betsy, featured in the scene at the top of this post – is suffering from cancer. During most of the course of the show, she’s part of a clinical trial, taking pills which may or may not be the real thing – or may just be a placebo.

Everyone, it seems, is fighting a battle.

The primary link between seasons 1 and 2 here is, of course that Lou Solverson is the father of Molly – the good cop with sharp intelligence and sound instincts at the center of season 1.

As one expects, the Fargo world is sharply drawn, hilarious, bloody, tragic and ultimately, even in its crazy absurdity and outlandishness, about an important reality: the reality of goodness and the reality of evil.

In season 1, evil was personified in Lorne Malvo, played by Billy Bob Thornton, who may not be the devil himself, but could also be a close relation. He wreaks havoc and destruction on his own, certainly, but his diabolical nature is expressed most powerfully in his role as Tempter. He tempts every single person he encounters, and that temptation takes a particular form: the temptation to see other people as less than human – as no more than animals. Prey, if that’s what you’re into and that’s what you need them to be. Why not?

Evil here is not so individuated. It’s widespread, although it’s just as senseless. The only check against this evil is the goodness and courage of people like Lou, Betsy and Hank, who refuse to objectify human beings, who are content with the beauty and simplicity of human life on earth, instead of lusting for more just because.

Lots of folks have written about this season, but I just want to take a quick look at the setting. I think it’s very important.

The show is set in 1979, and this is about more than simply situating our season 1 characters properly. For the social, political and economic setting is mentioned constantly and is a vital part of the mix.

What’s at hand are first, the repercussions of war – mostly Vietnam, but World War II as well. Most of the male characters served in one capacity or another, and suffered because of it – although one describes a moment of grace he experienced as well. But mostly, this is a time, and these are people who are in a way shellshocked. Some have been desensitized to brutality and violence by what they experienced, others made more determined than ever to right wrongs when they encounter them.

Secondly, there’s the tail end of that Carter-era malaise and the glimmers of Reaganism – Reagan as an actor and as a candidate plays a part in the show, offering, it seems hope (
The first episode is called “Waiting for Dutch.”) – but, as it turns out – false hope.

Third – you have the bumping up of the new, late 20th century all-business ethos up against family and small town.

Fourth- and you won’t be surprised to know that this is my favorite aspect of the show’s 1979 setting – there’s the drive for self-actualization and personal growth that’s in the air, personified here in Peggy Blumquist’s quest to be someone. She lives in a sea of beauty and travel magazines. She’s committed to going to a self-help seminar with her boss. She endlessly jabbers on about being “actualized” and “realized” all the while being absolutely clueless to the reality of the situation around her. Dunst is fantastic in the role – aggravating and heartbreaking all at once.

Why Kirsten Dunst Could Be TV's New Style Icon (With images ...

I had that sweater. I HAD THAT SWEATER. 

The world, it seems, is a brutal place. Life is short and hard and random and even kind of weird (hence the UFOS). Evil is actually real. How do we respond to that? Do we give into the temptation to just try to get more of what doesn’t last anyway? Do we try to make ourselves feel more alive by dehumanizing and objectifying others? Do we deny our own suffering? How do we face the randomness and the chance? Do we pay attention, own up and try to grow – or do we deny, close our eyes and shut our ears?  Do we try to fabricate an alternative reality for ourselves, ignoring the ground under our feet at the moment?

Do we look at this strange mess and just declare it meaningless?

Or, as sick as we are, do we accept why we’ve been put on earth, hold the six-year old all the more tightly, and keep carrying her?

 

 

 

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When the officials had brought the apostles in to face the Sanhedrin, the high priest demanded an explanation. ‘We gave you a formal warning’ he said ‘not to preach in this name, and what have you done?

today’s first reading from Mass. 

Not, we hope, one of the boring parts. 

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Both this first reading from Mass today and the feast of St. George jostle our consciences with reminders of the role of courage in the Christian life – its source and why it is always needed. In other words, there’s always resistance to the Good News, from within and without.

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Today is the commemoration of St. George.

St. George is in the Loyola Kids Book of Saints.  In the first part of the chapter I try to strike the balance between what we think we know about George and the legendary material. But I also always try to respect the legendary material as an expression of a truth – here, the courage required to follow Christ. He’s in the section, “Saints are people who are brave.”

"amy Welborn"

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"amy Welborn"

 

Here’s a bit more on context of this feast from The New Liturgical Movement:

The Byzantine Rite has no such reservations about St George, as is often the case with some of the best loved legends and traditions about the Saints. He is honored with the titles “Great Martyr”, meaning one who suffered many and various torments during his martyrdom, and “Bearer of the Standard of Victory”; in the preparation rite of the Divine Liturgy, he is named in the company of martyrs second only to St Stephen. His feast always occurs in Eastertide, unless it be impeded by Holy Week or Easter week; one of the texts for Vespers of his feast refers to this in a very clever way.

Thou didst suffer along with the Savior, and having willingly imitated His death by death (thanato ton thanaton … mimesamenos), o glorious one, thou reignest with Him, clothed in bright splendor, adorned with thy blood, decorated with the scepter of thy prizes, outstanding with the crown of victory, for endless ages, o Great-Martyr George.

The phrase “having willingly imitated His death by death” makes an obvious reference to words of the well-known Paschal troparion, “Christ is risen from the dead, by death he conquered death (thanato ton thanaton … patesas), and gave life to those in the tomb.”

 

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St. Patrick's Well, Orvieto

What is this and what does it have to do with St. Patrick? See the end of the blog post…

From The Loyola Kids’ Book of Saints:

How do you teach a classroom that’s as big as a whole country? How do you teach a whole country about God?

St. Patrick’s classroom was the whole country of Ireland and his lesson was the good news of Jesus Christ. How in the world did he do it? Well, it was only possible because he depended totally on God.

….

God gave Patrick the courage to speak, even when Patrick was in danger of being hurt by pagan priests who didn’t want to lose their power over the people.

Patrick’s most famous prayer shows us how close he was to God. It’s called “St. Patrick’s Breastplate.” A breastplate is the piece of armor that protects a soldier’s heart from harm.

Christ with me, Christ before me,
Christ behind me, Christ within me,
Christ beneath me, Christ above me,
Christ at my right, Christ at my left.

I also have a chapter on the beautiful Lorica prayer – or St. Patrick’s Breastplate in The Words We Pray. You can dip into it here and buy the book here. It’s one of my favorites of those I’ve written.

Here’s the last page of the chapter:

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The point of St Patrick to me has always been he went back. He (like Isaac Jogues and many others) returned to the people who had caused him much suffering. Why did he return? Because he knew, first hand, that they needed to hear the Gospel. The Gospel is about forgiveness and reconciliation. Who better to bring it to them?

St. Patrick's Breastplate

St. Patrick’s Breastplate in a Wordcloud. Wordcloud made via this. Feel free to share.

The photograph at the top of the blog post is of St. Patrick’s Well in Orvieto, Italy, taken during our 2016 trip. No, St. Patrick never traveled to Italy, and no one thinks he does, either. The assumption is that the name of this very deep, intriguingly constructed well is derived from the awareness of “St. Patrick’s Purgatory” in Ireland, a cave so deep it led to Purgatory.

This incredible 16th century feat of engineering is 72 meters (174.4 feet) deep and 13 meters (43 feet) wide. Two staircases circle the central opening in a double-helix design, meaning that one person (or donkey carrying empty buckets) can travel down the staircase in one direction and never run into another person (or donkey carrying full buckets) coming up in the other direction. Seventy-two arched windows in the interior wall of the staircase filter light through the well and illuminate the brick and mortar used to seal it.

Why does a tiny town on top of a plateau of volcanic rock (or “tufa”) have such a thing? For the same reason it has such a stunning duomo! After the troops of Holy Roman Emperor Charles V sacked Rome in 1527, Pope Clement VII was held hostage in Castel Sant’Angelo, Rome’s holy fortress, for six months. He finally escaped dressed as a servant and took refuge in Orvieto. It was the perfect spot with its vantage point over the valley.

It didn’t, however, have a reliable source of water without descending from the plateau, something the Pope feared could be a issue if it were sieged. To solve the problem before it existed, Pope Clement VII commissioned Antonio da Sangallo the Younger, a visionary young Italian architect, to create a well that was at that time called “Pozzo della Rocca”, “Well of the Fortress”. Research had already been done to find the most suitable spot for a well and so the design and construction of Pozzo della Roca was begun immediately. It was finished 10 years later in 1537, under the reign of Pope Paul III.

It wasn’t until the 1800′s that the well got its new name, as it reminded some of the “well” or “cave” in Ireland called “St. Patrick’s Purgatory”.

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(I always like these vintage books more for the art than the text….)

Finally, you might be interested in this, dug up from the Internet Archive: A Rhymed Life of St. Patrick by Irish writer Katharine Tynan:

Irish nationalist writer Katharine Tynan was born in Clondalkin, a suburb of Dublin, in 1859. She was educated at the Dominican Convent of St. Catherine and started writing at a young age. Though Catholic, she married a Protestant barrister; she and her husband lived in England before moving to Claremorris, in County Mayo. Tynan was friends with W.B. Yeats and Charles Parnell.

Involved in the Irish Literary Revival, Tynan expressed concern for feminist causes, the poor, and the effects of World War I—two sons fought in the war—in her work. She also meditated on her Catholic faith. A prolific writer, she wrote more than 100 novels, 12 collections of short stories, reminiscences, plays, and more than a dozen books of poetry, among them Louise de la Vallière and Other Poems (1885), Shamrocks (1887), Ballads and Lyrics (1891), Irish Poems (1913), The Flower of Peace: A Collection of the Devotional Poetry of Katharine Tynan (1914), Flower of Youth: Poems in Wartime (1915), and Late Songs (1917). She died in 1931.

 

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…for kids. 

"amy welborn"

 

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From the Loyola Kids Book of Saints. 

 

 

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—1 —

Time flies, flies, flies. A week ago at this time, I was in in New York City, and now here I am in Alabama, with an entire busy week behind us and more to come: Son playing four Masses, with two upcoming, two jazz lessons, one organ lesson, a biology class and who knows what else.

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First shift over on Ash Wednesday morning.

— 2 —

I’m in the Catholic Herald this week on fasting. You can find that here.

I’ll be in Living Faith next…Wednesday. You’ll be able to read that here.

— 3 —

Everybody likes to talk about their Lenten food. In case you’ve missed it, I updated the Gallery of Regrettable Lenten Food, having found, truly, the vilest recipe of all – a “Cantonese Tuna” recipe that somehow involves Miracle Whip.

But that’s not on my list.Not this year, anyway.

First day – Wednesday – I took the easy way out. Publix had refrigerated Rana ravioli on sale, so I grabbed a bag of spinach and ricotta, boiled it up, tossed it with sauce, and there you go.

Tomorrow, I’ll put forth more effort. I made no-knead bread dough tonight, so it will be ready to go. I caramelized onions and did my slow-oven fake sun dried tomatoes. Lunch tomorrow will be a caramelized onion-fake-sun-dried tomatoes-feta frittata (with the bread) and dinner will be this lentil soup (with the bread).

Don’t worry. I’m sure every other Friday in Lent will be some variation of…cheese pizza. 

Or maybe I’ll go the extra mile and try to find something with that luxury look and taste:

HEINZ FOODS BETTER HOMES AND GARDENS 03/01/1960

— 4 —

Let’s drift around our favorite place – the past – and see what Lent-related nuggets we can dredge up.

Well, here’s something – from The Furrowwhich was an Irish Catholic publication, a rather charming report on “Lent in Rome” from 1950 – which was a Jubilee Year. The author’s focus is on the Stational Churches.

I’ve got jpegs of the last three pages here (click for a larger view), and a bit of transcription below.

What you might notice is a counter-argument against the claim that no one before the Second Vatican Council actually knew anything about participation. Not a thing.

Neighbouring colleges or religious houses provide the essential core of chant and ceremonial ; the people do the rest. A point to be emphasized is that it is a definitely liturgical ceremony, and therefore not the same kind of thing as Rosary and Benediction in Ireland.

An outsider attending these Stations is struck by two things : the numbers regularly present and the active manner in which they attend. A cross-section of the crowd in any Station church is representative of all classes and types : well-dressed professional people stand side-by-side with the poorer workers in mufflers and shawls and overalls. There is always a number of clerics, priests and students, from various foreign colleges, taking advantage of the occasion to visit these historic churches, some of which, like St. Anastasia or St. Pudentiana, are only opened to the public on such days. Cardinals have been known to attend the Stations incognito, dressed quietly in black, like any private worshipper. Nuns, sometimes with groups of school-children, are faithful followers of the Stations. Not only do the people attend the Station in their own district but many follow them throughout Lent from church to church.

To be present at one of these Stations is to see another aspect of the Roman religious character and one that may not always be appreciated as it ought. The people here can take part in a liturgical function, and they do ; in fact, they seem to have a natural aptitude for liturgical worship that one would like to see amongst their Irish counterparts. One is constantly surprised in Rome at the number and the type of quite ordinary people who are familiar with the Latin of the liturgy, and to hear old men and women who look as if they might just have been sweeping streets or selling fruit, joining in Latin hymns with obvious ease and devotion. Most of them bring their books or leaflets to the Station and repeat the invocations of the Litanies after the choir, making nothing of rather difficult phrases such as, Ut regibus et principibus christianis paean et veram concordiam donare digneris. If there is a procession, all attach themselves to it, and even if the result is somewhat straggling, it sorts itself out as it goes along.

 

…It is customary during Station time for each church so privileged to display all its relics and other treasures, an opportunity which the public, clerical and lay, never misses. The end of the ceremony is the signal for a general movement round the church into the side-chapels and sacristy and down into the crypt. Nobody has any awe about entering the sanctuary or passing across the altar to examine the reliquaries or admire the mosaic of the apse. Comment is free and the ordinary Romans adopt an obviously proprietary attitude about their churches and their artistic treasures. Typical were three, old, poorly-dressed women with shopping-bags dangling from their arms, who were holding a lively discussion on the martyrdom of St. Catherine of Alexandria, as pictured in a celebrated fresco in the basilica of St. Clement. They were probably ignorant of composition and colour and such technical points, but they knew what the picture was about and responded to its meaning.
Meanwhile, Lent and the accompanying spring weather, has also brought an increase in the flow of pilgrims to Rome The brightly-coloured touring buses which whisk them from basilica to basilica are now a familiar feature of the streets and the piazzas in front of the churches. From a casual observation it would seem that the Germans have been the most consistent pilgrims so far and that the English-speaking countries lag far behind (at least at the time of writing, in early March). There is scarcely a day that one does not see these Germans–mostly plain, neatly-dressed, quiet-mannered people such as one might see going to Mass in an Irish village—intent on the main business of their visit, praying with devotion and singing their hymns in splendid unison. From various parts of Italy the local Catholic bodies and confraternities are sending groups of pilgrims regularly. The general feeling, however, is that the real invasion is yet to come, and, in fact, that Easter may well see the peak-period. Amongst those who are particularly interested in the movement of pilgrims is the flock of opportunists who infest the Jubilee centres, gathered like vultures over the battlefield—enterprising men and youths, who are ready to change your money or to sell you souvenirs or novelties or spurious Parker pens or to take your photograph against the background of St. Peter’s. They have a smattering of every language and are never at a loss—some have even tried a few words of Hebrew on particularly unresponsive clerics, who are poor game, anyway, and know too much, especially about fountain-pens.

— 5 –

Let’s keep going – to the 18th century.

This, from the American Catholic Historical Society (in 1888), reprints a Lenten exhortation from 1771:

This Exhortation was issued by Rt. Rev. Richard Challoner, Vicar- Apostolic for the London District. As the British- American Provinces were under his spiritual jurisdiction and directed by him, this Exhortation and the annexed Regulations for Lent were addressed to the Catholics of the Colonies. In 1771 these could only have been publicly read in Catholic chapels in the Province of Pennsylvania at Philadelphia, Lancaster, Reading and Goshenhoppen. In Maryland they could only have been read to the Catholics assembled to hear Mass in private houses.

You can read the entire exhortation here, but I’ll just take a bit of space to point out, as I do in the Herald article, that lamenting contemporary Lenten laxity is nothing new:

But, Oh ! how much has the modern Church, yielding to the weakness of her children in these degenerate ages, departed from this rigor of her ancient discipline ; contenting herself now, with regard to the exterior observance of the fast, with only insisting upon three things, viz. : First, the abstaining from flesh meat, during the forty days of Lent ; sec- ondly, the eating but one meal in the day ; and, thirdly, the not taking that meal till noon. But if she has thus qualified the rigor of her exterior discipline, she has never ceased to inculcate to all her children the strict necessity and indispensable obligation, of their recommending the exterior observance to the divine acceptance by the interior penitent.

You can read the regulations here.

In reading them you might note – as in the exhortation – again, that no, past Catholic practice was not focused on “rigidity” at the expense of authentic interior spiritual experience. There was a conviction that any regulations served to deepen one’s communion with God as well as with others, since fasting frees us from our own needs – for others.

Here also it is to be observed, that as this allowance of eating flesh on certain days this Lent is made purely in consideration of the necessity of the faithful, it ought not to be abused for the indulging of sensuality, by making feasts on those days ; or by serving up promiscuously flesh and fish, etc. But that the spirit of mortification and penance should still regulate the Christians at meals this penitential season : and that what is wanting to the strictness of the fast, should be made up as much as possible by other exercises of self-denial, or by more prayers, or by larger alms ; which at this time we most earnestly recommend to all the faithful in proportion to each one’s ability by reason of the pressing necessities of the poor.

— 6 —

From my favorite email newsletter, the Prufrock News, comes a link to this New Criterion piece onF. Scott Fitzgerald’s favorite priest:

Mostly forgotten by history but unforgettable to those who knew him, Father Cyril Sigourney Fay was an “exceedingly fat” man of great personal charm. He had a buoyant personality and childlike faith beloved of Fitzgerald, Henry Adams, Cardinal Gibbons, and Pope Benedict XV.

For Gatsby’s Daisy Fay Buchanan, Fitzgerald borrowed the names of Father Fay and Margaret “Daisy” Chanler, whom Henry James judged the only truly cultivated woman in America. More brazenly, Fitzgerald stole a poem from one of Fay’s letters and inserted it without attribution into his first novel, This Side of Paradise. As penance for his theft, he dedicated the book to his priest-mentor, who appears barely disguised as Monsignor D’Arcy:

Monsignor was forty-four then, and bustling—a trifle too stout for symmetry, with hair the color of spun gold, and a brilliant, enveloping personality. When he came into a room clad in his full purple regalia from thatch to toe, he resembled a Turner sunset, and attracted both admiration and attention.

Fay’s light humanitarian work in Rome concealed his diplomatic meetings in the Vatican with the Cardinal Secretary of State and Pope Benedict XV. Fay reported on the efforts to lobby the American and British governments to allow Vatican participation in the peace conference negotiations. Benedict XV took a personal liking to Fay and his frank assessments of the Catholic hierarchy. He was also amused by the sight of the chubby American priest dressed in the uniform of a wartime major, which the pontiff personally insisted Fay wear during his audiences. During their final meeting, Benedict surprised Fay by granting him the purple of a Monsignor as a Domestic Prelate. Daisy Chanler was happy for her friend but admitted this made him look like “an enormous peony floating about.”

In 1919, Fay died suddenly from the Spanish Flu, a few days after Teddy Roosevelt. Fitzgerald was devastated. “I can’t tell you how I feel about Monseigneur Fay’s death,” he wrote to Shane Leslie. “He was the best friend I had in the world.” Fitzgerald smiled to think how the Monsignor would have enjoyed his own requiem mass, with Cardinal Gibbons vested “like an archangel in mitre and cope” in the full solemn splendor of the Roman Rite. Leslie reviewed This Side of Paradise in The Dublin Review and noticed how the novel accurately described Fay’s funeral: “All these people grieved because they had to some extent depended upon Monsignor. . . . These people had leaned on Monsignor’s faith, his way of finding cheer, of making religion a thing of lights and shadows, making all light and shadow merely aspects of God. People felt safe when he was near.”

— 7 —

Here’s the beginning of the account of the Temptation in the Desert – always the Gospel for the First Sunday of Lent – from The Loyola Kids Book of Bible Stories.

Remember, those stories are arranged in sections according to the liturgical season in which one would normally hear that particular Scripture narrative. So, this is in the “Lent” section.

And from another source – a 7th grade religion textbook, originally published in 1935 (my edition is 1947):

Lent

For more Quick Takes, visit This Ain’t the Lyceum!

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Here are some images from beginning-of-Lent related material from a couple of my books.

The entry on “Ashes” from The Loyola Kids Book of Catholic Signs and Symbols. 

The beginning of the account of the Temptation in the Desert – always the Gospel for the First Sunday of Lent – from The Loyola Kids Book of Bible Stories.

Remember, those stories are arranged in sections according to the liturgical season in which one would normally hear that particular Scripture narrative. So, this is in the “Lent” section.

 

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Yes, it’s Sunday – Quinquagesima Sunday, no less – but in other years we’d be celebrating St. Polycarp, so…why not?

Today is the feast of the great martyr bishop who was also a disciple of St. John the Evangelist.

Here is the old Catholic Encyclopedia article on him, which includes, of course, information on the sources for his life. 

Here’s a translation of the “Acts of Polycarp” – the account of his martyrdom sent from the Church in Smyrna.

He is in my Loyola Kids’ Book of Saints.  

……..

saints

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