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Archive for the ‘Loyola Kids Book of Signs and Symbols’ Category

Over the past half-decade or so, blogs – which along with discussion boards of various types, had long provided the main venues for conversation and expression on the Internet – have been thoroughly usurped by social media: Snapchat, TikTok, Instagram, Twitter and Facebook, primarily. And probably others my aged self isn’t aware of.

I use three of those, but minimally. I’ve had TikTok on my phone a couple of times, but deleted it. I know that my younger two sons (19 and 16) and their crowd pretty much only use Snapchat to communicate – rather than texting, even.

I generally don’t engage in “discussion” on any of them, unless it’s on a post by someone I actually, really know in some sense. And I don’t stay long. And I haven’t accepted new Facebook friends in years.

From the beginning of their rise – among my middle-age set, that is – I’ve maintained a distance, in terms of time and energy, from these platforms. I had an intuition from the beginning that there was something about them that didn’t serve my purpose in being online, and really, in the end, primarily served the owners of the platforms themselves.

And here’s what I eventually concluded. It’s rather challenging for me to put into words. Let’s see how I do. I’m going to focus on Instagram and Facebook because as problematic as Twitter is, it doesn’t share quite the same issues, and I think most of the “self-expression” energy these days is on those platforms, as well as TikTok, which I am not as familiar with. And guess what, Instagram is now owned by Facebook, so surprise – they have the same limitations.

First off, I want to acknowledge the given – that all of these platforms exploit the human desire to argue, score points and have the last word. These platforms, especially Facebook and Twitter have made themselves essential in spreading news and information. I mean – how did you arrive here anyway? Yeah.

They exploit our aspirations and our desires and our need for community and our attention-seeking instincts. They are deliberately addictive. Those are problems, but they are not the problems I’m going to explore here. This isn’t about sharing family photos. It’s about producing content that you hope will impact people and that you believe is meaningful beyond the present moment.

Let’s be concrete. Say I want to write a microblog on Instagram, a couple hundred heartfelt words attached to a pretty picture. Great. People will read it…

If they follow me…

If it happens to come on their feed by way of the platform’s current algorithm.

Sure, people can read it, but what if it strikes them as something worth keeping and sharing? They can easily share it with folks within the platform, who might take two seconds to read it and then…scroll on. Share with someone not on Instagram or Facebook? A little more challenging. Save it? less easily with those outside. They can archive it – within the app. Or I guess they can send themselves a link to share. Do you want to find a post on a certain topic? No luck unless the poster has hashtagged it with the specific hashtag you’re looking for.

And Facebook? Same. With the complication that my experience in Facebook is that posts – even your own posts that you want to revisit – are incredibly difficult to find. The search features on both apps are almost useless and are subject to change.

And of course, this is no accident.

There is a reason these platforms make it difficult to search and share posts beyond their system. They want to keep you inside, in that loop.

They make it super easy to create. You don’t have to know any code, you don’t have to think about design. You just type in the blank that’s provided for you, and the platform handles the rest.

And – I might add – it’s free. There is no financial cost to use it. It’s free.

What a deal!

But of course your space on these platforms is not actually your space, in any sense. Your posts can be removed for any reason. The rules governing your presence and content are not made by you – they’re made by the platform, and change all the time. Your ability to share what you create is directed in ways the platform determines, and to me, this has always been the feature of these platforms that’s given me pause, even more than the possibility of removal.

We’ve all seen it. For example, on my Facebook feed, no matter how I fiddle with the settings, I always see posts from the same people, few of whom I’ve ever interacted with, and hardly ever see posts coming through from people I actually know. Plus ads. Lots and lots of ads. I’m guessing Instagram is the same way, but I’ve long stepped away from any general perusal of Instagram – there are a few people – family and real-life friends – whose posts I see because I purposely seek them out – and that’s it.

What’s the most frequent complaint about these platforms from users? Besides trying to find ways to do paragraphs in Instagram, of course? It’s all about the feed – They’re not letting me see what I’m really interested in.

Oh.

Then maybe, go find what you’re interested in….somewhere else.

And further, the platforms – all of them – are designed to exploit your ego and desire for attention. They make it seemingly easy to get attention because of the ease of posting. Then the closed nature of the systems – which are presented as if they are for the sake of your safety and privacy –  move the user to prioritize churning out posts that get more attention from other users, always, always fighting that algorithm.

In short: these platforms get us in by making creating and sharing within the platform easy and free. But what you post speeds by the reader, is difficult to hold on to, is designed to be most easily shared within the platform, therefore bringing in new users.

 They’re for brand establishing, attention gathering and impression making. They’re really not for thoughtfulness, for nuance, for exploring. You don’t sit with these posts and save them and come back to them. You note them, maybe comment, nod and scroll on.

The content is, moreover, going to be shaped by the platform. Not in the sense of outright censorship or shadowbanning or restrictions, but, well, simply because as the Man said, the medium is the message.

If Facebook is the place you want to see and be seen, you’ll shape your content to what Facebook privileges and with what the Facebook audience values. Same with any of the platforms, just as with all media.

I wrote 800-word faith-n-life columns for years, and the shape and rhythm of those columns became second nature: incident – tension – hopeful and inspiring, perhaps self-deprecating resolution.  I thought in 800-word chunks and in daily life, was keenly aware, always on the lookout for the inspirational moment.

These platforms are no different from any other medium in that regard – columns, traditional news stories, essays – the medium is the message.

Which is fine. But given the transitory nature of these platforms – the ease of posting, but then the difficulties of finding and keeping, not to speak of the privacy and data issues – is it worth my time?  

Maybe it’s worth yours. Maybe you’re trying to do what I suggested above – establish a brand, get attention and make an impression. Go for it. Spend your time on it. I’m questioning the means, and yes, I’m questioning the message, too.

All digital media is ephemeral, including this space. No doubt about that. It can all be gone tomorrow. The systems could go down, the servers melt, or whatever they might do. Censorship and deplatforming exists everywhere from WordPress to Blogger to Reddit. No illusions there.

But the unique thing about social media platforms that has discouraged me from engaging to much on them is the clear sense that those spaces are not mine and that I’m a servant of the platform. We, as we’ve been told over and over again, are the product. My Instagram account exists the way it exists not to benefit me or even those who might read me there, but to benefit Instagram. The space doesn’t encourage staying, keeping or maintaining or searching. It privileges the present moment and then scrolling on. It also privileges making connections and placing information in them – that make it very hard to let go. All my memories are on Facebook! I can’t quit!

I know that some people have what they see as meaningful presences on these platforms. I’m always glad to see a wry Dorian Speed post or Ann Engelhart teaching me about watercolor. It’s become, annoyingly, the way I keep up with local businesses – is  Paramount or Rougaroux open today? Just check the Gram. When I’m about to go on a trip and want to double check the weather conditions, I often do a search for recent posts from that location to see what it looks like over there and what folks are wearing. So no, I’m not immune.

Communication. We have to do it. We want to do it. We’re called to do it.

Information is to be shared, discussed and acted upon.

But on whose terms? Who is really shaping the content and reach of the message I think I want to send?

The whole thing is ephemeral. All of it. Not just on our screens, either.

I’ve written dozens, if not hundreds of columns. I didn’t keep them. I doubt anyone did. They were written, read, made their impact, such as it was, and are gone. I’ve written books, some of which still sell decently, some of which are out of print. I hate to think of how many blog posts I’ve written. Again – typed out, published, and probably forgotten, even by me. None of it was written in total freedom, either. There were editors and audiences and publishing needs that determined what I wrote and was finally published under my name. And no question that publishers have, from time immemorial, profited from writers’ work in a skewed, unjust way. So in a sense, this is more of the same. But is it? That’s what I’m trying to work out here.

The world is fleeting. Our words, our thoughts are as dust. But ironically, that doesn’t make them pointless. What is the best use of these fleeting limited signs and symbols that we use to express our deepest yearnings and truest selves? How shall we use them in a way that actually does communicate our value and their significance, even as we acknowledge that they – and we – are like straw?

For the ephemeral nature of social media, and its use of us and our experiences as the product, enthusiastically offered just so we can be seen and heard, seems different to me. It seems to put into question the time spent on it, both creating and scrolling.

In that world, we only matter to the extent that we fill in the blanks, and what we put in those blanks is only seen if we work hard to learn the rules the Powers have established (today), shape our content to satisfy, not only their rules, but their intentions and priorities that they’ve figured out will get us coming back again and again…for now.

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I’m going to be writing a little bit about the Internet and social media every day this week.

“A little bit” and “every day” are nothing more than a probably pointless attempt at self-discipline. This is the kind of knotty issue I do contemplate every day and that might lead me sit for hours in front of the computer hashing out ridiculously long walls of text. So I’m going to limit myself. And sitting here, it’s 9:15 am – I am committing to publish this by 10. AM. Let’s see how I do.

Strange times, what with social media bannings and excommunications and attempts to even deny upstarts and dissidents a framework for their businesses. There’s a lot to unpack here, a challenging task because of the almost frantic narrative shaping that’s happening. We really don’t know – as usual. I have my suspicions. I think the core of what’s happening, both in Congress and in Big Tech, is an effort to strip Trump of his power immediately,  before 1/20, not because they seriously think he will have a second term, but because of what he can still do in the next couple of weeks: namely declassify, pardon and issue executive orders (as Pompeo did regarding Taiwan in the last couple of days.)

We’ll see.

That’s not my subject today, anyway.

And yes, what is “actually happening” in the United States government is more important the Internet/social media treatment of it, but they are also intimately connected.

I also want to be very clear on something else: there are serious issues here, related to repression of information and news, and the greater power that has concentrated in a few hands as other news sources have disappeared. That’s not my subject today.

Over the past couple of days, the calls to Follow Me on [Alternative Platform] have heightened. I don’t spend a lot of time on Facebook (and hardly any at all commenting or “discussing”), but every other post, it seems, over the past few days has been invitations to migrate, declarations of cancellation and so on.

Valerie Cherish Take 3 GIF by The Comeback HBO - Find & Share on GIPHY

I won’t be following anyone on to any new platforms. Not a one. In fact, this is a clarifying moment for me. It’s time to take a few more steps away. I’m in the process of stripping down my FB presence – they don’t make it easy, that’s for sure. It might take a few weeks, but in the end, I’ll still have a FB page, but it will only have a week’s worth of posts on it at a time – and none of those personal, just links from here.

(My only concern – and the reason I’m taking time – is to catch personal photos or anecdotes I might have posted there, but not saved elsewhere.)


Before this (yes) wall o’ text, let me just give you an abstract. Maybe save you some time:

If you’re frustrated by the limitations of social media, discern why. Maybe it’s not time to find another, more acceptable form of social media. Maybe it’s time to turn away.

Pay attention, come to me;

listen, and your soul will live.

-Today’s first reading. Isaiah 55

Let me offer a little spiritual perspective. Limited, as usual. Perhaps even wrong – not unusual. But perhaps it might help one or two of you.

When we live, shaped by a framework of Catholic spirituality, we live in tension – an acknowledged tension between radical acceptance of God’s will and acceptance of God’s call to courageously plunge into the world and, with his help, affect radical change.

I think following the latter path correctly is totally dependent on embracing the former.

And in traditional Catholic spirituality, acceptance of God’s will in my life means approaching a particular event or circumstance, not with a reflexive reaction of rejection or outrage or determination to do what I did before, but rather of calm watching and listening.

What’s happening here? What is God teaching me through this? How can I grow through this? What does this invite me to embrace that’s good and from God? What elements of my life or the world is it revealing to me I should turn from or change?

So, in the wake of great loss – say, a death – you can rage and grieve – and there is a place for that – but then there is a point at which such emotions become an exhausting treadmill, not to speak of a rejection of God’s will, and it’s time to take a look at life, not as you want it to be, but as it is.

How can I grow closer to God now, not despite this, but through this?

For that – lest we forget – is why we’re here. Not to make our voices heard, not to right earthly injustices, but to grow in holiness. We may do that through those other efforts, but our first reason for existence stems from the fact that God created us, God loves us, and wants us to love him and dwell with him forever.

So when something happens – good, bad, indifferent – our call is to stop, look and listen, set our egos aside, and say….what does this reveal? About my sins? About my temptations? About my love of God and neighbor?

So much for no wall of text.

Anyway. All that is to say – in a moment like this, I find it really ironic that as we have spent years fretting and clucking over the mostly negative impact of particularly social media on our individual and social lives – the minute the true face of these powers is revealed, so many of us respond by….trying to find another way to remain in their caves.

What about this? What about seeing this as a clarifying moment and girding your loins and actually leaving the cave?

Maybe begin with the following. First recognize that this internet/social media loop is not random. It didn’t just happen. Like marketing, it’s designed.

It’s designed to elevate and harness various aspects of human personality and behavior, not for the benefit of society, not for your personal benefit, but for their profit.

There’s no nobility here. There’s no idealism. It’s about money and power, period.

It’s about using particular types of energy that make you tick, like you’re a cog in a machine.

  • First, and most obviously, you’ve given up your data. All of it. It’s there, from your Social Security number to what you searched for on Ebay just now. It’s all there.

But of more interest to me is how this ecosystem engages and exploits:

  • Our curiosity
  • Our nosiness
  • Our anxiety
  • Our loneliness
  • Our aspirations
  • Our desires
  • Our tribalism
  • Our anger
  • Our ego
  • Our creativity
  • Our drive for change
  • Our desire for freedom

Yes, the Internet can help us direct our good qualities in positive ways. But I think it’s clear, particularly in the context of the authoritarian ecosystem this is turning out to be, it’s mostly a negative and it’s time to leave it behind, as much as we can.

For it is good and natural to:

  • Want to know and understand
  • Feel as if I belong
  • Know that I’m not alone in my views, interests and loyalties
  • Express myself
  • Connect
  • Play
  • Share what I know
  • Share my gifts

How does social media exploit these good, even holy aspirations and desires and turn them into destructive, demeaning dross?

Double Indemnity

So as with anything else – we look to this digital empire and we must discern. It’s true of any moment, of any situation – there is a neutral aspect to it, there is the potential for positive outcomes, and there is always, no matter what, temptation. Temptation to let our qualities, both good and bad, be used for the sake of another’s profit and power.

As you can see, this isn’t so much a comment of the events over the past week, but more a nudge offered about how to approach the moment. To stand apart from the events, whether they be in Washington or on the screen in your hand, and to consider how truth is being served by the events and how they are used, and to consider what how this digital ecosystem is tempting us, what it’s delivering and who is ultimately benefiting.

To consider how they are all exploiting you, your anger, your idealism, your anxiety, and even your desire for change.

And how do we get out? What do we do?

We look at the good aspects of life that we hoped were served by this ecosystem – and perhaps were and are – and we consider two points in relation to that:

  • What is the cost of finding community, self-expression and so on in the context of this digital/social media world?
  • What temptations does this digital world touch and exploit in me?

All that  – yes – wall of text – is to say – here’s this moment. It’s clarifying even as it’s very confusing. Perhaps it makes sense to respond by finding another outlet that won’t exploit both your worst and best instincts and censor you when you violate the chosen narrative.

Or perhaps….it doesn’t make any sense at all.

9:56. Made it!

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— 1 —

Incoming: Screed.

Ah, well.

What’s up? Well, working on an audio element to support a textbook series, recorded a short video in support of a new family Lenten devotional from Creative Communications for the Parish, worked on some other stuff. I guess. Getting ready for Christmas, but of course that takes on a different tone and energy when it’s a stir-crazy you, a 16-year old, a 19-year old, with a 38-year old coming to visit than it did when everyone was small. I am a very last-minute person when it comes to Christmas, so yes, I guess we’ll get a tree up this weekend.

Once probably 25 years ago, or so, I was aghast when my (late) mother announced that she might not even want to put up a tree at Christmas that year. What? How can you? What are you saying???

Let’s just say…I get it. Time to pass the torch, and I’m pleased to say that the next generation (son/daughter-in-law – mostly the latter of course – and daughter/son-in-law) seem to have taken up that torch with firm hands and run with it. They are welcome to it!

Not much viewing – been watching Mad Men with College Guy for his first time. Almost done with season 1. We also watched My Favorite Wife – a favorite of mine which I’d watched with Kid #5 back in the Olden Days of early March right before College Guy came home for “Spring Break” …..hahahahahaha. So now it was his turn. Love the movie and find it fascinating for reasons I explain here.

Image result for my favorite wife tcm randolph gif

Movie Son continues his path of watching, watching, watching and then writing, writing, writing. He’s currently on a Fellini jag.

Now, these two characters (Gelsomina and Zampano) are at the center of the film, but it’s really Zampano’s story in the end. He’s left alone on a beach (the same beach that Gelsomina was found in the town and a similar beach to where the movie began) with nothing but the bitter feeling in his stomach that his loneliness and isolation at that time is entirely his own fault. He hasn’t changed, but he has come to a realization (I’ve read it as “ripened”, which I think is a good way to describe it). I’m not sure I would go so far as to call it a redemption, but it’s certainly redemptive. He doesn’t do anything to make up for his failings as a man responsible for a simple woman, but he does begin to understand his failings that led to his empty life. Gelsomina provided joy and happiness wherever she went, but she was never accepted, especially by Zampano who could have learned the most from her.

— 2 —

Here’s a diversion that looks intriguing, although I really can’t figure out how to do it. I’m waiting for one of the sons to come back home to figure it out for me.

Blob Opera.

Google's Blob Opera is a weird and wonderful experiment - CNET

— 3 —

Notes on this week’s American lit reading. First, some Walt Whitman. What did we emphasize? His self-understanding of himself as an American poet, what he was trying to express about America and then, more broadly, about the human experience. Also his engagement with Eastern thought.

I many not be on his wavelength on every point, but I found great simpatico in his vision of the communion of human beings and their experiences over space and time, as well as the cumulative impact of an individual’s experiences on her life.

So:

Crossing Brooklyn Ferry:

The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half an hour high,
A hundred years hence, or ever so many hundred years hence, others will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide.

— 4 —

And on the second point, There Was a Child Went Forth Every Day:

THERE was a child went forth every day,
And the first object he look’d upon, that object he became,

And that object became part of him for the day or a certain part
of the day,
Or for many years or stretching cycles of years.

The early lilacs became part of this child,
And grass and white and red morning-glories, and white and red
clover, and the song of the phoebe-bird,
And the Third-month lambs and the sow’s pink-faint litter, and
the mare’s foal and the cow’s calf,
And the noisy brood of the barnyard or by the mire of the pond-
side,

And the fish suspending themselves so curiously below there, and
the beautiful curious liquid,
And the water-plants with their graceful flat heads, all became part
of him.

— 5 —

And, to finish up the “semester,” such as it is around here, we decided to leave chronology behind and go seasonal instead, reading Truman Capote’s “A Christmas Memory,” which – in case you’ve never read it – you can read here.

A lovely, moving piece, rich with imagery and suggestion as well as rock-solid details that put you right in the presence of these two outcasts, the seven-year old child and his only friend, his elderly cousin.

An interesting note. I have the most recent edition of the Norton Anthology of American Literature, 1865 to the present – three fat volumes purchased for College Guy’s class in the spring, but retained and not resold because I knew we’d be using it in the homeschool. Capote’s not in it – at all. I mean, I get it, I suppose. He’s not a “serious” writer, but how does one define that? His writing certainly had an impact. I don’t like In Cold Blood for a lot of reasons, but no matter what I think of the book, it did have an enormous influence on American writing, and I think it’s an impact that should be discussed. I mean, there’s an excerpt from Nathanael West’s The Day of the Locust in the anthology, for pete’s sake – a seminal work in some ways, but indifferently, awkwardly written – not even close to the quality of what Capote was capable of in his best work.

Odd.

— 6 —

My own current read, separate from school? The Complete Henry Bech by John Updike. Why? In the library, desperate for an actual book-on-paper to read, with an armful of non-fiction, I came upon the U’s in fiction and decided to give Updike a go again. I read Rabbit, Run and at least one other Rabbit book in high school (not for high school, but in high school, plucked from my parents’ bookshelves), and then his very good In the Beauty of the Lilies , about America’s loss of (Protestant) faith, when it was published. I do remember Bech is Back from those same parental bookshelves, but never had a real interest in the books, believing that thinly disguised autobiography of a privileged, randy male writer was not my cup of tea.

Well, I don’t know what my final verdict will be, but I’m enjoying it far more than I expected. Updike’s prose overcomes much of my prejudices.

His mother. He had taken her death as a bump in his road, an inconvenience in his busy postwar reconstruction of himself. He had seen death in war and had learned to sneer at its perennial melodrama. He had denied his mother’s death the reality it must have had to her, this chasm that numbed as it swallowed; and now it was swallowing him. He had scarcely mourned. No one sat shivah. No Kaddish had been said. Six thousand years of observance had been overturned in Bech.

— 7 —

Here’s the Fourth Sunday of Advent approaching, with the Gospel narrative of the Annunciation.

From the Loyola Kids Book of Bible Stories

EPSON MFP image

From the Loyola Kids Book of Catholic Signs and Symbols

EPSON MFP image

For more Quick Takes, visit This Ain’t the Lyceum!

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—1 —

I was in Living Faith yesterday. And here’s a post with photos to illustrate the point of that entry. 

— 2 —

Here’s a forthcoming book that looks great!

The Light Ages: The Surprising Story of Medieval Science

In this book, we walk the path of medieval science with a real-life guide, a fourteenth-century monk named John of Westwyk – inventor, astrologer, crusader – who was educated in England’s grandest monastery and exiled to a clifftop priory. Following the traces of his life, we learn to see the natural world through Brother John’s eyes: navigating by the stars, multiplying Roman numerals, curing disease and telling the time with an astrolabe.

We travel the length and breadth of England, from Saint Albans to Tynemouth, and venture far beyond the shores of Britain. On our way, we encounter a remarkable cast of characters: the clock-building English abbot with leprosy, the French craftsman-turned-spy and the Persian polymath who founded the world’s most advanced observatory.

An enthralling story of the struggles and successes of an ordinary man and an extraordinary time, The Light Ages conjures up a vivid picture of the medieval world as we have never seen it before

Well, a bit overwrought, but if it enlightens folks, have at it!

The Light Ages by Seb Falk | Penguin Random House Canada
Available in the US in November.

— 3 —

Speaking of books, as I mentioned before, I’ve been tracking my book sales since the Covid-soused pre-Easter plunge. (Tracking in the only way I can, through the metric Amazon provides authors, which tracks…something. I really have no idea what. I think it’s more than Amazon sales, but I’m not sure).

The cratering reached its worst point the last week of April, when sales this year were about a tenth of what they were last year. Maybe an eighth. No First Communions, no Confirmations, not much Easter visiting and associated gifting from grannies. This year’s sales lagged behind last’s until the second week of May when the tables began to turn.

All summer, slowly but surely, this year’s sales started to surpass last year’s. By mid-summer this year’s cumulative sales of all my titles (as recorded by this metric) were regularly double or triple what they were last year each week.

It’s interesting to me because it’s my way of tracking parish life – obviously what was happening was that parishes were slowly opening back up and beginning to celebrate these sacramental milestones again. And then, as summer waned, folks started looking for religious education materials and supplements. This week’s big sellers were Prove It God, Prove it Prayer (both with sales about ten times the usual – it seems to me that they were required by some classes or schools) and the book of Heroes (sales 7 x what they were the same week last year) and Sign and Symbols (3 x this week last year).

It’s fascinating because at this rate, my sales during this six month royalty period are probably, after a disastrous start, going to even out and end up being commensurate with last year’s.

As I said, it’s mostly interesting to me as a sort-of concrete way to “measure” Catholic parish and catechetical life in these very weird times.

And guess what – you don’t even have to pay a dime for this title!

Mary Magdalene: Truth, Legends and Lies – normally priced at an exorbitant .99 – is absolutely, positively free through Saturday midnight.

Pretty exciting stuff, all around.

— 4 —

Speaking of Catholic parishes and the pandemic, if you know of a parish that’s truly worked hard to serve the needs of its people and the community during this time – nominate them to be recognized for this! Here’s an article about the effort, and here’s the site.

— 5 –

Yes, there’s good news out here in Catholic land – I’ve tried to highlight some local parishes that I believe have really stepped up – but I also will co-sign Phil Lawler’s stance here:

As much as I applaud him for bringing our Eucharistic Lord out onto the streets of the city…

As much as I thank him for taking the lead (when so many other prelates remain silent) in insisting that religious worship is “essential activity”…

As fully as I agree with him that the response from city officials—or rather, their failure to make any response—is an insult to Catholics…

Still I wonder: If the archbishop thinks that the city’s restrictions are unreasonable—if he thinks that it would be safe to celebrate Mass for a larger congregation in the city’s cathedral—why doesn’t he take the obvious action? Why doesn’t he go into his own cathedral, invite the public, and celebrate Mass?

Before I go any further let me emphasize that I do not mean to single out Archbishop Cordileone for criticism here. On the contrary, I mean to praise him. The question that I ask of him could apply, far more pointedly, to all the other bishops and priests who have meekly accepted unreasonable restrictions on the administration of the sacraments—to the bishops and priests who have not raised public objections, have not mobilized the faithful, have not organized Eucharistic processions.

Give Archbishop Cordileone full credit for speaking truth to power: for telling the faithful who joined him last Sunday outside the cathedral that city officials “are mocking you, and even worse, they are mocking God.” Credit him, too, for the public campaign that has urged faithful Catholics to call San Francisco’s Mayor London Breed, and has already raised 17,000 signatures on a petition “asking the City of San Francisco to free the Mass.

But again: Why ask city officials to “free” the Mass? There is only one man who has the rightful authority to restrict and regulate the liturgy of the Catholic Church in San Francisco, and his name is Cordileone. If he wants to celebrate Mass for the public in his cathedral, he can do it.

But wait, you say. He can’t celebrate Mass for the public in his cathedral. It would be against the law.

To which I respond: what law?

— 6 —

Looking for a movie to watch or argue about? Check out Movie/Writer Son’s “Definitive Ranking of David Lean Films” here.

David Lean was a great filmmaker who grew up in the British studio system preceding the outbreak of World War II and became a director, hitched to Noel Coward, during the conflict. After working directly with Coward for four films, he broke out on his own and became one of the most important British filmmakers. His great epics tend to overshadow his smaller films, some of which are pretty much just as great, and that’s really why I do these exercises of running through entire filmographies.

Looking for a quick Halloween craft? Pick up this kit from my daughter’s Etsy shop!

Trio Halloween  Witchs Hat Jack O Lantern and Bat  image 1

— 7 —


Speaking of books, again – a few lists if you are poking around for something to read either now or in the future.

Micah Mattix’s ongoing bookshop of interesting forthcoming titles.

Looking backwards, the #1956Club – from my favorite “The Neglected Book Page”

For about five years now, Karen Langley (Kaggsy of Kaggsy’s Bookish Rambles) and Simon Thomas (of Stuck in a Book) have instigated a semi-annual event in which people around the world take a week to read and write about books published during a particular year. The next round, coming up the week of 5-11 October, will look at books from the year 1956.

1956 was a terrific year for what I might call good but not stuffily great books. Perhaps the best example is Rose Macaulay’s The Towers of Trebizond, which won her the James Tait Black Memorial Prize for fiction and which is much loved for the spirit embodied in its opening line: “‘Take my camel, dear,’ said my Aunt Dot, as she climbed down from this animal on her return from High Mass.” This was Macaulay’s last novel; also appearing in 1956 is Anthony Burgess’s first novel Time for a Tiger, the first book in his Malayan Trilogy.

To encourage folks to take advantage of the #1956Club while also discovering something beyond what’s readily available for instant download or overnight delivery, I’ve put together this list of 10 long-forgotten and out of print books from 1956.

Go here for the list.

For more Quick Takes, visit This Ain’t the Lyceum!

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“No life, except the life of Christ, has so moved me as that of St. Peter Claver.”

Pope Leo XIII

A statue of Peter Claver and a slave in Cartagena. This is a very good introduction, from a Cartagena page. 

He’s in the Loyola Kids Book of Saints.

BTW, link does not go to Amazon, but to the publisher’s page, where you can find links to all the Loyola Kids books that I and others have written and still others have beautifully designed and illustrated.

Here’s the entry. Mostly so I can experiment with this new editor.

If you’re ever in Cartegena…from Lonely Planet:

This convent was founded by Jesuits in the first half of the 17th century, originally as San Ignacio de Loyola. The name was later changed in honor of Spanish-born monk Pedro Claver (1580–1654), who lived and died in the convent. Called the ‘Apostle of the Blacks’ or the ‘Slave of the Slaves,’ the monk spent all his life ministering to the enslaved people brought from Africa. He was the first person to be canonized in the New World (in 1888).

The convent is a monumental three-story building surrounding a tree-filled courtyard, and much of it is open as a museum. Exhibits include religious art and pre-Columbian ceramics, and a new section devoted to Afro-Caribbean contemporary pieces includes wonderful Haitian paintings and African masks.

You can visit the cell where San Pedro Claver lived and died in the convent, and also climb a narrow staircase to the choir loft of the adjacent church…. The church has an imposing stone facade, and inside there are fine stained-glass windows and a high altar made of Italian marble. The remains of San Pedro Claver are kept in a glass coffin in the altar. His skull is visible, making it an altar with a difference.

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—1 —

Well, here we are. Just a few days until the Return. The Return to College. For a few months, we hope, and not just for a few weeks, as College Guy pessimistically predicts. As I keep saying, I’m optimistic.

We’ll see.

School for the other one is slowly picking up speed – to be interrupted by travel next week, to be sure, but getting a little more organized nonetheless. This week has seen meetings with Algebra 2 and Latin tutors as well as a piano lesson. We talked over plans for literature and history study. Looked at photos posted by the private high school most of his friends attend, saw all the images of people in single file in masks looking at each other from behind plexiglass in the lunchroom, and if there were any lingering questions, they were answered. “We’re good. Thanks.”

— 2 —

There’s been a bit of blogging this past week. Here’s a review of a novel called Followers and another of a novel, which I liked quite a bit, called Nothing to See Here. 

All done on a new laptop. I have a desktop, which is my preference for working, but I needed a new laptop – for a couple of years I’d been depending on a Chromebook we’d had to buy for Son #4’s high school career – and I hate Chromebooks. I mean, just hate. I love small laptops – that’s not the issue. The issue is the dependence on the cloud and the Internet and Google and all of that. And the fact that if you forget your passwords, it just might wipe the device of all local data on it – which happened to me last summer in Spain after I’d written a short piece for the Catholic Herald, but before I’d sent it in.  Cue new scene with me sitting on the floor in a hotel room in Caceres, Spain at 6 am, fuming (and worse) attempting to reconstruct and rewrite.

Plus, we needed a better, more dependable machine for Kid #5’s academics, such as they are. We don’t do a lot of screen stuff, and no remote classes of any sort, but you never know. Might as well have something decent, just in case.

Anyway, new computers are sweet.

— 3 —

I mentioned before that my book sales, like everyone else’s, have been impacted by this virus and responses to it – namely, no big gift-giving binges around Easter and the Spring Sacramental Season. But, as I noted, since mid-May, sales have been slowly but steadily edging back up. It’s really interesting. I’m still behind last year, but every week since mid-May, sales this year have topped the equivalent week last year, sometimes more than doubling the number of units sold.  The Loyola Kids Book of Heroes is now even with total sales from the same period last year (by the measure I have access to through Amazon Author portal – which doesn’t record all sales.). I think parishes that didn’t have big First Communion or Confirmation celebrations when they normally do have been having them in smaller batches through the summer, and people have purchased gifts for that – and then you throw in the increase in people doing homeschooling, and there you go.

So, yeah, if you know anyone who’s interested or in need of good titles for homeschooling catechism for children or young people, do consider pointing them my way –here’s a link to the Loyola Kids Books and here’s a link to the Prove It titles for teens. 

Today: St. Maximilian Kolbe. In the Loyola Kids Book of Saints.

"amy welborn"

 

— 4 —

From William Newton:

One of the most famous works of art rescued from the Nazis by the Monuments Men is, of course, “The Adoration of the Mystic Lamb”, more commonly known as “The Ghent Altarpiece”, a 15th-century masterpiece by the Van Eyck brothers that resides in St. Bravo’s Cathedral in the Belgian city of Ghent. Readers will recall that recently, a number of ill-informed commentators and meme-makers criticized the recent cleaning and restoration of the piece, because the face of the Lamb came out looking more humanoid and less lamb-like. After an exhaustive review, experts from the University of Antwerp and the National Gallery of Art have concluded that the Van Eycks did, in fact, intend to have the Lamb – who symbolizes Christ Himself – display the (to modern eyes) slightly disturbing face that we see gazing out at us now. It may be a late Medieval convention with respect to how to portray animals, since similar faces appear among the horses in one of the other panels of the altarpiece, or it may be that one or both of the Van Eycks intentionally wanted to have the viewer thrown a bit off-balance when praying or meditating before the image.

— 5 –

I meant, but forgot to mention last week, that the Cathedral parish held a celebration on August 2, bringing the traditional way of celebrating Our Lady of the Snows from St. Mary Major in Rome down here to Birmingham. That is – letting white rose petals fall from the ceiling.

More here.

 

(And yes, the Cathedral has been having Mass with full ceremony since April/May – no congregational singing, every other pew roped off, etc., but a full music program – you can see the orders of worship here.)

This next Sunday’s Mass, for example– Viadana’s Missa l’Hora Passa. 

— 6 —

From the New Yorker, on two new biographies of Poulenc:

Both accounts undermine the popular image of Poulenc—carefully cultivated by the man himself—as the epitome of Parisian suavity and ebullience. He was, in fact, a turbulent, even tortured character: sometimes arrogant, sometimes self-castigating, sometimes lovable, sometimes impossible. That complexity only adds to the interest of the music. The critic Claude Rostand famously commented that Poulenc was a combination of “moine et voyou”—monk and rogue. Many of the composer’s works fall cleanly into one category or the other, but some of the strongest fuse the two personalities in one. The Organ Concerto (1938) interlaces brimstone dissonances with rollicking fairground strains. The Gloria (1959-60) exudes an almost scandalous joy, as if a crowd of drunken angels were dancing down the boulevards.

— 7 —

My son watched all of Alfred Hitchcock’s films. All of them. Here’s his ranking. 

o-ALFRED-HITCHCOCK-GUN-facebook-750x400

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A final chapter from Mary Magdalene: Truth, Legends and Lies (full text available here for .99 – actually .00 until midnight tonight).  I have skipped a few – this is chapter 10, which describes the role of Mary Magdalene in the lives of late medieval and counter-reformation mystics and spiritual writers.

For excerpts from other  chapters:

Chapter one: Introducing Mary Magdalene in the Bible

Chapter two: Mary Magdalene at the Resurrection

Chapter three: Mary Magdalene in Gnostic writings

Chapter four: Mary Magdalene in Patristic writings

MARY AND THE MYSTICS

The heart of the Christian life is prayer, and throughout our history Mary Magdalene has often been found in that heart, pointing the way to Christ. Like any saint, Christians have looked to her as a model, and have prayed for her intercession.

In this chapter, we’ll look at some important figures in the Christian spiritual tradition, mostly women, and how they have been inspired and nourished by the example of Mary Magdalene. Some found parallels between their lives and hers. Others found strength in her identity as a repentant sinner, or in the model of solitary con-templation offered by the legends they knew. The lives of all of these prayerful people help us see the tremendous positive power the figure of Mary Magdalene has held in the lives of many Christians.

Like a Sister

Margery Kempe is one of the more vivid figures to emerge from the medieval period, partly because she left extensive autobiographical writings (dictated to a priest), but also because her experiences are so extreme to the point that today we might indeed diagnose her as mentally ill.

She was an Englishwoman, born in the late thirteenth century, married, and the mother of fourteen children. She eventually convinced her husband to live with her as a brother, and from that point embarked on a number of pilgrimages — to the Holy Land, Rome, Santiago de Compostela, Norway, and Germany. Her Book of Margery Kempe is an invaluable record of the period in general, and of religious life and sensibilities in particular.

The Book records visionary experiences, most of which involve Margery, who refers to herself as “said creature,” in the midst of a biblical scene, observing and interacting with the other participants, often weeping copiously. Her visions reflect a knowledge of some of the medieval religious plays featuring Mary Magdalene, as well as a work called Meditations on the Life of Christ, a very popular devotional believed to have been written by St. Bonaventure, but now ascribed to a figure known as “Pseudo-Bonaventure.”

Margery joins Mary Magdalene and others at the cross. She mourns with them. For ten years, on every Good Friday, she weeps for five or six hours. After the Resurrection, she displaces Mary Magdalene, and converses with Christ herself, receiving his assurance that if Mary Magdalene could be forgiven of her sins, so should Margery. She, along with the Virgin, expresses sorrow at the imminent physical departure of Jesus, and is comforted by him.

Margery draws strength from Mary Magdalene, then, as a model of a sinner who loved Christ and was devoted to him. The imagery she offers, of herself mourning over the dead Christ, kissing his feet and caring for his body, is evocative of spiritual writing and art of the period in which Mary Magdalene is playing that same role:

[Jesus to Margery Kempe:] “Also, daughter, I know . . . how you call Mary Magdalene into your soul to welcome me for, daugh-ter,I know well enough what you are thinking.You think that she is the worthiest, in your soul, and you trust most in her prayers next to my mother, and so you may indeed, daughter, for she is a very great mediator to me for you in the bliss of heaven.” (Book of Margery Kempe, chapter 86, in Medieval Writings on Female Spiritualityedited by Elizabeth Spearing [Penguin Books, 2002], p. 251)

The Second Mary Magdalene

Similar comfort was found by St. Margaret Cortona (1247-1297), who is actually called the “Second Mary Magdalene.” She was born in Tuscany, and as a young adult woman she became lovers with a nobleman, bore him a child, and lived with him for nine years. The man File:Giovanni Lanfranco - Ecstasy of St Margaret of Cortona - WGA12453.jpgwas murdered, at which point Margaret took her child and fled, first to her family’s home, where she was rejected, and then to a Franciscan friary. Her subsequent life as a Franciscan tertiary was marked by continued battles with temptations of the flesh (she is a patron saint of those battling temptation), repentance, and service to the poor.

Obviously, her past life led to her identification with the popular memory of St. Mary Magdalene, repentant sinner — and like Margery Kempe, Margaret found solace in Mary’s penitent life. The following was related by one of her early biographers:

“Shortly before her death, she had a vision of St. Mary Magdalene, ‘most faithful of Christ’s apostles, clothed in a robe as it were of silver, and crowned with a crown of precious gems, and surrounded by the holy angels.’ And whilst she was in this ecstasy Christ spoke to Margaret, saying:‘My Eternal Father said of Me to the Baptist:This is My beloved Son;so do I say to thee of Magdalene:This is my beloved daughter.’ On
another occasion we are told that ‘she was taken in spirit to the feet of Christ, which she washed with her tears as did Magdalene of old;and as she wiped His feet she desired greatly to behold His face,and prayed to the Lord to grant her this favor.’ Thus to the end we see she was the same; and yet the difference.” (
Saints for Sinners, by Alban Goodier, S.J. [Ignatius Press, 1993], p. 46)

Bathed in Blood

St. Catherine of Siena is one of the most fascinating women of the medieval period, and considering the competition, that is saying quite a bit.

Born in 1347, the youngest of twenty-five children, Catherine was intensely devout, but uninterested in taking the usual route for young women like herself, which would have been joining a reli-gious community. She became associated with the Dominicans — whose patron was Mary Magdalene, remember — as a tertiary, but operated with a startling degree of independence for a woman of her era. We remember her today for her letters, her spiritual writ-ings (dictated to her confessor, Blessed Raymond of Capua), and her determination to play a role in reforming the papacy, at that time in exile in Avignon, France, and corrupted by luxury.

Catherine saw Mary Magdalene as a second mother, having dedicated herself to her in a special way upon the death in child-birth of her sister, Bonaventura, an incident that seems to have been an important motivator in Catherine’s spiritual life. When Bonaventura died, Catherine envisioned herself at the feet of Christ, with Mary Magdalene, begging for mercy. Her biographer noted Catherine “doing everything she could to imitate her to obtain forgiveness” (quoted in Haskins, p. 179). Blessed Raymond summarizes Catherine’s devotion in the following passage:

“‘Sweetest daughter, for your greater comfort I give you Mary Magdalen for your mother.Turn to her in absolute confidence; I entrust her with a special care of you.’ The virgin gratefully accepted this offer. . . . From that moment the virgin felt entirely at one with the Magdalen and always referred to her as her mother.” (Quoted in Jansen, p. 303)

In terms of her personal spirituality, Catherine looked to Mary Magdalene as a model of repentance and faithfulness, never leaving Jesus at the cross. Nor, she determined, would she, faithfully persevering in fidelity despite the extraordinary risks she faced in confronting the most powerful figure of the day — the pope — with evidence of his own sins.

[Catherine of Siena on Mary Magdalene, the “loving disciple”:] “Wracked with love, she runs and embraces the cross.There is no doubt that to see her master, she becomes inundated with blood.” (Quoted in Haskins, p. 188)

St.Teresa of Ávila

The sixteenth century was a period of conflict and reform for the Catholic Church. At the beginning of the century, there was only one Christian Church in the West, but by the end there were scores of different churches and movements emanating from the Protestant Reformation.

The Catholic Church, faced with the consequences of, in part, its own weakness and corruption, responded to the Reformation with its own inner purification, commonly called the Counter-Reformation, or the Catholic Reformation. The Council of Trent, meeting over several years mid-century, standardized prayer and liturgical texts, mandated seminary training for priests, and confidently restated traditional Catholic teaching on justification, Scripture, Tradition, and the life of the Church.

Change doesn’t come only from the top, though. When a reforming spirit is in the Catholic air, inevitably groups rise up to meet the challenge and undertake the work. It happened, for example, in the thirteenth century with the rise of the mendicant orders.

Some argue it is happening today with the rising popularity of groups like Communion and Liberation, Opus Dei, and the Neo-Catechumenal Way.

The sixteenth century was no different. It was the era that saw the establishment of the Jesuits, who evangelized with vigor and focus, under the direct supervision of the pope. It was also the era that saw the reformation of many religious orders. One of the most important leaders on this score was St. Teresa of Ávila, who worked tirelessly to reform the Carmelites in Spain.

Not that she started out life as a reformer. Teresa entered religious life at an early age, but did not pursue holiness with much vigor. Many convents in that period had devolved to essentially groups of well-off women dwelling together, living only nominally religious lives.

Teresa lived this way until her forties, when illness prompted a change of heart. In the wake of her conversion, Teresa was inspired to reform existing houses of her order and establish new ones that would be expressions of a sacrificial road to holiness. Teresa was also a great mystic and teacher of prayer. Her works — including her Life, the Way of Perfection, and The Interior Castle — are still widely read today.

In these works, we see the influence of Mary Magdalene on Teresa, primarily, as she has been for the other women we’ve looked at, as a model of fidelity and repentance:

“I had a very great devotion to the glorious Magdalene,and very frequently used to think of her conversion — especially when I went to Communion. As I knew for certain that our Lord was then within me, I used to place myself at His feet, thinking that my tears would not be despised. I did not know what I was saying; only He did great things for me, in that He was pleased I should shed those tears,seeing that I so soon forgot that impression. I used to recommend myself to that glorious saint,that she might obtain my pardon.” (Life, 9:2)

The story of Mary Magdalene’s contemplative years in the wilderness and her association with the quiet, listening Mary (in contrast to the busy Martha) also Teresa_de_Jesúsappealed to Teresa, unsurprisingly:

“Let us, then, pray Him always to show His mercy upon us, with a submissive spirit,yet trusting in the goodness of God. And now that the soul is permitted to sit at the feet of Christ, let it con-trive not to quit its place, but keep it anyhow. Let it follow the example of the Magdalene; and when it shall be strong enough, God will lead it into the wilderness.” (Life, 21:9)

Asceticism, an important part of Teresa’s spirituality (although never to extremes, she firmly taught), was understood by her and others in this period as a means of penance for one’s own sins, as well as the sins of others. Here, again, Mary Magdalene was a model:

“Indeed the body suffers much while alive, for whatever work it does, the soul has energy for far greater tasks and goads it on to more, for all it can perform appears as nothing.This must be the reason of the severe penances performed by many of the saints, especially the glorious Magdalene, who had always spent her life in luxury.This caused the zeal felt by our Father Elias for the honor of God, and the desires of St. Dominic and St. Fran-cis to draw souls to praise the Almighty. I assure you that, for-getful of themselves, they must have passed through no small trials.” (Interior Castle, 4:16)

Teresa, like many other women, saw in Mary Magdalene a model for faithful discipleship through difficulty, an ideal penitent, and an inspiring contemplative.

Practical Advice

During this same era, another kind of Catholic reformer was working in another part of Europe. St. Francis de Sales — a gifted writer, preacher, and spiritual director — was the bishop of Geneva, although throughout most of his career, because of the Calvinist control of that city, he could not openly lead his flock. He wrote, unusually for this period, specifically for the laity, very aware of the particular challenges of living in the world.

His Introduction to the Devout Life is a lovely, practical, and charming classic, and it is still indispensable. His letters of spiritual direction, many of them written to his close friend and fellow reformer St. Jane Frances de Chantal, are carefully crafted to answer the specific needs of their recipients. In one of his letters of spiritual direction, written to one Rose Bourgeois, an abbess who, much like Teresa of Ávila, was attempting to reform her own life and that of her convent in a way more faithful to the demands of the Gospel, Francis draws on the image of the contemplative Magdalene in a lovely way:

“Dear daughter,what a good way of praying,and what a fine way of staying in God’s presence: doing what He wants and accept-ing what pleases Him! It seems to me that Mary Magdalene was a statue in her niche when,without saying a word,without mov-ing, and perhaps even without looking at Him, she sat at our Lord’s feet and listened to what He was saying.When He spoke, she listened; whenever He paused, she stopped listening; but always, she was right there.” (Letters of Spiritual Direction, by Francis de Sales and Jane de Chantal [Paulist Press, 1988], p. 152)

Silent Witness

Mary Magdalene’s place in medieval and early modern Catholic spirituality was firm and clear. Her example encouraged Christians to see their own sins clearly and honestly, and hopefully approach the Lord for forgiveness. Her faithfulness to Jesus, an important part of the Passion narratives in the Gospels, was an accessible expression of fidelity. Her identity as a contemplative, fueled by the legend of her time in the wilderness, as well as her identification with Mary, sister of Martha, provided a model for women who sought to pursue a life of deep prayer, singularly devoted to Christ.

Questions for Reflection

  1. In what ways did these medieval spiritual writers find Mary Magdalene inspiring?
  1. How did they respond to her identity as “Apostle to the Apos-tles,” within the context of their times?
  2. Does the image of Mary Magdalene inspire you in similar ways?

Below: The pages on Mary Magdalene from the Loyola Kids Book of Catholic Signs and Symbols. As a new school year approaches, please consider purchasing copies of this and other Loyola Kids titles for your local Catholic parish and school! Or using them in your homeschool…..

 

 

 

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Had a very strange, unusual experience yesterday. Encapsulated in this Instagram story:

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No, I’m not going anywhere, except to Atlanta to take people to the airport. But it does mean a few days of (I hope) great productivity. What it doesn’t mean is a trip to Ikea on that Atlanta journey, since the hints I’ve read online indicate that there’s a considerable wait just to get into the store, which just reopened about ten days ago. Forget that. Let’s digest:

Writing: I have something due on July 20. Haven’t started writing it yet. Hopefully over the next week I’ll get it about half done as well as get myself in a sort of groove, so that once people return, the hard part of framing and envisioning will be done and I can just write a few hundred words in between music practices and food prep and other shenanigans.

I am putting up a chapter a day to the novel I wrote about here. Two up so far, one more coming later today.

I’ll be in Living Faith on Sunday. You’ll be able to see it here. 

A lot of my book sales are seasonal, specifically– Christmas and then Easter/First Communion/Confirmation related. I don’t have access to book sales from the various publishers that publish my books, but I do have some metric that Amazon provides authors. I don’t think it’s just Amazon sales, but I’m not sure. Anyway, not surprisingly, compared to previous years, this spring’s sales have been laughably miniscule. Totally expected. Shrug. The interesting thing, though, is that over the past two weeks, there’s been a rather dramatic uptick. Not at the typical height of April/May, but about four times as high as a normal June.

First Communions are back, baby!

Listening:  As reported, we have moved on from Brahms, Haydn and Prokofiev(you can listen here to the entire playlist – it’s public now – and he got “Excellents” from all three judges in the competition) to Gershwin (the big three Preludes plus Novelette in Fourths and Debussy’s First Arabesque. That’s the summer playlist, with him beginning to tackle the entire Moonlight Sonata as his big project for next year. Plus, I think the teacher is wanting him to do some Chopin Etude.

Watching: A bit of a blip in movie watching, as work schedules, hanging out with friends The Man in the White Suit (1951) - IMDband a new video game have interfered. After Hobson’s Choice, we stayed in England and took in the Ealing comedy The Man in the White Suit

A low-key satire about human beings’ response to innovation and change. Alec Guinness portrays an unassuming yet committed young scientist who is trying to invent an indestructible fabric. He seems to succeed, but the initially-welcomed development is soon understood to have repercussions for almost everyone – from the big business tycoons to labor. It’s a movie about persistence, creativity, resistance to change and yes, my favorite theme, unintended consequences. Not as hilarious as The Lavender Hill Mob or quite as dark as Kind Hearts and Coronets,  but a gem of a film.

A Nanoscale Perspective on The Man in the White Suit - 2020 Science

We watched in on the Kanopy platform via the library, and followed it withthis Buster Keaton short,also on Kanopy.

Reading:  Wandering about the internet, searching through book blogging and reading sites, I happened upon this entry focusing on a mid-century novelist who apparently penned relatively short, sharp and dark books. I’m sold. I picked up The Girl on the Via Flaminia  – reviewed here, and read it in an evening.

(My main go-to for books like this, the Internet Archive, has been hit with legal action restricting what books it can make available for borrowing – books that you could borrow for a week or more are now only available for an hour. Hopefully they can get that straightened out soon. I discovered that this was available via Hoopla from my local library. It seems to me that Hoopla’s holdings have greatly expanded since the last time I checked, before Covid.)

I enjoyed it very much, although, you know, it wasn’t a laugh riot or anything. Set in Rome during the last stages of the Second World War, it’s about an American soldier who attempts an arrangement with a young Italian woman. A step above prostitution, in his mind, but is it really? Aside from the interesting landscape of wartime Rome, it confronts us with important questions about victory, defeat and occupation – and the impact of these Important Events on ordinary people, who simply want to live their lives.

I’ll be reading more of him.

Now I’m reading The Boarding House by William Trevor, which I also borrowed digitally from Hoopla. It’s quite a strange book. I started it last week and gave up after twenty pages, but then returned to last night. I’ll stick with it this time.

Cooking: Three major recent successes:

Madeleines. They were Son #4’s favorite bakery good from France years ago, and it just wp-1592919871186.jpgoccurred to me a couple of weeks ago that I should try to make them. Ordered a pan for the purpose, and followed this recipe – success! The recipe is correct though – these are not items that keep. They really are only good the first day.

These ribs. I ended up marinating them for almost three days (kept meaning to cook them, but life interfered). Delicious. Excellent. And yes, the Chinese cooking wine does make a difference. (Obtained, along with the ribs, from our local mega-Asian grocery store. $2.99 a bottle.)

A bone-in ribeye cooked via this method – the reverse sear.This is the second time I’ve done this, and I’m sold. Yes, I splurged on a higher cut of steak (when you’re only buying one, and you do it once a month….go ahead), so that makes a difference, but this method really does produce a wonderfully juicy steak, no resting required.

Now…no cooking for a week!

 

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—1 —

Well, that was interesting. Somehow, this post went viral, as we say, yesterday, with thousands more hits than I usually get around here. Very odd. I still don’t know why or how.

This also got a big bump, mostly because Ross Douthat retweeted a reference to it. Just glad to get the message out there!

Click back for other posts – on how 9th grade homeschooling ended up and on season 2 of Fargo. 

The other “extended reach” story of the week involved musician son-in-law, who had a song featured at the end of Tony Kornheiser’s podcast. 

— 2 —

The Real Lord of the Flies. A fascinating piece.

 

The kids agreed to work in teams of two, drawing up a strict roster for garden, kitchen and guard duty. Sometimes they quarrelled, but whenever that happened they solved it by imposing a time-out. Their days began and ended with song and prayer. Kolo fashioned a makeshift guitar from a piece of driftwood, half a coconut shell and six steel wires salvaged from their wrecked boat – an instrument Peter has kept all these years – and played it to help lift their spirits. And their spirits needed lifting. All summer long it hardly rained, driving the boys frantic with thirst. They tried constructing a raft in order to leave the island, but it fell apart in the crashing surf.

Worst of all, Stephen slipped one day, fell off a cliff and broke his leg. The other boys picked their way down after him and then helped him back up to the top. They set his leg using sticks and leaves. “Don’t worry,” Sione joked. “We’ll do your work, while you lie there like King Taufa‘ahau Tupou himself!”

They survived initially on fish, coconuts, tame birds (they drank the blood as well as eating the meat); seabird eggs were sucked dry. Later, when they got to the top of the island, they found an ancient volcanic crater, where people had lived a century before. There the boys discovered wild taro, bananas and chickens (which had been reproducing for the 100 years since the last Tongans had left).

Much more hopeful turn of events than in the novel.

— 3 —

America ran a very nice piece on Wyoming Catholic College:

The first class every student takes is an introduction to the Experiential Leadership Program, ELP 101. In the summer before the start of the new school year, freshmen take a wilderness first aid course, then embark on a 21-day backpacking trip in the Wyoming backcountry. Like most everything at W.C.C., the course is grounded in Western philosophy. “The term ‘gymnastic,’” the Philosophical Vision Statement of the college reads, “comes from the Greek gymnos, meaning ‘naked.’ Gymnastics, broadly speaking, refers to the naked or direct experience of reality.” Through their direct encounter with the grandeur of nature, the founders believed, students would grow in virtue.

Students continue their outdoor education all four years at W.C.C.: a week of winter camping after the first Christmas break; week-long hiking, rafting or rock-climbing excursions once a semester; and a required course in horsemanship. But it is the 21-day trip that forms the foundation of what will follow in and out of the classroom.

“There’s nothing more empowering than when those students can go backpacking in wolf country and grizzly bear country by themselves without an instructor,” Mr. Zimmer says. “And that allows them to know that [when they take] the final they’re going to have in humanities or Euclid or Latin, they’re going to be fine. Just like their 21-day trip, they have to put effort and energy and time into their training.”

Ms. Stypa agrees. “There are so many nights out there where you’re freezing or it’s raining, and your sleeping bag got wet and someone has a blister that needs to get taken care of. And it’s 11 p.m. and you’re supposed to get up at 6 a.m., and it’s just hard,” she says. “That toughness that it gives you sticks with you when you come back into the semester when you’re slammed by paper after paper.”

She also described a more subtle connection to the classroom. “You’re just thrust into the wilderness, into the mountains and these mountain lakes, snow and wildlife and lightning storms. It’s terrifying, and it’s beautiful,” she says. “And then we come back, and we study poetry, and we talk about ancient Greece and ancient Rome. And I think you really draw on your experience and fill your imagination as you’re reading the Great Books.”
Jason Baxter, an associate professor of fine arts and humanities, also finds a deep resonance between the freshmen expedition and the Great Books curriculum. “There’s something severely beautiful about ancient texts, which are not trying to accommodate us in any way,” he tells me over tea at Crux, the corner coffee shop staffed by students and frequented by faculty and local residents alike. “And there’s something fascinatingly analogous to the Wyoming landscape, which is severely beautiful but does not exist in order to accommodate human beings. Without railroads or now interstates, we would not be here.”

 

— 4 —

You know the tune Tuxedo Junction? 

Well….Tuxedo Junction is actually here in Birmingham, Alabama. I did not know that until this week.

The second floor of the Belcher-Nixon building located in Ensley was the dance hall and center of all The Junction happenings. Many talented performers hailing from Birmingham got their beginnings by entertaining there.

Among these was the acclaimed musician and performer Erskine Hawkins. In 1939, Hawkins released the Birmingham favorite “Tuxedo Junction” in honor of his hometown. He writes about the magical place that he can count on to raise his spirits, where he can lose himself by dancing the jive all night to his favorite jazz.

 

— 5 –

A really, really good piece on fear and faith, taking off from Cyprian or Carthage’s work On Mortality – written in a time of plague. 

The paradoxical nature of a Christian view of life and death shows up remarkably in Cyprian of Carthage’s treatise On Mortality. Written only a few years after he became bishop in 248, in the midst of a ravenous plague that nearly destroyed the Roman Empire, Cyprian reflects on what it means for Christians to be alive to God, and so not to fear death.

The plague broke out in Egypt around 249 (the “exotic” East for a Roman) and had reached Carthage by 250 or 251. Historian Kyle Harper suggests either pandemic influenza (like the Spanish Flu) or a viral hemorrhagic fever (like Ebola). Ancient sources say that it could have carried away 5,000 persons a day, decimating the population by as much as 60% in some cities. Another source says that it seemed to spread through contact with clothing or even simply by eyesight. It is often called “The Plague of Cyprian” because it is the Carthaginian bishop who provides one of the most graphic accounts of its effects: severe diarrhea (“As the strength of the body is dissolved, the bowels dissipate in a flow”), fever (“a fire that begins in the inmost depths, in the marrow, burns up into wounds in the throat”), and incessant, “intestine-rattling” vomiting (§14). In some cases, a person’s hands or feet were putrefied to the point of falling off, resulting in disfigurement or a loss of hearing and sight.

It was not a physical loss of sight, however, that worried Cyprian most. It was rather a loss of spiritual sight. 

 

— 6 —

Cyprian invites his hearers to see the plague as revelatory for how we view our life in reference to God. As an occasion for Christian sanctification, a time of plague reveals what we really care about, what we really love. The plague, in other words, makes visible what normally remains hidden in our ordinary lives of comfort and distraction. 

What a significance, beloved brethren, all this has! How suitable, how necessary it is that this plague and pestilence, which seems horrible and deadly, searches out the justice of each and every one and examines the minds of the human race—whether those who are well care for the sick, whether relatives dutifully love their kinsmen as they should, whether masters show compassion to their ailing slaves, whether physicians do not desert the afflicted begging their help, whether the violent repress their violence, whether the greedy, even through the fear of death, quench the ever insatiable fire of their raging avarice, whether the proud bend their necks, whether the shameless soften their affrontery, whether the rich, even when their dear ones are perishing and they are about to die without heirs, bestow and give something!

Although this mortality has contributed nothing else, it has especially accomplished this for Christians and servants of God: that we have begun gladly to seek martyrdom while we are learning not to fear death. These are trying exercises for us, not deaths; they give to the mind the glory of fortitude; by contempt of death they prepare for the crown. (§16)

The plague is a test, a spiritual exercise, not a death. 

 

— 7 —

"amy welborn"Here’s a short story for you. It was a finalist for the Dappled Things J. F. Powers competition, but not the winner. So here it is – I wanted to put it on a platform that was not my blog, and Wattpad was the quickest way to go. It undoubtedly does not quite fit the site, but it was easy and let me keep my italics, so it won.

It may not be there forever, as I’ll still keep looking.

And here’s a novel  –     from Son #2! (Check out his other writings here)

For more Quick Takes, visit This Ain’t the Lyceum!

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Here are some images from beginning-of-Lent related material from a couple of my books.

The entry on “Ashes” from The Loyola Kids Book of Catholic Signs and Symbols. 

The beginning of the account of the Temptation in the Desert – always the Gospel for the First Sunday of Lent – from The Loyola Kids Book of Bible Stories.

Remember, those stories are arranged in sections according to the liturgical season in which one would normally hear that particular Scripture narrative. So, this is in the “Lent” section.

 

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