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Advent is coming….not for a while, though, right? I’m thinking that since Christmas is on a Monday, this – December 3 – is the latest possible start for Advent.

(And just for future reference – here are fun facts about what follows – Ash Wednesday 2018 is on Valentine’s Day and Easter Sunday is on April Fool’s Day. Teachable Moment Overload, I’d say…)

But it’s not too early to order resources for Advent, of course. Most of these can still be ordered in bulk for parish or school, or just in single copies.

(BTW – I don’t make any $$ from the sales of these booklets. The way it works is that these kinds of materials are, for the most part, written as works-for-hire. You write it, you get paid a flat fee, and that’s it. I just …think what I’ve written is not terrible and hope my words might be helpful to someone out there…so I continue to spread the word!)

A family devotional I wrote for Creative Communications is still available.

 

You can buy print copies here – including in bulk. Also at that page are links to Kindle and Nook (is that still a thing?) editions. 

 

That Kindle version is of course available on Amazon. Just .99!

 

 

Last year, Liguori published daily devotions I wrote for both Lent and Easter. They publish new booklets by different authors every year, but mine are still available, both through Liguori and Amazon.

Liguori – English

(pdf sample)

Liguori  – Spanish

(pdf sample)

Single copies also available through Amazon. No Kindle version. 

Nicholas-Of-Myra

Nicholas of Myra

Samples of the St. Nicholas booklet here.

And then….Bambinelli Sunday!

"amy welborn"

(Also – if you would like to purchase books as Christmas gifts from me – here’s the link. I don’t have everything, but what I have…I have. The bookstore link is accurate and kept up to date.)

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This is a repost from last year. Still worth a read, I believe. 

 

In addition to the woman-and-the-Reformation specific material I’ve been reading, I’ve also been looking at a few books that cover the Reformation in general. Since today is the day the Reformation is in the news, I thought I’d talk about them a bit.

First, Carlos Eire’s massive Reformations.  Some of you might know Eire as the author of two affecting memoirs, including Waiting for Snow in Havana.  His day job is that of historian, being a professor of history and religious studies at Yale.

Reformations EireReformations is aptly titled, for as Eire points out, there is no single “Reformation” with a single source and direction, but rather a number of movements that erupted in the same era.

It’s a survey, yes, but it’s worth a look for a couple of reasons. First, history cannot be apprehended as an objective entity in the present. History is a story and is always remembered and told from a point of view. I am interested in Eire’s point of view, so I’m going to read his book on this topic.

Secondly, history may explore events that happened long ago, but we in the present are continually discovering new information that shifts or even radically changes our understanding of those events. History is also written with varied resources and methodologies. Forgotten or newly embraced methodologies shed new light on old narratives.

So it is with the Protestant Reformation. It’s helpful to periodically take stock and reevaluate this  set of events so complex and usually narrated from such entrenched, specific perspectives.

I’ve only read through the Luther material in the Eire book, but I do intend to finish it if I can renew it from the library enough times (700+ pages of text). If you are at all familiar with the basics, you might be skimming parts, but Eire does highlight some elements with which I was not familiar, primarily those related to Catholic life on the Continent before the Reformation, and particularly reform movements within Catholicism that sought to strengthen Catholicism, rather than break it apart – and succeeded, especially those in Spain. Very interesting.

The material on Luther himself provides not much new to me and draws on standard sources (Bainton, for example) with surprising frequency, but what the general reader might find most illuminating is, indeed, the juxtaposition of the pre-Reformation material with Luther. Given the liveliness, breadth, depth and seriousness of Catholic reform happening in Europe pre-1517, it makes it all the more tragic that the particular, peculiar and narrow theological stylings of one individual gained so much traction and came to dominate and shatter the landscape.

Brand Luther is a very interesting book that offers one angle on how that happened. Historian Andrew Pettegree surveys the Lutheran movement in great detail, but through the particular prism of the history of printing.

Even if you only have the vaguest familiarity with Luther, you probably associate his movement with the still relatively new technology of moveable type. Pettegree explores that relationship in great depth, making clear that this association was no accident. Brand LutherLuther came from a craft/business family background and knew what he was doing. He was quite particular about how his work was presented, knew that this was a powerful tool, and was deeply involved in making his work attractive, easy to read and accessible. And the printers loved him, of course – well, those of whom he approved that is. Luther and his controversies were a boon for the printing industry, and the particular political and economic arrangements of Germany only helped deepen the bond. In most other areas of Europe, printing was centrally controlled by stronger central governments. The political patchwork that was “Germany” meant that even if your local Duke had more Catholic sympathies and refused printers permission from printing Luther’s works, the neighboring duchy which was going all in could flood the area with Luther’s tracts nonetheless.

An interesting side point. Luther’s works were immensely popular and millions were printed and sold over just the span of a few years. His theological and political arguments, his Bible translations, his catechisms and his works for the laity were the bread and butter of German printers for decades. One gets the impression from histories of the Luther movement that the Catholic response to all of this was characterized by not much more than ineptitude and short-sightedness. There may have been some of that, but what stands out from Brand Luther is the sheer marketing force and ingenuity that Luther exerted. He saw right away that if his cause was to succeed and if his life was to be preserved, he had to take this beyond academic circles to the popular arena. Therefore, he wrote in German rather than only in Latin, and he wrote works specifically directed at laypeople. This is what the Catholic side could not or would not understand.  And, to come back around the printers – Pettegree points out that it got to a point at which Catholic writers had plenty of responses to Luther ready to roll, but printers were uninterested in taking them on because they didn’t sell.

As I was reading Brand Luther,  I toyed with a slightly different take on this early period of the Reformation and the fire it spread – and so quickly- through German lands at the time. There are countless reasons for this wildfire: the authentic appeal of Luther’s ideas of “freedom” from Roman Catholic religious ritual and spiritual sensibilities, real, scandalous and problematic Catholic corruption, the support of secular rulers, disdain of Rome as a foreign power, and the new technology. It’s all there. But what struck me in the reading was, honestly, the titillating, profitable appeal of scandal and taboo-breaking. When I read Luther’s best-selling bold, cocky, profane and dismissive invectives against almost every aspect of Catholic life that every person reading him would have grown up knowing and holding as sacred, and contemplate the violent, scatological images of clergy and religious practices that were printed and distributed by the thousands,  it doesn’t seem like a culture in which there is calm-truth seeking happening. It feels frantic, taboo-shattering, dam-bursting and addictively scandalous. And that, as we know, will always, always sell.

(By the way – this is being posted in the leadup to October 31 – “Reformation Day” – the day Luther supposedly nailed his 95 Theses on the Wittenburg church door. The 500th anniversary, no less. Both Eire and Pettegree point out that there is little evidence that such an event happened on that date, or even happened at all, at least to any fanfare or notice. FYI.)

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— 1 —

Get your travel bug on: The family of Bearing Blog is in Europe at the moment, and the mom is doing a fabulous job blogging it, and just as fabulous a job of feeding her large family while on vacation. I always have such big plans and high hopes for cooking interesting things with new, fascinating ingredients when I’m in a new place, but somehow…takeout always beckons. (Although in my own defense…the takeout can be pretty good….) 

 — 2 —

Most entertaining part of my Thursday was, as I was waiting for piano to be over, standing in a hallway of a college classroom building and watching as successive groups of students approach a door and learn that their scheduled exam had been moved to next week.

Much leaping, skipping, and, since this is a Baptist school, praising of Jesus!

 

— 3 —

I remember a time when the notion of applying to Duke Divinity School would have been akin to applying to Harvard.

Here’s the subject header of an advertising email I received yesterday:

Duke Divinity School: Apply Using Discount Code DukeCT

???

 

 

— 4

Worth a read: “The Borromeo Option”

Despite his importance, Charles Borromeo is little known and appreciated within the English-speaking world, primarily because few of his works have been translated. This lacuna has now been filled with the publication of Charles Borromeo: Selected Orations, Homilies and Writings. J.R. Cihak and A. Santogrossi have furnished us with a superb edition and translation of some of Charles’s most significant texts.

Cihak’s introduction provides a short, but splendid, biography of Charles, and a guide to the historical, ecclesial, and pastoral setting for his writings. There follow four sections, which highlight various aspects of Charles’s work.

The first presents orations that Charles gave at his provincial councils. Here he articulates the need for reform and the nature of the reform. Charles notes that the true bishop “is frequently at prayer and in contemplation of heavenly things.” He is “regularly present in the episcopal residence, and likewise totally dedicated and given over to his episcopal duties.” He is “a true father and pastor of the poor, widows and orphans, a patron of the holy places and assiduous in promoting holy observances.”

There is, however, “another bishop.” He “is remiss or negligent in all of these things, or what is worse, does the opposite.” For Charles, his fellow bishops and priests are to be men of the Gospel who love the Church and the people they serve. Above all, they are to be holy shepherds after the manner their supreme Shepherd – Jesus Himself.

Thus, Charles displays both his love for his fellow bishops and priests as well as the need to challenge them if the Church and people of God are to grow in holiness.

 

— 5 —

From the UK Catholic Herald, “Stop Teaching Our Children Lazy Anti-Catholic Myths:”

Saying that medieval peasants were “extremely superstitious” is one thing; it’s easy to sneer at abstractions. But if you read medieval records of sick people visiting holy shrines, those involved emerge not as stereotypes but as real human beings: men and women from all classes of society, seeking aid in the extremes of pain and suffering, with stories of self-sacrifice and deep personal faith. From a modern viewpoint, some of their beliefs might seem alien, but their fears and hopes are not. These people and their beliefs deserve respect, and at least an attempt at understanding. All this was a sanctification of the everyday, a vision of a world charged with power and meaning – and for medieval scholars, none of it was incompatible with science or learning.

No one would pretend that the medieval period was perfect or that the medieval Church did not have some serious flaws. What’s needed today is a more balanced view, appreciating that the Middle Ages was as complex as any other period in history, and avoiding judgmental, emotive language like “stagnation” and “superstition”. There’s no excuse for it any more.

It has never been easier to access information about the medieval past, especially when a few minutes on Google will lead you to accessible websites written by experts on medieval science and religion, not only debunking myths but also providing more accurate information.

It’s past time for educators and journalists to move beyond the lazy stereotypes about the Middle Ages. The truth is far more interesting.

 

— 6 —

Homeschooling? Going well, with a couple of interruptions this week. Schools were cancelled here on Monday, and my older son had a delayed opening on Tuesday. The public schools were also closed on Tuesday (it had been a proactive decision handed down Sunday night when no one knew if Irma would impact us – it didn’t much), so the science center homeschool class was cancelled, and then the homeschooler had two teeth extracted on Wednesday….so…scattered.

But we did discover this set of fun videos – they are pitched a little younger, but the fact that they’re British evens that out so that they’re quite entertaining to watch for any age:

The Magic of Making:

 

 

— 7 —

Book talk!

As I noted earlier in the week, my old booklet on St. Nicholas has been brought back into print. Get ready for Christmas – especially if you’re a parish or school coordinator of such things!

Celebrate the feast of Our Lady of Sorrows with a (still) free download of my book, Mary and the Christian Life.

Get a cheap e-book on Mary Magdalene here – Mary Magdalene: Truth, Legends and Lies.

As I mentioned last week, The Loyola Kids Book of Bible Stories is available.It looks like it’s finally shipping from Amazon in a timely manner…

 But you can also certainly order it from Loyola, request it from your local bookstore, or, if you like, from me – I have limited quantities available. Go here for that.

For more Quick Takes, visit This Ain’t the Lyceum!

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Frost In May is a very  Catholic book, and I am really wondering how I’d never heard of it or its author before a couple of weeks ago, me being the self-styled pseudo-“expert” in Catholic Lit that I fancy I am.

Humility is always just around the corner, it seems.

I won’t leave you in suspense: it’s an excellent little novel, terse, painful, ironic and complicated.

People have various views on how much the biography of an artist should weigh on our evaluation or understanding of the art. I tend to land on the “let the piece stand on its own” side most of the time, even though there’s usually one significant biographical fact that helps illumine a work and is good to know before you go on: Walker Percy’s grandfather and father both committed suicide. Flannery O’Connor’s father died young from lupus, and she knew she’d die young from it too after a certain point. And so on.

I think with Frost in May¸ knowing a bit about Antonia White is helpful. I hasten to say, though – not too much, for there’s an event in her young life that makes its way into the novel and is a definite, sad twist – and it’s good not to know what it is going in.  So don’t do exhaustive research, and don’t read the introductions to modern editions before you read the novel.

(This is a pet peeve of mine – I have found this time and time again that these introductions to older novels, usually penned by popular contemporary authors, tend to give a lot of the plot away – so I’ve started skipping them. Perhaps it would be better for them to be supplementary essays in an appendix?)

But I will say that this incident – what happened to White and what happens to her protagonist – is an almost perfect distillation of the Plight of the Catholic Artist….

What’s helpful to know is this – Antonia White’s fiction is mostly autobiographical, pulling from her own life as the young Catholic convert only child of a Catholic convert father/schoolteacher, and then, as she got older, from her experience of mental illness and terrible relationships.

(Side note: when I was first running across mentions of this book and this writer, I thought I was reading about Antonia Fraser – and was a little confused. Not the same person.)

Her personal life was very, very difficult, and her own children weren’t spared from this difficultly – both daughters wrote negative books about their mother.

There’s an autobiographical entry from White at the Catholic Authors website – but be warned, it does relate this incident I’m talking about that figures in Frost in May – but I’ll quote here White’s assessment at the time she wrote the entry, of her own faith journey, as we say:

Though bad reviews can wound a lot, good ones do not always inflate one as much as they might. So often the flattering remarks seem to bear no relation to the novel one has actually written’ so that one feels rather like a cat that has been awarded a prize in a dog-show. What is far more heartening than even the kindest review is the letter from the stranger who has read the book and taken the trouble to write a personal appreciation. Best of all is the stranger who finds something in what one has written that corresponds to their own experience of life or even illuminates it. One such letter from a stranger in New Jersey (she is now a friend of many years’ standing) gave me courage to tackle a difficult theme . . . that of insanity. It is to this Catholic woman doctor that I dedicated my last novel, Beyond the Glass.

My novels and short stories are mainly about ordinary people who become involved in rather extraordinary situations. I do not mean in sensational adventures but in rather odd and difficult personal relationships largely due to their family background and their incomplete understanding of their own natures. I use both Catholic and non-Catholic characters and am particularly interested in the conflicts that arise between them and in the influences they have on each other. The fact that I lapsed from both faith and practice for fifteen years is naturally something I bitterly regret. Nevertheless, I think that it has given me a real understanding of those outside of the Church and of problems for Catholics themselves which those who have been spared ‘doubts’ do not always appreciate. Since I was fortunate enough to recover my faith in 1940, every year has given me a deeper conviction of its truth. If anything I have written or may write one day could reduce some of the misunderstandings between Catholics and non-Catholics, I would be more than rewarded for all the qualms and miseries I have every time I embark on the seemingly impossible task of writing another novel.

Frost in May is a novel about a young girl’s time in a Catholic boarding school at the Convent of the Five Wounds. We meet Nanda at the age of nine as she is on her way, with her father, to the school, and we say farewell to her at the end, when she is leaving – having been sent away – a few years later.

During those years, she encounters the sisters, strong women, one verging on the sociopathic, it seems, but the others, while strict and focused on their perceived mission, never really actually cruel. She makes friends – the girls do not come from a terribly varied background, given that this is a school that mainly caters to elite Catholic families, both British and Continental – but their personalities range in the ways you would expect, from the deeply pious to the scandalously skeptical, and, as is often the case in this genre (see The Trouble with Angels)  – those most deeply affected by life with the Sisters are never those you might expect from their external affect. Emotions run high and heated in such an atmosphere, as well.

The spirituality of the order is harsh and even a little nutty by modern standards. But what I appreciate is that White always presents these practices and traditions in a full human and spiritual context, so that while we, from a distance, can say..well, perhaps that goes a little far and isn’t necessary – we can also see that the rationale is rooted in a sincere desire to help these young women be faithful followers of Christ in all that life will be handing them.

We work to-day to turn out, not accomplished young women, nor agreeable wives, but soldiers of Christ, accustomed to hardship and ridicule and ingratitude.

It’s harsh:

Every will must be broken completely and re-set before it can be at one with God’s will. And there is no other way. That is what true education, as we see it here at Lippington, means.

The intention was always to teach the virtue of humility before God and other human beings – but this worthy goal can easily be perverted into a system of humiliation administered by flawed and sinful human beings in systems that ossify and lose sight of their original charism.

I think that Frost in May dramatizes that tension very well, and does so in a way that takes the root positive motivations seriously, and thereby avoids cheap shots or easy, cynical black-and-white post-mortems that don’t so much clarify the truth as heighten the pride of those of us who have the luxury of hindsight.

I’d also say that from the perspective of 2017 – almost a hundred years after the fictional Nanda is taken to the Convent of the Five Wounds – we can look at the fruit of that swinging pendulum with clear eyes. Yes, perhaps it was too much for the little old sister to correct Nanda’s sleeping posture on her first night:

“Now, lie down,” said the nun kindly, “you were not, by any chance, crying when I came in?”

“No, mother,” said Nanda decidedly.

“That is good. But you were lying in such a strange way. Did your mother never tell you at home to lie upon your back?”

“No, mother.”

“But it is more becoming that you should.”

Nanda straightened herself out from her comfortable ball, turned her back and thrust her feet bravely down into the cold sheets.

“So, it is better,” said the nun gently, “and now the hands.”

She took Nanda’s hands and crossed them over her breast.

“Now, ma petite,” she said, “if the dear Lord were to call you to Himself during the night, you would be ready to meet him as a Catholic should. Good night, little one, and remember to let the holy Name of Jesus be the last word on your lips.”

She passed silently out of the cubicle.

Nanda retained her new position rigidly for a few minutes.

“I shall never get to sleep,” she thought miserably as she heard the outdoor clock strike eight. But even as she thought it her lids grew heavy and her crossed hands began to uncurl. She had just time to remember to whisper “Jesus” before she was fast asleep.

But…you know what? There’s that tension I’m talking about – at first glance, the sister’s insistence of proper Catholic sleeping posture sounds crazy and definitely over the top. God meets us where we are! But then….Nanda falls asleep and yes, Jesus is the word that takes her there.

Hindsight. We can look back, and hear witnesses attest to how this spirituality harmed or helped them – but then we can also look back, not so far, at our own recent history and see that perhaps the externals are irrelevant…do what’s in your heart…has its own less-than-perfect fruit as well.

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Weekend:

The older one worked a lot – Friday evening, Saturday evening and Sunday afternoon into the evening. After working almost every afternoon last week as well, it’s good that he has somewhat of a break this week – not working again until Friday. He seems to be managing it well, though. He’s certainly learning to value free time and not take it for granted.

On Saturday morning, I had a very enjoyable time speaking to women of the diocese of Birmingham at Our Lady of the Valley parish.  I used some stories from the Guatemala trip in the talk, and as I did so, some points really clicked in my brain, so hopefully as the busy-ness of the early part of the week abates, I can move forward on that project with clarity.

"amy welborn"

After a summer break, they were back serving at the Casa Maria retreat house yesterday:

(Again – sorry it’s huge. I wish you could resize videos on WordPress…but you can’t. I don’t think.)

Afternoon: reptiles.

 

This week:  Eclipse Day today – we are staying right here and will just see what we can see (with our glasses!). I was pretty convinced that if I attempted to travel to full totality – even though we had added incentive because Charleston, where my son, daughter-in-law and grandson live is in the path of full totality – what would happen was this: The spot to which I traveled would experience heavy cloud cover and it would end up being clear back in Birmingham.

So we’re here today. Eclipse Education, Eclipse, then a piano lesson. Tomorrow, M is back at the convent, serving for a Final Profession Mass, then to the orthodontist and then on Wednesday I’m thinking “school” will be a little more focused.

All right, let me try to do this: offer some thoughts on some of the books I’ve read over the past ten days.

First was – as I mentioned and posted about – Ride the Pink Horse.  Such an interesting, surprising read.

Then I turned a bit and traveled to somewhere in Illinois in 1918 for They Came Like Swallows.

 William Maxwell is well-known as an editor, but he was a fine writer himself. They Came Like Swallows was the first novel of his that I’d read.

It’s a short, intense book about childhood, the passing of time and grief. In some respects, it reminded me of Paul Horgan’s Things as They Are

I hate to say too much about  the important plot points because while it is clear something is going to happen, the precise nature of the incident is somewhat of a surprise and perhaps shouldn’t be spoiled for future readers.

So what shall I say?

It’s a short novel told, in three sections, from the perspective of three characters (all in the third person) – a young boy, his older, young teen-aged brother, and their father.

The time, as I mentioned, is 1918. The Great War ends during the novel, but something else is brewing, something called influenza. The family at the center is a comfortable, middle class family living in Illinois. The younger boy has an intense relationship with his mother and lives, it seems to him, primarily in reference to her.  Through his eyes, as well, his older brother is a rough figure who cares little for anyone, but when his turn comes around, we see that things are not always as they appear.

They Came Like Swallows is a lovely book with as authentic a representation of the feeling of grief as I have ever read in literature.

A note on the edition I read. Most of you know about the Internet Archive – you may not know that one of the features of the site is a book borrowing service – that is, of books that are still in print. That’s how I read They Came Like Swallows  What I didn’t like was that copyright limitations prevented it being downloaded as an actual Kindle book, ,so it had to be read online, which meant that I couldn’t highlight or make notes. But at least I was able to read it, and for that I’m grateful. It’s very good, beautifully written, sad and true.

Coming attractions:

Frost in May

The Tortoise and the Hare

 So Long, See You Tomorrow

 Time Will Darken It

 The Lost Traveler

 

 

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How about we just read some books?

I’ve knocked a couple over the past few days, two books of very different genres, but both absorbing in their own way.

And I’m telling you – settling into a book is far less anxiety-producing than settling into social media news opining for the evening. Or even for fifteen minutes. Even if it’s a book about death. Weird.

But try it. It doesn’t make you a bad citizen, I promise.

I have written about Dorothy Hughes before. She is known today to the extent she is known at all, for pulp/crime novels. I initially came across her work via the NYRB reprints line – they have published The Expendable Man, which I wrote about here – and still highly recommend. A while later, I read her most well-known book, In a Lonely Place, made into a movie with Humphrey Bogart, and which I wrote about here.

So, what do we have so far? In the first, a physician falsely accused of a crime. In the second, we’re in the narrative point of view (in the third person) of a probable serial killer. In the third Hughes I’ve read – Ride the Pink Horse, we’re in the head of a still different type of character: a small-time operator and borderline criminal who’s been a part of the circle of a corrupt Illinois senator and who’s trying to settle a score of sorts – or to simply get what he believe is owed him.

Ride-the-Pink-Horse-Back-Cover

What adds another level of interest and meaning to Ride the Pink Horse is the setting. Sailor – for that is his name – has followed the senator down to Santa Fe for the Fiesta that takes place over Labor Day weekend.  Fiesta provides a fascinating background to the story, a background that reflects a changing understanding of America, insight into the Southwest and, most importantly, a glimpse into a greater, even transcendent reality that pricks at Sailor’s conscience.

The Fiesta begins with the burning of a huge effigy of evil – Zozobra.

On the hill the outsiders played at Fiesta with their fancy Baile but Fiesta was here. In the brown faces and the white faces, the young and the old; capering together, forgetting defeat and despair, and the weariness of the long, heavy days which were to come before the feast time would come again. This was Fiesta. The last moments of the beautiful and the gay and the good; when evil, the destroyer, had been himself destroyed by flame. This was the richness of life for those who could destroy evil; who could for three days create a world without hatred and greed and prejudice, without malice and cruelty and rain to spoil the fun. It was not three days in which to remember that evil would after three days rise again; for the days of Fiesta there was no evil in this Fiesta world. And so they danced.

Sailor is an outsider to this world, and so it’s a convenient way for Hughes to explore the noir trope of alienation, particularly in that post-World War II era.

And standing there the unease came upon him again. The unease of an alien land, of darkness and silence, of strange tongues and a stranger people, of unfamiliar smells, even Ride-the-Pink-Horse-Dellthe cool-of-night smell unfamiliar. What sucked into his pores for that moment was panic although he could not have put a name to it. The panic of loneness; of himself the stranger although he was himself unchanged, the creeping loss of identity. It sucked into his pores and it oozed out again, clammy in the chill of night. He was shivering as he stood there and he moved sharply, towards the Plaza, towards identity.

For three days, Sailor lurks and waits. Because it’s Fiesta, there’s not a hotel room to be found, so he sleeps where he can. He encounters the Senator and his entourage, with increasing levels of threat and intensity as he demands what’s due him. He discovers another Chicagoan in town – a boyhood acquaintance now police detective, also keeping an eye on the Senator. He forms a friendship of sorts with the man who operates the  Tio Vivo – the children’s merry-go-round –  whom he nicknames (of course) “Pancho.” There is, by the way, a lot of what we’d call offensive ethnic-related language in this book, but it’s all from the brain of Sailor, who uses language like that because that’s the way his character thinks.

Anyway, Pancho is one of a few characters Sailor encounters who hints at a different way. Another is a teenage girl whom he could easily exploit, but doesn’t, and whom, for reasons mysterious to even himself, he tries to help. It’s her storyline that provides the hughes-ridepinktitle – a title which has nothing to do with the dame on the cover of the reissue. What these characters do is  show Sailor glimmers of life as it exists beyond greed and keeping score, either by the peace they’ve made with the limitations of their own lives:

‘Even with the gringo sonnama beetches,’ Pancho said cheerfully. ‘When I am young I do not understand how it is a man may love his enemies. But now I know better. I think they are poor peoples like I am. The gringo sonnama beetches don’t know no better. Poor peoples.’

….or the small acts of goodness they draw out of Sailor himself:

Sailor called to Pila. ‘Ride the pink one.’ He felt like a dope after saying it. What difference did it make to him what wooden horse an Indian kid rode? But the pink horse was the red bike in Field’s, the pink horse was the colored lights and the tink of music and the sweet, cold soda pop. The music cavorted. Pancho’s muscles bulged at the spindlass. Pila sat astride the pink horse, and Tio Vivo began its breath-taking whirl. Sailor leaned on the pickets. He didn’t know why giving her a ride had been important. Whether he’d wanted to play the big shot. Whether it was the kid and the bright new bike, the bum with his nose pressed against the window looking at the clean silver blonde beyond reach. Whether it was placating an old and nameless terror. Pila wasn’t stone now; she was a little girl, her stiff dark hair blowing behind her like the mane of the pink wooden horse.

Sailor was raised Catholic, by a pious mother and an alcoholic, abusing father. His mother spent her life praying – and how did it help her? In his view, it didn’t.

He hadn’t come here to pray; he’d come with a gun to keep his eye on a rat. He wasn’t going to be sucked in by holiness. He kept his mind and his backbone rigid when the golden censers swung the musk-scented smoke, when the organ and choir blazoned together the O Salutaris Hostia. He got on his knees only because everyone else did, because he didn’t want to be conspicuous…..Sailor slid over to the side pew. A pillar protected him from the eyes of those moving up the aisle. The old men and the little children. The rich and the poor. The alien and the native, the magnificent and the black shawls. The monks and the choir and the Sociedads, a slow-moving, silent procession to the open cathedral doors, out again into the night. Candles flickered like fireflies from all the vasty corners of the cathedral

Now and then, cultural commenters would worry about the appeal of antiheroes Tony Soprano (The Sopranos) and Walter White (Breaking Bad). What does it Say About Us? Well, what was most compelling to me -and I think to many – was not so much these characters’ dastardly deeds, but rather the possibility that they might turn around – both shows were full of such moments and opportunities, and decisions had to be made in those moments, decisions about whether to be really courageous or continue in your prideful, destructive, bastard ways.

Ride the Pink Horse has that same kind of vibe about it. Sailor didn’t have to be in the spot he’s in, and he still has a chance to move in another direction. Will he take it?

It’s a little repetitious – so not as strong as An Expendable Man, which is still my favorite Hughes so far. But it’s got a great setting, and in that pulp context, effectively examines the notion of conscience, creates a haunting spiritual landscape through which sinful strangers in a strange land choose one path – and not another –  and wow, the ending is just smashing. I gasped. I did.

Well, that took longer than I expected. I’ll wait until tomorrow to write about the other book I read this weekend – They Came Like Swallows by William Maxwell, published eighty years ago about events set twenty years earlier than that, but astonishingly fresh and deeply insightful.

Ride-the-Pink-Horse-Movie-PosterBy the way, Ride the Pink Horse was also made into a film. It’s been released as a part of the Criterion Collection, so…I guess it’s good? But the plot is very different from the novel:

He plays a tough-talking former GI who comes to a small New Mexico town to shake down a gangster who killed his best friend; things quickly turn nasty. 

…but the discussion at the Criterion site intrigues me…so perhaps I’ll try to find it and give it a go.

 

 

 

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— 1 —

It’s the feastday of St. Clare! I’ll refer you to last year’s post on her, with links to biographical material and her letters, as well as photos from our own trip to Assisi.

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If you read nothing else, take a look at her letters, especially those to Agnes of Prague.  

From last year’s post: 

Agnes was the daughter of a king and espoused to the Emperor Frederick, who remarked famously upon news of her refusal of marriage to him, “If she had left me for a mortal man, I would have taken vengeance with the sword, but I cannot take offence because in preference to me she has chosen the King of Heaven.”

She entered the Poor Clares, and what makes the letters from Clare so interesting to me is the way that Clare plays on Agnes’ noble origins, using language and allusions that draw upon Agnes’ experience, but take her beyond it, as in this one. 

 

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There are no photographs allowed inside the Basilica of S. Chiara in Assisi, which is where the original San Damiano cross is now kept. Here’s Ann Engelhart’s lovely painting of the San Damiano cross from Adventures in Assisi. 

 

9. Santa Chiara basilica - spread 8 copy

— 2 —

And….the first week almost done. Driving to and from school has happened several times. I am loathe to say too much about that because, I admit, I’m superstitious. Or, as I prefer to say it, I believe there is wisdom and truth in old adages like “Don’t count your chickens before they hatch.”

So all I’ll say is that for me, my level of tension has decreased as the week as progressed. The fact that the new anti-texting-while-driving law took effect on 8/1 has helped. Not that I don’t see people still studying their phones on the road, but I’m hoping those numbers will, indeed, decrease and the risk to others decrease as well.

 

— 3 —

Speaking of Alabama….this is for you, in case you need to be amused. I guess it’s basically the same crew that does SEC Shorts – I don’t care a wit about football, but I find any kind of subculture – including fandom – fascinating, and always enjoy some precision satire and observation. These are hit and miss, but when they’re on, they’re really funny.

So they’re doing these. Some are weaker than others in both writing and acting, but my favorites are:

 

And the one on “southern” accents in movies…and bless your heart is okay, too. 

It’s just fun because they’re filmed in Birmingham, and the sights and sounds are familiar – there’s one about the challenge of eating healthy in the south that has a snip of the guy running in the park, distracted by an ice cream truck, which is very funny because he’s in Railroad Park where there’s always an ice cream song driving the world mad with its tunes….

Also – in one of the videos, “Things you never hear people saying in the South” – there’s reference to a wedding being scheduled on a football weekend. A few years ago, when I was living in the front-porch neighborhood (still missed – but we just needed a different space…), I was walking and overheard a woman talking on the phone on her front porch very loudly: 

“Okay, I know  the game will be on, but no, I am not putting a TV in the room during the reception.  There’s sports bars down the street – you all can just leave and go down there if you want….”

 

]— 4 —

This is a site to which I used to refer readers all the time: Aid to the Church in Need. It’s a good place to find projects to help and also provides helpful insight into the life of the Church around the world.

— 5 —

Edited – I miscopied the template and have been skipping #5 – thanks for noticing!!

Homeschooling is slowly getting rolling. We had a friend over on one day, and have had various other appointments, but next week looks clear. We’ve gotten going on math, and yesterday, he had his first good morning of “unschooling” – that is just reading and talking, and then recording what he’d read about. This won’t be a “comprehensive” education, but it will be…something.

— 6 —

The Jungle: It was my older son’s summer reading, so I joined in…the fun. Well.

On one level, it’s an “easy” read (for most of the book), because Sinclair was a journalist and tended to get right to the point and had great descriptive skills. It didn’t hurt that what he was describing was so vivid and visceral and the story of unrelenting misery so compelling, if…unrelenting.

For those of you who don’t know, The Jungle was the fruit of a couple of months Sinclair spent in Chicago in the early 20th century, examining the meatpacking industry and the lives of the immigrant workers in that industry. The focus of the story is an extended Lithuanian family and the young man who marries into that family, named Jurgis.

It’s all pretty devastating. The slaughterhouses and packing facilities are brutal and filthy. The workers’ lives are miserable and that misery is unrelenting. It’s all described quite vividly and, spoiler alert: No, things don’t get better. It’s just one thing after another.

Sinclair has a point in this, though. He was a strong socialist, and while most people associated The Jungle with the story told about the industry and the resultant formation of the FDA as a result of the outcry raised by the book, Sinclair’s main intention was to raise sympathy for the workers.  He was always a little distressed that the social activism inspired by the book was focused on the industry rather than the fundamental equation of American capitalism of the time – as he saw it – that made workers nothing more than cogs in a machine (or pigs on a killing line) for the purpose of enriching a relatively few.

It’s a mostly interesting book – until the last sixth, or so, when Jurgis discovers socialism and does so mostly by listening to speeches. Speeches that we are privileged to share in, also. Page. After page. After page. Thousands of words of socialist uplift, Comrade.

It’s important and interesting to encounter even that part of the book, in my mind, because of the spiritual associations. Jurgis experiences no less than a spiritual conversion that gives his life a transcendent meaning and binds him to others.

But still….it’s very boring.

As a whole, though, a book worth reading, even for young people. I quibble with a lot of school assignments, but I think this was a good choice as an introduction to the study, this year, of the second half of American history and literature. It vividly brings you into another world and lays out issues that gather up the promises of the first half of history that you studied last year then sets them in this new situation and demands you answer the question, What now? 

— 7 —

And, oh my heavens, speaking of immigration and American hopes and dreams – on a more positive note –  if this article has passed your various newsfeeds by, take a look and catch up. And then, if you’re like me, make the decision (again!) to stop the griping, be grateful, and jump back into this life business full-tilt, creating and giving what you can:

In 1956, blood spilled as Hungarians revolted against Soviet control. Hideg and his wife, a pianist, risked execution as they fled Budapest under cover of darkness. They sneaked past Russian infantry and escaped first to Austria and then New York City in early 1957. Hideg got a job as a janitor, and after work he’d race to Birdland and other Manhattan jazz clubs to see his heroes.

In 1961, he and his wife loaded up their old DeSoto and headed west, flat broke, stopping at bars along the way to play for food and gas money, Hollywood or bust….

 

….“I did not come to this country to be a burden on the state,” says Hideg, who has resisted signing up for many entitlements available to seniors.

He chose the musician’s life, he says, and has no regrets. If he has a message for others, Hideg tells me, it’s that doing something you love will serve you well. And another thing: Don’t hesitate to ask friends for help if you need it.

“He’s not a shy guy, but it’s not easy for him” to accept money, says Hideg’s longtime buddy Laszlo Cser, a retired musician and L.A. City College professor. “Lately he’s more willing to go along.”

Louis Kabok, a local bass player who knew Hideg in Hungary, fled at about the same time. He says his friend’s high spirits in the face of hardship and advancing age don’t appear to be an act.

“To tell you the truth, I never met another person in my life who has his kind of attitude,” says Kabok. “He just has an idea of the way he wants to live his life, and he’s doing it.”

Indeed, for all his troubles, Hideg glows. His silver hair is as thick as his Hungarian accent. His grin is young, timeless and broad, the grin of a man who’s in on a secret.

Whatever day it is, the weekend is coming soon, and Hideg lives for Friday and Saturday.

He can’t bang the skins in the quiet environs of his apartment building, so every Saturday, he stays drummer fit with a two-hour workout at Stein on Vine in Hollywood, the legendary music shop where he jams with gray-bearded buddies and it’s the 1950s all over again.

In the video attached to the story – worth a few minutes of your time – Mr. Hideg says, “I live alone…and I don’t have a family. But I am not lonely because I have my friends, I have God, I have my drums….when I play, I concentrate on the music. I don’t care about anything else…”

(The Go Fund Me campaign has raised a bunch for Mr. Hideg.)

 

For more Quick Takes, visit This Ain’t the Lyceum!

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