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Thanks to Catholic World Report for picking up one of this week’s blog posts – reprinted here.
Look for me in Living Faith next week. Friday, I believe.It will be here.
Here’s a post on St. Rita for today.
I thought this was just excellent:
By focusing so minutely and carefully on their ordinary holiness of life, rather than solely on his martyrdom, the film points out a further irony. We look to the martyrs as heroic precisely because of the martyrdom. But what led the martyrs to their martyrdom? We can be blinded by our need for heroes, blinded by the particular heroism of martyrdom; fascinated by it, the rest of the martyrs’ lives remain hidden to us by our own lack of interest, our narrowness of vision, like the way our desire for stunning miracles can obscure from us the ubiquitous and ordinary but just as holy ways of God’s providence.
If the Church canonizes and so proclaims a saint to us in order to provide objects of admiration and thus models of holiness for us to emulate, then it is really a kind of cheap grace for someone like me to admire Jägerstätter’s martyrdom; I cannot connect with him at all in his martyrdom, except hypothetically—well, if I am ever in that situation, I pray I will do what he did. Right, if I am ever in that situation . . . But what the film shows is that his martyrdom was the fruit of the holiness of his ordinary hidden life. And that is a portrait of the life of a man I can connect with, a life I can seek to emulate—a man at home with his wife, children, friends, a job, living a life that is hidden, “unhistorical,” but holy.
That hidden life was not a conscience hidden from the world around him. It was the life of a conscience as clear and bright as a cloudless day, alive in its impact upon the lives of those around him. For me to emulate that hidden life would not be cheap grace. And maybe, just maybe, it would not then be cheap grace for me to pray, if I am ever confronted with a situation as bad as he was, however unlikely that is, that I could emulate his martyrdom, because I have already emulated the holiness of his hidden life. “If you found out you were going to die in fifteen minutes, what would you do?” “Same thing I have been doing.” The Little Way, day by day.
Well, I love this. In the Milan Duomo, on the feast of the Ascension, the huge and elaborate paschal candle holder is…raised to the ceiling during the proclamaion of the Gospel.
In the Roman Rite, there is a rubric that simply says the Paschal candle is extinguished after the Gospel on the feast of the Ascension, and therefore lit again only for the blessing of the baptismal font on the vigil of Pentecost. In the Duomo, the rite is something a little more impressive, as you can see in this video of Pontifical Mass held last year on the feast of the Ascension (starting at 21:38, with the beginning of the Gospel.
More, including the video, at the link.
Catholic traditions are the best – unfortunately, our local version of Pentecost petals from the ceiling is not happening this year, for reasons we can all guess…
Continuing the tradition of the Church Mothers and Fathers – in the Arctic.
But another type of desert, which also features extreme weather and hardship, is the site of a new monastic community: the white desert of ice, snow, and cold in the northern hemisphere, specifically in the tiny village of Lannavaara, in Swedish Lapland. Home to only about one hundred inhabitants, it is located 250 kilometers north of the Arctic Circle. It is here, amid silence, prayer, and very low temperatures, that two religious sisters are laying the foundations for a new order at Sankt Josefs Kloster (the Monastery of St. Joseph): the Marias Lamm (Mary’s Lambs) community.
The community’s story begins in 2011, when Swedish Sister Amada Mobergh received permission from the bishop of Stockholm, now-Cardinal Anders Arborelius, to undertake contemplative religious life in Sweden. Sister Amada, who converted to Catholicism in her 20s while living in London, had spent 30 years as a member of the Missionaries of Charity, serving in India, then-Yugoslavia, Kosovo, Italy, Albania, Iceland, and the United Kingdom. In a 2015 interview with the Italian Catholic news agency SIR, Sister Amada recounted that after discerning that a more contemplative life was God’s will for her, she and another sister, Sister Karla, visited several monasteries in southern Sweden. While Bishop Arborelius expressed his happiness over their decision, he had made it clear that he would not be able to support them financially, since the Catholic Church in Sweden is very small. Following a series of what the sisters considered miracles, they were able to find temporary free accommodations far to the north. “We arrived December 24th, 2011, the temperature was -30 C. I immediately understood that this is where I had to be,” Sister Amada recalled in the SIR interview.
After a year and a half, the sisters had to move, in part because their residence was too small to accommodate all the people who had begun to come to visit and to pray with them.
From McSweeney’s: “What Your Favorite Requiem Mass says about you.”
As someone on FB said, “I suspect the infamous Onion Trad is now writing for McSweeney’s.”
(I never was a part of any conversations about the “infamous Onion Trad” but it was very clear to me for a time that there was someone who wrote for the Onion who was very familiar with Catholic life and lingo. )
Anyway:
Victoria: You, an American, went to “university,” where you discovered you held very strong opinions about Requiem masses. None of your “friends” cared…
….Fauré: Someone very close to you has given you a “live, laugh, love” print, and you don’t have the heart to tell them how you felt about it…
…Duruflé: You taught yourself Latin, and now phrases like “vita incerta, mors certissima” are staples of everyday conversation. You pay too much for your glasses.
This week, I read Greene’s Ministry of Fear. It’s one of his self-described “entertainments” but that doesn’t mean it doesn’t contain extraordinary writing and engagement with important themes.
It’s got one of the more compelling opening chapters I’ve ever read in a novel. We meet a man, Arthur Rowe, in London during the Blitz. He happens upon a church carnival of sorts, which brings forth all sorts of memories of childhood – a completely other time, distant in more ways than one. A strange thing happens to him there. He wins a cake – made with real eggs – because the fortune-teller, for some reason, told him the exact weight – someone tries to get him to give up the cake…and we’re off in a story of espionage, intrigue, mistaken identity and memory loss.
There are loads of near-perfect passages and descriptions, which I’ll highlight below, but what I want to focus on is the theme of pity. Greene wrote this novel during World War II – the only book he wrote during the war – while on post in Sierre Leone – the setting of The Heart of the Matter, the theme of which was also the contrast pity pity and real, authentic love.
Which, incidentally, is also a theme of both Walker Percy and Flannery O’Connor, who uses the term “tenderness” in this famous quote, but I think pity is an apt synonym:
“In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber.”
Essentially – and this is the case in the book – pity is essentially dehumanizing. Or, as Green puts it in the novel, Pity is cruel. Pity destroys.
And of course, loss of innocence factors large here, as Greene’s protagonist is always recalling a more innocent past – both his personal past and his country’s – in the context of bombed-out, continually threatened London. A dream he has while sheltering:
“This isn’t real life any more,” he said. “Tea on the lawn, evensong, croquet, the old ladies calling, the gentle unmalicious gossip, the gardener trundling the wheelbarrow full of leaves and grass. People write about it as if it still went on; lady novelists describe it over and over again in books of the month, but it’s not there any more.”
His mother smiled at him in a scared way but let him talk; he was the master of the dream now. He said, “I’m wanted for a murder I didn’t do. People want to kill me because I know too much. I’m hiding underground, and up above the Germans are methodically smashing London to bits all around me. You remember St. Clement’s – the bells of St. Clement’s. They’ve smashed that – St. James’s, Piccadilly, the Burlington Arcade, Garland’s Hotel, where we stayed for the pantomime, Maples and John Lewis. It sounds like a thriller, doesn’t it, but the thrillers are like life – more like life than you are, this lawn, your sandwiches, that pine. You used to laugh at the books Miss Savage read – about spies, and murders, and violence, and wild motor-car chases, but, dear, that’s real life; it’s what we’ve all made of the world since you died. I’m your little Arthur who wouldn’t hurt a beetle and I’m a murderer too. The world has been remade by William Le Queux.”
I enjoyed Ministry of Fear – even as I was, not surprisingly, confused by it. Some more quotes:
He had in those days imagined himself capable of extraordinary heroisms and endurances which would make the girl he loved forget the awkward hands and the spotty chin of adolescence. Everything had seemed possible. One could laugh at daydreams, but so long as you had the capacity to daydream there was a chance that you might develop some of the qualities of which you dreamed. It was like the religious discipline: words however emptily repeated can in time form a habit, a kind of unnoticed sediment at the bottom of the mind, until one day to your own surprise you find yourself acting on the belief you thought you didn’t believe in.
His heart beat and the band played, and inside the lean experienced skull lay childhood.
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Here’s a short story for you that’s about a hundred and seventy-five levels below the writing of Graham Greene. It was a finalist for the Dappled Things J. F. Powers competition, but not the winner. So here it is – I wanted to put it on a platform that was not my blog, and Wattpad was the quickest way to go. It undoubtedly does not quite fit the site, but it was easy and let me keep my italics, so it won.
It may not be there forever, as I’ll still keep looking.
And here’s a novel – from Son #2! (Check out his other writings here)
For more Quick Takes, visit This Ain’t the Lyceum!
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