7 Quick Takes

— 1 —

Hey, guys, I think you’re going to spare obscure academic articles this week.

But you will not be spared…..

— 2 —

PUY DU FOU!

Long, long time readers will know that in the fall of 2012, I took my two youngest to Europe. It was, as I have written here, a way of forcing myself to homeschool them. I reasoned – if I actually left the country – I couldn’t go racing back to the school principal a week in,  begging her to take us back.

Anyway, one of the highlights and grand surprises of the trip was Puy du Fou. I will bet money you’ve never heard of it.   When I first started researching the trip, I happened upon information about Puy du Fou, and was immediately intrigued. What is this??  It’s the most popular attraction of its type in France – more so than EuroDisney – and I’d never even heard of it.  Then I went to the website, watched the over-the-top amazing videos about knights and vikings and such, and I was determined.

 

We had to go. 

So we did – as far as I could tell, one of the few non-French speakers in the park that day, which also happened to be the last day of the season they perform the massive, (literally) cast of thousands evening show.

It’s an “amusement park” but there are no rides.  The main attractions are recreations of medieval and renaissance villages with artisans and shops, a small collection of animals, a few animantronic features – de la Fontaine’s fairy tales, for example, and then these spectacular – I mean spectacular shows featuring French history, starting with the Romans – in a full-blown Roman coliseum with chariots and so on.

So, quickly – when we went, the shows were:

1. The Romans
2. A recreation of a Viking raid story with a variation of a saint/miracle story
3. A Joan of Arc type story (although not quite)
4. Richilieu’s Musketeer, which I didn’t understand at all – involving musketeers, Spanish type dancers and horses prancing on a water-flooded stage.
5. Birds of Prey show
6. The evening show, Cinescine 

You have to watch the videos to understand why, once I saw them, there was no way I was going to France and not going to Puy du Fou.

I see that for 2019, they’re promoting a new show – it looks to be about Clovis and….hmmm…

That said, I didn’t know anything about the place beyond the fact that it was popular and looked kind of trippy and totally French.

As we moved through the day, I started to notice a couple of things:

1. The explicit religious content of every show (except the musketeer one, but it may have been there, and I just didn’t grasp it.)   The Roman show began with two Christian men running onto the sandy floor of the coliseum and drawing an ichthys, and being arrested for that.  The Viking show featured a miracle (based, I think on a particular miracle story but I don’t remember which at the time) about a saint raising a child from the dead.
2. At some point it dawned on me…there’s nothing about the French Revolution here.  Nothing. Not a word, not an image. Wait. Aren’t all the French all about the French Revolution?

I knew that the evening show was about the Vendee resistance to the Revolution, but before I went, I didn’t know anything about the founder of the park, his politics and how the park expresses that vision.

As I keep saying, it was simply fascinating and really helped broaden my understanding of French history and the French people and the complexity of contemporary France.

Cinescine is really unlike anything you have ever seen. You’re seated on this huge grandstand, and the show happens around this lake – lights, hundreds and hundreds of people in costume tracing the history of the area, including the resistance to the Revolution, animals, music….wow.

Loved it, and would absolutely go back if I had the chance.

(If you read TripAdvisor reviews, you will see almost 100% agreement with that sentiment. “Wow” “Amazing” “Hidden Gem” – etc. )

ANYWAY.

The reason I’m bringing this up is that the news came that the empire is expanding – Puy du Fou Espana will begin a soft open late this summer, to be completed in 2021.

I’m absolutely intrigued by this, considering how the French Puy du Fou is expressive of, if not anti-Revolutionary ideals, a more traditional nationalistic view of France that includes, you know, faith. I am wondering what the thinking behind this is – I did see mentioned that one of the historical areas in the park will be a “Muslim camp” and there’s a couple of Arab-looking/dressed fellows in the imagery. Fascinating.

This is the video advertising the “Grand Spectacle” -“El Sueño de Toledo”  – “The Dream of Toledo.”

—3–

Speaking of travel, one of the things I noticed in Japan last summer was the mannered, constant patter from the convenience store clerks. It was weird and awkward – was I supposed to respond in some way or just let it flow over me as I bought my Coca-Cola Light? I thought at the time that it struck me as mannered simply because I don’t speak Japanese. No – it is mannered and practiced and rote – although there are moves afoot to de-emphasize its importance in customer service, mostly because of the greater numbers of non-native Japanese speakers working in that sector. 

Within the framework of Japanese speech exists the somewhat controversial practice of employing formulaic honorific speech by those in the service industry. Manual keigo—so named for the training manuals of phrases that clerks and employees are expected to memorize and use in interactions with the public—creates artificial, repetitious, or otherwise grammatically questionable honorific expressions as companies strive to outdo themselves in terms of reverentially addressing their customers.

Customers can expect to hear generous use of the honorific prefixes “o-” and “go-”, which are appended to words as a sign of respect. “Tsugi no o-kyaku-sama,” or “the next honorable customer,” for instance, becomes “O-tsugi no o-kyaku-sama”—“the honorable next honorable customer.” Similarly redundant compound greetings—irasshaimase konnichiwa, or “Welcome hello”—are also common.

 

–4––

Good stuff from Tom Hoopes on how his family is dealing with tech issues. 

–5 —

Some years ago, I edited an edition of Myles Connelly’s novel Mr. Blue for Loyola Classics. That edition is out of print, but Cluny Media picked it up – and you should to. It’s a powerful parable, much better than the execrable Joshua (which seems to have diminished in popularity, thank goodness) and in a way, an interesting response – not retort, but response – to The Great Gatsby. 

If I were teaching high school religion or literature in a Catholic high school – it just might be my summer reading pick.

Well, here’s an interesting review article about new editions of two other Connelly novels, these new editions edited (as was their Mr. Blue)  by Steve Mirarchi of Benedictine College – who happens to married to one of my former students!

Dan England and the Noonday Devil is somewhat darker. Similar to Blue, Dan England employs a narrator who, conventional in the ways of the world, is initially skeptical of the eccentric ways of the protagonist and yet comes to admire him. Having tried a newspaper career, and having been in his own telling converted in an improbable manner from a conformist lifestyle, Dan England now ekes out a living as a hack writer of detective stories. His real talent and great joy, however, is gathering his motley group of friends and acquaintances nightly at his ample dinner table where he holds court. His home “was a veritable hotel” for his friends, and those friends “were parasites of the most genuine and enduring sort,” including artists, ex-fighters, derelicts, “refugees from Communism and White Supremacy,”—“all having in common a love of Dan’s hospitality and generosity and a few having a love of Dan himself.”

A romantic, an eclectic reader, a storyteller, and an ardent Catholic, Dan indulges in wide-ranging talk that includes paeans to the beauty of the Church and the heroics of the saints and the martyrs. He maintains the “belief that Scripture and the saints should be a natural part of the common small talk and banter of each and every day.” The narrator, a newspaper man, is drawn into Dan’s circle after witnessing Dan’s humanizing effect on a colleague. Betrayed by one of his hangers-on, Dan exhibits a Christ-like forgiveness despite the personal cost: “What mattered to him was not serenity or success but what he so often called ‘the plain but nonetheless terrible necessity’ of saving his soul,” the narrator muses.

True to his cinematic training, Connolly’s novels often consist of a series of brief set pieces or vignettes. His characteristic theme is that of the man who eschews a conventional, conformist way of life in pursuit of human freedom. One is reminded of Melville’s “Bartleby the Scrivener,” which similarly tells a parable-like tale of the ultimate “drop-out” from mercenary society and that also employs an initially skeptical narrator. The great difference is, of course, that Connolly’s fools are holy fools. While O’Connor’s original Catholic readers would no doubt enthuse over these novels as decidedly positive expositions of the Catholic faith, Connolly acknowledges the suffering and sacrifice that comes with such belief.

–6–

You probably know about Doctors Without Borders. Well, how about The Mission Doctors Association? This month marks an important anniversary for them:

2019 marks a special anniversary for Mission Doctors Association; our 60th Anniversary.  We have many things planned to celebrate this year as we also look to the future.  Yet, we also know that without the vision of our founder, Msgr. Anthony Brouwers, none of the lifesaving work of the past 60 years would have been possible.

January 14th marks the anniversary of our founder’s passing at only 51 years old, in 1964. This story is a familiar one for anyone who is close to MDA, or who has ever heard me speak!  As the Director of the Propagation of the Faith in Los Angeles, Msgr. Brouwers traveled to Legos Nigeria to attend the Marian Congress. Once it was over he traveled all over Africa – he said later that he wanted to find ways to help the people of Los Angeles know more about the needs so they could be help.  While he expected to hear requests for money, overwhelming he heard “We need help” He met with priests doing construction, sisters (with no training) pulling teeth and bishops who were so involved in the administration and secular tasks that they had little time to be shepherds.

So, Msgr. returned with a very focused vision.  He wanted to make it possible for Catholic professionals, (not the priests, sisters or brothers, just lay people – single, married, families) to find a way to share their gifts as they lived their faith.   In the 10 years that followed, Msgr. founded the Lay Mission-Helpers Association to send teachers, nurses, accountants and others, and then working with the Catholic Physicians Guild, Mission Doctors Association to send physicians and dentists and their families.

 

–7–

 As I noted the other day, I’ve put up Michael’s How to Get the Most Out of the Eucharist on Kindle. 

I’ve created a Lent page here.

The page of the articles I’ve published on Medium here. 

And don’t forget my story!

For more Quick Takes, visit This Ain’t the Lyceum!

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St. John Neumann – January 5

He’s a saint who was a strong leader….the first page of the entry in The Loyola Kids’ Book of Saints.

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A Letter to the Bishops

Pope Francis wrote a letter to the American bishops, on retreat at Mundelein Seminary this week.

Here’s the text.

It is, honestly, the usual strange/not-strange message from Pope Francis. Strange in that he goes all over the place except to the specific place where the problem resides, and not-strange in that, well, this is what he usually does, and there’s always a reason for that.

Your experience of reading the letter might be like mine (or it might not – who knows!) – I read it and nodded and thought, Well, not bad, that’s true, sure, it’s good for these things to be said, nice point there and then I finished, thought about it for a minute, and realized that none of the specific problematic issues had actually been addressed and further, the spiritual context which Pope Francis recommends for going forward, it could be argued, actually enables the original problematic actions. Many problematic actions.

To begin with:

“At times of great confusion and uncertainty, we need to be attentive and discerning, to free our hearts of compromises and false certainties, in order to hear what the Lord asks of us in the mission he has given us. Many actions can be helpful, good and necessary, and may even seem correct, but not all of them have the “flavour” of the Gospel. To put it colloquially, we have to be careful that “the cure does not become worse than the disease”. And this requires of us wisdom, prayer, much listening and fraternal communion.”

Quite true, of course.

The first consequence that Pope Francis raises, the first issue that seems to require addressing is that of credibility:

“The Church’s credibility has been seriously undercut and diminished by these sins and crimes, but even more by the efforts made to deny or conceal them. This has led to a growing sense of uncertainty, distrust and vulnerability among the faithful. As we know, the mentality that would cover things up, far from helping to resolve conflicts, enabled them to fester and cause even greater harm to the network of relationships that today we are called to heal and restore.

We know that the sins and crimes that were committed, and their repercussions on the ecclesial, social and cultural levels, have deeply affected the faithful. They have caused great perplexity, upset and confusion…”

This is institutional thinking, isn’t it? It is, in fact, one of the core attitudes that led to the level of this scandal over the past decades (and probably always): This makes us look bad.

One could say that this is really nothing more than the traditional Catholic understanding of scandal  – a true and valid way of entering into this situation and its consequences. But it’s actually a little different. For traditionally, scandal is seen as a negative because it works to obfuscate the power and truth of the Gospel – people can’t see Jesus because you, the one supposedly representing it, have gotten completely in the way. There’s a hint of this here, but the entire passage is really more about the problem of people seeing the institution in a negative light being a problem simply because it’s better that they see it in a positive light.

“The loss of credibility also raises painful questions about the way we relate to one another. Clearly, a living fabric has come undone, and we, like weavers, are called to repair it. This involves our ability, or inability, as a community to forge bonds and create spaces that are healthy, mature and respectful of the integrity and privacy of each person. It involves our ability to bring people together and to get them enthused and confident about a broad, shared project that is at once unassuming, solid, sober and transparent.”

And so on. The rest of the letter expresses Francis’ usual themes – listen, dialogue, make space for the new, prioritize unity, don’t impose abstractions:

“This approach demands of us the decision to abandon a modus operandi of disparaging, discrediting, playing the victim or the scold in our relationships, and instead to make room for the gentle breeze that the Gospel alone can offer. Let us not forget that “the collegial lack of a heartfelt and prayerful acknowledgment of our limitations prevents grace from working more effectively within us, for no room is left for bringing about the potential good that is part of a sincere and genuine journey of growth”. [6] Let us try to break the vicious circle of recrimination, undercutting and discrediting, by avoiding gossip and slander in the pursuit of a path of prayerful and contrite acceptance of our limitations and sins, and the promotion of dialogue, discussion and discernment. This will dispose us to finding evangelical paths that can awaken and encourage the reconciliation and credibility that our people and our mission require of us.”

 

And so I wonder:

Is this situation a problem because it diminished the institution’s credibility and threatens bonds of communion or…because people committed all sorts of sins of commission and omission, used other human beings, did great harm to God’s children and offended and disobeyed the Lord who created us for good, not evil?

The framework and assumption that what’s most at stake here is institutional credibility is exactly what led to cover-ups and protection of clerical perpetrators. Exactly. That, of course, is nothing the Holy Father would defend and is what his letter is presented in opposition to, but until you shake that framework that privileges the horizontal over the vertical, you’re stuck in the same rut. It’s subtle, but is at the core of so many problems in the contemporary Church, including this one:

Understanding human actions and choices as fundamentally, basically a response to God’s call and yes, law, keeps everything else in context, since, of course, God’s fundamental call is to love.

Understanding human actions as fundamentally, basically oriented towards keeping some sort of peace with others or creating a certain environment without our obligation to God at the center – absolute, unmoving center, no matter how uncomfortable it makes us – makes it really easy for us to create our own reality, including our own definitions for sin and forgiveness.

It’s the difference between living inside the Garden – or outside. That’s really the whole point of Genesis 1-3.

In short, it just seems to me that a week of reflection on this needs to not start with metaphors of jars and pebbles or concerns about credibility, but rather something more along the lines of Psalm 32.

Which it probably did, outside the official public communications.

Anyway, I haven’t even remarked on what struck me as the most problematic aspect of this letter: the deep, repeated call to work together, be unified, be in communion and so on.

Wait, what? Why is that a problem? I mean…isn’t dialogue and communion the point?

No. Truth is.

And the reason the harping on unity and scolding about “recrimination” is problematic in this context is that one of the crucial issues leading to this crisis was precisely that:  prioritizing of the external bonds between clerics above telling the truth and the privileging of protecting image over allowing consequences to be borne.

Who’s against dialogue and a mature search for answers and new ways forward? Hey, not me! But nothing at all will change if that dialogue is conducted in a context in which we are focused on how we think we should make each other feel and how the world sees us rather than on how all of this looks to God, –  or if we’re more invested in saying things that make us seem open-minded and unified rather than saying true things, no matter how harsh they may be.

Is the culture of church leadership in desperate need of encouragement to be more gently tolerant of all points of view and less critical of each other? Seems to me it’s pretty much the opposite.

We don’t create the bonds of Christian unity. God does this. Jesus Christ does, through Baptism. Our call is to recognize those bonds, strengthen them and then do the harder thing:  be willing to recognize when those bonds have been broken by sin  – and courageously say it out loud, no matter what the price.

Shorter, cynical version: When you’re told to get along and play nice, you’re probably being played. 

 

 

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St. Ambrose

 

St. Ambrose, today.

He’s in the Loyola Kids Book of Saints, under “Saints are People Who Change Their Lives for God.” 

You can peek at the chapter here, at Google Books.

Almost six years ago, we did a spring break trip to Milan (freaky low airfare.  I’ll bet if you flew to Orlando that year for spring break and went to Disney, I spent less than you did on our trip.).  And of course, Milan=Ambrose.

(What you might not know is that Milan, as the center of Lombardy in northern Italy, has been the focus of so much attempted conquest and other warfare over the centures, has very little ancient, medieval or even Renaissance architecture or infrastructure.  The basilica of St. Ambrose is an anomaly in the city. Leonardo’s Last Supper barely survived the Allied bombing of WWII.)

But first, to the Duomo –
In the crypt of the Duomo – the baptistry where St. Ambrose baptized St. Augustine:

The Metro stop is nearby, and an underground corridor passes the baptistry.  You can peek out at the passengers rushing by, and if you are on the other side you could peek in to the baptistry – if you knew it was there.

A different type of modern transport juxtaposed with the ancient.   Some wheels from the city’s bike-sharing service in front of the Basilica of Sant’Ambrogio –

one of the four churches built by Ambrose. (of course what we see is not the original – but is the result of building and rebuilding on the site.)

In other places you can find photos of the body of St. Ambrose in the crypt.  I  didn’t take his photo though. I probably could have – a little girl stuck her camera right through the grate and got a shot of the vested skeleton and no one stopped her. But it just didn’t feel right to me. Maybe because the boys were with me and I didn’t want to model “getting a good shot” as even Step Two (after “pray”) in “What To do in the Presence of Important Saints’ Relics.”

B16 at a General Audience, speaking about St. Ambrose:

Dear brothers and sisters, I would like further to propose to you a sort of “patristic icon”, which, interpreted in the light of what we have said, effectively represents “the heart” of Ambrosian doctrine. In the sixth book of the Confessions, Augustine tells of his meeting with Ambrose, an encounter that was indisputably of great importance in the history of the Church. He writes in his text that whenever he went to see the Bishop of Milan, he would regularly find him taken up with catervae of people full of problems for whose needs he did his utmost. There was always a long queue waiting to talk to Ambrose, seeking in him consolation and hope. When Ambrose was not with them, with the people (and this happened for the space of the briefest of moments), he was either restoring his body with the necessary food or nourishing his spirit with reading. Here Augustine marvels because Ambrose read the Scriptures with his mouth shut, only with his eyes (cf. Confessions, 6, 3). Indeed, in the early Christian centuries reading was conceived of strictly for proclamation, and reading aloud also facilitated the reader’s understanding. That Ambrose could scan the pages with his eyes alone suggested to the admiring Augustine a rare ability for reading and familiarity with the Scriptures. Well, in that “reading under one’s breath”, where the heart is committed to achieving knowledge of the Word of God – this is the “icon” to which we are referring -, one can glimpse the method of Ambrosian catechesis; it is Scripture itself, intimately assimilated, which suggests the content to proclaim that will lead to the conversion of hearts.

Thus, with regard to the magisterium of Ambrose and of Augustine, catechesis is inseparable from witness of life. What I wrote on the theologian in the Introduction to Christianity might also be useful to the catechist. An educator in the faith cannot risk appearing like a sort of clown who recites a part “by profession”. Rather – to use an image dear to Origen, a writer who was particularly appreciated by Ambrose -, he must be like the beloved disciple who rested his head against his Master’s heart and there learned the way to think, speak and act. The true disciple is ultimately the one whose proclamation of the Gospel is the most credible and effective.

Like the Apostle John, Bishop Ambrose – who never tired of saying: “Omnia Christus est nobis! To us Christ is all!” – continues to be a genuine witness of the Lord. Let us thus conclude our Catechesis with his same words, full of love for Jesus: “Omnia Christus est nobis! If you have a wound to heal, he is the doctor; if you are parched by fever, he is the spring; if you are oppressed by injustice, he is justice; if you are in need of help, he is strength; if you fear death, he is life; if you desire Heaven, he is the way; if you are in the darkness, he is light…. Taste and see how good is the Lord:  blessed is the man who hopes in him!” (De Virginitate, 16, 99). Let us also hope in Christ. We shall thus be blessed and shall live in peace.

 

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St. Helena – August 18

Also read about St. Alberto Hurtado Cruchaga

Today is also the memorial of St. Helena (Helen), mother of Emperor Constantine and according to tradition, discoverer of the True Cross.

True Christian zeal motivated St. Helena. Eusebius described her as follows: “Especially abundant were the gifts she bestowed on the naked and unprotected poor. To some she gave money, to others an ample supply of clothing; she liberated some from imprisonment, or from the bitter servitude of the mines; others she delivered from unjust oppression, and others again, she restored from exile. While, however, her character derived luster from such deeds … , she was far from neglecting personal piety toward God. She might be seen continually frequenting His Church, while at the same time she adorned the houses of prayer with splendid offerings, not overlooking the churches of the smallest cities. In short, this admirable woman was to be seen, in simple and modest attire, mingling with the crowd of worshipers, and testifying her devotion to God by a uniform course of pious conduct” (The Life of Constantine, XLIV, XLV).

For a decidedly novel and novelistic take on Helena, check out Evelyn Waugh’s novel Helena.  It was his favorite of all of his novels. Some people hate it, but I love it. When I was working as editor of the Loyola Classics series, the book was amazingly out of copyright in the US, so we were able to publish it with an introduction by George Weigel.  I see that the copyright issue has gone another way, it seems, so the book is now published as part of a series of Waugh novels by .  You can get copies of the Loyola edition here, and the current edition here. 

Some, as I said, hate it because, they say, it’s basically the type of characters you find in Vile Bodies and Handful of Dust  –  1920’s British upperclass twits – plopped down in the 4th century.  Well, that’s part of the reason I like it. It’s entertaining in that way.

But also – when you read deeper, you see that this novel is about the search for truth – the True Cross is a real thing, but it’s also a metaphor.  Helena’s life is a search for faith, and what she is seeking is something that is true and real. She is offered all sorts of different options that are interesting, intricate, sophisticated or satisfy her wants and desires, but none of them are real.  Except one. From Weigel’s introduction:

Waugh was not a proselytizer, and Helena is no more an exercise in conventional piety than Graham Greene’s The Power and the Glory, whose hero is an alcoholic priest. But Waugh was a committed Christian apologist, and his apologetic skills are amply displayed in Helena. Thus Helena was not only addressed to those Christians who were trying to figure out the meaning of their own discipleship; it was also intended as a full-bore confrontation with the false humanism that, for Waugh, was embodied by well-meaning but profoundly wrong-headed naturalistic-humanistic critics of the modern world like Aldous Huxley and George Orwell.

More specifically, Waugh wanted to suggest that an ancient pathogen was lurking inside the hollowness of modern humanisms: gnosticism, the ancient heresy that denies the importance or meaningfulness of the world. So, to adopt a neologism from contemporary critics, Helena is, “metafictionally,” an argument on behalf of Waugh’s contention that modern humanistic fallacies are variants on the old, gnostic temptations exemplified by the Emperor Constantine and his world-historical hubris. And at the core of the gnostic temptation was, and is, the denial of the Christian doctrine of original sin – which is, in effect, a denial of some essential facts of life, including the facts of suffering and death. In Helena, the arrogantly ignorant Constantine puts it in precisely these terms to old Pope Sylvester, as the headstrong young conqueror heads off to his new capital on the Bosporus: “You can have your old Rome, Holy Father, with its Peter and Paul and its tunnels full of martyrs. We start with no unpleasant associations; in innocence, with Divine Wisdom and Peace.”

And what was the answer to the gnostic fallacy, which produced in Constantine’s time, as in ours, a kind of plastic, humanistic utopianism? For Helena, and for Waugh, it was what the aged Empress went to find: the “remorseless fact of the lump of wood to which Christ was nailed in agony,” as Waugh biographer Martin Stannard put it. This “remorseless lump of wood” reminds us of two very important things: it reminds us that we have been created, and it reminds us that we have been redeemed. Helena believed, and Waugh agreed, that without that lump of wood, without the historical reality it represented, Christianity was just another Mediterranean mystery religion, a variant on the Mithras cult or some other gnostic confection. With it – with this tangible expression of the incarnation and what theologians call the hypostatic union (the Son of God become man in Jesus of Nazareth) – a window was open to the supernatural, and the “real world” and its sufferings were put into proper perspective. For God had saved the world, not by fetching us out of our humanity (as the gnostics would have it), but by embracing our humanity in order to transform it through the mystery of the cross – the mystery of redemptive suffering, vindicated in the resurrection of Jesus from the dead.

….

Although set more than a millennium and a half ago, Helena is a bracing antidote to this contemporary gnosticism: this “bosh” and “rubbish,” as Waugh’s Helena would put it. From her childhood, Helena is determined to know whether things are real or unreal, true or false — including the claims of Christianity. For her, Christianity is not one idea in a world supermarket of religious ideas. Christianity is either the truth — the Son of God really became man, really died, and really was raised from the dead for the salvation of the world — or it’s more “bosh” and “rubbish.” The true cross of Helena’s search is not a magical talisman; it is the unavoidable physical fact that demonstrates the reality of what Christians propose, and about which others must decide.

One Waugh biographer suggests that the novelist’s later years were marked by an agonizing spiritual quest for compassion and contrition. As for many of us, the contrition likely came easier than the compassion. But it is difficult to read Helena without discerning in its author the capacity for a great compassion indeed – a compassion for the human struggle with the great questions that are raised in every life, in every age. Evelyn Waugh’s comic energy was once sprung from his pronounced power to hurt others, as a novel like Vile Bodies demonstrates. But in the mature Waugh, the Waugh who wrote Helena and thought it his finest achievement, the farce has been transformed into comedy, and the comedy has become, for all the chiaroscuro shadings, a divine comedy indeed.

St. Helena is in the Loyola Kids’ Book of Saints….first page here…her section is “Saints are people who are strong leaders.”

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Wednesday

No cute name. That part’s already bored me.

But here we are – Wednesday:

 

Reading:  I finished I Was Dancing last night – and no, I wouldn’t recommend it. Reminder: The author is Edwin O’Connor, author of two highly acclaimed mid-century novels: The Last Hurrah, about an Irish-American politician (made into a film starring Spencer Tracy) and The Edge of Sadness, which won the Pulitzer in 1962, and which was republished by Loyola Press a few years back as part of the Loyola Classics series, which I edited. Ron Hansen wrote the introduction for that edition.

I Was Dancing tells the story of one more older man facing choices and acceptance of change and decline. This one is much shorter than the other two, and when I finished it, I thought, well – that book was essentially four or five conversations. Maybe more, but that’s it. The plot is focused: an elderly former vaudeville dancer/comic, on the road for decades, returns to his now-married son’s home to retire. We meet him on the day his son’s ultimatum comes to bear: after a year, today’s the day you have to move on and out to the local retirement home.

And so the conversations – mostly between Daniel (the father) and three of his friends, whom he gathers during the course of the day for support and, more importantly, as his audience. The four – Daniel, his shyster fake-physician, a man abandoned by his wife for another entertainer, and a priest – engage with each other mostly, it seems, for the purpose of applauding each other’s rationalizations of failure – the exception being the priest who is a barely tolerant cynic.

“Well it takes all kinds,” Father Feeley said. “Humanity in its infinite variety. Most of it highly overrated. And most of it capable of anything. A boundless capacity for lunacy, deceit. It all matters very little. In the long run.”

The final section of the book is, of course, a conversation – a terrifically long one in which Daniel and his son Tom hash out all their mutual resentments and anger. I…skimmed it, hoping for some subtlety or layers, but they were not to be found.

So – maybe ninety minutes of my life? Not a waste – there were some amusing exchanges and I liked the priest character. I also learned a bit about what doesn’t work in storytelling – always good to learn more about that.

Watching: I discovered that through my free YouTube TV trial (we cut the cord and have been experimenting with various free trials of streaming services – accessibility to football games being the primary concern) I could access a free trial of AMC Premiere – through which all ten episodes of Lodge 49 are now available. The YouTube TV free trial runs out today (we’re not going to renew it – we bought an antenna and are going back to SlingTV, which carries NFL Network – not carried on YouTubeTV – and the antenna brings in all our local channels fine) – so I decided to try to watch as much of Lodge 49 as I could squeeze in, just to see if my initial positive feelings would hold up. They sort of do – there’s nothing off-putting in the three or so episodes I watched, but the narrative thread seems to have loosened a bit and I don’t feel driven to binge any more tonight – I’ll just wait for the rest to air weekly.

Some thoughts on the whole cutting-the-cord thing. The only reason we have anything at all is because of sports. My older son watched college and pro football  – an old post on why this is not a problem for me – and then college basketball. The beauty of streaming is not only is it cheaper than satellite (or cable) but also that it’s so easy to turn services off and on. No one has to come out to your house and install anything, there’s no equipment to return. We can have a streaming service until the end of March Madness – and then boom, discontinue it – probably this time, forever, since he’ll be going off to college next year.

I’m actually glad the YouTubeTV turned out not to be our best option (it was recommended by all kinds of people, including the guy in line behind me at FedEx as I returned the satellite receiver  two months ago) – but I hate giving that Google/YouTube corporation $$. I mean – we’re all complicit and wrapped up in all sorts of evil corporations, but if I can avoid handing them money – I certainly will.

Eating/Cooking: Not much on that front. My younger son had an orthodontist appointment yesterday, and will be in a heap of discomfort for a couple of days – so the menu will consist mostly of mashed potatoes and pudding.

Short post today. Time to work on another Tech Week post, get that out and then return to some other kinds of thinking/writing.

Image: The Appian Way, Rome. 

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Monday Melange

I’m going to start a daily thing here, mostly for the sake of quickly warming up my writing muscles again. It will probably end up being like most of my other well-intentioned plans and collapse after a few days as I get interested in something else, but let’s give it a shot. Just a daily digest of what I’m reading, writing, watching, eating/cooking

and getting peeved about. And maybe other things.

Reading: It dawned on me that periodicals circulate in our local library, so I did a lot of New Yorker reading last week, in my favorite spot – lounging on the back patio in 90 degree weather. Actually, that’s not my favorite spot – that would be lounging by water – but I cancelled our pool membership, and we’re four hours from the ocean. So. In reading the New Yorker, I ignore politics, focusing on culture and so on. Like Adam Gopnik on a California vintner and Burkhard Bilger on gourmet/heirloom legumes. 

Books? I dug out Excellent Women by Barbara Pym from our basement. A couple of decades ago, I went through a Pym phase, reading a lot of her books. I got halfway through this one and was enjoying it, so during a library stop, I pulled several more, anticipating a week or so of immersion in that world. But by the time I’d finished Excellent Women, I was already tired of that very world. I started another one – I don’t remember which one – got five pages in, and thought, No, I actually don’t want to be in this world for even another hour. That’s enough. 

Then, on Friday, I think, I read Saints at the River by Ron Rash – which begins with an intriguing hook: it’s about the conflict between a family whose daughter drowned in a South Carolina river and environmentalists: the family of course wants to recover her body, but there’s no way of doing so without disturbing the ecology of the area. I thought, great idea for a story! And although Rash is a well-respected writer, especially of short stories, I found the writing flat and while I did finish the book (in a day) – mostly to see what happened – I wasn’t inspired to read more.

Then onto a book I’m reading via the Internet Archive: I Was Dancing by Edwin O’Connor, author of, among other books, The Edge of Sadness, a recent edition of which I edited for the Loyola Classics series. I’m really enjoying it so far, but will hold off writing about it until I finish it – probably tonight.

Writing: This!

Also – I think after I finish this, on the Monday of my first full week in which I no longer have any excuses, I’ll pull out the Guatemala stuff once again and see what I can make of it. I also have a short story that’s half-finished, which I will look at again, after some months.

I also have a series of blog posts on technology/social media mapped out. I’m hoping to start that today. We’ll see. It looks like it’s going to be another sunny day and I have another issue of the New Yorker waiting before it has to go back to the library.

Watching: 

Better Call Saul, of course – new episode tonight, which is always so great to pause during the day and consider. Ahh…Better Call Saul will be on tonight. 

I’ve also started rewatching Breaking Bad   – with the boys. Yup. After last year’s Lost mega-viewing (which was, I repeat, one of the best things I’ve ever done with them – I recommend it), I had been thinking about moving to Breaking Bad.  For the record, the guys are 17 – not too far from 18 – and almost 14. I really wanted to get it in before the older one goes off to college, because it’s such a spectacular, layered piece of storytelling with a lot of moral resonance.

The only issue I have is that the versions that are currently streaming are just a bit rougher than what originally aired on AMC, but honestly – the language is not much worse than you hear on the much-vaunted, Stranger Things – especially season 2. There are some scenes that I’ve fast-forwarded through (if you remember the first episode of the entire series – you’ll know what I’m talking about. They are certainly scenes that illustrate Walt’s character, er, development – but not, as we say in this house “appropriate.”)

It’s great though. We’re up through episode 6 of season 1, and believe me, there is so much to talk about – which is why I do this. Such as the moment in “Gray Matter” when Walt has (again) a profound choice to make, is about to step out of the car to hook up again with Jesse, and grace – in the form of Gretchen – calls up on the phone with another way through the problem, a way that doesn’t involve sin, but does involve setting aside pride – well, yes. Lots to talk about.

Listening: A lot of piano jazz – Bill Evans and Thelonius Monk, mostly. Handel’s keyboard suites, trying to help M figure out which one he wants to play. Ginastera’s Danza del Gaucho Matrero as M learns it, trying to get the rhythms right. The Ink Spots’ My Echo, My Shadow and Me because one of the boys was watching the first part of Better Call Saul with me last week – and it was the framing song for the opening, and he was taken with it. And plays it several times a day now.  Nothing Else Matters by Metallica – on keyboard, because M is learning it to play with this flutist jazz teacher.

Eating/Cooking:  I tend not to cook a lot in the summer. The “summer foods” that I like – lots and lots of salads – are not popular in this house, so I don’t bother. We also take the summer to do a lot of eating out – trying out various holes-in-the-wall in and around town, mostly. But a local restaurant – the Miami Fusion Cafe – ran an Instagram photo of a big pan of Ropa Vieja –  so I looked up the recipe and made a pot of it yesterday – and yes, it’s delicious – and not spicy, which is appreciated by some around here.

Surfing: Related to some of the content in this post – a couple of sites to recommend:

Serious Eats is one of my favorite recipe sites and they have a great Instagram, too.

Neglected Books has smart commentary on literature, in general, and is so helpful if you want something to read that you’ve never heard of – which is always what I’m looking for.

Travels: Wearing out that path back and forth to school again, that’s all. But San Antonio is coming, so there’s that!

Not, unfortunately, to Sorano – featured, for some random reason, in this graphic. My ideal place: a gorgeous, half-abandoned Italian hill town, filled with stray cats, where no one really wants to talk to you and you couldn’t understand them even if they did.

 

 

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