Busy week. Let’s get started.
First off, Publisher’s Weekly carried a brief notice about the book I’m working on with Loyola – the exciting completion of the Loyola Kids trilogy! Well, at least the third book I’ll have written under that brand. It’s simple – a collection of Bible stories, but with an angle that I hope will make them particularly helpful to Catholic children, parents, families and catechists. When I wrote the Loyola Kids Book of Saints sixteen years ago, I never thought it would still be selling as well as it does – usually one of the top two or three titles in children’s religious biography on Amazon, and really still unique in approach.
My deadline for this manuscript is early February, so I’ll be working to get that done over the next few months as well as on some smaller projects.
The past week has been busy, with an odd recurring theme of organization and information – or really, a lack of it.
High Point climbing gym is one of my youngest son’s favorite places. It’s a huge gym in downtown Chattanooga, notable for the outdoor climbing wall.
They’re building a branch here in Birmingham, and last weekend, they had an open house for their still-under construction facility. So we started there – it looks good, although not as large as the Chattanooga place and sadly, no outdoor climbing wall. It’s also a bit far from our house on road that is often marked by horrendous traffic, but I told my son that if got up early on Saturday mornings to go, I’d take him once in a while. He was all in. What have I done?
. — 3 —
After a brief stop back at home, I headed out and up the hill behind our neighborhood to the Altamont School, which was hosting a celebration in honor of the 100th anniversary of Walker Percy’s birth. You’ll recall that he was born here in Birmingham, and it was from here that his mother moved the family after his father’s suicide. Percy attended a school that was the predecessor of Altamont, which explains the event. Unfortunately, it was barely advertised – I only knew about it because someone in my parish sent me an email saying, “Whenever I see something about Walker Percy, I think of you. Have you seen this?” No, I hadn’t. Neither had many other people, for the panel discussion part of the afternoon, which is what I attended, featured four people on stage and ten in the audience. Even with the Crimson Tide on the field at the time, that’s surprising. A few days later, I spoke with someone local who is a big Percy fan, well-connected into the local cultural scene and he was astounded that this event had occurred – he’d heard nothing about it.
Anyway, what I took away – besides marketing, people – was, first of all, how challenging it is for people to get a hold of Percy’s Catholicism, probably because hardly anyone understands Catholicism properly, not getting the fundamental point that a character who defines himself as a “Bad Catholic” is actually expressing a sort of ideal Catholicism. Secondly, I was struck again by the Percy Effect, best summarized on this occasion by the young academic on the panel who described his feeling upon first encountering Percy’s writings. “I was splayed open” – he said, and then filled with an urgent sense that Percy was onto something and that it was important, even essential, to follow and see where he led. The person I was talking to a few days later said that when he was in campus ministry he would often give The Last Gentlemen to students, and after reading three chapters, they would return to him wondering…was Walker Percy in my dorm room? How does he know?
— 4 —
Then it was back down the hill, fix dinner, and then my younger son and I headed out to the Alabama Theater to see Post Modern Jukebox. It was a good concert – even with a couple of dicey moments that I think went mostly over his head anyway. The talent level is amazing, which you know from watching the videos. Two of my favorites – Casey Abrams and Aubrey Logan– were both in the troupe for that performance, although a major, major disappointment was that Scot Bradlee himself was not. My 11-year old pianist son was quite let down by that – the pianist performing that night was excellent of course, but my son has really enjoyed Scott Bradlee’s stylings and style and was a little stunned that he wasn’t actually there – I wouldn’t say I was stunned, but it hadn’t even occurred to me that he wouldn’t be performing.
— 5 —
Sunday morning – serve Mass at Casa Maria.
In the afternoon, we went to a big local state park – Oak Mountain State Park – for an advertised “reptile program.” Here’s what was advertised – come see reptiles from noon to three. Really not much more than that. We arrived at the interpretive center at 1:30 to an room empty but for refreshments. The program would be across the road in the other building, at would start at 2.
Which it did, to a full room, and with lots of interesting animals and expert educational offerings. But it was far more formal than advertised and did go on. So instead of the drop-in and see and chat about animals at your leisure during a time frame experience I thought we were getting, we sat in chairs for 90 minutes – including thirty minutes past the advertised ending time. Yes, snakes, lizards and tortoises are well worth our time – why do you think we were there? – but there was certainly a big difference between advertising and reality. Do people not even read their own copy and think about how it matches their plans?
I had met Jody years ago at an informal event First Things organized for me on a visit to New York. He was here from his South Dakota home to speak on “The Novel as Protestant Art” – the article upon which his talk is based is here. It was a good talk with interesting engagement from the audience. It’s been a while since I’ve enjoyed that kind of in-person adult intellectual engagement, and what made it even better was that Avondale Brewery, where it was held, is about two minutes from my house. Always a plus.
We won’t have that level of activity this weekend. What’s on tap? One kid gone Friday and much of Saturday at a robotics competition, the other serving a Saturday retreat Mass and having a make-up piano lesson (his teacher was on a short recital tour earlier in the week and had to reschedule). A family Halloween party Saturday night – almost forgot about that! – and then..it looks like Sunday is going to be what I hate most – Finish The Project Day – around here. One has an Archimedes project, the other on The Scarlet Letter.
Have a Happy Halloween, Slash.
Oh, I did do a bit of television watching, aside from Rectify. I have been poking around for a show to binge on – I missed the Stranger Things fad. By the time it had cycled through from New Hotness to Old and Almost Busted, I lost interest. But then I started hearing about this Australian show called Glitch just come to Netflix, so I thought I’d try it out.
And I did, and I watched the whole thing, sort of hating myself by hour four. Not exactly hating, but knowing by that point that this was going to be a Lost kind of experience in which an initial intriguing hook ends up taking you for a fairly contrived ride. And Lost was a lot better than Glitch.
The conceit is that several people have risen from the dead, crawling out of their graves in the cemetery in a small Australian town. Those first scenes are quite arresting, and a couple of the story lines are affecting, but the writing is formulaic and stiff, serious questions are glossed over and really, it all comes down to the fact that the reaction of a widower to his once dead, now-standing-in-front-of-him wife is not much more intense than if she had surprised him by arriving home early from work. It’s clear by the end that this event has not been caused – as the devout Catholic among the resuscitated exclaims – by any miracle – but by pharmaceutical hijinks of one sort or another, and there’s a major twist at the end of the series that makes the, er, dead affect of one of the non-risen characters finally understandable – and so that’s where this first season ends. So yes, I kept watching for that dumb reason we all do – just to see what happens – but I’m not proud, especially in light of the intelligent, nuanced experience of Rectify a couple of nights later. I should have spent those six hours reading a book instead. Walker Percy, probably.
“Yes. Death is winning, life is losing.”
“Ah, you mean the wars and the crime and violence and so on?”
“Not only that. I mean the living too.”
“The living? Do you mean the living are dead?”
“How can that be, Father? How can the living be dead?”
“I mean their souls, of course.”
“You mean their souls are dead,” says Max with the liveliest sympathy.
“Yes,” says Father Smith tonelessly. “I am surrounded by the corpses of souls. We live in a city of the dead.”
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