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Posts Tagged ‘Reading’

—1 —

An interesting few days.

The two fellows who still live here are gone for a bit to visit family elsewhere. They’ll be back early next week, but for the moment, I’m alone for the first time since Christmas.

I was talking to my son who lives in NYC, where they’re opening things up, slowly but surely. The past week, he’s finally had some consistent social, face-to-face interaction with friends again – for the first time in months.

Each of experiencing welcome change, for opposite, but related reasons.

I add – quickly – that it will also be a welcome change when the guys return!

But everyone needs a break now and then, yes?

— 2 —

So what am I doing? Working. I have a project due on June 20, and I’m trying to get it halfway finished by Monday. Then I can coast, working on it for probably an hour or so a day until it’s due.

For me, the part of a project like this that requires the most focus is the framing and thinking through the shape and emphasis of it. And that kind of focus is hard for me to grab in small chunks. I need to have a large expanse of time in which I know I’m not going to be interrupted by anything. It didn’t used to be that way, but you know, guys, I’ll be sixty in a few weeks, and so something like concentration is harder to come by.

Today (Thursday) was a framing/get in the groove day. That done, I can work on it for a couple of hours a day till Monday, and then put my mind to the next fiction project.

Still getting chapters of Nothing Else Occurs to Me up on Wattpad. Slowly but surely. (Backstory: here)

— 3 —

So….we have a new bishop here in Birmingham. Bishop Steven Raica, formerly of the Diocese of Gaylord, Michigan.

I’ve not met him yet, don’t know a thing about him.

If you’re interested, you can watch the Vespers and Installation Mass that were broadcast on EWTN. If you do, you’ll get to hear the voices of our Cathedral’s core schola, which has been singing Cathedral Masses even through much of the lockdown, when Masses were streaming-only, not public.

 

 

 

As I’ve said before, it’s an approach that makes sense. If you’re not going to have congregational singing, consider the liturgical history of the Church, consider what developed during the centuries when congregational singing in the West was not the norm – and use that. 

It’s far preferable than having to listen to someone gamely warbling Praise and Worship music up there all by themselves.

— 4 —

Okay, I’ve not only been working the past couple of days. I’ve tried to walk a couple of hours a day – which means listening to my BBC radio podcasts – and I’ve read quite a bit as well as (gasp) watched a few movies – films that wouldn’t interest my housemates. So let’s do a quick survey.

First, reading – I finally finished Trevor’s The Boarding-House. That was a tough slog. I was most interested in the structure of it, which switched between points of view very quickly without transitions, as well as the historical detail revealed about London in the early ’60’s. The switching was confusing at first (I read it on Kindle and thought there was something wrong with the formatting), but once I got accustomed to it, I didn’t mind. My problem with the book is that I didn’t care about any of the characters and couldn’t figure out why I should spend time with them.

Anyway, I have a couple more short novels that I checked out via Hoopla that I will try to knock off over the next couple of days, then I think I’m going to plunge back into some Wilkie Collins. I need an absorbing, crazy read like No Name (reviewed here) in my life. I’d started Poor Miss Finch a couple of weeks ago, and will probably return to that. 

— 5 –

Now, movies.

I started watching Rocketman. I did like a few Elton John songs as a teen, but am definitely not a fan, but I was curious about the structure of the film and wanted to see the sections about his early life. Ended up watching the whole thing, not because it was great, but simply because of inertia, I suppose.

I did like the structure – I mean, why not tell a sketchy biographical tale of a living musician by making it a musical of sorts? I actually liked most of the musical set-pieces quite a lot. I think they worked. But the psychological trajectory and personal motivation offered was superficial – to be expected when the piece is produced by intimates and is about a living figure – and formulaic.

Bernie Taupin emerges as the one person you wouldn’t mind spending time with, to be sure.

— 6 —

Il Posto via the Kanopy platform. I gather you’re not supposed to say this is Italian Neorealism, since it’s not immediately postwar, but, well, you could have fooled me. It’s slow and observant, and I liked it quite a bit.

It’s the story of a young man from a village outside Milan who travels to the great city to test for a job, gets the job and begins working at the job. That’s it. It offers us a fascinating look at Italian life in the period and a rather trenchant, mostly wordless critique of white-collar work in large companies.

Except he won’t, and that’s what is so crushing about Il Posto. Antonietta comes to represent the youthful dreams that stagnate in an office building and the drudgery a job enforces. Once Domenico accepts his position as a messenger, Olmi breaks away from his lead for the first time. He takes us on an evening tour of the off-the-clock activities of the accounting staff that Domenico will eventually join. Some have very common, uninspired existences, others harbor their youthful folly as if it were rare treasure. There is the older man who goes to the pub and sings a song that is intended for someone not so advanced in years, and the would-be novelist who scribbles out his book in secret, hiding his light under a towel. Domenico tells his new boss that he may still go to night school to pursue the vocation he wants, but Olmi is showing us the true likelihood of that happening. Domenico’s father told his son that a job like this one is for life, and as the boy will learn, these positions tend to only open up when somebody dies.

Much of Olmi’s framing is intentionally expressionistic. The corporate world alternates between imposing, with the workers appearing small next to the business structure, and claustrophobic, cramped into their own little spaces. On the other hand, though Ermanno Olmi and cameraman Lamberto Caimi shot Il Posto in such a way to show life as it was, hoping to render the dreary gray of an average day, the black-and-white photography has taken on a nostalgic beauty over the years. Domenico and his peers just look more stylish, with their clean haircuts and their suits and ties, than we expect our youths to look today. Looking at Il Posto is like looking at photographs in a vintage magazine back issue: by being frozen in time, the images seem simpler, more desirable, than the busy world we’re used to today. Maybe that was by design. Maybe Olmi wanted it all to look hopeful and modern if only to add to the impact of the crushing blows to come.

The subverted ending of Il Posto sneaks up on the audience. We’ve been trained to expect something more, just like Domenico. We realize that there is nothing else mere moments before he does, and we can only brace ourselves for the heartbreak that is coming.

— 7 —

The Virgin Spring (1960) | The Criterion Collection

Finally, in a move that will please Son #2, I finally watched The Virgin Spring – his pick for his #1 Bergman. Here’s his review, and here’s his list. 

(He’s currently working his way through Hitchcock)

Okay, okay. I agree. It’s a great film, and I’m glad I finally watched it. I’m not an afficiando of Bergman’s films, but I have come to understand a bit about his spiritual-wrestling throughreading my son’s reviews. 

The standouts of that violence made the contemporary New York Times critic say that the movie was a thin morality tale below Bergman’s talents, but there’s actually so much more. What is there just isn’t spoken about, but it lingers in the background of everything. The conflict between the paganism of Odin and the monotheism of the new Christianity isn’t a stand-in for a simplistic good vs. evil battle. Instead, there are interesting shades within each character that drive the ideas even further. The father, Tore, obviously clings to his old pagan ways and has been dragged into the new Christianity by his wife Mareta. Their daughter, Karin, is beautiful and eager to look her best for her mission to deliver candles to the church, but she is also haughty, entitled, and manipulates her parents with ease. Ingeri, the pregnant Odin worshiper the family has taken in as a ward, prays for Karin’s defilement but confesses to Tore after the crime and begs for the punishment Tore will mete out to the perpetrators.

Where this movie stands out in Bergman’s filmography most for me is the thematic thrust of the film. The Virgin Spring came out in 1960, just a few years after the existential The Seventh Seal and right before the Silence Trilogy, and yet the thematic point isn’t a form of rejection of religion. In fact, the titular spring is an embrace of the idea that man’s concept of God, as manifested by the Church, is correct. It’s a natural extension of the story he was trying to tell, but also an artifact of the fact that he didn’t actually write the movie. God is still silent in the face of the violence placed upon the innocent Karin, but the existence of the spring that shoots from where her lifeless head had laid for a day, opening up immediately after Tore had promised to build a church of mortar and stone on the spot, is God’s communication. He speaks more in that than in anything else Bergman made.

For more Quick Takes, visit This Ain’t the Lyceum!

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—1 —

I was in Living Faith last Sunday. Go here to read it. Next time won’t be until March, I believe. 

— 2 —

This coming Sunday: Sexagesima Sunday. What’s that?

amy-welborn

MORE on Lent, etc. 

Ashwednesday

— 3 —

Saints! Today! February 14!

First, Sts. Cyril and Methodius.

B16, from 2009:

Wishing now to sum up concisely the profile of the two Brothers, we should first recall the enthusiasm with which Cyril approached the writings of St Gregory of Nazianzus, learning from him the value of language in the transmission of the Revelation. St Gregory had expressed the wish that Christ would speak through him: “I am a servant of the Word, so I put myself at the service of the Word”. Desirous of imitating Gregory in this service, Cyril asked Christ to deign to speak in Slavonic through him. He introduced his work of translation with the solemn invocation: “Listen, O all of you Slav Peoples, listen to the word that comes from God, the word that nourishes souls, the word that leads to the knowledge of God”. In fact, a few years before the Prince of Moravia had asked the Emperor Michael III to send missionaries to his country, it seems that Cyril and his brother Methodius, surrounded by a group of disciples, were already working on the project of collecting the Christian dogmas in books written in Slavonic. The need for new graphic characters closer to the language spoken was therefore clearly apparent: so it was that the Glagolitic alphabet came into being. Subsequently modified, it was later designated by the name “Cyrillic”, in honour of the man who inspired it. It was a crucial event for the development of the Slav civilization in general. Cyril and Methodius were convinced that the individual peoples could not claim to have received the Revelation fully unless they had heard it in their own language and read it in the characters proper to their own alphabet.

….Cyril and Methodius are in fact a classic example of what today is meant by the term “inculturation”: every people must integrate the message revealed into its own culture and express its saving truth in its own language. This implies a very demanding effort of “translation” because it requires the identification of the appropriate words to present anew, without distortion, the riches of the revealed word. The two holy Brothers have left us a most important testimony of this, to which the Church also looks today in order to draw from it inspiration and guidelines.

They are  in the Loyola Kids’ Book of Saints: 

 

— 4 —

Now, to St. Valentine.

Chad C. Pecknold is a theology professor at the Catholic University of America – some of you might have heard about the Twitter seminar he ran on St. Augustine’s City of God a couple of years ago and right now, he’s leading a Twitter Seminar on the Confessions. 

A couple of years ago, he wrote a very good (public) Facebook post on St. Valentine, in which he takes on the modern assumptions that, oh of course the guy didn’t exist….mythology, legends….let’s take him off the calendar and make funny memes! Worth a read:

 Recently I read a skeptic claiming that medieval monks invented St. Valentine’s Day, which is a pretty common alternative to the fact that Pope Gelasius set his feast day on February 14th in Anno Domini 496. So little is known about him that even the Church, following the dubious claim of a book published in 1966 that the saint never existed, removed him from the liturgical calendar in 1969. It is an odd fact that his feast is celebrated (in a deracinated way) by the world but not the Church. Since a basilica was built over his tomb just 75 years after his death by Pope Julius, and relics from his body spread throughout the Roman empire, the evidence of his existence seems manifest to me.

MORE

— 5 –

Last week I read the novel The Gifted School– about the opening of a public magnet “gifted” school (duh) has on the Colorado community in which it’s to be located, and specifically on a few families determined to get their kids in.

It’s long, but I knocked it off in about 24 hours. It wasn’t that good. I was expecting more Big Little Lies and a lot more satire and humor. The book played it straight and melodramatic, for the most part, with not nearly the bite the whole situation deserves.

— 6 —

I’ve mentioned a few newsletters to which I subscribe:

Prufrock News – always at least one worthy link to follow up on. 

These Seven Days

and The Convivial Society – which focuses on matters of the Internet and Social Media. From a recent edition, on the Iowa caucus:

So while my first instinct was to label the whole mess a pseudo-event, the less flip, more disconcerting reality is that labeling something a pseudo-event was reassuring because it assumed our ability to identify “real”-events. The role of the obviously fantastical is to reassure us of the reality of our ordinary experience. Presently, that distinction is tenuous at best. Who can draw the line? What part of the proceedings last night can one deem real as opposed to fake or artificial? What aspect wasn’t already shot through with qualities of a pseudo-event or overlaid with the textures of hyperreality?

As the author Tim Maughan recently tweeted, “everybody got excited about postmodernism, nobody was ready for postmodernity.” That seems about right.

One could say that about so many matters, including Church affairs.

— 7 —

Thursday evening, #5 and I attended a local production of Porgy and Bess. It was really excellent – local theater is generally so impressive these days. Music was provided by a pair of very impressive pianists on uprights on either side of the stage.

I did a bit of follow-up – officially, this version is The Gershwins’ Porgy and Bess – a 2012 reworking of the opera book by playwright Suzan-Lori Parks. Much of the recitative is replaced by dialogue and there are a few plot points that shift about. Here’s a good discussion here of the differences in all the versions, from the novel to the play to Gershwin’s original vision to the present. 

I tend to be sanguine about matters of life and death – of adults, at least – and don’t do a lot of “What could he/she have accomplished?”  – But George Gershwin is an exception. I actually get a little sad when I think about it:only 38 when he died, it does seem a tremendous loss – you really wonder what musical brilliance we might have seen if he’d lived longer. Even just a little bit…

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All right, guys – NYC excitement coming up soon. Catch it in this space, and also, throughout the day, on Instagram. 

 

For more Quick Takes, visit This Ain’t the Lyceum!

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…we climbed a smaller hill, did Spanish homework, and rested.

Perhaps we should have gone back today, but I had no idea how much time we’d actually want here, not knowing much about the area. We were essentially “done” last night, and not just because the 10k hike did us in…there wasn’t much left to see that was within walking distance. But that’s okay…it would have been insane and painful to go from yesterday to a 4-hour drive to the airport and the flights back home.

So it was good to have a day to not do much.

That smaller hill is right behind our hotel, atop of which stands the Fuerte San Cristobal. Nothing much happened there, and there’s not much to see but the views, but it ate up about twenty minutes, so there’s that:

Below is a good view of the Celaque National Park mountain range. The highest peak is, well, the highest peak in Honduras. I believe our Death March took us to the high peak on the left.

IMG_20191120_110957

We wandered into the town for some food. Lunch happened at this small cafeteria right across from the square and the church. It was homey, excellent and cheap (of course) – about $4/plate.

(Exterior, chicken, cerdo (pork), interior garden)

Here’s the San Marco church in the daytime. If you look at photos of it from the past, the trim is painted gold.

Then it was back to the hotel for much of the afternoon, where he worked on Spanish homework, I wrote a bit, and we watched the utility workers doing repairs and replacements on a series of poles down the street in front of us – the reason, we can safely assume, the power was out most of the afternoon.

Eventually, we made it back downtown, where we got our final Honduran meal from here, in the square. Roger helped us order – he’s a native Honduran who moved to the US, lived there for over two decades, became a citizen, and has recently returned here to help his mother.

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Then dessert in a cafe kiosk in the square which features and upstairs looking down on the park. I couldn’t get any panoramic shots, but I did get this weird looking tree:

tree (1)

And that’s it from Honduras – probably – unless we get stuck here tomorrow, then who knows what I”d have to say?

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—1 —

 

"amy welborn"

Happy All Saints!

I’m in Living Faith today. 

Before we get rolling here with some Thoughts, I’ll just mention, since it is obligatory on Social Media, our Halloween experience.

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Yeah, nada this year. I don’t think we had any trick-or-treaters last year (our house is in a neighborhood, yes, but the street is kind off enough to take it away from main Halloween traffic), so this year, I didn’t even purchase any candy – we had a few Gansito on hand, so I decided that if anyone showed up, that’s what they’d get.

Well, it was also in the 30’s here in Alabama, so add that to the situation, and you have, again, no trick-or-treaters, and an almost 15-year old who’s been over the holiday for a couple of years, so it was indeed, a quiet night here.

Which is fine. There might be some aspects of Parenting Young Children in America I miss at this point, but not many. My stance is more of walking past various aisles in the store – baby needs, feminine hygiene products, Halloween gear and (especially) Valentines  – and thinking Thank God that part of my life is in the past. What next?

— 2 —

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I am convicted of the truth of the Christian – Catholic faith by odd things. Yes, the traditional arguments and proofs have their power and make sense, but in the end, it is manifestations of paradox and a certain kind of skewing that gives me confidence of the truth. I am not as enamored of Chesterton as some are, but where he does appeal to me is his grasp of the paradox at the heart of reality, reflected and clarified in the Incarnation and the faith that flows from it.

The role of the saints in Catholic life makes a similar argument for me, if you will. There are many things to be said about saints, many ways in which they are used to argue for the Faith: they gave up so much for this…it must  be true. And so on. But I come at the saints from a slightly different angle.

— 3 —

For when I look at the role of saints within Catholic life and spirituality, I see nothing like it any other institution, culture or subculture in human history. Yes, all cultures honor other human beings, some even have their miracle-workers. They have their wise men and founders, they have their holy fools and mystics.

But in what other human context are rulers and managers and the wealthy told that their life – their real life  – depends on honoring, emulating and humbly seeking the prayers of a beggar?

— 4 —

 

Or a young woman who died in her early 20’s, almost completely unknown?

 

— 5 –

Or a young African woman?

Image result for josephine bakhita

When I consider the Communion of Saints, I see a great deal. I see the Body of Christ, visible and invisible, militant and triumphant. But I also see the breadth and depth of human experience in a way that no other aspect of life affords me and which, in fact, some aspects of life – parochialism, pride, secularism – hide from me. In touch with the saints, I stay in touch with real history in a more complete way, with human experience and with the presence of the Word made Flesh, encountered and embodied in the lives of his saints. Every single day, in the calendar of memorials and feasts, I meet them. I can’t rest easy and pretend that my corner of experience affords me all I need to know.

— 6 —

 

Here with the saints, we are taught that grace can dwell in every life, from any corner or level that the world erects. We can’t sit easily, proud and blind and dismissive of the other. The peacemaker is invited to beg the soldier’s prayers. The professor turns to the untutored child martyr. The merchant busily engaged with the world encounters the intense bearded figure, alone in the desert.

 

"amy welborn"

On today’s Solemnity of All Saints, our hearts are dilated to the dimensions of Heaven, exceeding the limits of time and space.

-B16

"amy welborn"

 

 

— 7 —

And yes, I like to read and write about saints:

 

 

More on my books related to saints here. 

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Gregory’s story has a lot to teach us about that tricky thing called discernment.

Back in 2008, Pope Emeritus Benedict XVI devoted two General Audiences to this saint.  He began with a helpful outline of his life – born into an important Roman family, serving as prefect of Rome, turning his family’s land into a monastery togregory the greatwhich he retired, then entering the service of the pope during very difficult times in Rome, including the plague, which killed the pope, and then…

The clergy, people and senate were unanimous in choosing Gregory as his successor to thend  See of Peter. He tried to resist, even attempting to flee, but to no avail: finally, he had to yield. The year was 590.

Recognising the will of God in what had happened, the new Pontiff immediately and enthusiastically set to work. From the beginning he showed a singularly enlightened vision of realty with which he had to deal, an extraordinary capacity for work confronting both ecclesial and civil affairs, a constant and even balance in making decisions, at times with courage, imposed on him by his office.

Benedict engages in some more analysis in the second GA. This is useful and important to read. 

Wanting to review these works quickly, we must first of all note that, in his writings, Gregory never sought to delineate “his own” doctrine, his own originality. Rather, he intended to echo the traditional teaching of the Church, he simply wanted to be the mouthpiece of Christ and of the Church on the way that must be taken to reach God. His exegetical commentaries are models of this approach.

And that is what any teacher of the faith, especially a pastor, is called to do.

Moving on:

Probably the most systematic text of Gregory the Great is the Pastoral Rule, written in the first years of his Pontificate. In it Gregory proposed to treat the figure of the ideal Bishop, the teacher and guide of his flock. To this end he illustrated the seriousness of the office of Pastor of the Church and its inherent duties. Therefore, those who were not called to this office may not seek it with superficiality, instead those who assumed it without due reflection necessarily feel trepidation rise within their soul. Taking up again a favourite theme, he affirmed that the Bishop is above all the “preacher” par excellence; for this reason he must be above all an example for others, so that his behaviour may be a point of reference for all. Efficacious pastoral action requires that he know his audience and adapt his words to the situation of each person: here Gregory paused to illustrate the various categories of the faithful with acute and precise annotations, which can justify the evaluation of those who have also seen in this work a treatise on psychology. From this one understands that he really knew his flock and spoke of all things with the people of his time and his city.

Nevertheless, the great Pontiff insisted on the Pastor’s duty to recognize daily his own unworthiness in the eyes of the Supreme Judge, so that pride did not negate the good accomplished. For this the final chapter of the Rule is dedicated to humility: “When one is pleased to have achieved many virtues, it is well to reflect on one’s own inadequacies and to humble oneself: instead of considering the good accomplished, it is necessary to consider what was neglected”. All these precious indications demonstrate the lofty concept that St Gregory had for the care of souls, which he defined as the “ars artium”, the art of arts. The Rule had such great, and the rather rare, good fortune to have been quickly translated into Greek and Anglo-Saxon.

Another significant work is the Dialogues. In this work addressed to his friend Peter, the deacon, who was convinced that customs were so corrupt as to impede the rise of saints as in times past, Gregory demonstrated just the opposite: holiness is always possible, even in difficult times.

He proved it by narrating the life of contemporaries or those who had died recently, who could well be considered saints, even if not canonised. The narration was accompanied by theological and mystical reflections that make the book a singular hagiographical text, capable of enchanting entire generations of readers. The material was drawn from the living traditions of the people and intended to edify and form, attracting the attention of the reader to a series of questions regarding the meaning of miracles, the interpretation of Scripture, the immortality of the soul, the existence of Hell, the representation of the next world – all themes that require fitting clarification. Book II is wholly dedicated to the figure of Benedict of Nursia and is the only ancient witness to the life of the holy monk, whose spiritual beauty the text highlights fully.

Above all he was profoundly convinced that humility should be the fundamental virtue for every Bishop, even more so for the Patriarch. Gregory remained a simple monk in his heart and therefore was decisively contrary to great titles. He wanted to be – and this is his expression – servus servorum Dei.Coined by him, this phrase was not just a pious formula on his lips but a true manifestation of his way of living and acting. He was intimately struck by the humility of God, who in Christ made himself our servant. He washed and washes our dirty feet. Therefore, he was convinced that a Bishop, above all, should imitate this humility of God and follow Christ in this way. His desire was to live truly as a monk, in permanent contact with the Word of God, but for love of God he knew how to make himself the servant of all in a time full of tribulation and suffering. He knew how to make himself the “servant of the servants”. Precisely because he was this, he is great and also shows us the measure of true greatness.

And he’s in The Loyola Kids’ Book of Saints. 

amy-welborn-bookgregory-the-great

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— 1 —

We’ll make this super quick.

 

2

All right! There’s one! Seriously, though – Thursday was a travel day. From Omaha down to College Freshman’s college, where we took him out for lunch, dropped off some treats, got the scoop (everything going fine, it seems), said, “See you at fall break” and then drove on.

 

— 3 —

We’d thought about stopping in St. Louis, but at some point earlier in the week, I realized that we’d get to St. Louis by probably 5 – which meant that all the “attractions” we might want to see would be closed. Sure, the wonderful City Museum would be open, but it’s not that we’re too old for that now (14), but more…who wants to do that without a partner in crime? And we’ve been to the Arch, which is great, sure, but worth a stop on a trip like this – a “stop” meaning an overnight? Nope.

So Memphis it is, with a brief stop in Ste. Genevieve – a place I’ve wanted to visit – the first permanent European settlement in Missouri. It was a somewhat illuminating sidetrip – many original structures crowded on small streets, far enough from the river to hopefully avoid the floods – a small river ferry just outside of town as well – but it would probably be better to do when things like the visitor’s center and the museum were open and the ferry was running.

-4–

We’ll do one major thing here this morning – a site we haven’t done yet (no, not Graceland – I went to Graceland years ago, and with a $40 admission charge now –  er, no.), eat at a favorite barbecue place, then head home. It really does seem impossible that it was only a week ago that we were heading through here with a about-to-be college freshman and me, a very nervous parent. It seems a million years ago, both in time and emotion.

Life, indeed, goes on.

–5 —

A couple of months ago, I was asked to write a Diary feature for the Catholic Herald. I wrote it – then rewrote it from scratch in the very early hours of the morning it was due in a hotel room in Caceres, Spain because, as I keep griping, my laptop for the moment is this STUPID Chromebook (don’t buy one) that I had to buy for former college senior’s former senior year in his former school, and little did I know that if you forget your Google password and think, “Eh, I’ll just reset it” – that resetting wipes everything from the Chromebook – including the Word app you’d downloaded because you hate Google Docs.

(Don’t buy a Chromebook)

Ahem. Okay. Well, so I wrote – and rewrote it, and then sort of forgot about it. They never sent me a link to the published version. Yesterday, I was thinking, “Hey, I wonder about that Corpus Christi piece – did it ever actually get published?”

Well, here it is!

Not a lot to it, but it might make ya think, as they say.

— 6 —

This is great. Absolutely great. We’ll be using this.

Aquinas 101 from the Dominicans (who else?)

— 7 —

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2020 Devotional available. 

Son’s new novel available.

Son posts film thoughts every day during the week. And, as I mentioned on Twitter earlier this week: He has a full-time job, writes fiction, watches tons of movies and writes about them daily (Tarantino this week) has a wife and a five-year old and still has found time to read War and Peace over the past couple of months. Yeah.

Here’s his blog post on the novel!

 

For more Quick Takes go visit This Ain’t the Lyceum!

 

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— 1 —

Fascinating:

Construction on the Church of St. Dismas began in 1939.  It was the brainchild of Fr. Ambrose Hyland (1900-54), the chaplain of the facility, who had previously celebrated Mass in the prison auditorium, which he thought was “not adequate” for their needs, said Fr. Bill Edwards, chaplain of the facility 2002-11. Fr. Hyland went on to “put his heart and soul into building the church, which created a good environment in which the inmates could worship.”

Materials and funding for the church were donated; gangster “Lucky” Luciano (1897-1962) was an inmate at Clinton in the 1930s and donated red oak for the pews. Other significant donations include two angel carvings said to be from the flagship of explorer Ferdinand Magellan (1480-1521). The angels were donations from the Magellan family.

Inmates supplied labor to build the church, trained by prison guards, volunteers and other inmates. Among the most notable was forger Carmelo Louis Soraci, who used his talents to create the structure’s colorful stained glass windows, modeling faces after the inmates he knew.  Soraci’s contribution led to his being freed from prison in 1962. Deacon Bushey told the North County Catholic, “It’s really a beautiful church, and the vast majority of the population will never see it.”

Other notable features include a Lourdes grotto located outside the church.  The structure was dedicated in 1941, and added to the National Register of Historic Places in 1991.

See the slideshow here

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2

Elsewhere in the state of New York:

A New York City public arts program has said it will not build a statue in honor of St. Frances Xavier Cabrini, despite the saint receiving the most nominations in a public poll. 

She Built NYC was established in June of 2018 under the patronage of Chirlane McCray, wife of New York Mayor Bill De Blasio, to create more statues of women around the city of New York. The public were asked to nominate women for a potential statue and the campaign received over 2,000 votes for over 300 eligible women.

The results of the nominating period were published in December, with Mother Cabrini receiving 219 nominations – more than double the number received by second-place finisher, Jane Jacobs. 

Despite the public vote, the New York Post reported on Aug. 10 that the selection committee, led by McCray and former New York deputy mayor Alicia Glen, had excluded the first American saint from the planned statutes, instead choosing to honor Rep. Shirley Chisolm, Katherine Walker, Marsha P. Johnson, Sylvia Rivera, Elizabeth Jennings Graham, Billie Holiday, and Dr. Helen Rodriguez-Trias. They received the third, fifth, seventh, 19th, 22nd, 24th and 42nd-most nominations, respectively. 

LGBT rights activists Johnson and Rivera were biological males and will be featured together in a single statue. Both were self-identified “drag queens” and co-founders of the Street Transvestite Action Revolutionaries. The pair received a combined 86 nominations.

So….two men will be recognized as notable New York women.

Got it.

I keep telling you….

Image result for best valerie cherish gif

— 3 —

Some of us may not give two figs about college football, but it’s always great to see SEC Shorts back in business:

 

-4–

Learn to read, you know, books again:

But what does this science have to do with the discussion surrounding modern, digital culture? Wolf outlines three major concerns with the way digital media affects the malleable neurology of our reading brain. The first is the way in which it encourages our novelty bias. Already wired to give primary attention to new signals in our environment, a feature which protects us in the event of danger, it takes concentrated effort and time to teach the brain to focus on letters and words. However, the scrolling and constantly updating sound bytes of the internet split our attention. As Wolf describes it, “In multitasking, we unknowingly enter an addiction loop as the brain’s novelty centers becomes rewarded for processing shiny new stimuli, to the detriment of our prefrontal cortex, which wants to stay on task and gain the rewards of sustained effort and attention.” As we give into this rhythm of reading, we lose what she calls cognitive patience. Not only do we struggle to focus our attention on the page, but we fail to spend time with the content of our reading. The digitally-trained brain has a harder time pausing to digest the meaning and implications of what has been read. In this way, the highest purposes of reading, self-reflection and the pursuit of wisdom, are lost. 

Her second concern addresses the substantive nature of the page. The physical dimension of print provides readers “a knowledge of where they are in time and space” and “allows them to return to things over and over again and learn from them.” She calls this the recursive dimension of reading. Screens do not have quite the same “thereness” as hard copy. The words disappear as we scroll, and we therefore lose the sense of their permanence. In early years the recursive dimension is especially important as children experience repeat encounters with a book. Wolf says, “It involves their whole bodies; they see, smell, hear, and feel books.” 

Such repetition allows them to develop the quality which comprises her third concern: background knowledge. Human beings can only acquire insight by comparing new concepts with those they already know. Wolf recounts her attempt to read Ethiopian children a story about an octopus. They had never seen or heard of such a creature and could not comprehend the context in which the story took place. For modern children of the West, Wolf sees a similar problem: “That environment is providentially rich in what it gives, but paradoxically today, it may give too much and ask too little.” 

 

–5 —

Today, I’ve got a post up about St. Rose of Lima – worth your time, I think. I hope!

As well as an earlier post on St. Bernard here and here. 

Also check out a post earlier this week on what the television shows Dead to Me and After Life say about death, loss and grief. 

Finally, take a look at our Cathedral rector’s post on Mass options: “The Options that Divide Us”

Yes, the multiplicity of options that I listed above are legislated by the Church, and so are legitimate variations: I am not disputing that. What I am pointing out is the way that they have led, in practice, to a subjective approach that has contributed to our being divided into camps. We may well choose certain options, and legally — but we may choose them for the wrong reasons. And we often have done so.

The way forward, which I think will help us to achieve better unity within our worship, is two-fold:

  1. Realize, through liturgical education, that worship calls us out of ourselves and challenges us – it is not something we create based on personal tastes or questions of efficiency or convenience;

  2. Seek always those options that are in continuity with what was done by our ancestors.

 

— 6 —

And we’re off. It’s college move-in day this weekend, followed by Son #5 and I doing some gallivanting for a week or so. We’ll be heading to a spot that I’ve never seen before, so do check back in for posts on that. As well as Instagram, of course.

Be sure to check back in to see how my big plans about Being Educated in the car go in reality…

— 7 —

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2020 Devotional available. 

Son’s new novel available.

Son posts film thoughts every day during the week – here’s his take on the new Dumbo. 

 

For more Quick Takes go visit This Ain’t the Lyceum!

 

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Sorting out St. Rose of Lima can be a challenge.  Perhaps you know the basics – what I knew for most of my life: mystic, extreme ascetic.  When I was a girl, I remember reading about how she drove her metal-spiked crown of thorns into her scalp. That was, not surprisingly, my main takeaway.

Digging deeper,  I read through most of this 19th century biography – a translation into English from French. I read what chapters I could (the first two) of this reassessment and psychological unpacking, and finally settled in a more comfortable place than either of those with a chapter from Quartet in Heaven (1962) by British author Sheila Kaye-Smith.

What to make of her, the first saint of the Americas, this young woman who engaged in such extreme mortifications that even some of her contemporary confessors and other observers, including her mother,  thought she was going too far?

It might be tempting for us moderns to dismiss figures such as Rose. She was, we might gently suggest, mentally ill.  She was a victim and product of a guilt-ridden Catholic culture who could not simply accept the grace of God, but thought she had to abnegate herself in order to merit it.

But we shouldn’t do that. It is not helpful or right, in a Catholic context, to be so dismissive. Nor is it necessary to uncritically embrace all the hagiography. We must also always remember that in the Catholic view of saints, we bring two perspectives: to imitate st. rose of limaand to admire. We are not called to imitation of every action of every saint, because we live in different cultures, with various personalities. So not feeling the pull to jam a crown of metal thorns into our scalps should not cause anxiety. It’s okay.

In thinking this over, this struck me: it seems to me that even the saints who pursued extreme ways of personal asceticism did not indicate that everyone do the same.

St. Catherine, in her many letters, does not advise her correspondents that the solution to their spiritual problems was to live as she did, on a single grain of rice a day and sleeping on a board (when she slept). There might be a call to change, to repent, and perhaps to embrace some small mortification, but mostly what we read in her writings, at least, is an urgent invitation to realize how deeply Christ loves us and to live in that light, not the darkness the world offers.

They seem quite aware of the uniqueness of their own path, and do not suggest that theirs is the standard by which all others should be judged. In fact, the saints seem to take the opposite tack: as stubborn as they are about their own mortifications, they tend to keep them secret as much as they are able and are uncomfortable with “followers” who are following them rather than following Christ.

In trying to understand St. Rose, these thoughts come to mind.

She sensed a call to belong to Christ alone. In her culture and her family circumstance, she had to go to extremes to make sure that was clear to everyone and she would not be forced into marriage. Perhaps you can see this as manipulation, or you can see it as a strong rejection of the world in a most personal way.

It is interesting and important to note that hardly anyone knew of these mortifications during her life. The people of Lima who flocked to her funeral by the thousands certainly did not – they came because this young woman radiated the love of Christ.

St. Rose would say that her mortifications were in fidelity to her call to conform herself completely to Christ. Christ sacrificed himself. Christ’s supreme act of love was his Passion and death.  Many of us think of this call differently today: to accept what sufferings happen to come our way in a sacrificial spirit, in imitation of Christ, rather than to create them ourselves. Perhaps the experience of St. Rose can expand our own approach by helping us understand that living as a disciple does, indeed mean conforming ourselves to the Crucified Christ, accepting that the Cross will be a part of whatever path we follow, but that if we do find ourselves conforming to the world instead, it is time to take action and be more intentional – to make sacrifices in addition to accepting them as they come.

I also wondered, based on the minimal reading I did on this, if perhaps Rose knew herself and we should trust her. Perhaps she knew that she had a tendency to vanity. Perhaps she knew that even if she gave up marriage and lived as sort of anchorite, intensely focused on Christ, that she would still draw attention and that attention, even if it is directed at spiritual rather than physical beauty, would be a temptation to her. Perhaps her extreme mortifications were directed at keeping herself conformed to the humble Christ in the most radical way, a way that she knew, for herself, would be at risk as people were drawn to her. Perhaps she wanted to keep herself radically open to Christ in her physical weakness so that she would always remember it was Jesus, not her, that the people of Lima desired and sought.

I don’t know. I’m just guessing.

It comes down to this. Different culture, but same Jesus, same faith. We are tempted to dismiss it, but that’s not Catholic. Instead, we dig deeper, realize our own cultural limitations, and listen. Because, you know, she’s not wrong.

It’s a mystery, but suffering can be beneficial and bear tremendous fruit. She’s not wrong.

Christian discipleship is about conforming ourselves to Christ. She’s not wrong. 

The world is beautiful (Rose grew flowers!) but can stand between us and God if we don’t know how to love properly.  She’s not wrong.

“Success”  in the spiritual life can lead to an inflated sense of self and hubris.

She’s not wrong.

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— 1 —

I usually have on ongoing, running file of “7 QT” items that I can pull from quickly when the time comes. But not this week. I’m in recovery/anticipation mode, from one Big Event to Another. Therefore, distracted.

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I did cook last night, though! For the first time in a while. We are going to be on the road for a bit taking a kid to college soon, with much eating out, and I started to feel guilty about that. So I cooked – Chicken Tetrazzini from the Fanny Farmer cookbook. My mother used to make Turkey Tetrazzini all the time after Thanksgiving, and it’s one of the few cooking “traditions” I seem to have followed. This is the recipe, basically – I layer it a bit more.

 

— 3 —

When in doubt, talk about homeschooling. Honestly, there is so much on other topics I’d like to write about, furious as I am about so many things in the world pretty much constantly – but here I am, with Stuff To Do today…and so no brain space in which to tackle it. Sorry for the lameness. I’ll be blogging over the next couple of weeks – some scenic blogging of a place I’ve never been the last week of August – but I fear the Seriousness, such as it is, won’t return until around August 30 or thereabouts.

-4–

So – homeschooling. Going okay. We’ve been in about halfway mode because of the wedding as well as the fact that his neighborhood friend goes to a school that doesn’t begin until next week.

But he’s been chugging away at his Latin. He’s gone through chapter 7 of Latin for the New Millenium (goal: finish book I by early November, start prepping for the National Latin Exam, but also start book 2), and taken the tests the tutor has sent. I’m passing on tests 4-7 today to the tutor, he’ll look at them, and that will be the basis for the meeting this weekend.

Math – after leaving Saxon, things are going great. He’s finished chapter 1 of the AOPS Counting and Probability book and we are reviewing Algebra, just spot checking through the AOPS Introduction to Algebra book. (The first part of that book is Algebra I – the second Algebra II.)

Spanish he is tackling on his own. He is doing Spanish II, using various resources. I am going to trust him on this one.

–5 —

Forthcoming:

– The Iliad.  We listened to the In Our Time episode on the epic. I’m going to be downloading two books to listen to on our many, many upcoming hours in the car: Derek Jacobi’s recording of Fagles’ translation (we have the hard copy to, to follow along) and, per the advice of a commenter, this class on the archaeological dimensions 

As I said to someone – be carefully what you casually mention to me. As in – if you casually mention “Maybe I’ll read the Iliad and the Odyssey” – I Am On It. 

 

— 6 —

Shakespeare for the fall has been engaged: Alabama Shakespeare in Montgomery is doing Hamlet in September and Atlanta Shakespeare is doing King Lear a couple of months later. So there you go – besides our Iliad/Odyssey – our literature for the fall.

Atlanta is also doing Julius Caesar – which he studied and saw a couple of years ago. But we will probably revisit for a bit and head over there to see it. Can’t have too much Shakespeare! And I do love Julius Caesar. Their favorite memory from that production, which is a very intimate space, was related to Caesar’s body being on a bier right next to our table – and try as he might, the actor playing the supposed-to-be-dead Caesar – sneezed.

He’s also reading The Lord of the Rings trilogy and plans to dive into the Simarillion. 

— 7 —

Yeah, okay. That’s it. Very sorry for the lameness.

Remember:

2020 Devotional available. 

Son’s new novel available.

Son posts film thoughts every day during the week – here’s his top Bergman films. 

Here’s his post on the future of home video.

Streaming is the desolate wasteland of our future, and we are seeing its effects now.
“How can that be?” some of you may be asking. “I can watch whatever I want by just selecting it from a menu!”
I’ve always been wary of streaming, but the original reasons for that originated from an element of the luddite in my soul that I can’t quite get rid of. I wanted physical media, and I couldn’t imagine other people wanting something else. Well, I get the appeal of streaming now, but I’ve seen the limitations and they worry me.
They aren’t technical limitations. The technology will only continue to improve. We’re even at the point where we can stream 4K UHD image with HDR over the Internet. Streaming and physical media are largely at a par in terms of technical delivery.
No, the problem goes back to that which Stephen Prince told my class about how studios want to make their money. Studios have seen physical media profits plateau and begin to fall. They see the future as streaming, and they love the idea because suddenly they have more control over media. No longer will they have to manufacture and then say goodbye to the film once a consumer purchases it. No. Instead, a consumer will purchase, at best, a license for the film that gives them access to the film within the terms of the contract. If the studio wants, it could pull the movie completely. Or change it. Something similar happened when Microsoft recently closed down its eBook store. All licenses expired automatically and everyone lost access to their books. Consumers won’t have to rely on themselves to keep their media in good shape anymore. They’ll have to rely on movie studios staying in business and continuing to provide access.

For more Quick Takes go visit This Ain’t the Lyceum!

 

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— 1 —

Blogging this past week – lots of saints, including Mary Magdalene (Monday), and a bit of travel – we went to central Georgia, to the Monastery of the Holy Spirit and Andalusia, Flannery O’Connor’s farm in Milledgeville. Go here and here for that. 

And while in Spain, we found the answer to a Very Important Question. 

No travelling for a while. Not even a day trip right now. Lots and lots of stuff going on. Lots. 

Oh yes – these came. I guess they are available online  – definitely from Loyola – but also I have them here. Obviously. If you would like to order one or two – or other titles – please check out my bookstore!

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 — 2 —

When I was in college, there was a certain type of person – usually male – whose idea of a fun Saturday night was to gather with friends and do a group reading of the screenplay of Monty Python and the Holy Grail. 

Well, I seem to ….have produced one of those types of persons. Huh.

Except now with effortlessly-available recordings, the reading-aloud has fallen by the wayside. Sadly, I think. Consider  – the late 70’s was right before VCRs became easily available – I distinctly remember seeing my first VCR at a classmate’s house (dad was an MD)  during a high school graduation party – that would have been June 1978. So, yeah – if you wanted to relive a movie on demand in your apartment – you’d have to relive it.

So, yeah. I don’t have to play a Knight Why Says Nie. I just have to…listen to it every time I get in the car.

Actually, this part of the script strikes me as a brilliant and spot-on parody of convoluted Scripture Speak:

And the Lord spake, saying, ‘First shalt thou take out the Holy Pin. Then, shalt thou count to three, no more, no less. Three shall be the number thou shalt count, and the number of the counting shall be three. Four shalt thou not count, nor either count thou two, excepting that thou then proceed to three. Five is right out! Once the number three, being the third number, be reached, then lobbest thou thy Holy Hand Grenade of Antioch towards thou foe, who being naughty in my sight, shall snuff it.'”

Image result for holy hand grenade monty python

— 3 —

Oh, let’s stay medieval. It’s been a while since I’ve driven you away with academic journal article summaries. Let’s correct that!

Here’s one about midwives. Very interesting – as midwives in many European countries were officially sanctioned, usually by the church. In some areas they were appointed by church authorities, and in others, they were elected by the women of an area. Their appointments meant that their work and livelihood was guaranteed by authority (aka – they would be paid) and that they had spiritual responsibilities, primarily to be be prepared to baptize if necessary.

The court’s specific expectations are not indicated, but scholars have done much to bring to light the services midwives provided for the church. For instance, Taglia describes midwives’ important role in ensuring the baptism of moribund infants, and Green notes that Thomas of Cantimpré believed curates must instruct midwives in the baptismal formula as a part of their general vocation to care for their parishioners’ souls. Broomhall presents evidence from sixteenth-century France of midwives acting as expert witnesses in ecclesiastical and secular cases of  infanticide, contested virginity, abortion, and sterility and assisting the church in lessening illegitimacy and child abandonment.40 Similarly, in Germany, midwives were expected to perform emergency baptisms and employed to verify pregnancy in prisoners and as expert witnesses in cases of alleged abortion, infanticide, and illegitimacy. In the Low Countries in the sixteenth century, midwives were likewise expected to aid the church in minimizing illegitimacy, abortions, and infanticide and were useful to the church in ensuring infant baptism, especially against Anabaptist resistance to the practice. Midwives were important defenders of orthodoxy in seventeenth-century England where they were involved in witchcraft trials more often as expert witnesses than as defendants.

-4–

By the same author, exploring the same sources on a slightly different subject. This is how one area of historical research works – you find a trove of evidence – in this case ecclesiastical court records from the Archdiocese of Paris from a certain era – and you simply examine the records in light of various topics. So, in the first article, it was regulations related to midwives. Here, she looks at what court records reveal about priests and sacramental stipends. 

One can easily cry “sophistry,” but really, this is just what life is really about. The cleric has to live – how is he to be paid for his work? In the middle ages, many clerics lived off benefices – moneys earned by church properties – but not all. And during this period, there seemed to have been a bit of a surfeit. One Archbishop of Paris attempted to strike a balance in his legislation:

In rituals surrounding birth and death, therefore, Poncher made a tripartite distinction among the types of money that should or should not change hands in relation to a sacrament. Firstly, priests could not receive money for the act of administering the sacrament itself. Secondly, priests could receive variable amounts of money as gifts of appreciation after the sacrament had been given. Thirdly, priests were entitled to receive predetermined payments for labor associated with the administration of sacraments, such as writing and sealing documents. By setting specific prices for priests’ labor, Poncher at-tempted to realize his dual goal of safeguarding a fair income for priests while protecting parishioners from chicanery in the form of being charged forbidden fees or inflated licit fees.

But still, there were problems that popped up and had to be dealt with:

This case shows that ecclesiastical licensing procedures might create a dilemma for priests. Priests were obligated to provide the sacraments to parishioners who needed them but were forbidden from administering the sacraments outside their parishes without permission, on pain of excommunication.  Should a priest lack either the time or the money to obtain a license, he could opt to perform the sacraments against church law and face the legal consequences. Should he, however, conform to church law and refuse to administer the sacraments without a license, he fell short of his spiritual duties and likewise could find himself cited by the archidiaconal court. While ecclesiastical regulations were intended to ensure the quality of sacerdotal work, they also had the potential to impede its availability.

A remarkable case heard on 16 April 1496 demonstrates what could happen when a priest attempted to resolve this dilemma. The defendant was Robert de Villenor, who was a clericus fabricus at the church of Saint-Nicolas-des-Champs, meaning that he monitored the churchwarden’s storeroom there. He stood ac-cused of administering extreme unction to several sick parishioners even though he was not ordained a priest. Villenor admitted to having administered extreme unction to one parishioner because on the night of 9 April the curate, Pierre Picard, was summoned to the bedside of two parishioners at the same time. Both were dying of the plague, which, Villenor emphasized, was particularly virulent in Paris that year. Unable to attend to both parishioners, Picard instructed Villenor to administer extreme unction to one of the dying, named Pierre Noneau. Picard assured Villenor that there would be “no danger” in performing this rite because Picard would supply him with unconsecrated bread rather than the true Host. The priest told the court that he “did not believe he had done evil, but that he had done good, and if he had believed he was doing evil, he would not have gone” to the other parishioner, who is not named in the records. 69 The cleric Villenor complied with Picard’s orders and performed extreme unction for Noneau with an unconsecrated Host. Providentially, Noneau survived the night and Picard was able to administer true last rites the following day. Two days later, Noneau died in the appropriate spiritual state.

Villenor’s case demonstrates the difficulty of attending to a sudden need for supplemental sacerdotal labor. Picard was unable to attend both deathbeds and did not have access to an additional licensed practitioner. As much as he could, Picard attempted to fulfill his spiritual obligations. He delegated the task of ad-ministering extreme unction to the next most appropriate person to himself: a cleric who worked for the church but who was not a priest. Picard gave Villenor a proxy Host, enabling him to avoid profaning the sacrament. The register does not explain what motivated Picard to do this, but perhaps he hoped that perform-ing an ersatz rite of extreme unction would comfort the dying man and his family while exonerating him from the charge of failing to provide the rite at all. Know-ing, however, that this rite was salvifically insufficient, Picard would have un-avoidably revealed the ruse when he returned the next day to administer extreme unction with a genuine Host. Although the strategy was less than ideal, Picard and Villenor’s actions demonstrate their willingness to contravene ecclesiastical regulations concerning sacerdotal quality and ritual standardization to attempt to reconcile the irreconcilable spiritual needs of parishioners. Picard’s scheme did not enable him to escape the restrictions of ecclesiastical statutes, however, and Villenor took the fall. He was given a large fine of four gold ecus for having acted like a priest, having administered false sacraments, and having created a scandal.

–5 —

Are you bored yet? Well, sorry – go to Academia.edu or Jstor and find your own articles!

The point is – as I say repeatedly and all the time – history helps illumine the present – not only helping us see how we got here, but more importantly, to help us see that the present way is not the only way. Simply looking at these two articles about obscure matters in medieval French ecclesiastical records might shake up a reader’s sense of what Church organization looks like, what clerics do, how women have related to the Church through history and how clergy misconduct has been handled.

— 6 —

I was reading New York magazine – this profile of Lulu Wang, the director of a film called Farewell. These were the final paragraphs:

Wang isn’t religious either, but she is spiritual in the way that she believes the universe can converge in strange, magical ways if you’re paying attention. When she was little, her mother used to tell her a story about what kind of person she would be. While she was pregnant with her, shehad gone to see a blind psychic in a remote Chinese village. “He said, ‘You’ll have four children, and your first will be a daughter,’ ” Wang recalls. “And he said, ‘You are water, but you’re like a river. You have a lot of talent and you have a lot of gifts, but you can’t hold on to any of it. It flows. But your first child is your daughter. She’s also water, but she is the great ocean, and all of your gifts will flow into her.’

“My mother always told me that as I was growing up, so it gave me this certain expectation: On top of being an immigrant, what if I can’t be an ocean? That’s too much! But my mother is very matter-of-fact. She’s like, ‘This is what was said, and so this is your fate. This is your destiny.’ I said, ‘But what does he know? You never had four children.’ And she’s like, ‘Yes I did, because I had you and I have Anthony, and there were two in the middle while I was in China that I wasn’t allowed to keep.’ She was pregnant four times, and she had forced abortions because of the one-child policy.”

We’re in the back of a car driving along the water in Bay Ridge, Brooklyn, and the light scatters on the East River where it empties into the neck of the bay. “Who knows what we believe?” she says. “Is it a self-fulfilling prophecy, or is it a prophecy? We don’t know.”

Oh. So maybe….?

— 7 —

Since Ordinary Time started back up, we’ve been hearing some salvation history from Genesis, and these days, Exodus, in our daily Mass readings. Today’s the giving of the Decalogue to Moses. Here’s a relevant entry from the Loyola Kids Book of Catholic Signs and Symbols. Get one! For your local Catholic parish or school! 

Coming next week…Ignatius Loyola, Alphonsus Liguori, and me in Living Faith. 

Also – check out my son’s novel!

And his film writing – posted almost daily – here.

For more Quick Takes, visit This Ain’t the Lyceum!

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