We are home now – first stop Chick-fil-A, second stop washing machine, third stop Zaxby’s.
Home.
It’s still a miracle, really. Will I ever stop feeling the wonder at being in Mexico City at breakfast time, then home in time for lunch? I doubt it, and I don’t want to. It is a wonder, I’m grateful for it even as I feel a sense of unease at the sense of obligation it brings. Previous generations had it so hard and produced such beautiful, truthful things. I have it so easy, I have so much more time…what am I doing with it?
A question that weighs especially heavily after experiencing the highs – and in a more limited way – the lows – of a country like Mexico.
So, back to Saturday morning.
It did not begin well. Montezuma got me, and I can’t figure out where we met. Nothing but bottled water touched my lips. I didn’t have any fruits or vegetables that might have been washed in the preceding days. The only thing I can figure out is that Friday morning, we had breakfast and I had juevos awash in mole – I didn’t eat it all (they just drown things in mole sauce (why???), and to my palate it’s definitely overkill) – but I think that the little bit I did consume might have been it. Perhaps the mole had been reconstituted with local water and not heated at a high enough temperature to Kill Things. I don’t know. I do know it was miserable for a few hours there.
It took the morning for me to (mostly) recover. I sent the boys out a couple of times to wander, buy churros – whatever – just go. And they kept coming back like fifteen minutes later. Why are you here?
I took solace in the fact that if I, indeed, couldn’t get going at all that the Puebla centro is safe and interesting enough that they could, if seriously threatened, spend the whole day out there themselves, without me. (they’re almost 17 and 13, remember). There was a movie theater, too, if things got desperate.
But by about 11:30, I was confident enough of my system that I decided that our original Saturday plan could happen, albeit later than planned: Cholula.
Cholula is a neighboring town, but really, driving there, it seems more like a suburb. It’s six or seven miles away, but there’s no empty space between the two. The reason for going is this: what they think is probably the biggest pyramid, by volume, in the world.
Except you can’t see it!
For it’s under a hill and on top of the hill sits a church.
You can read about the pyramid here – in case you don’t know the reasons the MesoAmericans, particularly in central Mexico, could build their pyramids to such a great size is that they periodically enlarged them by building over them every few decades.
So, we Ubered it over there, startled by the immensity of the church-topped hill right there, with the town spread out around it. The driver let us out at a plaza lined with food and gift stalls, filled with visitors (it was Saturday, remember!) and in the middle of which were voladores, ready to take flight.

What are voladores?
The ritual ceremony of the Voladores (‘flying men’) is a fertility dance performed by several ethnic groups in Mexico and Central America, especially the Totonac people in the eastern state of Veracruz, to express respect for and harmony with the natural and spiritual worlds. During the ceremony, four young men climb a wooden pole eighteen to forty metres high, freshly cut from the forest with the forgiveness of the mountain god. A fifth man, the Caporal, stands on a platform atop the pole, takes up his flute and small drum and plays songs dedicated to the sun, the four winds and each of the cardinal directions. After this invocation, the others fling themselves off the platform ‘into the void’. Tied to the platform with long ropes, they hang from it as it spins, twirling to mimic the motions of flight and gradually lowering themselves to the ground.
It was interesting to see, although I don’t think “fling” describes the actions I saw. More like, “sit suspended and slowly start spinning while your hat-holding companions work the crowd below.”
I’m not going to recreate the next hour or so of activity step by step. Just know it involved: Seeing a huge line to enter the tunnel that’s been excavated through the pyramid. Getting the very clever idea that since we knew there was a museum associated with the pyramid, we’d avoid the line, get tickets for the experience at the museum and do that first. Getting ice cream. Going to the wrong museum. Going to the right museum, but being told we had to buy tickets at the tunnel entrance. Senora. Gracias. Waiting in line for thirty minutes (me sitting on a bench next to a rotating series of old Mexican men and women) to buy said tickets. Going through the tunnel. Coming out the other side. Climbing up the hill to Our Lady of Remedies. Praying for just that. Very convenient. Climbing down and, knowing that we were on the complete opposite of the museum, saying, “forget it,” and heading into town instead.
With Mom fighting cramps every time her body changed position, it seemed. Which, you know, when you’re walking around, happens a lot. Which explains why “forget it” is not exactly what she said in her head when understanding where the museum was in relation to where she ended up.
In all seriousness, it is an amazing sight, even though it’s a hill – for you know that under the hill lies an enormous pyramid and there you are on top of it with Our Lady of Remedies. The church is a lovely bright yellow, and it really does dominate the landscape of the town. In fact, as we left Puebla on Sunday, our bus drove on the highway several kilometers north – and I could see it from there.
Incidentally, Our Lady of Remedies, along with many other churches in the Puebla state, especially in and around Cholula, were heavily damaged in last fall’s earthquake. We saw a great deal of evidence of that – turrets and other features piled beside walls and so on.
What absorbed me most, though, was the families. It’s not as if it were the first time – in Mexico, that’s what you see most of – families, and most of the time, it’s multi-generational. Grandparents, parents, and children climbing the hill up to the church, waiting in line to enter the church, sharing a picnic, gathered at the top of the pyramid, under the shadow of Our Lady of Remedies. Little ones slung their buzzing, clacking toys around and wept at their dropped paletas, parents bounced babies in slings and grandparents, their stature usually about halfway between their children’s and grandchildren’s, pointed out the features in the town spread out below and the volcanoes in the distance.
Deciding that our time in the two Archeology museums in Mexico City had probably been enough, we wandered into Cholula – as is the case with all Mexican towns, blocks of brightly painted buildings lined the streets and this being Holy Saturday, it was hopping. We did a bit of souvenir shopping, then found the Zocalo where we settled in for some lunch at a stand, then shopped a bit more – there was an extensive book section under the tent, and I bought several easy versions of classics in Spanish – probably 3rd-5th grade – the Iliad, The Invisible Man and a collection of Poe stories. We’ll see how serious our burgeoning MesoAmerican naturalist/scholar really is about learning Spanish, won’t we?
I then followed the lead of this blogger, found a taxi, and asked him if he would take us to two churches on the outskirts off Cholula and then back to Puebla – he agreed ($300 pesos was his price – about $15).
The churches?
First, St. María Tonantzintla. I got up at 4:30 am, and I’m tired, so I’ll let the other blogger fill you in:
Santa María Tonantzintla was constructed in the 17th century as a church for the local indigenous people. As was typical in Mexico, the local people incorporated many of their own beliefs into their religious symbols. This fusion produces a style which some refer to as “indigenous baroque”.
The church has a yellow body, but is nicely set off with red tile. The front ornamentation is rather simple, with figures of St. Peter, St. Paul, and the Virgin Mary enclosed in niches along the front. The overall look is very pleasant.
It’s the inside where things get more interesting. A riot of figures cover every surface. The impact is stunning, your eyes are drawn over and over the surfaces, examining the many details. You can see children, birds, angels, flowers, and many other symbols. All are painstakingly crafted from plaster, then carefully painted or gilded.
I’ll go further than he does about the exterior – it’s not just “pleasant” – it’s distinctive and singular. The interior is as he describes it, and, as he continues – you aren’t allowed to take photographs inside. The people sell photographs and postcards and even a small book, and really, why not support them in their dedication to their own parish?
Our Cathedral rector traveled to this church a few years ago and snapped some interior photos after celebrating Mass – enjoy!
Just a mile away is San Francisco Apatapec, fascinating and even startling because it’s so different than the first church – yes, the commonalities in structure indicate a proximity in construction, but instead of red tile, the second church is adorned with Talavera tile. I was a little restricted in photography because they had set up a tent that reached from the front door to the courtyard opening – I couldn’t get a good long view but I think you get the sense of it. Click on photos to get a larger version.
Aren’t they amazing?
And note – these are not located in the midst of grand cities or wealthy neighborhoods. What surrounds them may not be squalor, but it’s not a gated community either. It’s hardscrabble small town Mexico.
And of course, we were popping in on Holy Saturday afternoon, remember. Both churches were busy with preparation – people were dusting, scouring, trimming and arranging flowers. So here you have it: Beautiful – no, stunning – churches that are not imposed on or extracted from the sufferings of the poor by authoritarian hierarchs, but stand tall, rather, as expressions of the people’s love and worship of God, exploding with hope and trust in the Beauty that waits for them.
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