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Posts Tagged ‘Foxcatcher’

Taking a travelogue break to offer quick reviews of the movies I watched on the plane:

  • I didn’t watch any movies on the way over, only the two episodes of Mad Men they offered.  I didn’t want to get too committed to full-length films because I was all MUST SLEEP. GO TO SLEEP. NOW.
  • Of course, I didn’t sleep at all. I never do.  Even the time I flew to Europe by myself, with empty seats on either side of me….I didn’t sleep. I’m too anxious about sleeping to sleep, that’s all.
  • On the way back, I watched three movies, though, and part of two others.
  • I’d been looking forward to Foxcatcher since reading about it, probably a year ago.  It sounded complicated and layered and had Steve Carrell.  But I’m sorry to say…no.  About 45 minutes into it, I couldn’t believe it was only 45 minutes into it and there were 90 minutes left to go.  Carrell was fine, if a little mannered and caricatured (but perhaps that’s the way DuPont actually presented), and I thought Channing Tatum was just fine, but the whole thing was just a little too…careful. Money Quote: “Ornithologist, Philatelist, Philanthropist…”
  • I’d also been wanting to see Whiplash.  It was certainly more entertaining that Foxcatcher, albeit fairly crazy and over the top. J.K. Simmons, as an uber-intense, authoritarian, sadistic instructor of jazz band was fun to watch, but it was, as I said, just too much to take at times.  What interested me was to see what the film would do with the standard tough master v. student trope and to follow the various mind games being played. It certainly wasn’t predictable, that’s for sure, but there were points at which the unpredictability morphed into unbelievability – as in, a perfectionist musician would take an opportunity given to him to shine and use that moment to humiliate one guy? Nope.
  • But. The last fifteen minutes are, well…great. They are earned. It’s exhilarating to see the put-upon, even abused student "amy welborn"take charge and to observe the dynamic of master-student: taking what’s been learned and shooting it right back – played out in the context of Caravan. 
  • Fr. Robert Barron wrote about this film today in the context of spiritual mentoring.  It’s a reasonable jumping-off point, but I had a hard time connecting to the movie on that subject because the Simmons character was so ridiculous, really. Rather, what I was thinking about, especially during those last few minutes of the film, was art – and perhaps more so because I’d spent a week contemplating the likes of Bosch, El Greco, Velasquez, Picasso, Ribera, and Goya. My final takeaway of those final seconds, in particular, was that in order to make truly great art you probably have to be a little bit crazy, and you might just have to sell your soul.  Money Quote: “Mmmm….not my tempo.”
  • Enough Said was one of James Gandolfini’s last films, and he stars in this tale of love and courtship in middle age with Julia Louis-Dreyfus, Catherine Keener and Toni Colette.  Loved it. I have to say that my 32-year old son had seen it some months ago and recommended it, so it’s not just a middle-aged thing.  It’s very real, funny and the acting is terrific. People have doubts about each other, get angry, and connect in unexpected ways with unexpected people and talk about the issues they have in ways pretty close that we do in real life, with enough of the elevated focus and wit of theater to make you both nod in recognition and laugh because they’re funnier than you are.  It’s also striking because one character really does mistreat another, and handle a situation very badly…and is called on it, and must bear the consequences..and eventually finds forgiveness, but it’s not easy.
  • I also watched part of The Skeleton Twins, mostly because I like Bill Hader – what I watched struck me as pretty formulaic, but I couldn’t finish it because the sound putzed out.
  • So I tried to give St Vincent  – the film about the irascible Bill Murray being impacted (I assume) by the Kid Next Doorbut we landed about 30 minutes in, and I wasn’t interested enough to pick it up later…should I?  It struck me as situational – as in, let’s create a Wacky Situation which leads characters to confront a Quirky Situation which leads to Understanding Despite the Odds.
  • And didn’t we see this in Kolya, and wasn’t it much better then?

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