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Gregory’s story has a lot to teach us about that tricky thing called discernment.

Back in 2008, Pope Emeritus Benedict XVI devoted two General Audiences to this saint.  He began with a helpful outline of his life – born into an important Roman family, serving as prefect of Rome, turning his family’s land into a monastery togregory the greatwhich he retired, then entering the service of the pope during very difficult times in Rome, including the plague, which killed the pope, and then…

The clergy, people and senate were unanimous in choosing Gregory as his successor to thend  See of Peter. He tried to resist, even attempting to flee, but to no avail: finally, he had to yield. The year was 590.

Recognising the will of God in what had happened, the new Pontiff immediately and enthusiastically set to work. From the beginning he showed a singularly enlightened vision of realty with which he had to deal, an extraordinary capacity for work confronting both ecclesial and civil affairs, a constant and even balance in making decisions, at times with courage, imposed on him by his office.

Benedict engages in some more analysis in the second GA. This is useful and important to read. 

Wanting to review these works quickly, we must first of all note that, in his writings, Gregory never sought to delineate “his own” doctrine, his own originality. Rather, he intended to echo the traditional teaching of the Church, he simply wanted to be the mouthpiece of Christ and of the Church on the way that must be taken to reach God. His exegetical commentaries are models of this approach.

And that is what any teacher of the faith, especially a pastor, is called to do.

Moving on:

Probably the most systematic text of Gregory the Great is the Pastoral Rule, written in the first years of his Pontificate. In it Gregory proposed to treat the figure of the ideal Bishop, the teacher and guide of his flock. To this end he illustrated the seriousness of the office of Pastor of the Church and its inherent duties. Therefore, those who were not called to this office may not seek it with superficiality, instead those who assumed it without due reflection necessarily feel trepidation rise within their soul. Taking up again a favourite theme, he affirmed that the Bishop is above all the “preacher” par excellence; for this reason he must be above all an example for others, so that his behaviour may be a point of reference for all. Efficacious pastoral action requires that he know his audience and adapt his words to the situation of each person: here Gregory paused to illustrate the various categories of the faithful with acute and precise annotations, which can justify the evaluation of those who have also seen in this work a treatise on psychology. From this one understands that he really knew his flock and spoke of all things with the people of his time and his city.

Nevertheless, the great Pontiff insisted on the Pastor’s duty to recognize daily his own unworthiness in the eyes of the Supreme Judge, so that pride did not negate the good accomplished. For this the final chapter of the Rule is dedicated to humility: “When one is pleased to have achieved many virtues, it is well to reflect on one’s own inadequacies and to humble oneself: instead of considering the good accomplished, it is necessary to consider what was neglected”. All these precious indications demonstrate the lofty concept that St Gregory had for the care of souls, which he defined as the “ars artium”, the art of arts. The Rule had such great, and the rather rare, good fortune to have been quickly translated into Greek and Anglo-Saxon.

Another significant work is the Dialogues. In this work addressed to his friend Peter, the deacon, who was convinced that customs were so corrupt as to impede the rise of saints as in times past, Gregory demonstrated just the opposite: holiness is always possible, even in difficult times.

He proved it by narrating the life of contemporaries or those who had died recently, who could well be considered saints, even if not canonised. The narration was accompanied by theological and mystical reflections that make the book a singular hagiographical text, capable of enchanting entire generations of readers. The material was drawn from the living traditions of the people and intended to edify and form, attracting the attention of the reader to a series of questions regarding the meaning of miracles, the interpretation of Scripture, the immortality of the soul, the existence of Hell, the representation of the next world – all themes that require fitting clarification. Book II is wholly dedicated to the figure of Benedict of Nursia and is the only ancient witness to the life of the holy monk, whose spiritual beauty the text highlights fully.

Above all he was profoundly convinced that humility should be the fundamental virtue for every Bishop, even more so for the Patriarch. Gregory remained a simple monk in his heart and therefore was decisively contrary to great titles. He wanted to be – and this is his expression – servus servorum Dei.Coined by him, this phrase was not just a pious formula on his lips but a true manifestation of his way of living and acting. He was intimately struck by the humility of God, who in Christ made himself our servant. He washed and washes our dirty feet. Therefore, he was convinced that a Bishop, above all, should imitate this humility of God and follow Christ in this way. His desire was to live truly as a monk, in permanent contact with the Word of God, but for love of God he knew how to make himself the servant of all in a time full of tribulation and suffering. He knew how to make himself the “servant of the servants”. Precisely because he was this, he is great and also shows us the measure of true greatness.

And he’s in The Loyola Kids’ Book of Saints. 

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When I feel the need to write something in this space, but can’t quite focus or mentally manage one of ideas on my huge list, I fall back into homeschooling reporting. I find that it exercises the writing reflex, but in not in a stressful way, and it has the added benefit of providing me with reassurance that yes, I am accomplishing things.

Not that I’m not writing other things. I have a Living Faith set due on Thursday – which I finished earlier today (I was in today, by the way), and work on the book continues apace. I’m not going to meet my first personal goal of having it done by 11/1, but I will get it done before Thanksgiving, which was my second-best goal. (Contract says 12/15, by the way, but I want to get it done before then.)

And no, I’ve not forgotten that objective of getting an e-book out of the Guatemala trip. I hope that after this week, I can return to that.

Anyway…about that homeschooling:

  • The unschooling goal is sort of working. Any holdup is due to the fact that there’s been so many extra activities happening since the beginning of September: Boxing and piano lessons every week – which won’t end – and then 2-hour science center classes on Tuesday and 2-hour photography classes on Thursdays. So that means that any sort-of-formal structured learning gets crammed into Monday, Wednesday and Friday, and usually just Monday and Wednesday, since Friday is turning out to be “Hey mom, can we go somewhere today?” day.
  • But we’ve had the last of the science center classes, so that frees up more time on Tuesdays. Photography class runs for the rest of October.
  • Math: Prealgebra with the Art of Problem Solving continues apace. He’s on chapter 3, working on number theory – first prime factorization, now least common multiples.
  • He wanted to learn Spanish this year, so he’s doing so. I hunted around for a decent curriculum, found what I thought was one, but I HATE IT.  Specifically, I HATE the “whole language” pedagogy. I am going to blog about this one, because it deserves a post, but wow, this is challenging. Especially since, you know, I don’t speak Spanish. I’m pretty good with languages though – I can manage French and did Latin up through two years of college, and I did take 8th grade Spanish! And helped one of my older sons learn middle-school Spanish in preparation for 8th grade, but still. This program I picked out it a hot mess, confusing and not at all intuitive, even though that is supposed to be the point – it’s supposed to be “intuitive.” It’s not. Or at least it just makes no sense.
  • Do you wonder what I’m talking about? Here’s a small example from today: introducing a construction that requires use of indirect object pronouns without ever mentioning what these new words are, defining them, or translating them. “What are those words?” “Um…I’m guessing they’re indirect object pronouns, but let’s go on the internet and see” Five minutes later, after we both read through an excellent, clear explanation on a web page – “Why can’t the book be that clear?”
  • No lo sé. Sorry.
  • He does listen to one of the local Spanish-language radio stations all the time, though, and we went to the local FIESTA last weekend, so there’s that.

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  • If he ends up not going back to brick-and-mortar school, though, this is going to have to be outsourced. He has a strong interest in Central America (for some reason) – the culture, the history and the nature – and so Spanish fits.
  • He’s read Animal Farm and Of Mice and Men. Yes, the latter is rough with a lot of cursing, and it’s definitely not a cozy readaloud, but it was a good choice for him to read. Short, but meaty. It was an easy entry to discussions about expressing themes in fiction, as well as discussions about history (the Great Depression) and geography (Steinbeck’s California).
  • I knew it was a good choice when we were discussing the first chapter and, without being prompted or asked, he started going back over Steinbeck’s descriptions of the river bed in those early scenes – the rabbits coming down to the sandy bank in the early evening, the snake’s head emerging like a periscope from the water. Those and other images stuck with him to the point he wanted to share them. It was a good opportunity to discuss what makes evocative description.
  • He’s got his own reading going on, always, but the next “school” book will be The Old Man and the Sea. We’re doing short works right now – it offers more of a sense of accomplishment. For everyone.
  • Read and discussed “To a Mouse” by Burns before he read Of Mice and Men. 
  • He memorized the poem “Bird of Night” by Randall Jarrell. 
  • History/Geography reading has been of his own choosing from our books and library books. Topics he’s read about this week have included Assyrians, the Aztecs, Indus River civilization, the origins of the Vietnam war, and short biographical entries on a few presidents..
  • Watched a few videos from The Kids Should See This and other sources, mostly on science topics: whether or not jellyfish sleep, birth of a kangaroo joey, etc.
  • Read this article and did a bit more research on whistled languages.
  • He did some quizzes of his choice from this website, and then some presidents’ quizzes that I found. Continued working on memorizing the list of presidents.
  • Religion: focus is, as per usual, on saint of the day and Mass readings of the day and the discussions that flow from that. He served at a convent retreat Mass this past Saturday and heard an excellent homily from Fr. Wade Menezes. 
  • Monday, we discussed the Nobel Prize that had been announced that day – Physiology. We haven’t had time to discuss the others, but will try to knock of that teachable moment on Friday, I guess.
  • Talked a little bit about John Cage, for some reason. I think he was on a playlist I was listening to on Spotify, and it prompted a memory and a question from music camp.
  • Going to see the symphony do Brahms Symphony 1 on Friday.
  • He did a homeschool session on clay  at the Birmingham Museum of Art today.
  • Today in his “go read some nonfiction something anything for a while” he came out and said he’d been reading about Siberian reindeer herders in, I think, National Geographic. He asked what Anthrax was. (Because the reindeer had contracted it and infected their keepers, who ate their meat raw). So he researched that for a while.
  • If you’re following along, you know that aside from his own interests, which are considerable,  his history work – such as it is – is focused on participating in the history bee again. The qualification test for that is in January. He qualified last year without much preparation, so he’s not super intense about it, but I am using it    hoping that it inspires a little more formal/disciplined study. To that end, I’ve purchased a couple of outlines of US history and he’ll be going through those with a highlighter, making sure he knows the basics.
  • Music: He’s going to be playing Rachmaninoff’s Prelude in C# minor at a recital in a couple of weeks. He’s learning the fourth movement of Beethoven’s Sonata #1 and starting to review the 3rd movement of Kabalevsky’s Youth Concerto, which he sort of learned last year but never well enough to perform. It’s a goal for this year. We’re contemplating the organ. Sort of.
  • He and I working on this piece, just for fun: Satie’s “Three pieces in the shape of a pear.”  Most of it is easy enough for me. We both enjoy playing it – it’s different.
  • I blew his mind when I showed him this article about John Tyler’s two living grandsons. Imagine being alive in 2017, and your grandfather had been born in 1790 and was the 10th president of the United States. Crazy. He kept bringing it up all day.
  • One trip to the Birmingham Botanical Gardens for photography practice, then a jaunt to a short but interesting and varied walking trail, one which I knew existed but could never figure out how to access until I finally just asked someone. There. Done.
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Someone explain…

….the economics of Spotify to me?

I’ve just discovered it.  Because I’m totally with it and all.  Up to recently, I’d mostly experienced it as one more annoying status update I’m not interested in that appears on my FB news feed….er…I don’t care what you’re listening to or if you bought a new animal in your game or whatever…

But then…duh.

I went premium, so sure, they get 10 bucks a month from me, but I’m curious, as I said, about the economics.  I mean, it’s not terribly complicated, I suppose – what I play is effortlessly tracked, so copyright and license holders can get their two cents…but do they? I’m sort of stupidly amazed at a system in which I can flit from Kim Richey to Spike Jones to the Boswell Sisters to Los Cuates De Sinaloa (It’s Sunday!) to the Waverly Consort….some of which I have on CD already, some of which I don’t and can now play for my kids with no effort…but I’m still wondering how it works and how it’s sustainable…

Educate me?

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