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Archive for the ‘Loyola Press’ Category

—1 —

First, St. Augustine, who’s in the Loyola Kids Book o’ Saints, under “Saints are people who help us understand God.” The first two pages:

— 2 —

Secondly…well, we’re back. And about to be gone. So here’s what happened today.

We packed up and left Gardnier, WY, at the north end of the park, about 7:30. We were met at the Yellowstone entrance (which is right there) with the news that not only was the road I knew was closed still closed because of fires (between Old Faithful and West Thumb), but another road  – the alternate I’d been assuming would be our way out – was closed as well, because of an overturned gas-carrying 18-wheeler. That one, between Canyon and the lake (below is a campground map – first thing I grabbed – it’s the road between Canyon Village and “Fishing Bridge” campground.)

So here’s a map.

campgroundmap

You can see the problem. There would be no way to get from Gardiner, in the north, to the South entrance, which then would get us on the road to Jackson. It was going to be a 3.5 hour drive, straight shot (you can’t go over 45 on most park roads), and we were planning to take our time and see things we’d missed and maybe take another look at some geysers.

But with that news, the route had to shift, didn’t it? Like, dramatically – out through West Yellowstone and out and over further west, then south through Idaho, to Jackson from the west. Adding not only distance, but time as well. Okay, champ, I’ll settle in to drive, you settle in to sleep.

And now is the part where I tell you that I just learned that as of 8am this morning that road between Old Faithful and West Thumb was opened. I don’t know why they didn’t know that at the entrance gate at 7:35, but it is what it is. No regrets. It’s fine – we saw some lovely sights along the way.

— 3 —

I shook traveling companion awake not long after departure to take in the Roaring Mountain – it used to emit this steam with a lot more force and noise (hence the name), but it’s still impressive.

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After that – the drive to West Yellowstone is gorgeous, with stunning cliffsides lining the road.

Then….Idaho. So, new state! That means three new states added to our list with this trip, and I’ve now realized I’m up to 45. Only Oregon, Washington, North Dakota, Alaska and Hawaii remain.

It also means that one traveling companion awakened and learning where we were, it was a steady diet of Napoleon Dynamite quotations until the Tetons loomed into site again – and from the west, they are quite lovely. And we were delighted to see that we could, at last…actually see them, since the smoke from the fires further west had evidently dissipated.

— 4 —

Once over the pass, we took a slight detour into Teton Village, since I was curious what a ski village would look like. I’ve known folks who’ve traveled to the area to ski, and I confess my image of what that was wasn’t exactly what I saw, and not just because it’s summer. I guess I imagined something more bucolic and rural, not condos crammed at the base of a mountain. Huh. Well, it’s probably real nice in winter and obviously people like it, so they can have it.

On to Jackson, lunch, since it was a little early, wander around a bit, since it was still early, finally gain access to hotel.

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This is not from our hotel, but from the balcony of a shop. See the arch? It’s elk antlers, and there’s more of the same on the square, and one at the entrance into the Jackson airport terminal, as well. 

— 5 –

Then back into the car and back up to Jenny Lake – about 30 miles north. We had hours of daylight left, so why not get in some more hiking to points we’d missed before? The route was partway around the lake to the Moose Pond trails – no moose where seen – there– and then up the rest of the way to where the boat had dropped us before, the starting point for hikes to Inspiration Point, Hidden Falls and then the Cascade Canyon trail, which we’d walked a good bit of on Friday, and greatly enjoyed.We decided the best use of our time would be to get up to Hidden Falls and then take the boat back to the other side. Which we did, getting back to the car by 7, back into Jackson by 8, then to dinner at Bubba’s Barbecue, which was excellent. 

— 6 –

And so…..animals today? Lots of elk, of course. Two does with their fawns crossing the road near the Visitor’s Center on this end of Grand Teton NP, and then, on the Jenny Lake hike…

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— 7 —

And….

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I think he was in the same spot 45 minutes later when we rode the boat across the lake, because I could see a group of folks on the trail there, looking down. For video, go to Instagram. 

As per usual, I’ll do a post– probably tomorrow, from the airport – describing our itinerary and accommodations choices, for anyone contemplating a similar trip.

Back to ordinary life very, very soon. But in these days, of course, “ordinary” is anything but….

For more Quick Takes, visit This Ain’t the Lyceum!

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St. Monica…because mothers will never miss a chance to think about St. Monica…

The best source? Her son, throughout the Confessions, but mostly in Book 9. 

Such things was I speaking, and even if not in this very manner, and these same words, yet, Lord, Thou knowest that in that day when we were speaking of these things, and this world with all its delights became, as we spake, contemptible to us, my mother said, “Son, for mine own part I have no further delight in any thing in this life. What I do here any longer, and to what I am here, I know not, now that my hopes in this world are accomplished. One thing there was for which I desired to linger for a while in this life, that I might see thee a Catholic Christian before I died. My God hath done this for me more abundantly, that I should now see thee withal, despising st. monicaearthly happiness, become His servant: what do I here?”

What answer I made her unto these things, I remember not. For scarce five days after, or not much more, she fell sick of a fever; and in that sickness one day she fell into a swoon, and was for a while withdrawn from these visible things. We hastened round her; but she was soon brought back to her senses; and looking on me and my brother standing by her, said to us enquiringly, “Where was I?” And then looking fixedly on us, with grief amazed: “Here,” saith she, “shall you bury your mother.” I held my peace and refrained weeping; but my brother spake something, wishing for her, as the happier lot, that she might die, not in a strange place, but in her own land. Whereat, she with anxious look, checking him with her eyes, for that he still savoured such things, and then looking upon me: “Behold,” saith she, “what he saith”: and soon after to us both, “Lay,” she saith, “this body any where; let not the care for that any way disquiet you: this only I request, that you would remember me at the Lord’s altar, wherever you be.” And having delivered this sentiment in what words she could, she held her peace, being exercised by her growing sickness.

But I, considering Thy gifts, Thou unseen God, which Thou instillest into the hearts of Thy faithful ones, whence wondrous fruits do spring, did rejoice and give thanks to Thee, recalling what I before knew, how careful and anxious she had ever been as to her place of burial, which she had provided and prepared for herself by the body of her husband. For because they had lived in great harmony together, she also wished (so little can the human mind embrace things divine) to have this addition to that happiness, and to have it remembered among men, that after her pilgrimage beyond the seas, what was earthly of this united pair had been permitted to be united beneath the same earth. But when this emptiness had through the fulness of Thy goodness begun to cease in her heart, I knew not, and rejoiced admiring what she had so disclosed to me; though indeed in that our discourse also in the window, when she said, “What do I here any longer?” there appeared no desire of dying in her own country. I heard afterwards also, that when we were now at Ostia, she with a mother’s confidence, when I was absent, one day discoursed with certain of my friends about the contempt of this life, and the blessing of death: and when they were amazed at such courage which Thou hadst given to a woman, and asked, “Whether she were not afraid to leave her body so far from her own city?” she replied, “Nothing is far to God; nor was it to be feared lest at the end of the world, He should not recognise whence He were to raise me up.” On the ninth day then of her sickness, and the fifty-sixth year of her age, and the three-and-thirtieth of mine, was that religious and holy soul freed from the body.

Benedict XVI, from 2006, sums it all up:

Today, 27 August, we commemorate St Monica and tomorrow we will be commemorating St Augustine, her son: their witnesses can be of great comfort and help to so many families also in our time.

Monica, who was born into a Christian family at Tagaste, today Souk-Aharàs in Algeria, lived her mission as a wife and mother in an exemplary way, helping her husband Patricius to discover the beauty of faith in Christ and the power of evangelical love, which can overcome evil with good.

After his premature death, Monica courageously devoted herself to caring for her three children, including Augustine, who initially caused her suffering with his somewhat rebellious temperament. As Augustine himself was to say, his mother gave birth to him twice; the second  time  required  a  lengthy  spiritual travail of prayers and tears, but it was crowned at last with the joy of seeing him not only embrace the faith and receive Baptism, but also dedicate himself without reserve to the service of Christ.

How many difficulties there are also today in family relations and how many mothers are in anguish at seeing their children setting out on wrong paths! Monica, a woman whose faith was wise and sound, invites them not to lose heart but to persevere in their mission as wives and mothers, keeping firm their trust in God and clinging with perseverance to prayer.

As for Augustine, his whole life was a passionate search for the truth. In the end, not without a long inner torment, he found in Christ the ultimate and full meaning of his own life and of the whole of human history. In adolescence, attracted by earthly beauty, he “flung himself” upon it – as he himself confides (cf. Confessions, 10, 27-38) – with selfish and possessive behaviour that caused his pious mother great pain.

But through a toilsome journey and thanks also to her prayers, Augustine became always more open to the fullness of truth and love until his conversion, which happened in Milan under the guidance of the Bishop, St Ambrose.

He thus remained the model of the journey towards God, supreme Truth and supreme Good. “Late have I loved you”, he wrote in the famous book of the Confessions, “beauty, ever ancient and ever new, late have I loved you. You were within me and I was outside of you, and it was there that I sought you…. You were with me and I was not with you…. You called, you cried out, you pierced my deafness. You shone, you struck me down, and you healed my blindness” (ibid.).

May St Augustine obtain the gift of a sincere and profound encounter with Christ for all those young people who, thirsting for happiness, are seeking it on the wrong paths and getting lost in blind alleys.

St Monica and St Augustine invite us to turn confidently to Mary, Seat of Wisdom. Let us entrust Christian parents to her so that, like Monica, they may accompany their children’s progress with their own example and prayers. Let us commend youth to the Virgin Mother of God so that, like Augustine, they may always strive for the fullness of Truth and Love which is Christ:  he alone can satisfy the deepest desires of the human heart.

2009:

Three days ago, on 27 August, we celebrated the liturgical Memorial of St Monica, Mother of St Augustine, considered the model and patroness of Christian mothers. We are provided with a considerable amount of information about her by her son in his autobiography, Confessions, one of the widest read literary masterpieces of all time. In them we learn that St Augustine drank in the name of Jesus with his mother’s milk, and that his mother brought him up in the Christian religion whose principles remained impressed upon him even in his years of spiritual and moral dissipation. Monica never ceased to pray for him and for his conversion and she had the consolation of seeing him return to the faith and receive Baptism. God heard the prayers of this holy mother, of whom the Bishop of Tagaste had said: “the son of so many tears could not perish”. In fact, St Augustine not only converted but decided to embrace the monastic life and, having returned to Africa, founded a community of monks. His last spiritual conversations with his mother in the tranquillity of a house at Ostia, while they were waiting to embark for Africa, are moving and edifying. By then St Monica had become for this son of hers, “more than a mother, the source of his Christianity”. For years her one desire had been the conversion of Augustine, whom she then saw actually turning to a life of consecration at the service of God. She could therefore die happy, and in fact she passed away on 27 August 387, at the age of 56, after asking her son not to trouble about her burial but to remember her, wherever he was, at the Lord’s altar. St Augustine used to say that his mother had “conceived him twice”.

2010:

Again, in Confessions, in the ninth book, our Saint records a conversation with his mother, St Monica, whose Memorial is celebrated on Friday, the day after tomorrow. It is a very beautiful scene: he and his mother are at Ostia, at an inn, and from the window they see the sky and the sea, and they transcend the sky and the sea and for a moment touch God’s heart in the silence of created beings. And here a fundamental idea appears on the way towards the Truth: creatures must be silent, leaving space for the silence in which God can speak. This is still true in our day too. At times there is a sort of fear of silence, of recollection, of thinking of one’s own actions, of the profound meaning of one’s life. All too often people prefer to live only the fleeting moment, deceiving themselves that it will bring lasting happiness; they prefer to live superficially, without thinking, because it seems easier; they are afraid to seek the Truth or perhaps afraid that the Truth will find us, will take hold of us and change our life, as happened to St Augustine.

Dear brothers and sisters, I would like to say to all of you and also to those who are passing through a difficult moment in their journey of faith, to those who take little part in the life of the Church or who live “as though God did not exist” not to be afraid of the Truth, never to interrupt the journey towards it and never to stop searching for the profound truth about yourselves and other things with the inner eye of the heart. God will not fail to provide Light to see by and Warmth to make the heart feel that he loves us and wants to be loved.

May the intercession of the Virgin Mary, of St Augustine and of St Monica accompany us on this journey

St. Monica is in The Loyola Kid’s Book of Saints under “Saints are people who love their families.”  A page:

From Living Faith in 2014:

We may not all be mothers, as Monica was, but we all have had one. Our relationships with our mothers might be terrible or beautiful, or somewhere in an in-between place: bewildering, regretful and hopeful.


Desire lies at the heart of our mistakes and successes as parents, caretakers and children. Monica desired her son Augustine’s salvation, and Augustine yearned for a love that would not die. Around and around they went.


What is it I desire for others? Is it that, above all, they find authentic, lasting joy?

Lord, may I be a help to others as we journey to you.

 

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Sorting out St. Rose of Lima can be a challenge.  Perhaps you know the basics – what I knew for most of my life: mystic, extreme ascetic.  When I was a girl, I remember reading about how she drove her metal-spiked crown of thorns into her scalp. That was, not surprisingly, my main takeaway.

Digging deeper,  I read through most of this 19th century biography – a translation into English from French. I read what chapters I could (the first two) of this reassessment and psychological unpacking, and finally settled in a more comfortable place than either of those with a chapter from Quartet in Heaven (1962) by British author Sheila Kaye-Smith.

What to make of her, the first saint of the Americas, this young woman who engaged in such extreme mortifications that even some of her contemporary confessors and other observers, including her mother,  thought she was going too far?

It might be tempting for us moderns to dismiss figures such as Rose. She was, we might gently suggest, mentally ill.  She was a victim and product of a guilt-ridden Catholic culture who could not simply accept the grace of God, but thought she had to abnegate herself in order to merit it.

But we shouldn’t do that. It is not helpful or right, in a Catholic context, to be so dismissive. Nor is it necessary to uncritically embrace all the hagiography. We must also always remember that in the Catholic view of saints, we bring two perspectives: to imitate st. rose of limaand to admire. We are not called to imitation of every action of every saint, because we live in different cultures, with various personalities. So not feeling the pull to jam a crown of metal thorns into our scalps should not cause anxiety. It’s okay.

In thinking this over, this struck me: it seems to me that even the saints who pursued extreme ways of personal asceticism did not indicate that everyone do the same.

St. Catherine, in her many letters, does not advise her correspondents that the solution to their spiritual problems was to live as she did, on a single grain of rice a day and sleeping on a board (when she slept). There might be a call to change, to repent, and perhaps to embrace some small mortification, but mostly what we read in her writings, at least, is an urgent invitation to realize how deeply Christ loves us and to live in that light, not the darkness the world offers.

They seem quite aware of the uniqueness of their own path, and do not suggest that theirs is the standard by which all others should be judged. In fact, the saints seem to take the opposite tack: as stubborn as they are about their own mortifications, they tend to keep them secret as much as they are able and are uncomfortable with “followers” who are following them rather than following Christ.

In trying to understand St. Rose, these thoughts come to mind.

She sensed a call to belong to Christ alone. In her culture and her family circumstance, she had to go to extremes to make sure that was clear to everyone and she would not be forced into marriage. Perhaps you can see this as manipulation, or you can see it as a strong rejection of the world in a most personal way.

It is interesting and important to note that hardly anyone knew of these mortifications during her life. The people of Lima who flocked to her funeral by the thousands certainly did not – they came because this young woman radiated the love of Christ.

St. Rose would say that her mortifications were in fidelity to her call to conform herself completely to Christ. Christ sacrificed himself. Christ’s supreme act of love was his Passion and death.  Many of us think of this call differently today: to accept what sufferings happen to come our way in a sacrificial spirit, in imitation of Christ, rather than to create them ourselves. Perhaps the experience of St. Rose can expand our own approach by helping us understand that living as a disciple does, indeed mean conforming ourselves to the Crucified Christ, accepting that the Cross will be a part of whatever path we follow, but that if we do find ourselves conforming to the world instead, it is time to take action and be more intentional – to make sacrifices in addition to accepting them as they come.

I also wondered, based on the minimal reading I did on this, if perhaps Rose knew herself and we should trust her. Perhaps she knew that she had a tendency to vanity. Perhaps she knew that even if she gave up marriage and lived as sort of anchorite, intensely focused on Christ, that she would still draw attention and that attention, even if it is directed at spiritual rather than physical beauty, would be a temptation to her. Perhaps her extreme mortifications were directed at keeping herself conformed to the humble Christ in the most radical way, a way that she knew, for herself, would be at risk as people were drawn to her. Perhaps she wanted to keep herself radically open to Christ in her physical weakness so that she would always remember it was Jesus, not her, that the people of Lima desired and sought.

I don’t know. I’m just guessing.

It comes down to this. Different culture, but same Jesus, same faith. We are tempted to dismiss it, but that’s not Catholic. Instead, we dig deeper, realize our own cultural limitations, and listen. Because, you know, she’s not wrong.

It’s a mystery, but suffering can be beneficial and bear tremendous fruit. She’s not wrong.

Christian discipleship is about conforming ourselves to Christ. She’s not wrong. 

The world is beautiful (Rose grew flowers!) but can stand between us and God if we don’t know how to love properly.  She’s not wrong.

“Success”  in the spiritual life can lead to an inflated sense of self and hubris.

She’s not wrong.

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—1 —

Well, here we are. Just a few days until the Return. The Return to College. For a few months, we hope, and not just for a few weeks, as College Guy pessimistically predicts. As I keep saying, I’m optimistic.

We’ll see.

School for the other one is slowly picking up speed – to be interrupted by travel next week, to be sure, but getting a little more organized nonetheless. This week has seen meetings with Algebra 2 and Latin tutors as well as a piano lesson. We talked over plans for literature and history study. Looked at photos posted by the private high school most of his friends attend, saw all the images of people in single file in masks looking at each other from behind plexiglass in the lunchroom, and if there were any lingering questions, they were answered. “We’re good. Thanks.”

— 2 —

There’s been a bit of blogging this past week. Here’s a review of a novel called Followers and another of a novel, which I liked quite a bit, called Nothing to See Here. 

All done on a new laptop. I have a desktop, which is my preference for working, but I needed a new laptop – for a couple of years I’d been depending on a Chromebook we’d had to buy for Son #4’s high school career – and I hate Chromebooks. I mean, just hate. I love small laptops – that’s not the issue. The issue is the dependence on the cloud and the Internet and Google and all of that. And the fact that if you forget your passwords, it just might wipe the device of all local data on it – which happened to me last summer in Spain after I’d written a short piece for the Catholic Herald, but before I’d sent it in.  Cue new scene with me sitting on the floor in a hotel room in Caceres, Spain at 6 am, fuming (and worse) attempting to reconstruct and rewrite.

Plus, we needed a better, more dependable machine for Kid #5’s academics, such as they are. We don’t do a lot of screen stuff, and no remote classes of any sort, but you never know. Might as well have something decent, just in case.

Anyway, new computers are sweet.

— 3 —

I mentioned before that my book sales, like everyone else’s, have been impacted by this virus and responses to it – namely, no big gift-giving binges around Easter and the Spring Sacramental Season. But, as I noted, since mid-May, sales have been slowly but steadily edging back up. It’s really interesting. I’m still behind last year, but every week since mid-May, sales this year have topped the equivalent week last year, sometimes more than doubling the number of units sold.  The Loyola Kids Book of Heroes is now even with total sales from the same period last year (by the measure I have access to through Amazon Author portal – which doesn’t record all sales.). I think parishes that didn’t have big First Communion or Confirmation celebrations when they normally do have been having them in smaller batches through the summer, and people have purchased gifts for that – and then you throw in the increase in people doing homeschooling, and there you go.

So, yeah, if you know anyone who’s interested or in need of good titles for homeschooling catechism for children or young people, do consider pointing them my way –here’s a link to the Loyola Kids Books and here’s a link to the Prove It titles for teens. 

Today: St. Maximilian Kolbe. In the Loyola Kids Book of Saints.

"amy welborn"

 

— 4 —

From William Newton:

One of the most famous works of art rescued from the Nazis by the Monuments Men is, of course, “The Adoration of the Mystic Lamb”, more commonly known as “The Ghent Altarpiece”, a 15th-century masterpiece by the Van Eyck brothers that resides in St. Bravo’s Cathedral in the Belgian city of Ghent. Readers will recall that recently, a number of ill-informed commentators and meme-makers criticized the recent cleaning and restoration of the piece, because the face of the Lamb came out looking more humanoid and less lamb-like. After an exhaustive review, experts from the University of Antwerp and the National Gallery of Art have concluded that the Van Eycks did, in fact, intend to have the Lamb – who symbolizes Christ Himself – display the (to modern eyes) slightly disturbing face that we see gazing out at us now. It may be a late Medieval convention with respect to how to portray animals, since similar faces appear among the horses in one of the other panels of the altarpiece, or it may be that one or both of the Van Eycks intentionally wanted to have the viewer thrown a bit off-balance when praying or meditating before the image.

— 5 –

I meant, but forgot to mention last week, that the Cathedral parish held a celebration on August 2, bringing the traditional way of celebrating Our Lady of the Snows from St. Mary Major in Rome down here to Birmingham. That is – letting white rose petals fall from the ceiling.

More here.

 

(And yes, the Cathedral has been having Mass with full ceremony since April/May – no congregational singing, every other pew roped off, etc., but a full music program – you can see the orders of worship here.)

This next Sunday’s Mass, for example– Viadana’s Missa l’Hora Passa. 

— 6 —

From the New Yorker, on two new biographies of Poulenc:

Both accounts undermine the popular image of Poulenc—carefully cultivated by the man himself—as the epitome of Parisian suavity and ebullience. He was, in fact, a turbulent, even tortured character: sometimes arrogant, sometimes self-castigating, sometimes lovable, sometimes impossible. That complexity only adds to the interest of the music. The critic Claude Rostand famously commented that Poulenc was a combination of “moine et voyou”—monk and rogue. Many of the composer’s works fall cleanly into one category or the other, but some of the strongest fuse the two personalities in one. The Organ Concerto (1938) interlaces brimstone dissonances with rollicking fairground strains. The Gloria (1959-60) exudes an almost scandalous joy, as if a crowd of drunken angels were dancing down the boulevards.

— 7 —

My son watched all of Alfred Hitchcock’s films. All of them. Here’s his ranking. 

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For more Quick Takes, visit This Ain’t the Lyceum!

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Fr. Steve Grunow:

We should not look back wistfully on the twentieth century, nor should we be uncritical about the so-called achievement of the modern world. 

One of the lessons we might learn from all this is that what we call civilization is a rather thin veneer, and what lies beneath this surface is a terrifying heart of darkness. Christians, who are called to live in the truth, must be realists about this and cannot afford to be naive. 

It was in the heart of civlized Europe, among the fading remains of Christian culture, that the death camps were built and millions of innocent men, women and children were put to death for no other reason than that their very existence challenged the ideological conceits of their oppressors. 

In the midst of the world’s darkness, we are called by our Baptism to be a light in the shadows of this fallen world. Saint Maximilian is one such light, his life and death stands as a testimony to Christ, the eternal light, whom the darkness cannot overcome. 

For too many Christians, the faith is a safe routine, a kind of philosophy of self-improvement, something meant to be comfortable and comforting. 

The witness of St. Maximilian stands against this illusion. Christian faith is not so much about safety as it is about risk. It is meant to take us out into the world, into the shadows, to be a light to show the way home to those who live in darkness. 

May St. Maximilian intercede for us. May we imitate his selfless courage. May the fire of his holy light enkindle the embers of faith that may have grown cold in our own hearts.

Pope Emeritus Benedict XVI:

In fact, how many examples we could cite of situations in which it was precisely prayer that sustained the journey of Saints and of the Christian people! Among the testimonies of our epoch I would like to mention the examples of two Saints whom we are commemorating in these days: Teresa Benedicta of the Cross, Edith Stein, whose feast we celebrated on 9 August, and Maximilian Mary Kolbe, whom we will commemorate tomorrow, on 14 August, the eve of the Solemnity of the Assumption of the Blessed Virgin Mary. Both ended their earthly life with martyrdom in the concentration camp of Auschwitz. Their lives might seem to have been a defeat, but it is precisely in their martyrdom that the brightness of Love which dispels the gloom of selfishness and hatred shines forth. The following words are attributed to St Maximilian Kolbe, who is said to have spoken them when the Nazi persecution was raging: “Hatred is not a creative force: only love is creative”. And heroic proof of his love was the generous offering he made of himself in exchange for a fellow prisoner, an offer that culminated in his death in the starvation bunker on 14 August 1941.

On 6 August the following year, three days before her tragic end, Edith Stein approaching some Sisters in the monastery of Echt, in the Netherlands, said to them: “I am ready for anything. Jesus is also here in our midst. Thus far I have been able to pray very well and I have said with all my heart: “Ave, Crux, spes unica'”. Witnesses who managed to escape the terrible massacre recounted that while Teresa Benedicta of the Cross, dressed in the Carmelite habit, was making her way, consciously, toward death, she distinguished herself by her conduct full of peace, her serene attitude and her calm behaviour, attentive to the needs of all. Prayer was the secret of this Saint, Co-Patroness of Europe, who, “Even after she found the truth in the peace of the contemplative life, she was to live to the full the mystery of the Cross” (Apostolic Letter Spes Aedificandi).

“Hail Mary!” was the last prayer on the lips of St Maximilian Mary Kolbe, as he offered his arm to the person who was about to kill him with an injection of phenolic acid. It is moving to note how humble and trusting recourse to Our Lady is always a source of courage and serenity. While we prepare to celebrate the Solemnity of the Assumption, which is one of the best-loved Marian feasts in the Christian tradition, let us renew our entrustment to her who from Heaven watches over us with motherly love at every moment. In fact, we say this in the familiar prayer of the Hail Mary, asking her to pray for us “now and at the hour of our death”.

St. Maximilian Kolbe is included in my Loyola Kids Book of Saints, pp. 244-247 in the section “Saints are people who are brave.

"amy welborn"

 

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Seven Quick Takes

— 1 —

Well, here we are, just about one week and counting from, we hope, The Return to College. Out of five classes, all but one will be (as far as we can tell) face-to-face, and I don’t mind paying for that.

What a ride.

So, next week: Hopefully get his old car sold (anyone in Alabama want a 2006 Mazda Miata?) get serious about lists and shopping and such. I’m not anxious about it because he’ll have a car with him and in case he needs toothpaste, he can just pop out to Wal-Mart and…go get some. There isn’t that concern to Buy All The Things because he won’t be able to restock for weeks or months.

But we do want to get most of the stuff before we go. Added to the usual this year: Masks? Check. Sanitizer? Check. Thermometer? Check. Etc. He has all of this textbooks. He’ll be in a single room, so no roommate concerns, and that also lessens the Pandemic Prevention Pressure.

— 2 —

I’m in Living Faith today. Here ’tis. 

Before this – here. 

— 3 —

My new favorite Twitter account. Language alert, blah, blah, blah.

 — 4 —

Working hard here, every day. Process?

In the evening, take a look at the material to be written about the next day. Read any unfamiliar Scripture passages. Let it simmer.

Get up the next morning, first thing revise the two or three chunks written the day before. Then write two-three new chunks.

Done by 10 am, usually.

Onward!

— 5

In case you missed it earlier this week:

I’ll Fly Away – The Sister Servants from Sister Servants on Vimeo.

Learn more about the Sister Servants here. 

 

6–

Here’s a really excellent article on Hemingway and O’Connor, turning on the imagery of blood and yes, bulls. It’s very, very good. 

It is also noteworthy here that Mrs. May is described as being “pierced”—that word associated with suffering and with the cross—and that the piercing coincides with a kind or rapture or “ecstasy,” a word whose Greek root means “to stand outside of oneself” and suggests a transcendence of self. O’Connor’s heroine is cast as a modern-day version of Bernini’s St. Teresa in Ecstasy, who is pierced, in the midst of her visionary rapture, by a visiting angel.

Along similar lines, Hemingway associates the violence of the bullring with ecstasy, particularly the faena—the final third of the bullfight wherein the matador performs his capework with the bull before killing him. In Death in the Afternoon he writes of this rapture, describing the faena as a ritual

That takes a man out of himself and makes him feel immortal while it is proceeding, that gives him an ecstasy, that is, while momentary, as profound as any religious ecstasy; moving all the people in the ring together . . . in a growing ecstasy of ordered, formal, passionate, increasing disregard for death (206-207).

The ecstasy O’Connor and Hemingway describe—and that Bernini depicts— is the culmination of intense bodily sensation leading to enlightenment of the soul. The natural leads to the supernatural. Time becomes one with eternity. Suffering is redeemed. It is mystical, transcendent, and deeply Catholic.

The uses of violence by both Hemingway and O’Connor remind us of the reality human life is grounded in: we are all living “on the verge of eternity” (O’Connor, Mystery and Manners, 114), and the way we conduct our lives in the here and now has a spiritual dimension. Violence reminds us of our unceasing proximity to death, and this knowledge can serve as a conduit to grace.

 

— 7 —

Tomorrow? St. Dominic, here in the Loyola Kids’ Book of Saints.  Only a page is available  online, so here it is. He’s in “Saints are people who teach us new ways to pray” section.

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Seven Quick Takes

— 1 —

It’s July 31 – the feast of St. Ignatius Loyola.

St. Ignatius was in my Loyola Kids Book of Saints, and you can read the entire chapter here:

Because he had spent all those months in his sickbed, Ignatius got bored. He asked for something to read. He was hoping for adventure books, tales that were popular back then: knights fighting for the hands of beautiful ladies, traveling to distant lands, and battling strange creatures.

But for some reason, two completely different books were brought to Ignatius. One was a book about the life of Christ, and the other was a collection of saints’ stories.

Ignatius read these books. He thought about them. He was struck by the great sacrifices that the saints had made for God. He was overwhelmed by their love of Jesus.

And Ignatius thought, “Why am I using my life just for myself? These people did so much good during their time on earth. Why can’t I?”

Ignatius decided that he would use the talents God had given him—his strength, his leadership ability, his bravery, and his intelligence—to serve God and God’s people.

While Ignatius continued to heal, he started praying very seriously. God’s peace filled his heart and assured him that he was on the right path.

When Ignatius was all healed and ready to walk and travel again, he left his home to prepare for his new life. It wasn’t easy. He was 30, which was considered old in those days, and he was getting a late start in his studies for the priesthood. In those days, the Mass was said only in Latin, and Latin was the language all educated people used to communicate with each other. Ignatius didn’t know a bit of Latin. So for his first Latin lessons, big, rough Ignatius had to sit in a classroom with a bunch of 10-year-old boys who were learning Latin for the first time too!

That takes a different kind of strength, doesn’t it?

saints

 

— 2 —

 

Take Lord, and receive all my liberty, my memory, my understanding, and my entire will, all that I have and possess. Thou hast given all to me. To Thee, O lord, I return it. All is Thine, dispose of it wholly according to Thy will. Give me Thy love and thy grace, for this is sufficient for me.

In The Words We Pray, I wrote about the Suscipe Prayer. That chapter is excerpted here:

The more you roll this prayer around in your soul, and the more you think about it, the more radical it is revealed to be.

One of the primary themes of the Spiritual Exercises is that of attachments and affections. Ignatius offers the account of “three classes of men” who have been given a sum of money, and who all want to rid themselves of it because they know their attachment to this worldly good impedes their salvation.

The first class would really like to rid themselves of the attachment, but the hour of death comes, and they haven’t even tried. The second class would also like to give up the attachment, but do so, conveniently, without actually giving anything up.

Is this sounding familiar at all?

The third class wants to get rid of the attachment to the money, which they, like the others, know is a burden standing in the way. But they make no stipulations as to how this attachment is relinquished; they are indifferent about the method. Whatever God wants, they want. In a word, they are the free ones.

The prayer “Take Lord, receive” is possible only because the retreatant has opened himself to the reality of who God is, what God’s purpose is for humanity, and what God has done for him in a particularly intense way.

A Response to God’s Love

The retreatant has seen that there is really no other response to life that does God justice. What love the Father has for us in letting us be called children of God, John says (1 John 3:1). What gift does our love prompt us to give?

In ages past, and probably in the minds of some of us still, that gift of self to God, putting oneself totally at God’s disposal, is possible only for people called to a vowed religious life. Well, God didn’t institute religious life in the second chapter of Genesis. He instituted marriage and family. I’m not a nun, but the Scriptures tell us repeatedly that all creation is groaning and being reborn and moving toward completion in God. Every speck of creation, everything that happens, every kid kicking a soccer ball down a road in Guatemala, each office worker in New Delhi, every ancient great-grandmother in a rest home in Boynton Beach, every baby swimming in utero at this moment around the world—all are beloved by God and are being constantly invited by him to love. And all can respond.

— 3 —

Depicting Dante’s heaven:

“Dante is often presented in a very secular way,” Schmalz said, noting the obsession that universities, artists and writers have had with the Inferno, ignoring the rest of poem.

According to Schmalz, limiting the poem’s scope to the Inferno means “not giving the proper representation of Dante and also the Christian ideas that are in the ‘Divine Comedy.’

“As a Catholic sculptor I have been very angry about this for many years,” he said.

An example of the fascination Dante’s Inferno has had on artists throughout history is the famous “Thinker” by the French sculptor Auguste Rodin. The popular image was originally meant to portray Dante as the “Poet,” and a miniature version of it can be found atop Rodin’s massive representation of “The Gates of Hell.”

“Because I am a Christian sculptor I will right this wrong,” Schmalz said. “I will do what has never been done before in the history of sculpture, which is to create a sculpture for each canto of the ‘Divine Comedy.’

 

 — 4 —

On a biography of Charles Peguy

In a way, Péguy preserved and cherished each of these influences: He would maintain an obsessive concern for the dispossessed, an ardent passion for France, and an unyielding faith in God all his life. But his intensity of belief did not prevent him for recognizing and pointing out the flaws in that which he loved. Péguy deplored the Catholic Church’s reactionary excesses and the Third Republic’s racialist conception of citizenship, and his unorthodox view of socialism rejected Marx’s enforced equality and anti-religious undertones. To him, solidarity — and politics itself — began with the “mystical,” that is, the set of myths and shared transcendent beliefs that underpin the construction of communities. Resolutely anti-cosmopolitan, he did not believe in the transnational alliance of workers that would become central to the Soviet project. For him, to reject the centrality of local attachments was to abstract away the suffering of people close-by; only cold-hearted bourgeois were rootless enough to live in multiple cities at once, to oscillate between cultures and languages, to detach themselves from the warmth of traditions and communities. The very small and the transcendent were the scales that mattered. Real change would not come through centralized Jacobin putsches, but through local micro-revolutions.

Péguy abhorred all attempts to demystify life’s mysteries. He rejected the scientism of his era, and laughed at the claim — seemingly blind to its own metaphysical assumptions — that empirical science would ever supersede the need for metaphysics. He thought that Adam Smith and Karl Marx had equally simplistic views of history, views that sacrificed transcendence on the altar of materialism. Yet he did not believe that the Bible had all the answers, either — or, at least, he did not believe that any human being could ever access all the answers. In fact, he fervently opposed what he saw as a conservative attempt to weaponize scripture. In a way, he thought, both sides emptied metaphysics of their significance; the Left reduced religion to “the opium of the masses,” and the Right relegated faith to a mere political tool. Like Dostoevsky, Péguy thought that in the absence of God, men would devolve into beasts; unlike Dostoevsky, he also believed that if God were too present in human affairs, the same degeneration would ensue.

— 5 

Watch out. This Sunday brings us the Miracle of Sharing….

6–

One of the newsletters I enjoy reading is The Convivial Society..about tech and life and such. This is from a recent edition – not from the author of the newsletter itself, but from a writer named Jean Baudrillard in Simulacra and Simulation (1981). See if you can relate.

Rather than creating communication, [information] exhausts itself in the act of staging communication. Rather than producing meaning, it exhausts itself in the staging of meaning. A gigantic process of simulation that is very familiar. The nondirective interview, speech, listeners who call in, participation at every level, blackmail through speech: ‘You are concerned, you are the event, etc.’ More and more information is invaded by this kind of phantom content, this homeopathic grafting, this awakening dream of communication. A circular arrangement through which one stages the desire of the audience, the antitheater of communication, which, as one knows, is never anything but the recycling in the negative of the traditional institution, the integrated circuit of the negative. Immense energies are deployed to hold this simulacrum at bay, to avoid the brutal desimulation that would confront us in the face of the obvious reality of a radical loss of meaning.

 

 

— 7 —

Tomorrow is the memorial of St. Alphonsus Liguori, whom I wrote about here. Just a brief excerpt – related to the travails of writers, which he shared:

The letters reflect quite a bit on his concern to get this books out there to people who will read them – Naples is always out of copies, but that’s one of the few places he has an interested audience, and the priests, well….

I am glad that the History of the Heresies is finished. Once more, I remind you not to send me any copies for sale, as the priests of my diocese are not eager for such books; indeed, they have very little love for any reading whatsoever.

Besides, I am a poor cripple, who am Hearing my grave, and I do not know what I should do with these copies.

Rest assured, that I regard all your interests as though they were my own. If I could only visit Naples, I might be able to do something personally. But confined here in this poverty-stricken Arienzo, I write letters innumerable to people in Naples about the sale, but with very little result. I am much afflicted at this, but affliction seems to be all that I am to reap from these negotiations.

So, writers….you’re not alone!

 

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amy_welborn2

 

His memorial is today.

peter_to_rot_stamp_2

Here is a good version of his life:

One of the patron saints of World Youth Day 2008 in Sydney, Australia, was Bl. Peter To Rot, a native son of Papua New Guinea. A second-generation Catholic during the evangelization of his Southern Pacific island in the early twentieth century, Peter was an exemplary husband, father, and catechist. In 1945 he suffered martyrdom at the hands of Japanese soldiers for his courageous defense of Christian marriage…

 

…The mission field in Oceania was immense but the missionary priests were few, and so young men were trained as catechists to work with them. Peter threw himself cheerfully into his new daily routine at St. Paul’s College: spiritual exercises, classes, and manual labor. The school had a farm that made it largely self-supporting. When the tropical sun was blazing and some of the students preferred to take it easy, Peter by his example and urging convinced them to get down to work. He was a “joyful companion” who often put an end to quarrels with his good-natured joking, although he learned to refrain from humor at the expense of the instructors. Through frequent Confession, daily Communion, and the Rosary, he and his fellow students fought temptations, increased their faith, and became mature, apostolic Christian men.

Peter To Rot received from the bishop his catechist’s cross in 1934 and was sent back to his native village to help the pastor, Fr. Laufer. He taught catechism classes to the children of Rakunai, instructed adults in the faith and led prayer meetings. He encouraged attendance at Sunday Mass, counseled sinners and helped them prepare for Confession. He zealously combated sorcery, which was practiced by many of the people, even some who were nominally Christian.

In 1936 Peter To Rot married Paula Ia Varpit, a young woman from a neighboring village. Theirs was a model Christian marriage. He showed great respect for his wife and prayed with her every morning and evening. He was very devoted to his children and spent as much time with them as possible.

A Time of Trial

During World War II, the Japanese invaded New Guinea in 1942 and immediately put all the priests and religious into concentration camps. Being a layman, Peter was able to remain in Rakunai. He took on many new responsibilities, leading Sunday prayer and exhorting the faithful to persevere, witnessing marriages, baptizing newborns, and presiding at funerals. One missionary priest who had escaped arrest lived in the forest; Peter brought villagers to him in secret so that they could receive the sacraments.

Although the Japanese did not outlaw all Catholic practices at first, they soon began to pillage and destroy the churches. To Rot had to build a wooden chapel in the bush and devise underground hiding places for the sacred vessels. He carried on his apostolic work cautiously, visiting Christians at night because of the many spies. He often traveled to Vunapopé, a distant village, where a priest gave him the Blessed Sacrament. By special permission of the bishop, To Rot brought Communion to the sick and dying.

Exploiting divisions among the people in New Guinea, the Japanese reintroduced polygamy to win over the support of several local chiefs. They planned thereby to counteract “Western” influence on the native population. Because of sensuality or fear of reprisals, many men took a second wife.

Peter To Rot, as a catechist, was obliged to speak up. “I will never say enough to the Christians about the dignity and the great importance of the Sacrament of Marriage,” he declared. He even took a stand against his own brother Joseph, who was publicly advocating a return to the practice of polygamy. Another brother, Tatamai, remarried and denounced Peter to the Japanese authorities. Paula feared that her husband’s determination would result in harm to their family, but Peter replied, “If I must die, that is good, because I will die for the reign of God over our people.”

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And then the homily on the occasion of his beatification by Pope John Paul II, in 1999:

3. Blessed Peter understood the value of suffering. Inspired by his faith in Christ, he was a devoted husband, a loving father and a dedicated catechist known for his kindness, gentleness and compassion. Daily Mass and Holy Communion, and frequent visits to our Lord in the Blessed Sacrament, sustained him, gave him wisdom to counsel the disheartened, and courage to persevere until death. In order to be an effective evangelizer, Peter To Rot studied hard and sought advice from wise and holy “big men”. Most of all he prayed – for himself, for his family, for his people, for the Church. His witness to the Gospel inspired others, in very difficult situations, because he lived his Christian life so purely and joyfully. Without being aware of it, he was preparing throughout his life for his greatest offering: by dying daily to himself, he walked with his Lord on the road which leads to Calvary (Cf. Mt. 10: 38-39).

4. During times of persecution the faith of individuals and communities is “tested by fire” (1Pt. 1: 7). But Christ tells us that there is no reason to be afraid. Those persecuted for their faith will be more eloquent than ever: “it is not you who will be speaking; the Spirit of your Father will be speaking in you” (Mt. 10: 20). So it was for Blessed Peter To Rot. When the village of Rakunai was occupied during the Second World War and after the heroic missionary priests were imprisoned, he assumed responsibility for the spiritual life of the villagers. Not only did he continue to instruct the faithful and visit the sick, he also baptized, assisted at marriages and led people in prayer.

When the authorities legalized and encouraged polygamy, Blessed Peter knew it to be against Christian principles and firmly denounced this practice. Because the Spirit of God dwelt in him, he fearlessly proclaimed the truth about the sanctity of marriage. He refused to take the “easy way” (Cf. ibid. 7: 13) of moral compromise. “I have to fulfil my duty as a Church witness to Jesus Christ”, he explained. Fear of suffering and death did not deter him. During his final imprisonment Peter To Rot was serene, even joyful. He told people that he was ready to die for the faith and for his people.

5. On the day of his death, Blessed Peter asked his wife to bring him his catechist’s crucifix. It accompanied him to the end. Condemned without trial, he suffered his martyrdom calmly. Following in the footsteps of his Master, the “Lamb of God who takes away the sin of the world” (Jn.1: 29), he too was “led like a lamb to the slaughter” (Cf. Is. 53: 7). And yet this “grain of wheat” which fell silently into the earth (Cf. Jn. 12: 24) has produced a harvest of blessings for the Church in Papua New Guinea!

He’s included in the Loyola Kids’ Book of Saints in the section, “Saints are People Who Come From All Over the World.” You can click on the individual images for a larger, more readable version. I include just the end of the entry because that’s what’s available online.

 

 

 

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—1 —

An interesting few days.

The two fellows who still live here are gone for a bit to visit family elsewhere. They’ll be back early next week, but for the moment, I’m alone for the first time since Christmas.

I was talking to my son who lives in NYC, where they’re opening things up, slowly but surely. The past week, he’s finally had some consistent social, face-to-face interaction with friends again – for the first time in months.

Each of experiencing welcome change, for opposite, but related reasons.

I add – quickly – that it will also be a welcome change when the guys return!

But everyone needs a break now and then, yes?

— 2 —

So what am I doing? Working. I have a project due on June 20, and I’m trying to get it halfway finished by Monday. Then I can coast, working on it for probably an hour or so a day until it’s due.

For me, the part of a project like this that requires the most focus is the framing and thinking through the shape and emphasis of it. And that kind of focus is hard for me to grab in small chunks. I need to have a large expanse of time in which I know I’m not going to be interrupted by anything. It didn’t used to be that way, but you know, guys, I’ll be sixty in a few weeks, and so something like concentration is harder to come by.

Today (Thursday) was a framing/get in the groove day. That done, I can work on it for a couple of hours a day till Monday, and then put my mind to the next fiction project.

Still getting chapters of Nothing Else Occurs to Me up on Wattpad. Slowly but surely. (Backstory: here)

— 3 —

So….we have a new bishop here in Birmingham. Bishop Steven Raica, formerly of the Diocese of Gaylord, Michigan.

I’ve not met him yet, don’t know a thing about him.

If you’re interested, you can watch the Vespers and Installation Mass that were broadcast on EWTN. If you do, you’ll get to hear the voices of our Cathedral’s core schola, which has been singing Cathedral Masses even through much of the lockdown, when Masses were streaming-only, not public.

 

 

 

As I’ve said before, it’s an approach that makes sense. If you’re not going to have congregational singing, consider the liturgical history of the Church, consider what developed during the centuries when congregational singing in the West was not the norm – and use that. 

It’s far preferable than having to listen to someone gamely warbling Praise and Worship music up there all by themselves.

— 4 —

Okay, I’ve not only been working the past couple of days. I’ve tried to walk a couple of hours a day – which means listening to my BBC radio podcasts – and I’ve read quite a bit as well as (gasp) watched a few movies – films that wouldn’t interest my housemates. So let’s do a quick survey.

First, reading – I finally finished Trevor’s The Boarding-House. That was a tough slog. I was most interested in the structure of it, which switched between points of view very quickly without transitions, as well as the historical detail revealed about London in the early ’60’s. The switching was confusing at first (I read it on Kindle and thought there was something wrong with the formatting), but once I got accustomed to it, I didn’t mind. My problem with the book is that I didn’t care about any of the characters and couldn’t figure out why I should spend time with them.

Anyway, I have a couple more short novels that I checked out via Hoopla that I will try to knock off over the next couple of days, then I think I’m going to plunge back into some Wilkie Collins. I need an absorbing, crazy read like No Name (reviewed here) in my life. I’d started Poor Miss Finch a couple of weeks ago, and will probably return to that. 

— 5 –

Now, movies.

I started watching Rocketman. I did like a few Elton John songs as a teen, but am definitely not a fan, but I was curious about the structure of the film and wanted to see the sections about his early life. Ended up watching the whole thing, not because it was great, but simply because of inertia, I suppose.

I did like the structure – I mean, why not tell a sketchy biographical tale of a living musician by making it a musical of sorts? I actually liked most of the musical set-pieces quite a lot. I think they worked. But the psychological trajectory and personal motivation offered was superficial – to be expected when the piece is produced by intimates and is about a living figure – and formulaic.

Bernie Taupin emerges as the one person you wouldn’t mind spending time with, to be sure.

— 6 —

Il Posto via the Kanopy platform. I gather you’re not supposed to say this is Italian Neorealism, since it’s not immediately postwar, but, well, you could have fooled me. It’s slow and observant, and I liked it quite a bit.

It’s the story of a young man from a village outside Milan who travels to the great city to test for a job, gets the job and begins working at the job. That’s it. It offers us a fascinating look at Italian life in the period and a rather trenchant, mostly wordless critique of white-collar work in large companies.

Except he won’t, and that’s what is so crushing about Il Posto. Antonietta comes to represent the youthful dreams that stagnate in an office building and the drudgery a job enforces. Once Domenico accepts his position as a messenger, Olmi breaks away from his lead for the first time. He takes us on an evening tour of the off-the-clock activities of the accounting staff that Domenico will eventually join. Some have very common, uninspired existences, others harbor their youthful folly as if it were rare treasure. There is the older man who goes to the pub and sings a song that is intended for someone not so advanced in years, and the would-be novelist who scribbles out his book in secret, hiding his light under a towel. Domenico tells his new boss that he may still go to night school to pursue the vocation he wants, but Olmi is showing us the true likelihood of that happening. Domenico’s father told his son that a job like this one is for life, and as the boy will learn, these positions tend to only open up when somebody dies.

Much of Olmi’s framing is intentionally expressionistic. The corporate world alternates between imposing, with the workers appearing small next to the business structure, and claustrophobic, cramped into their own little spaces. On the other hand, though Ermanno Olmi and cameraman Lamberto Caimi shot Il Posto in such a way to show life as it was, hoping to render the dreary gray of an average day, the black-and-white photography has taken on a nostalgic beauty over the years. Domenico and his peers just look more stylish, with their clean haircuts and their suits and ties, than we expect our youths to look today. Looking at Il Posto is like looking at photographs in a vintage magazine back issue: by being frozen in time, the images seem simpler, more desirable, than the busy world we’re used to today. Maybe that was by design. Maybe Olmi wanted it all to look hopeful and modern if only to add to the impact of the crushing blows to come.

The subverted ending of Il Posto sneaks up on the audience. We’ve been trained to expect something more, just like Domenico. We realize that there is nothing else mere moments before he does, and we can only brace ourselves for the heartbreak that is coming.

— 7 —

The Virgin Spring (1960) | The Criterion Collection

Finally, in a move that will please Son #2, I finally watched The Virgin Spring – his pick for his #1 Bergman. Here’s his review, and here’s his list. 

(He’s currently working his way through Hitchcock)

Okay, okay. I agree. It’s a great film, and I’m glad I finally watched it. I’m not an afficiando of Bergman’s films, but I have come to understand a bit about his spiritual-wrestling throughreading my son’s reviews. 

The standouts of that violence made the contemporary New York Times critic say that the movie was a thin morality tale below Bergman’s talents, but there’s actually so much more. What is there just isn’t spoken about, but it lingers in the background of everything. The conflict between the paganism of Odin and the monotheism of the new Christianity isn’t a stand-in for a simplistic good vs. evil battle. Instead, there are interesting shades within each character that drive the ideas even further. The father, Tore, obviously clings to his old pagan ways and has been dragged into the new Christianity by his wife Mareta. Their daughter, Karin, is beautiful and eager to look her best for her mission to deliver candles to the church, but she is also haughty, entitled, and manipulates her parents with ease. Ingeri, the pregnant Odin worshiper the family has taken in as a ward, prays for Karin’s defilement but confesses to Tore after the crime and begs for the punishment Tore will mete out to the perpetrators.

Where this movie stands out in Bergman’s filmography most for me is the thematic thrust of the film. The Virgin Spring came out in 1960, just a few years after the existential The Seventh Seal and right before the Silence Trilogy, and yet the thematic point isn’t a form of rejection of religion. In fact, the titular spring is an embrace of the idea that man’s concept of God, as manifested by the Church, is correct. It’s a natural extension of the story he was trying to tell, but also an artifact of the fact that he didn’t actually write the movie. God is still silent in the face of the violence placed upon the innocent Karin, but the existence of the spring that shoots from where her lifeless head had laid for a day, opening up immediately after Tore had promised to build a church of mortar and stone on the spot, is God’s communication. He speaks more in that than in anything else Bergman made.

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Had a very strange, unusual experience yesterday. Encapsulated in this Instagram story:

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No, I’m not going anywhere, except to Atlanta to take people to the airport. But it does mean a few days of (I hope) great productivity. What it doesn’t mean is a trip to Ikea on that Atlanta journey, since the hints I’ve read online indicate that there’s a considerable wait just to get into the store, which just reopened about ten days ago. Forget that. Let’s digest:

Writing: I have something due on July 20. Haven’t started writing it yet. Hopefully over the next week I’ll get it about half done as well as get myself in a sort of groove, so that once people return, the hard part of framing and envisioning will be done and I can just write a few hundred words in between music practices and food prep and other shenanigans.

I am putting up a chapter a day to the novel I wrote about here. Two up so far, one more coming later today.

I’ll be in Living Faith on Sunday. You’ll be able to see it here. 

A lot of my book sales are seasonal, specifically– Christmas and then Easter/First Communion/Confirmation related. I don’t have access to book sales from the various publishers that publish my books, but I do have some metric that Amazon provides authors. I don’t think it’s just Amazon sales, but I’m not sure. Anyway, not surprisingly, compared to previous years, this spring’s sales have been laughably miniscule. Totally expected. Shrug. The interesting thing, though, is that over the past two weeks, there’s been a rather dramatic uptick. Not at the typical height of April/May, but about four times as high as a normal June.

First Communions are back, baby!

Listening:  As reported, we have moved on from Brahms, Haydn and Prokofiev(you can listen here to the entire playlist – it’s public now – and he got “Excellents” from all three judges in the competition) to Gershwin (the big three Preludes plus Novelette in Fourths and Debussy’s First Arabesque. That’s the summer playlist, with him beginning to tackle the entire Moonlight Sonata as his big project for next year. Plus, I think the teacher is wanting him to do some Chopin Etude.

Watching: A bit of a blip in movie watching, as work schedules, hanging out with friends The Man in the White Suit (1951) - IMDband a new video game have interfered. After Hobson’s Choice, we stayed in England and took in the Ealing comedy The Man in the White Suit

A low-key satire about human beings’ response to innovation and change. Alec Guinness portrays an unassuming yet committed young scientist who is trying to invent an indestructible fabric. He seems to succeed, but the initially-welcomed development is soon understood to have repercussions for almost everyone – from the big business tycoons to labor. It’s a movie about persistence, creativity, resistance to change and yes, my favorite theme, unintended consequences. Not as hilarious as The Lavender Hill Mob or quite as dark as Kind Hearts and Coronets,  but a gem of a film.

A Nanoscale Perspective on The Man in the White Suit - 2020 Science

We watched in on the Kanopy platform via the library, and followed it withthis Buster Keaton short,also on Kanopy.

Reading:  Wandering about the internet, searching through book blogging and reading sites, I happened upon this entry focusing on a mid-century novelist who apparently penned relatively short, sharp and dark books. I’m sold. I picked up The Girl on the Via Flaminia  – reviewed here, and read it in an evening.

(My main go-to for books like this, the Internet Archive, has been hit with legal action restricting what books it can make available for borrowing – books that you could borrow for a week or more are now only available for an hour. Hopefully they can get that straightened out soon. I discovered that this was available via Hoopla from my local library. It seems to me that Hoopla’s holdings have greatly expanded since the last time I checked, before Covid.)

I enjoyed it very much, although, you know, it wasn’t a laugh riot or anything. Set in Rome during the last stages of the Second World War, it’s about an American soldier who attempts an arrangement with a young Italian woman. A step above prostitution, in his mind, but is it really? Aside from the interesting landscape of wartime Rome, it confronts us with important questions about victory, defeat and occupation – and the impact of these Important Events on ordinary people, who simply want to live their lives.

I’ll be reading more of him.

Now I’m reading The Boarding House by William Trevor, which I also borrowed digitally from Hoopla. It’s quite a strange book. I started it last week and gave up after twenty pages, but then returned to last night. I’ll stick with it this time.

Cooking: Three major recent successes:

Madeleines. They were Son #4’s favorite bakery good from France years ago, and it just wp-1592919871186.jpgoccurred to me a couple of weeks ago that I should try to make them. Ordered a pan for the purpose, and followed this recipe – success! The recipe is correct though – these are not items that keep. They really are only good the first day.

These ribs. I ended up marinating them for almost three days (kept meaning to cook them, but life interfered). Delicious. Excellent. And yes, the Chinese cooking wine does make a difference. (Obtained, along with the ribs, from our local mega-Asian grocery store. $2.99 a bottle.)

A bone-in ribeye cooked via this method – the reverse sear.This is the second time I’ve done this, and I’m sold. Yes, I splurged on a higher cut of steak (when you’re only buying one, and you do it once a month….go ahead), so that makes a difference, but this method really does produce a wonderfully juicy steak, no resting required.

Now…no cooking for a week!

 

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