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« Sts. Simon and Jude – October 28
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Guanajuato, Day 2

October 28, 2022 by Amy Welborn

One of the highlights of my day was not an American woman walking by me, talking on her phone, saying loudly, “You know, Latinos are very superstitious. They believe that having their photo taken steals their soul.”

Nope, not that.

Anyway, day 2 was mostly museums, wandering, and tacos. That’s really why I came: for the tacos. At a plate for about $2.50, when the same at home (authentic tacos even from a truck) run about $3.50/apiece.

First, though, two church stops.

The San Diego is right next to the Teatro Juarez. In it, a group of women were praying – not the rosary, but not sure what – and the photo I posted yesterday was from there. Later in the day, I went to the “museum” in the crypt, which is really just an excavation site of the original structure – which is interesting to see, and I suppose worth the .80 I paid for it.

(Remember – you can click on any photo of for the full version. Videos are on Instagram because I’m not going to gum up my WordPress media storage with videos. For past days, check the highlights.)

Then up to Templo de la Compañía – built by the Jesuits, but only used by them for a couple of years before they were expelled from Spain (and New Spain) – unused for a few decades, then taken by the Oratory of St. Philip Neri. It’s being used as a venue by the Cervantino music festival, and they were setting up and doing sound checks for a performance later today. It was all so interesting to watch that I probably sat there for thirty minutes – not the technical aspects of the setup, but the juxtaposition and the life going on: the sound and visual techs doing their thing, loudly, a group of mostly women gathered right in front of the stage praying, loudly, some workers up around the high interior cross, arranging flowers, tourists, random pray-ers, and then a group of children accompanied by some women and a priest in a habit I didn’t recognize (light brown – really tan – scapular over a white robe).

Then into the huge Mercado Hidalgo – lots of tourist tat on the mezzanine level, but food and your basic goods on the bottom. Across is another market which is all food stalls. The women stand up on stools, wave menus at passers-by and do this tschu-tscu sound. I went ahead and ate there – it was, of course, good – all freshly prepared, etc.

Then to the museums.

First, the Diego Rivera house and museum. Rivera was born in Guanajuato, and I knew about him was “murals” “communist” and “Frida” – so I learned a bit, even though it was all in Spanish – I can make out museum placards just fine, but don’t ask me to tell you what the funicular conductor just said to us on the way down…I hope it wasn’t important, because I have no idea.

Then to the Museo del Pueblo de Guanajuato, right next to the university. It’s a small museum with changing exhibits. Most interesting to me was a current exhibit of paintings from their collection that feature the religious orders vital to the history of New Spain. Also, the most amazing vanitas painting I’ve ever seen. (couldn’t take photos in the other parts. Probably wasn’t supposed to here, but…)

Next, Cervantes.

So, you are wondering, why is Cervantes and Don Quixote so important here? All because of one man named Ferrer: A Spaniard who fought in the Civil War against Franco, was imprisoned in a camp during World War II, but survived and emigrated to Mexico, where he became a media mogul of a sorts. But while in the camp, he had obtained and read a copy of Don Quixote, which had deeply inspired him. He began to collect everything he could related to Cervantes, funded university programs, and finally, bequeathed his collection to Guanajuato.

(Fourth “museum” was the San Diego crypt)

Came back to the B & B for a bit, then headed back down to see nightlife. Someone said “Yeah, people will start coming tomorrow for Day of the Dead” and I am at a loss to imagine what it’s going to be like. Bonkers, I’m thinking.

Loads of music everywhere – in one photo below, to the right, there’s a band playing, and then to the left – you really can’t see – there’s a crowd gathered around a rapper. Street musicians, the Callejoneadas – whom, I must add, do not do their schtick for free. They hang out all day in the town, selling tickets to their walks. I don’t know how or when they look at the tickets – seem you can just join in whenever on the way, but they must.

I also figured out the mariachi situation. The main square in front of the Teatro Juarez is surrounded by restaurants, especially on one side. I was puzzled because there are probably a dozen mariachi bands hanging out around there, and at any one time, there are two or three playing at the same time, sometimes right next to each other. It was explained to me that people pay to have the mariachi sing for them, sometimes sitting on the park benches, sometimes sitting at restaurant tables, so it is just a mariachi marketplace.

Below: food, including much corn.

And then, after posting an Instagram story about how grateful I was for the funicular so I wouldn’t have to climb up and down that hill, I discovered….I had been misinformed as to the closing time of the funicular, so up I went. It actually wasn’t as bad as I thought. And probably good for me.

Also: hmmm.

Nah, too young. But impressive commitment to the look!

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Posted in Amy Welborn, Amy Welborn's Books, Catholic, Catholicism, Christian, evangelization, Guanajuato 2022, history, Instagram, Jesus, Joseph Dubruiel, Life, Liturgy, Mexico, Michael Dubruiel, pilgrimage, Religion, Saints, Spirituality, Travel | Tagged Amy Welborn, Amy Welborn's Books, Catholic, Catholicism, Guanajuato 2022, history, Mexico, Michael Dubruiel, religion, travel |

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  • Today is the feast of St. Margaret Clitherow. Linked is a post on her, and attached are a couple of images -  from the entry on her from the Loyola Kids Book of Saints, and the others from her shrine in York, which I visited last summer: There is more than one kind of death, and there is more than one kind of tomb in which the dead parts of ourselves lie, dark and still. Jesus stands outside every one of those tombs. His power is stronger than the stone, stronger than any kind of death. He stands; he desires our freedom; and to each of us he calls, “Come out!   On Flannery O'Connor's 98th birthday, a post with photos of her home at @andalusiafarm  as well as links to much of what I've written about her over the years.  Images from the Loyola Kids Book of Catholic Signs and Symbols, the Loyola Kids Book of Bible Stories, and the new Loyola Kids Book of Seasons, Feasts and Celebrations related to the #Annuncation.  From my 2020 Book of Grace-Filled Days. It's the Feast of the Annunciation - a few pages from my books related to the feast.  Most are published by @LoyolaPress. For more: Me on a certain element of John Wick 4. You can...probably guess which one.  Some thoughts on #solotravel and the #emptynest which of course turns into a Big Ol' Metaphor... "...as I get older, my position in this body seems to be shifting. Sitting in the front speaks of a life centered on quieting, teaching, forming and directing, of a time of life when molding and shaping other people is your job and actually seems possible.

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