Today, we remember St. Francis of Paola, an interesting saint. Here’s a good post from the Monastery of Christ in the Desert:
The immensely popular saint of Paola, Francis, born Francesco Martolilla, lived from 1416 to 1507. He was the founder of the Order of Minims (think here, “minimal” or “little” brothers) and was never ordained a priest. The name of the Order, Minims, refers to the members’ role as “the least of all the faithful,” as their founder expressed it. Humility was and is to be a hallmark of the Minims of Francis of Paola.
The Minim friars profess the traditional vows of poverty, chastity and obedience, as well as a fourth vow of abstinence from meat and other animal products, which includes eggs, butter, cheese and milk. In addition to friars, who are either priests or brothers, Francis of Paola also founded monasteries of contemplative nuns and a third order for people living in the world. One of the most famous members of the third order was the great French bishop of Geneva, Saint Francis de Sales. Just above the Paola sanctuary is a monastery of Minim nuns, eight in number. I was able to join them for Mass one morning during my visit to Paola.
Francis of Paola was canonized in 1519 by Pope Leo X and his feast day is April 2nd, the date of his death. Francis of Paola is patron of Calabria, as well as of boatmen, mariners and naval officers. He is much loved and venerated throughout Italy, but most especially, of course, in his birthplace of Paola.
Already a devout Catholic, in his adolescence Francis spent some time with Franciscan friars, partly in fulfillment of a vow made by his parents when he was cured of an eye ailment as a baby. After his year-long Franciscan experience, he made a pilgrimage with his parents to Assisi, passing through Rome, Loreto and a few hermitages along the way. This experience convinced Francis to become a hermit himself, which he did on his father’s estate and eventually at a small grotto on the hillside above the town of Paola next to the Isca waterfall and river that flows down to the ocean.
After several years alone in the cave by the waterfall and stream, in 1435 disciples began to come asking to share in the life Francis was living, desiring to dedicate themselves to prayer, fasting, work and contemplation, like Brother Francis of Paola. Eventually Francis and his followers founded a religious Order of hermits, at first called the Hermits of Saint Francis of Assisi, but later renamed the Order of Minims. The initials of the Order of Minims are O.M.
In 1483, when sixty-five years old, and with a reputation as a holy wonder-worker, Francis was called to the court of King Louis XI of France. The king was suffering from grave illness and hoped the holy hermit of Paola could bring about a cure. Instead, Francis was able to bring about the conversion of the king to a genuine Christian life. Francis of Paola remained in France for the next twenty-four years and died at Tours, on April 2nd, 1507, when he was ninety-one years old. He was buried in France. In 1562 the tomb of Francis of Paola was vandalized by Protestant Huguenots, who burned and scattered his bones. These were recovered by Catholic faithful and the relics distributed to various churches of Saint Francis of Paolo’s Order of Minims.
Now, one of the reasons I want to write about this St. Francis today is his connection with someone else – the great composer Franz Liszt.
Liszt being on my mind because the youngest son worked on the piece Sposalizio a couple of years ago.
Liszt, of course, was a fascinating character who had deep and fraught ties to his Catholic faith.
Sposalizio, in fact, was inspired by a Raphael painting of the Wedding of the Virgin.
Late in life, Liszt attempted to center his life more intentionally on faith (very complicated), moving to Rome and even taking minor orders. You can read about his spiritual journey here, in a piece by pianist Stephen Hough. Also, there is a great deal from a biography of Liszt available on Google Books here. He wrote a piano piece inspired by a legend of St. Francis of Paola:
More on Liszt’s religious works here.
Here’s a performance of the piece:
Thanks for the Liszt. As a pianist I have glanced at the sheet music for the Legends and was impressed never to attempt them. This is the first concert performance of a Legend that I have heard that impressed me–I usually hear someone trying impress with technical performance while this guy not only got the notes, he had some soul in the piece.