Organ Donor

 

I’ll be posting snippets and observations from our NYC trip last week over the next few days.

(No, I don’t take a blog/social media break for Lent. This is my work, so…no.)

One of the many highlights of our trip was the opportunity, on Thursday afternoon, for my organist son to meet and play the historic (built in 1868)  Erben Organ in the Old Saint Patrick’s Cathedral.

Here’s the website for the organization supporting maintenance and restoration of the organ.

And the Cathedral website.

Lana, of the Friends of the Erben Organ, was very generous with her time. She met us in the afternoon after we’d stuffed ourselves in not one, but two different Chinatown spots, talked to us about the history of the instrument, showed us the distinct factors of this type of tracker organ, led us around the back to see the innards, both in rest and in motion as she played, and then let my son play – no organ shoes were packed, so it was socks on the pedals.

For those of you not familiar with organs – and I don’t claim to be familiar, just vaguely aware – most organs, even pipe organs, that you see and hear today are electric and/or digital – since the two major actions of the organ – the movement of the air through the pipes and the connecting between the keys and the valves – are powered by electricity.

Of course, before the advent of electricity, this wasn’t possible. So organs were entirely mechanical. The key/valve action was by tracker action, and the air moved through the pipes by human-powered bellows.

(You may have seen old, smaller “pump” organs – in which the organist has to manually, with his or her foot, pump a large pedal to keep air flowing through the instrument. In larger organs, it would take another person to do so – in the case of the Erben Organ, there was a large wheel at the back to turn that would activate the bellows. Now, that element is electrically powered.)

There are pros and cons to electrical v. tracker action organs. My limited understanding is that an ideal instrument is a combination of both.

Playing an historic tracker action organ certainly is a different experience than playing a modern digital pipe organ, though. As my son said, he had to work a lot harder to produce sound (because of the force required to push the keys, in contrast to the light touch required for an electrical instrument), and because of that, the experience was more like playing a piano – which he, honestly, prefers to organ – than his usual instrument at church/work.

The pipe organ really is an amazing instrument – when you think about the large pipe organs that were being built even in the 14th and 15th centuries, the level of technological skill and knowledge required is astonishing.

Here’s the Facebook post on the afternoon, and here’s the Instagram post from the Friends, and from me, which includes a bit of video.

Please support them if you can – and support all your local church musicians and sacred music endeavors!