7 Quick Takes

April 27, 2018 by Amy Welborn

— 1 —

This coming Sunday is, well, a Sunday – so that means Sunday takes precedence over any saints’ days – but since it is April 29, and that’s St. Catherine of Siena’s day – here’s a link to a section from Praying with the Pivotal Players on St. Catherine – reprinted last year in Aleteia: Catherine of Siena – Drunk on the Blood of Christ.

At the end of his life, stripped naked, scourged at the pillar, parched with thirst, he was so poor on the wood of the cross that neither the earth nor the wood could give him a place to lay his head. He had nowhere to rest it except on his own shoulder. And drunk as he was with love, he made a bath for you of his blood when this Lamb’s body was broke open and bled from every part … He was sold to ransom you with his blood. By choosing death for himself he gave you life. (Dialogue)

Blood. Some of us are wary of the sight of it or even repulsed, but in Catherine’s landscape, there is no turning away. The biological truth that blood is life and the transcendent truth that the blood of Christ is eternal life are deeply embedded in her spirituality. We see these truths in the Dialogue, in passages like the one above, and even in her correspondence.

For in her letters, Catherine usually begins by immediately setting the context of the message that is about to come: Catherine, servant and slave of the servants of Jesus Christ, write to you in his precious blood….

The salutation is followed by a brief statement of her purpose, which, by virtue of Catherine’s initial positioning of her words in the context of the life-giving blood of Jesus, bear special weight and authority: in his precious blood…desiring to see you a true servant….desiring to see you obedient daughters…desiring to see you burning and consumed in his blazing love…desiring to see you clothed in true and perfect humility….

In both the Dialogue and her letters, Catherine takes this fundamental truth about salvation – that it comes to us through the death, that is, the blood of Christ – and works with it in vivid, startling ways.

More.

— 2 —

Look for me in Living Faith on Monday.

—3–

My youngest son and I went to a local production of Children of Eden for two reasons – someone we know was involved, and we had free tickets. The person we know did a spectacular job – and it was a huge job, and we’re very proud – but geez louise the theology is appalling and the show itself – musically and dramatically – is mediocre. I’d never seen it, and hardly knew anything about it except that it was about Genesis and is by the Godspell guy. Here’s a history of the show from Wikipedia – and it’s sort of interesting – it had a very short, poorly received run in the West End and, aside from local productions, that’s it. After seeing it, I understand why.

And what’s so bad about the theology? Well, think – Phillip Pullman belting 80’s show tunes – and you’ve nailed it.

I mean – when the show climaxes with Noah telling his son to take Adam’s spear, made from the wood of the Tree of Knowledge of Good and Evil – and to go out, replant it, and share the fruit with their descendants – you’ve got a mess on your hands.

Probably the worst of all of the late 20th century “Hey Kids, Let’s Put on a Bible Show!” creations. Well and enthusiastically performed though. So there’s that.

–4––

Since this is “quick takes” – let’s be appropriately random. I ran across these from Catholic Truth Society, which strike me as quite useful: short, inexpensive basic prayer books in a bunch of different languages.

These new prayer books will help bring together in prayer and worship Catholics of different nationalities. They offer a reliable translation of the Mass and some common prayers and devotions, in the familiar CTS pocket-size format, with the English text always set out on the facing pages. Prepared with the help of chaplains serving immigrant communities, these inexpensive booklets are principally designed to help newcomers to the United Kingdom. Catholics travelling to other countries will also find them useful travelling companions.

Nice! But wouldn’t it also be great if we could pray together in a single language that is a concrete expression of our unity?

Yes, that would be truly awesome. Can someone make that happen maybe?

–5 —

Let’s add to the already massive amount of great video material out there on the Internet: a new art history site – Heni Talks.

What I especially appreciate is that they offer transcripts of the audio – always helpful.

Here’s a video on the Lady Chapel of Ely Cathedral, wrecked by Protestants:

People come into this building to be healed, cheered up, but above all they would have thought about this in kind of medicinal terms. That you’re sweetened by the Virgin Mary. My thought is this. Was the curving Ogee arch and the beautiful, slightly fleshy, consistency of the architecture here, in a way a metaphor, or a communicative vehicle, for the idea of femininity? What they were doing at Ely was producing an architecture that in itself would have made people subliminally aware of the Virgin Mary as a kind of physical presence, as something which we love, which we’re drawn to.

The second thing was colour. This building was like a hothouse of colour. What we see now is like a bleached remnant of something that was altogether more exotic. And finally stained glass. So, much more striking. We might not have liked it, but we would undoubtedly have been impressed by it.

Iconoclasm literally is the destruction of images. Basically, the censorship off anything that is a representation. This building was absolutely packed with sculpture. A lot of that is gone, simply torn away. In the 16th and 17th centuries, when the English Reformation occurred, a long-drawn out and violent process, a very divisive process, the deliberate targeting of the central symbols of Catholicism was important. And certainly in this part of England, which was really the birthplace of the Protestant Reformation, there was a violent sentiment against all the things that had, two centuries before been extremely loved, respected and regarded. And the cult of the Virgin Mary, was swept away. The theory is always that by getting rid of the concrete expression of something, by erasing it, you disempower the idea and you disempower the perpetuation of the idea. It’s a way of erasing memory.

So when I speak about the art and architecture here being persuasive, being sweetening, you have to understand that to a Protestant reformer, all these little what they would call ‘puppets’ these statues all around the room, all the little stories, would be deeply interesting, but also repulsive and dangerous. And, as a result of that, what I call ‘hammer-happy iconoclasts’ went for this building with a kind of enthusiasm. All the statues were pulled down in the upper parts of the wall, all the stained glass just smashed out, and all the delicate little stories of the Virgin Mary, all of her little miracles, whacked off with hammers. All heads went, some of them are unrecognisable, and the colour was scrubbed off, and the whole thing, it was an effort to kind of cancel it, to destroy its power.

–6–

This one is also excellent – it’s on Pisaro’s Pisa Pulpit –

It is now over seven hundred years since the Italian Gothic sculptor Giovanni Pisano set chisel to stone. Though long regarded as his masterpiece, the Pisa Pulpit fell out of favour in the 20th century.

The rise of photography had given a new generation of historians outside of Italy access to the work, but photos failed to convey the pulpit’s complexity. Basing their opinions on two-dimensional reproductions, critics thought the carvings to be distorted and the narrative scenes grossly cluttered.

Art Historian Jules Lubbock examines a plaster cast of the pulpit in the Victoria and Albert Museum’s collections and argues that it was the critics who were ill-judged. As an inscription on the pulpit implores: ‘You who marvel, judge by the correct law!’

–7–

As you may recall, our Bishop Emeritus David Foley passed away last week. I didn’t make to any of the actual rituals – I was going to go to Vespers on Sunday evening, but I got a phone call and by the time I was done, it was too late. The funeral Mass itself was ticketed (our Cathedral is small), so I didn’t even consider that – but I knew they were going to process with the body from the church around the block to the courtyard where the episcopal burial plot is located, so I thought we would dash downtown for that (it’s a ten minute drive). I kept an eye on the progress of the funeral on EWTN (you can watch the recording here) and as Communion drew to a close, we got ourselves out the door and into the car. Now – the word had always been that the procession was of course, contingent on weather – and it’s been rainy here lately. But that morning had been clear, and at the moment we left, it still was. We parked and walked to the street where they Knights of Columbus were standing at the ready, waiting. Still clear. Around the corner come the servers, followed by the first set of priests – looking okay – but then…..sprinkles. Then more. Still more – and then a minute later, le deluge. It just poured down on all those priests and bishops in their vestments. You can see it on the video – starting around the 1 hour fifty minute mark.