7 Quick Takes

February 16, 2018 by Amy Welborn

— 1 —

Lent’s happening. Here we are.

Take a look at this marvelous photography project:

I’ve always been a street photographer. It just so happened that I was out photographing on Ash Wednesday in 1997. Out of only maybe six sheets of film, I had two really good pictures that day, which are amazing odds and it felt lucky. After the second year of doing it (when I photographed the police officer) I realized I had something. Because it’s only one day of shooting a year, it never makes me feel like it is enough, I feel compelled to do it again and again each year. It’s like an addiction.

From the book’s website:

“When I first saw someone with a cross of ashes on their forehead, it seemed like they were revealing a secret about themselves that was almost mystical. The idea, then, of asking this complete stranger if I could take their picture felt more personal than usual, like I was asking for their soul. But my subject’s response was “sure,” as if I had just asked to photograph them with their hat or scarf.

While Ash Wednesday is a solemn day for practicing Christians, meant to observe one’s mortality and repent, my primary interest is in the visual juxtaposition of the contemporary with the ancient. I encounter my subjects on their way to Saks Fifth Avenue, running to an important meeting or to catch a train, yet they wear the mark of a sacred ritual.”

— 2 —

Just a reminder about artist Daniel Mitsui. He has a blog here, in which he always has interesting things to say about his particular art projects and art in general – for example, how he makes a living as an artist. This recent post on the “Lenten veil” is fascinating. I learn something new every time I visit his site.

Of course the most important thing to remember about Daniel Mitsui is – support his work.

— 3 —

I had a lot of Lent-related posts this week, and will have more over the next couple of days. Just click back and forth to see.

–4–

Earlier this week, First Thing’s Matthew Schmitz tweeted about the film The Salesman. I’d never heard of it. It’s on YouTube. I’ve watched about half of it and will finish on Friday, probably. It’s fascinating.

Couple more chances to see this wonderfully funny and sad film on the hard sell of bibles and the American dream to hard-up Catholics. https://t.co/OW4tOMWVGM

— Matthew Schmitz (@matthewschmitz) February 12, 2018

–5 —

Today, my 13-year old and I attended a school concert presented by Your Alabama Symphony! (that’s how they’ve branded themselves) – the theme was music related to Alabama history (this year is the 200th anniversary of us becoming a territory, next year, of statehood.) That, with a bit of 1812 Overture tossed in. As usual, the orchestra was excellent, the audience was cooperative and had clearly been well prepared by their teachers (there was a lot of singing along) and at one point the folk singer leading the program said something like:

You know, when we sing the songs that people two hundred years ago sang, in a way, we’re joined with them – we’re all sharing the same life.

Hmmm…I keep running across this notion, articulated in relation to music and literature (remember the poetry article from a few months ago?).

The truth is that memorizing and reciting poetry can be a highly expressive act. And we need not return to the Victorians’ narrow idea of the canon to reclaim poetry as one of the cheapest, most durable tools of moral and emotional education — whether you go in for Virgil, Li Po, Rumi or Gwendolyn Brooks (ideally, all four)

How does memorizing and reciting someone else’s words help me express myself? I put this question to Samar.as young, and he was talking about love. I related to him,” Ms. Huggins said. (He writes: “We talked a lot and feel a kiss on our lips/Trembling there like a small insect.”)

“Reciting a poem will help you express what you’re trying to say,” she told me. “It’s like when I need to pray about something, I’ll look into a devotional, and those words can start me off.” Ms. Huggins grew up Episcopalian, but even the resolutely secular need to borrow words of supplication, anguish or thanks every now and then.

..do you think there might be something to it?

Nah….let’s sing a new church into being instead! That will be much better!

–— 6 —

Tonight we attended a screening of Grassroots Film’s Outcasts, presented at our Cathedral of St. Paul. It was moving, powerful, sad and hopeful. Filmmaker Joe Campo was in attendance, along with two friars. The film was a powerful witness to the friars’ apostolate around the world, but, just as importantly, an opportunity to think about the huge need for all kinds of Gospel-guided presence in our own community…and what might be happening on that front.