Hey – this will be short and photo heavy because it’s the end of a long day and my computer is very weird tonight. I don’t know how long I’ll have…
Sleep was a challenge for me last night, so I had little of it, it came to me late, and I didn’t awake until 9:30, after having Stern Conversations the evening before about Waking Up Early and Hitting the Ground Running.
The plan was to do the Tower of London, and everything I’d read indicated it was really best to get there early to beat the crowds. They opened at 10 am today, and I almost changed plans, considering we wouldn’t be able to get there until around 10:30…it’s good I didn’t. After all…it’s the end of March, not summertime. Lesson learned. Relax.
Our first stop was the Tube station where a very helpful attendant helped us with the Oyster Cards – as I said yesterday, getting one for me would be no problem, but loading youth fares on them involves official effort. We then hopped on the train and took off for Tower Hill – a very easy ride.
I had purchased the membership in the Historic Palaces, which meant our entry was already paid for and we could skip the ticket lines. When we arrived, the lines were sort of long – maybe each ten deep – so we could just move past that and walk right in – there was no line at the entry gate.
We walked up right as a Yeoman Warder tour was beginning. These are offered all day, constantly, and judging from our experience, are excellent. There is no reason, it seems to me, to ever pay for a separate tour to the Tower of London – what is offered as part of the ticket price would be difficult to improve on.
The tour began in the courtyard, and made three stops, ending in the chapel. The focus was on history, of course presented in the basics, but with good detail, balance and some humor that never descended into the Awkward Lameness that marks so many tour guide efforts. The chapel portion is centered on those who were executed on the Tower grounds, on Tower Hill and are buried in the chapel. At the very last, the guide explains his own background and role, and what the requirements are to even be considered to be a Yeoman Warder – 22 years in active military service, achieving a high rank and with (it goes without saying) a clean record.
(The portion of the chapel where St. Thomas More’s and others are interred is not open until 4:30 daily – up until then, tour groups rotate through the chapel continually. We were there earlier, so didn’t get in there, but hope to return at some point this week. You can gain access to St. Thomas More’s cell, but special permission is required, and I am not able to plan ahead enough to do such a thing, unfortunately.)
Once the tour is over, you are free to explore on your own. The Crown Jewels are the main attraction, of course, and the warnings are out there about Long Lines, but for us at this time of the year, it was a walk-through. No waiting at all. It is interesting to see, but the American Boys were more puzzled by the grandeur than anything else.
The White Tower (the main, central, iconic building, built by the orders of William the Conquerer) contains various rooms with armor – if you have ever seen any substantial armor collection, it will be of the mildest interest. We stopped for another free tour talk in St. John’s Chapel in the White Tower – the oldest Norman chapel still in use, they say – this talk given by another employee, not a ….. It was fine, although a lot of basic history was repeated – I had thought it would be more about the chapel itself.
The other main attraction, beside the ravens (which are enormous) is the Beauchamp Tower, a sad place that looks down on the execution grounds, the walls of which have the etched graffiti of many who were imprisoned there.
We had a meal at the museum café, which was quite good – the boys had fish and chips, I had potato and leek soup.
Crowd takeaway: it was busy, and was much more so by the time we left than when we had arrived. There were several school groups, ranging from high schoolers who seemed to be French and German, and several groups of little English schoolchildren. I mean – like six years old.
By then, it was about 2:30, which gave us time for an initial look at the British Museum. We rode the subway back over in that direction, and had two hours there before it closed, which was fine. (They ask for a donation, but there is no admission). Today, we hit the Ancient Near East and European rooms – the Sutton Hoo was a main destination – then down to see the Rosetta Stone and the Parthenon Marbles before we were driven out. We’ll return in a couple of days to explore some more.
I figured out how to do panorama!
We then walked down to the theater showing Matilda to see about tickets for tonight – turns out, they are dark on Mondays, and I don’t know why I didn’t know that. My other want-to-see was An American in Paris, so we walked up, got tickets – the cheapest were under 30 pounds…can you get tickets to a Broadway show for that? – and then found some food. We settled on a little French hamburger place called Big Fernand that was staffed by the most enthusiastic, lovely group of French young adults. They were charming and very much aiming to please. The hamburgers were okay – Five Guys is better….was the report (and there are many Five Guys in London….) We made our way back to the theater, with stops for Kinder Eggs, and then at the drug store for things like shampoo and toothpaste, and finally a Muji stop – I love their notebooks – very plain and very cheap – and to the theater.
Okay. I was pretty excited to see this show. An American I Paris is one of my favorite films and I adore Gershwin. I had actually followed this production since its debut on Broadway, read a lot of reviews and I knew that there some varied opinions out there. I knew it wasn’t a slavish recreation of the movie. But that was okay! I was open to new things. And the beginning, which seemed to me to be a stylized evocation of postwar Paris, was different, but well-done. I didn’t mind it..
I’m going to tell you…I didn’t like it. I’m not crushed, just a little annoyed. I actually want to think about this and write something substantive because I think the differences are culturally revealing. It was also bizarre in some ways, and many times, I wondered, Who thought this was a good idea? Not that there was anything strange that violated the non-existent American in Paris canon, but the reimagining of the story was forced, belabored and almost infantile, compared to the maturity of the original.
I’ll just note this here, more for my own sake, so I don’t forget: When you look at pop culture over the past forty years, the dominant theme of everything seems to be Breaking free of parental expectations to carve my own unique path. Unbelievably, this even invades An American in Paris.
But beyond what I think are interesting and telling thematic differences I suppose what I saw tonight was the homogenization of talent. There were no distinct voices or faces – everyone looked, acted and sang in the same way. Everyone would get an “A” but you wouldn’t remember a single distinctive thing about them. Well, as I always say after an experience like this – at least I got that out of my system. I’d been wanting to see it since it opened, and now I have. And maybe I’ve saved you some money.
So! That was fun!
(How did the boys react? I think they were mildly entertained, a little bored, but not resentful of the experience, thank goodness. It wasn’t the most fun they have ever had, but they didn’t fall asleep and were in good spirits after….)
Then about a fifteen-minute walk home, and my race against the computer to get this to you.