Both are in The Loyola Catholic Book of Saints.
There are countless reasons to bring knowledge of and devotion to the saints into the lives of our children. It is just..Catholic, of course. That’s really all we need to know, but even so, a day like July 14 – which is like every day in the Roman Calendar, filled with the remembrances of such diverse people is an essential corrective to the damaging stupidities of the age as well as a necessary corrective to the negativity and hopelessness that tempt out children. And us.
Look at these two. A rough, gambling soldier of fortune and a Native American girl in precarious health. Both used by God to bring countless seekers and wanderers back to Him, during their lifetimes and after and both honored and reverenced as special friends, as models for any of us, no matter who we are – as saints.
Where else do you find this? In what other part of life do the wealthy and powerful kneel down and beg the help and prayers of the world’s discarded and despised?
Some portions of the entries are available on Google Books, but of course the whole things are available in, well, the entire book.
Also: Consider this painting:
Pierre Subleyras (Saint Gilles du Gard 1699–Rome 1749): St. Camillus de Lellis saves the sick of the Hospital of the Holy Spirit Sassia during the flooding of the Tiber of 1598.
1746 oil on canvas, 172x248cm
By the decree of 14 April 1741, Benedict XIV reorganised the criteria for the expenditure on the processes and ceremonies for the beatification and canonisation of saints, cutting back on the waste and the corruption of the Roman Curia. The reform also revised in detail the contents and the number of paintings which, by custom, the various Cardinals involved in a process, as well as the Pope, could expect as a right. In particular, on the occasion of the ceremony of a canonisation it was established that the Supreme Pontiff was to be given a large picture that depicted ‘either a miracle or the glory of the saint, or some virtue practised by him’.
In 1746, while the solemn canonisation of Camillus de Lellis was being prepared, the Order of the Camillians, respecting what was prescribed, proceeded to commission a painting to be given to Benedict XIV. This large canvas, produced by Pierre Subleyras during the same year, which is today to be found at the Museum of Rome, portrays the saint as he strives to save the patients of the Hospital of the Holy Spirit in Sassia during the flooding of the Tiber during the night of 23 December 1598. This works attests to an adherence to the liturgical and ceremonial rules of the Church of the epoch and, at the same time, reflects the cultural and artistic climate of the pontificate of Lambertini…
In his painting for the Camillians, the artist conceived of a work of great pedagogic and promotional efficacy, interpreting to the full the spirit of the magisterium of Camillus, celebrated by his biographers asvir misericordiae. This saint, who lived in the second part of the sixteenth century, dedicated his life to caring for the sick and – going against the mainstream outlook of the Catholic hierarchies – promoted the essential role of religious in providing material care to the sick. In 1586, indeed, he obtained papal approval for the foundation of the Order of the Regular Clerics Ministers of the Sick, also known as the Camillians.